Social Augmented Experiences leveraging geoawareness and human and machine intelligence to create real time information brokerages, combined with an augmented reality view, can create a new opportunities to reimagine our relationships with each other and our environment.

This Summer, I have been on a blogging hiatus, which has meant I haven’t been sharing as frequently and, unfortunately, the second half of two conversations I had earlier this year, both of which have much influence my thinking on social augmented reality, have languished in private mode -  part 2 of my talk with Bruce Sterling (see Interview with Bruce Sterling, Part I: At the 9am of the Augmented Reality Industry, are2010, and part 2 of my conversation with Anselm Hook - Visual Search, Augmented Reality and a Social Commons for the Physical World Platform: Interview with Anselm Hook, Part 1. Time to get caught up on some blogging!  The lightly edited transcript of Part 2 of my conversation with Bruce Sterling is posted in full below.

Bruce Sterling has been blogging all the key developments in augmented reality (amongst other topics of interest!) on his Wired Blog, and he brought my attention to Boskoi the Ushahidi based app for Android phones, augmented foraging pictured in use above – for more pics see fightthegooglejugend.

Augmented Reality and Real Time Information Brokerages

Picture above is the path the “nomads” took through the Westhaven cryptoforest with Pieter Bol,co-auteur of the book Biological Globalisation and Theun Karelse of Urban Edibles Amsterdam “who presented his ‘augmented foraging’ app Boskoi.“  For more see, The Cryptoforests of Utrecht and, Westraven Psychogeography, 6 June 2010. Note: Cryptoforests: 1) Urban forests hidden from view 2) Urban fallows that might or might not be considered as forests 3) Gardens gone wild)

My interest in the Ushahidi family of ideas was already fired up by a conversation with Anselm Hook early this year.  We discussed a number of Ushahidi related projects, Swift, Crisis Filter and Anselm’s project Angel, Augmented Reality, and my own keen interest in an open, real time, distributed platform for augmented reality – ARWave.

The Ushahidi platform and the related project Swift has pioneered the real time brokerage of information with people acting in curatorial roles or matchmaking roles coevolving with machine assisted matching to connect wants to haves.  Ushahidi uses multiple gateways including SMS, and Twitter.  But the Ushahidi family of ideas is extremely interesting when combined with augmented reality and suggests many new possibilities for social augmented experiences, as Anselm pointed out, for human to human communications, human to civilization communication, and human to environment communications (e.g., perhaps, how machine intelligence can help bridge the difference in time scale that Kate Hartman explores in her, Research for Glacier-Human Communication Techniques).

Ushahidi, which means “testimony” in Swahili, is a website that was initially developed to map reports of violence in Kenya after the post-election fallout at the beginning of 2008. It is now an open platform with a wide range of applications and growing developer community.  See What is the Ushahidi Platform? from Ushahidi on Vimeo.

Swift - a project that emerged from the Ushahidi dev community, is a human sensor/real-time brokerage for dealing with emergencies, enabling the filtering and verification of real-time data from channels such as Twitter, SMS, Email and RSS feeds.

Boskoi – augmented foraging is the first app,  I have seen, to begin linking Ushahidi with augmented reality – although I don’t think there is a full augmented view for Boskoi developed yet?

“The whole point of AR is to see things from a different point of view…”

Click to enlarge poster from upcoming ARWave demo at Software Freedom Day – for more see below

I am often asked what augmented reality brings to the table with respect to location based social networking, which is on the verge of going mainstream in smart phone apps like Four Square. While the first part to my answer is usually to explain what is unique to augmented reality.

As Bo Begole notes, the full vision of AR requires machine perception technologies to detect the identity and physical configuration of objects relative to each other to accurately project information alongside/overlaid with a physical object (see this post on the PARC Blog by Bo Begole on the difference between AR and ubiquitous computing – thank you Rouli for bringing my attention to this).

But it is only in recent months that we have begun to see the kind of tools that make this possible become freely available to developers – see my interview with Jay Wright of Qualcomm here.   Also see this post on Bundler: Structure from Motion for Unordered Image Collections an open source system that allows the creation of 3D point clouds from unordered image collections, e.g. internet image collections.  We now have many tools available to move mobile augmented reality beyond the recent crop of apps relying on GPS and compass alone for positioning into a new era of vision assisted AR apps that will increasingly bring the full vision of AR into our daily lives.

Further, the integration of visual search applications like Google Goggles and Kooaba which can detect the identity of particular objects will add another vital tool to machine perception technologies enabling AR “checkins” on potentially anything in the physical world around us, and more fuel to the Gamepocalypse (e.g. it would be easy to turn every trash can in the city into a basketball hoop as we discussed at the ARNY meetup last month).  And soon, the Pandora’s Box of  facial recognition (Google Goggles have the capability though it is not released to the public yet) will open up.

Jesse Schell described the importance of AR in a nutshell in his keynote for are2010:

“The whole point of AR is to see things from a different point of view…How can there be a more powerful art form than one that actually changes what you see?”

But how AR matures as a social experience will be the key to Jesse’s suggestion that:

“Augmented Reality will be one of the things that fundamentally define the 21st century”

There are many interesting forms of AR that are not reliant on a tight registration between media and physical objects – several are put forward by Bruce in the convo below.  And, it is likely we will see AR eyewear as an occasional useful accessory to a smart phone long before we have the sexy, affordable augmented reality eyewear worn that we wear throughout the day.   These speech to text glasses would be a very useful and viable accessory to a smart phone right now for the hearing impaired.

For the moment, as Bruce notes, some of the most interesting and useful augmented experiences to date have not been in the cell phone space:

“There are other aspects of AR besides the cell phone space. There’s Total Immersion’s big display screens. There’s the web-based fiduciary stuff. And there’s projection mapping. And then there’s experience design just for people who need their reality augmented for whatever personal or social reason.”

On of my favorite social AR experiences is this SMS Slingshot.

But I have been excited for a long while about the intersection of mobile social augmented reality, real time communications, and ubiquitous computing see Total Immersion and the “Transfigured City:” Shared Augmented Realities, the “Web Squared Era,” and Google Wave.  And I have described in many places why I think real time, open, distributed communications for AR are so important to developing social augmented experiences – see the slides for my talk at Augmented Reality Event here, here and here for starters.

ARWave at Software Freedom Day 2010, September 18th 2010

Thomas Wrobel and Bertine van Hovell will demo the first ARWave Android client at Software Freedom Day this weekend!

A number of people have asked me, (including Bruce), What will be the future of ARWave now that Google Wave is no longer a stand alone application?  Yes, the recently announced release of Wave in a Box (see here and here) is very exciting for the ARWave team.

The ARWave Android client is the first open AR client built on an open, real time, distributed platform -  based on a server that anyone can download and set up, currently the “FedOne” server but Wave in a Box, hopefully, will be even easier to deploy.  Wave in a Box seems perfect for ARWave’s needs – for more see the WiaB Google Group here.  And for more information on the ARWave client -  click to enlarge the poster below, see the ARWave concept video here, and for more, and how to get involved see arwave.org.   Props to Thomas Wrobel and Bertine van Hovell (posters below from demo for Software Freedom Day), Mark Evin, Davide Carnovale, and Markus Strickler, for all their hard and brilliant work on ARWave.  Also to JCPT the open Android 3D engine that has saved a lot of work!

click to enlarge slide

Social Augmented Experiences that Matter

My ideas on the future of social augmented experience have been deeply informed by the the conversations I had with Bruce Sterling and Anselm Hook this year.

Bruce Sterling notes in the conversation below, location based social apps like, Four Square, are interesting because they are not “urban geography like Google’s satellite stare from above,” but rather “groups of citizens are doing portraits of their own region.” Augmented Reality, with its of lauded power to make the invisible visible is, of course, is the ideal tool for “citizen portraits”  to the next level.  Cory Doctorow described to me three years ago (see here) an “inverse surveillance society,” enabled by an augmented view  – “where all the data from the positional and temporal characteristics of all the objects that we own were in aggregate visible and available so that we can mix and match them remix them understand them and have more agency in the world.”

It is very cool to go back to reread this conversation now that it is becoming possible to build the kinds of apps Cory described, and Bruce Sterling envisioned in Shaping Things (see Amazon.org  page 111).

click to enlarge

My  conversation with Bruce earlier this summer (see below) took place on the heels of are2010 – Augmented Reality Event.   See the video of Bruce’s keynote, “Bake a BigPie,” here,  and the final keynote, “Seeing,” by Jesse Schell (see video here) in which Jesse riffed on AR and the man with the X-ray eyes.  Both these awesome talks are still fresh in my mind.  Bruce noted how we should pay attention to augmentations for people and situations that could really use some augmentation… and not get too fixated on the coming of AR Goggles.  He elaborated on this in our conversation (again full transcript below):

“Well, it’s a matter of deciding whose reality it is that you’re trying to augment. I’m not trying to be a bleeding heart about it, but obviously there are people in our society right now with reality that could really use some augmentation. They are mostly disadvantaged people. They are vision impaired, or maybe they have autism. They might be senile and just can’t remember where they put their shoes. These are people who could really use some help, right?”

So, start with people who really need sensory or cognitive help. Before you turn our geeks into Superman, why don’t you try turning some people who are harmed into more functional individuals? Then you’ll be able to learn how to do that. Then maybe you can ramp it up to these Nietzschian heights of the superb Man With the X-ray Eyes. Whatever.”

What will make AR interesting and useful long before and long after we see the full vision of AR eyewear manifest is its social aspects.  Bruce points out:

“My argument would be that if you want people to be more sensitive toward certain, say, issues and problems, it’s better to find the people who are already sensitive to those issues and problems, and give them a bigger stake in your augmentation system.”

“Say that I am really worried about public health. Well, if I have a lot of nurses that are using my system, people who are aware of my issues, then I could be walking around and I’ll see a lot more tags saying, “This is where he got food poisoning!” “In this shooting gallery, many people have caught AIDS!” Or, you know, “Tuberculosis has been spotted over here in this building.”

At that point, I could simply share their knowledge and get some social intelligence. As opposed to trying to amp the basements of my little hacker-mind and drag stuff up that’s escaped my conscious attention.”

Finding new ways to broker information – bring together needs with haves and different participants, empowered and disempowered  is., as Anselm discussed with me, one way to change our view of human to human, human to environment and human to civilization communication (particularly in light of this  “sobering account of how open data is used against the poor in Bangalore” that as @timoreilly noted recently OpenData Empowering the Empowered).

The key idea in a crisis filter, Anselm noted,  was to break up the participants into different kinds, to connects wants with haves:

“There are people who are in  situation.  We call them citizens.  And then there are reporters, people who report situations back to Twitter.  And then there are curators, people that canvas Twitter looking for important Tweets.  And then there are first responders, people who take the curating collection of responses and then act on them.”

This kind of brokerage between people acting in a curatorial role or matchmaking role with each other can be extended into and coevolve with machine assisted matching as Anselm explains.

It is also a vital part of creating social augmented experiences that matter.

One of Anselm Hook’s projects, which is called Angel is the the most radical expression of connecting wants with haves in that the idea is that “you have a situation, you broadcast that situation, and help magically appears.  You don’t even sign up for a service.  You just get help …

As Anselm explains this is the same idea of a brokerage for dealing with emergencies, but applied to the long tail of crisis response.  As Anselm describes it:

“I am interested in personal crisis.  ‘I lost my cat.  Help.  I can’t find where my kid is.  I am out of gas.  I have a flat tire.  My house is on fire.  My aunt is trapped in the bedroom.’  The kind of personal crisis that is just as important, but is not enough to get a national movement to help you…

I will publish this conversation with Anselm in full in an upcoming post.

Zorop – an ARG for World Peace

If you want to be part of a really exciting experiment to reimagine our relationships with each other and can be in San Jose this weekend, I highly recommend exploring this “rabbit hole”.

Thank you Gene Becker, Lightning Laboratories and Ubistudio for sending me this invite:

“Ken Eklund (@writerguygames) is developing a wonderful game for the 01SJ Biennial called ZOROP, aimed at creating World Peace(!). Some of you might know Ken from his work on the amazing ARGs EVOKE and World Without Oil. Anyway Ken, along with his collaborator Annette Mees, are furiously working to get ZOROP ready to go for the Sept 17th premiere at 01SJ.

Are you intrigued? I thought so, and here are your next steps down the rabbit hole:

> Check out http://zorop.org to learn about the game

> Follow @ZoropPrime to watch it unfold: http://twitter.com/zoropprime

> ‘Like’ ZOROP on FB for a different view: http://www.facebook.com/pages/Zorop/141140772593618

> Become one with the game; consider volunteering as a Zoropathian: curious@zorop.org

> Head down to San Jose on the 17th, play the game, and ride the ZOROP Mexican Party Bus. Seriously.”

Interview with Bruce Sterling

Click on image above to see video clip from from brucesflickr

[Note the first part of this interview is here and I broke in anticipation of Part 2 just as I started experimenting with an idea Joshua Kauffman – an advisor and entrepreneur working on design in the public sphere gave me for an interview technique – the All Souls College one-word question interview.  Although apparently they recently scrapped it and I am not very good to sticking to a single word!]

Tish Shute: We were talking about these proximity-based social work networks like Foursquare and Gowalla and how they may influence the emergence of social augmented experiences.

So Joshua’s suggestion for the first word was “territorialization” e.g. how do these new mobile social experiences like Foursquare, and the observation that actually rather than breaking down territorialization – which would be a good thing, tend to support territorialization…

Bruce Sterling: Yeah, they’re re-intensifying it in a very odd, electronic fashion.

Tish Shute: Yes.

Bruce Sterling: It’s not true of projection mapping or the webcam fiduciary display stuff. But with the handheld stuff, and especially the urban informatic stuff, it really can’t help but take on a local flavor. Layar is like “Augmented Dutch Reality.”

And TonchiDot is “Augmented Japanese Reality.” It’s hard to imagine a Layar interface going gangbusters at Tokyo. Whereas the TonchiDot interface, which is so clearly influenced by Anime and cartoon graphics…. Maybe it could find some niche of hipsters in Amsterdam hash bars…

Stuff that’s socially generated by people on the ground, as with Foursquare and Gowalla, is bound to take on a regional influence. Right? It’s like the New York hipsters who were early adopters of Foursquare. They’re not mapping New York! They’re mapping Hipster New York.

It’s all about Williamsburg and places where 24-year-olds go to drink… They found a demographic niche there. These guys are building the service for them. They’re people who are willing to work for Foursquare for free, because they want to wear the little king hat.

Tish Shute: I got the far far away badge ‘cos I live on the Upper West Side!

Bruce Sterling: But that’s not urban geography, right? I mean, that’s not like Google’s satellite stare from above. That’s a group of citizens doing a portrait of their own region. You’re going to see interesting things happen because, of course, people who use Foursquare elsewhere are going to check into New York, and they’re going to look at the “New York Foursquare.” They’re going to be aliens who interact with Foursquare people in New York and annotate what they’re seeing.

Tish Shute: Oh! Yes. Good point.

Bruce Sterling: That Foursquare community has a certain émigré soul. It’s different from the normal émigré soul of simple tourists on New York. So you’re friend there is right about the territorialization.

Tish Shute: Yes, Joshua Kauffman is a smart guy! Yes I am interested to see what interesting kinds of deterritorializations proximity based social networks and the hyperlocal view of augmented reality might bring, not just the new territorializations.

Bruce Sterling: It’s not the intense kind of territorialization, like gangs putting down graffiti markers and beating people up. It’s an inherent regional character that comes with using peer production to build your database.

Tish Shute: We were discussing whether AR could break down the walls between people – people who share the same physical space but actually inhabit different territories even if they are sitting on the table next to you.

Bruce Sterling: You know, I just wrote an article for my Italian magazine column. I think I mentioned this to you – a report about ARE 2010. I titled it, “Chicks Dig Augmented Reality.”

Tish Shute: [laughs]

Bruce Sterling: There is a very heavy social element to AR, and a phone based element. So the question is: Why would a woman wear a fiducial marker? Like our Metaio speaker at ARE2010 who had a fiducial marker on her lapel pin.

Tish Shute: Right. Lisa!

Bruce Sterling: Why would a woman go out in public with her Facebook profile on her body?

Tish Shute: Well I can think of some reasons…

Bruce Sterling: So that men will approach her, of course.

Tish Shute: Yes the core of all successful social networks is always a form of dating app.

Bruce Sterling: You do it a social icebreaker. It’s like: I’m a woman, I’m sitting here alone, and you can sort of glide by and, you know, take a snap of me. Then you retreat and have a beer with your friends and you work up the courage, and then you come and say, “So! Susan! I understand you like bicycling! And, boy, me too!” Right?

Tish Shute: There are all kinds of social barriers between people in cities that AR might be helpful in breaking down. An extreme example is the dilemma you actually quite often face as a New Yorker as you walk around a city. There are people asleep on the pavement and you don’t know if they’re dead or alive.

Bruce Sterling: Right.

Tish Shute: And you sort of like have this awful ethical dilemma of like, “Am I walking by someone I should be shaking by the shoulder, right, to wake them up so they don’t die, right?”

Bruce Sterling: Yes.

Tish Shute: You said in your keynote that we should pay attention to augmentations for people and situations that could really use some augmentation..

Bruce Sterling: Right. There actually is such an app in Britain right now. I posted about it: two Augmented Reality schemes for rubbish and hobos.

Tish Shute: Right. Yes I saw that!

Bruce Sterling: “Any sufficiently advanced technology is indistinguishable from garbage and hobos.” You don’t need to personally find out whether this hobo is worth your help. What you need is a good way to report the hobo to a hobo check-up service. They come in, and they look on their own database or supply a database to you, or a facial recognition unit, whatever. The service says: “Oh, well. That’s Fred. He’s a paranoid schizophrenic. He always sleeps in that alley. Let him be.”

The same goes for the rubbish — although I don’t want to compare rubbish to hobos. In fact, people do go out with their AR kits and take pictures of abandoned garbage bags and broken glass. They upload them with geolocated tags for the local garbage guys. Guys who are sitting around doing pretty much nothing because they don’t know where the rubbish is.

And they will come out and get the rubbish! I mean, they just deputize guys to go out and follow these alerts. Right?

But nobody predicted — least of all me — that you were going to have a high-tech Augmented Reality system that consisted of removing rubbish and derelicts. Right? But rubbish and derelicts always go profoundly under-reported. It’s just hard to get people’s attention.

But it’s very easy to set up a system so that, if you get ten reports on the same piece of rubbish, that’s going to work its way to the top of the stack. That’s why I was trying to get AR people away from the romance of the hottest app for the shiniest machine. More toward a design stance that’s more user-centric.

Where are the actual problems about stuff that we perceive? Stuff we can’t do anything about? Or people whose mechanisms of perceptions are harmed. They could be doing good work, being more participative, if they didn’t, basically, walk around without their glasses on.

Tish Shute: Well this leads well into the second word, Joshua suggested was interesting spring board – sensitivity.

On the one hand we can do these things for people who maybe need the augmentation because they have difficulty with one or another sense, e.g., their eyes are not functioning, or their ears are not functioning. But on the other hand, we can’t cross the social bridge to communicate with people who are temporarily disempowered in relation to the rest of society e.g. hobos and people who sleep on the streets of New York City.  And even though Augmented Reality could potentially be helpful it can even be more disempowering to the already disempowered.

Bruce Sterling: Right.

Tish Shute: But re “sensitivity” – does augmentation increase or decrease our sensitivity? This is a problem that Will Wright brought up [see video of Will Wright’s keynote at are2010], e.g, the problem of parking HUDs getting in the way of your intuitive parallel parking skills. The Lexus that takes driving control from you when you look back, ‘cos it knows that you’re looking at the road, and it starts to brake. Right?

Bruce Sterling: Right.

Tish Shute: The fact that the problem with technology is that it makes us less sensitive, right, augmentations sometimes get in our way?

Bruce Sterling: I suppose that’s true. But I’ve heard that said about practically every medium. Especially television.

Everybody wants to blame machinery for their lack of morality. It’s hard to top something like the Kitty Genovese killing in New York. This sort of legendary New York horror story from the 1960s. A woman is stabbed to death in public, no one does anything.

Tish Shute: Right.

Bruce Sterling: I don’t think that our media is making us any less humane or more callous.

Tish Shute: All right. Oh no! I see what you’re saying. Perhaps I misrepresented what Will was suggesting by putting it that way. The question is perhaps more how do we get the sensitivity into the technology. Human bodies are fantastically sensitive and sensory.

Bruce Sterling: Right.

Tish Shute: And we have these like sensitivities. For instance, How could augmentations of reality be like a blush ? You definitely want an interaction that’s not just this data being pushed at you. But what is the data that counts, right? Will shows a slide often of an iceberg with the tip of the iceberg which is the conscious mind.

Bruce Sterling: Oh, I see. Yeah.

Tish Shute: And underneath it is all the preconscious stuff that really counts, right? Any thoughts on that?

Bruce Sterling: I did take interest in that. Will has obviously been spending a lot of time studying cognition.

Tish Shute: Yes.

Bruce Sterling: I’m not convinced that AR has got a lot to do with that. There is certainly a trend there. There are a lot of people who want to do body hacks and brain hacks. I can imagine AR being used for that purpose, but it seems like a niche application. What is the point of our accessing even more stuff that’s outside of our consciousness?

Tish Shute: One of the things he is talking about is game dynamics, is it? The role of the imagination in play. For example, he shows the high dynamic range photos that make the world magical. Something you want to engage with playfully. This he points out increases a sense of agency because you are encouraged to engage and to play with the world.

Bruce Sterling: Well, I’m a literary guy. Italo Calvino did a lot of writing about this. He talked about the classics of literature. Why do we read the classics? Calvino said we do not read, but reread the classics. And the reason we do that is that, at first, we read a classic book and we think, “Boy, this book is really good.” Then, five years later, we read it again and we think, “Boy, this is a really good book, and it’s got so much more in it than I thought it had when I was 18.” Then we read it again at 28, and it’s like, “OK, now I really seem to understand this book, and it means something to me now that I didn’t know when I was 18 and 25.”

What you are doing through that access is learning something about yourself. So Will is arguing is what I really need is like a better augmentation. So that I can go in there and sop up the book all at once. I can grab every cultural nuance in it, instead of the stuff that’s sliding past me because I’m 18 and kind of young and hasty. Maybe I could have certain words and phrases helpfully underlined, that are like, “OK, well, this part is problematic for you.” In some sense, that’s not allowing me to be 18.

I’m never going to have the experience of my own maturation against this text, because I’ve devoured it all in one gulp.

My argument would be that if you want people to be more sensitive toward certain, say, issues and problems, it’s better to find the people who are already sensitive to those issues and problems, and give them a bigger stake in your augmentation system.

Tish Shute: Yes the social augmented experiences are going to be the most valuable.

Bruce Sterling: Say that I am really worried about public health. Well, if I have a lot of nurses that are using my system, people who are aware of my issues, then I could be walking around and I’ll see a lot more tags saying, “This is where he got food poisoning!” “In this shooting gallery, many people have caught AIDS!” Or, you know, “Tuberculosis has been spotted over here in this building.”

At that point, I could simply share their knowledge and get some social intelligence. As opposed to trying to amp the basements of my little hacker-mind and drag stuff up that’s escaped my conscious attention.

Tish Shute: Interesting that seems to bring us to another kind of repetitive theme in AR, the people tend to pigeon hole it as “merely” a visual interface. But actually, it’s the intersection, isn’t it, of social intelligence and augmentation.

Bruce Sterling: Well, it depends entirely on how you design the system. If I’ve got a military augmented reality, I would expect that to be mostly about urban fighting. It’s going to be about kicking in a door and shooting terrorists. If I pull that helmet off my head and put that on the head of an emergency worker or a cop, I’m going to get a militarized cop or a militarized emergency worker.

Tish Shute: Well the histories of the two great mass media of the twentieth century – TV and the atomic bomb were intertwined, and I suppose the evolution of ubiquitous media, augmented reality and urban warfare is already intertwined too.  So how can we encourage augmented realities to move beyond military roots that is common to much technology and into more peaceful urban realities?

Bruce Sterling: Well, it’s a matter of deciding whose reality it is that you’re trying to augment. I’m not trying to be a bleeding heart about it, but obviously there are people in our society right now with reality that could really use some augmentation. They are mostly disadvantaged people. They are vision impaired, or maybe they have autism. They might be senile and just can’t remember where they put their shoes. These are people who could really use some help, right?

So, start with people who really need sensory or cognitive help. Before you turn our geeks into Superman, why don’t you try turning some people who are harmed into more functional individuals? Then you’ll be able to learn how to do that. Then maybe you can ramp it up to these Nietzschian heights of the superb Man With the X-ray Eyes. Whatever.

Tish Shute: Did you notice that a couple of apps actually like TagWhat have apps geared towards people with disabilities – I haven’t had a chance to check it out.

Bruce Sterling: I’m sorry, I wasn’t looking at their tags.

Tish Shute: I was discussing this with Joshua who mentioned Zachary Lieberman’s Eye Writer, which is for people with locked-in syndrome. Do you know that?

Bruce Sterling: Sure. And people appreciate that because the poor guy, he’s laid up with Lou Gehrig’s Disease. Now they’ve given him a way out. AR is like a spark of new hope that gives his life meaning. What’s wrong with that?

Tish Shute: Yeah. And Tim Byrne using Sixth Sense for Autism is interesting.

Bruce Sterling: Let’s consider it the other way. Let’s say this graffiti writer there, instead of him being sick and weak, let’s say he’s an athlete. So I want to make him into a super-human graffiti writer. I want him to run around graffiti-tagging the entire town before dawn. Is that a good idea? Do we need that? Super human, super taggers? What if he’s going to spray up stencils of Nietszche? I kinda wonder whether the game is worth the candle.

Tish Shute: Yes I suppose it is not a great social scenario to be always augmenting the lives of the elites! Hmm, the third single word interview question is “homophily,” and earlier were you’re saying that we’ve kinda got to accept this is very much part of AR – as how it works, because hyperlocal experiences gets created by local communities – that up to know have tended to be homophilies.

Bruce Sterling: Well, I think that’s easily handled with some design thinking. You’ve got to do some user observation and show some sympathy with the user, and to be aware that you’re designing for the user and you’re not designing for yourself.

In a field as young as this, it’s mostly geeks building cool stuff for geeks. In a lot of ways, it’s a “can you top this” contest. That’s OK, but it’s not good design to be your own client all the time. It’s like writing novels to amuse yourself, or sitting on the porch singing the blues on your own guitar with only yourself to hear.

Tish Shute: What will it take for AR mature out of this “geeks building cool stuff for geeks” phase do you think?

Bruce Sterling: It’s necessary to master some of the tools first. I think of the way the web has developed over the years. When the World Wide Web first appeared, it was just for physicists, and was all line commands and quite unstable and difficult. Then you got usability studies, and things like Ajax and so forth. It’s a very painstaking thing.

We’re not best at building interfaces for the best computer scientists. Web 2.0 was built from things like watching people cry while they were trying to fill out insurance forms. “Well, why are you so upset?”

“Well, I got to the end of the webpage, and then it said I took too long, and it cut me off and now I have to start all over!” Jesse James Garrett, right? Benefactor of mankind.

If you’re experienced, you think: “Why don’t I build a little module here, and kind of move the form over here, then I’ll periodically update it with some asynchronous Java and XTML.” And people are like, “Gee, how odd.” But that really works for real people. It comes from studying what people want to do. Whereas, the current AR approach to a problem like the insurance form would be like, “I will give you the ability to record the entire insurance form, and it will flash before your eyes!” OK great, that’s a cool hack, but I don’t really need X-Ray Eyes to fill out my insurance form. What I need is a more user friendly interface.

Tish Shute: Well it seems like we are moving into the terrain of Joshua’s fifth word “ventilation,” – if I understand it rightly – it is at least partially the antidote to territorialization because it’s this idea that a place needs air so we come out of our hermetically sealed boxes of the way we relate to a place and what kind of augmentation would bring more oxygen to that space.

There was an interesting moment in the Auggies because when Maarten Lens-FitzGerald presented the guerrilla shopping Layar and basically Mark Billinghurst and Jessie Schell who spoke first didn’t seem too impressed. They didn’t want to walk to shopping – that was what web shopping did, it saved us from walking to shop… but I felt, to me you picked up on something which might have some bearing on “ventilation” in that this AR shopping Layar was kind of squatting Prada – a favela chic AR shopping thing?

Bruce Sterling: I wasn’t sure if I was interpreting what Maarten had in mind by that. But I think Maarten sees his structure accurately as an experience thing rather than a mapping thing. I think he’s proudest of things like the Berlin Wall app on Layar, as opposed to Layars that help you go get a hamburger. It’s like…so when Layar inserts parasitic augmented shopping over other people’s real shopping? That was rather a subversive thing.

I think the key there is that his client is called “Hostage T-shirts,” right? I mean it’s actually kind of a transgressive little hippy T-shirt store that Layar can dump anywhere in the world. Layered right over, say, Versace and Prada. I don’t know what becomes of that effort. And I’m not sure about the term “ventilation,” because that’s a term of art I haven’t heard much.

Tish Shute: Maybe it’s like in a cafe. Ventilation would mean we were able to communicate with all these different categories of people that we normally would be unable to connect to, even though we might be sitting only a few feet apart.

Bruce Sterling: So it means ventilation in the bottles of our homophilies.

That’s not a personal problem for me. I commonly live in foreign cities and, you know, and spend a helluva lot of time talking to strangers at conferences. So I don’t think I’d have that particular tight little social island problem.

Tish Shute: Of the three judges at the Auggies, you seemed most enthusiastic about the Layar entry.

Bruce Sterling: It may be they’re not as familiar with the business models of locative AR as I am, and as Maarten is. It was kind of a subtle in-joke he was making about Layar’s own business model there.

Tish Shute: How do you explain that?

Bruce Sterling: Well, you know, Layar’s in the business of selling software to make mapping and urban structures into ecommerce.

The ideal way to do that obviously would be to move the richest customers into the most expensive shops in the most rapid way possible. Or at least distribute them in the directions they want to go, a la Google. Whereas this app that Maarten was talking about puts big barnacles in the way that are selling punk t-shirts.

Tish Shute: Right! Right!

Bruce Sterling: The Dutch are a bit subtle in their humor. I rather imagine there’s a lot of discussion in Layar’s inner circle about exactly what they want developers to do with their platform. They’re going to have considerable political difficulty deciding who can have a Layar key and how you discipline people when they start doing weird stuff. “The Oakland Medical Marijuana layar.”

Tish Shute: Well, finding nudists is one of the top layars at the moment.

Bruce Sterling: You know, obviously so. And finding narcotics in Amsterdam, or a prostitution layer. I warned them nine months ago this was bound to happen. I’m sure they’re aware of it. I don’t think Layar wants Google’s style of cool, technocratic detachment.

Tish Shute: But that’s pretty difficult to do in current augmented reality because we don’t have all the mathematical voodoo for full on AR search yet, do we?

Bruce Sterling: Well, you can hire it out. Somebody’s going to do it, if they get interested enough. There’s Nokia-Yahoo. Nokia-Yahoo! just did a big corporate deal…involving Nokia’s mapping system and Yahoo’s localization. So the Nokia-Yahoo! mash-up is called Nooo! Or could be called Yahno. Yakia! Unfortunately ridiculous names.

Tish Shute: It’s interesting because you mentioned the spiders’ mating problem at Google. They’ve got all the pieces to make this kind of level of AR obviously right now. But they actually haven’t done it yet.

Bruce Sterling: There must be at least some discussion in Google, but the same goes for Microsoft. I’m frankly baffled by Microsoft, because it’s just full of insanely brilliant people. What the hell are they doing in there? Name one serious innovation that’s come out of their labs in five years. They make Integral Research look dynamic. It’s really kind of sad.

Tish Shute: It’s a very curious situation with AR though, because AR more than any new technology relies on these big hordes of data particularly for the mapping, right? And only the big four have the data – although we are beginning to see upstarts, Earth Mine, Simple Geo… Did you get a chance to meet Di-Ann Eisnor from Waze – real-time maps and traffic information based on the wisdom of the crowd.  Waze is a very interesting project that is a potential giant killer.

Bruce Sterling: No, I didn’t talk to them. I’ve seen people speculate that Earthmine and Apple are going to make an allegiance. I guess if you’re thinking that urban informatic mapping is a super big thing for AR, that must be true. But I’m not convinced that’s necessarily the case. People have pointed out that you can just use Google Maps, and you don’t have to walk around with a little visor. There are other aspects of AR besides the cell phone space. There’s Total Immersion’s big display screens. There’s the web-based fiduciary stuff. And there’s projection mapping. And then there’s experience design just for people who need their reality augmented for whatever personal or social reason. [dog barking]

Tish Shute: Right. Oh, I’m in the middle… My son’s come. What a good hair cut!

Bruce Sterling: Hi, there.

Tish’s Son: Hi.

Bruce Sterling: How’s it going, sir? Good to see you…

Tish’s Son: Good.

Tish: [laughs]

Bruce Sterling: Yeah. Nice looking shirt. I like the back of it.

Tish Shute: That’s from the American Shaolin Temple. [laughs]

Bruce Sterling: All right. Awesome. Kung Fu geek shirt.

Tish Shute: Yup he is a bit of Kung Fu Geek. He and his dad did an iPhone app on it for Yu-Gi-Oh, for Yu-Gi-Oh scoring.

Bruce Sterling: Awesome. Plenty of Pokémon-style combat in Yu-Gi-Oh.

Tish Shute: Yeah. Well, it’s interesting because you’ve talked about this aspect. That all of this, the Pokémon aspect of AR hasn’t kicked in yet. But it’s obviously a match made in heaven to some degree, isn’t it?

Bruce Sterling: One would think so, yeah. The whole little kid gaming thing. What does that have to do with Google or Bing? You don’t need a massive database for stuff like that.

Tish Shute: Yeah, you’re right. But good tracking, mapping and registration requires a lot of mapping…

Bruce Sterling: Well, our current tracking, mapping and registration requires that. Maybe there’s some other way to hack it that we don’t know about yet.

Tish Shute: That’s a very interesting point. We always have to stretch the way we think about mapping… perhaps its a real-time understanding of the location you’re in…perhaps the map is being negotiated through several social processes?

Bruce Sterling: There are maps, and then there are maps. There’s a kind of artillery map where you need to know the precise location of target spaces. And then there’s the kind of social map where I’m really looking for the IN-N-OUT Burger where my sister went last Tuesday. That’s a different system.

Tish Shute: And I think AR, at the moment, we’re getting the most out of the social maps certainly. And the other [machine perception technologies to detect the identity and physical configuration of objects relative to each other to accurately project information alongside/overlaid with a physical object] is still kind of the big dream, isn’t it?

Bruce Sterling: They say that men never ask for directions and women never read maps. Clearly, the genders have different ways of navigating the world. Who’s to say what manner of augmenting our experiences is hottest? I’m not convinced that today’s rather rigid geolocativity is really what our society wants from that particular service. Maybe what we want is something more folksy. Some useful nudge in the right direction as opposed to grids with 200 meters here and instructions to turn such-and-such.

Besides, there’s other hacks we haven’t considered. We’re very dependent on GPS, but just suppose all those satellites are blown out of the sky in a solar storm. Would we really want to give up mapping? Wouldn’t we just come up with some other nifty hack? Radio beacons, let’s just say. Atomic clock timers in towns. Or maybe just little QR codes on lampposts that give you the exact location of that lamppost, and just click the thing and have it calculate where you are.

Tish Shute: Yes the NextHope OpenAMD project had a clever way of triangulating location indoors.

Bruce Sterling: Well, GPS is there and people all want to use it. It’s got good API, so of course you want to. And the guys who are good at doing it are real geolocative freaks. But the mere fact that we can do it this way, and that you can make it pay, doesn’t mean that it’s the ultimate way to provide that service to people. It’s like saying that Egyptian hieroglyphics must be the greatest way to write, because we’ve got a lot of them and they’re hard to learn. What if somebody comes along with an alphabet? It’s going to be a little embarrassing.

Tish Shute: Yeah, that’s a very good point. Now, this is a more simple ordinary question about the event. YDreams went off the map in the Auggie voting, and walked away with The Auggies. No one doubted that that was the most…

Bruce Sterling: I don’t know. I thought those Occipital guys with the panoramic painting…. That was hairy. I would have been tempted to give them the prize myself, actually.

Tish Shute: And what did you like best about that? Because I agree. I love Occipital.

click to enlarge

Bruce Sterling: I thought it was a more technically difficult stunt than the hand registration thing. Using a hand as a 3-D cursor is hot, but not like painting a panorama in 3-D in real time. That was an impressive technical feat.

Tish Shute: And they hinted at the 2.1.1 AR, more AR version of that. What do you see coming out of that as possibilities?

Bruce Sterling: Well, I’d heard of YDreams, so I wasn’t stunned. But I’d never heard of those guys. I wonder what else the heck they’ve got in the attic.

Tish Shute: very cool stuff…

Bruce Sterling: Well, more power to them. But clearly YDreams was the popular favorite. And who couldn’t like it? It was just so AR.

Tish Shute: It was so AR and so gorgeous.

Bruce Sterling: It was pretty, actually.  Except for their ugly menu button and poor font choice.

Tish Shute: Oh, yes. You didn’t like that, did you? [laughs] But with the Occipital panorama, what do you see the next stage of that?

Bruce Sterling: Well, obviously quicker and faster. Quicker and faster and more accurate in a network. Let’s just say I’m in New York and you’re in New York and I’m calling you for help. And you say where are you? I just whirl around like this and I mail it to you on a Google Wave. And you whirl around like that, and then we compare the two panoramas and do an instant triangulation. And you say: I’m over here on this red dot of your screen.

Tish Shute: Yeah, exactly.

Bruce Sterling: We’re navigating with panoramas by having two connected panoramas and considering the difference.

Tish Shute: Yeah, very interesting…

Bruce Sterling: Not shabby, right?

Tish Shute: Not shabby at all.

Bruce Sterling: If you could do it in real time.

Tish Shute: Then the other thing I missed because I was going to meet Will was I missed the Launch Pad competition. Did you catch that?

Bruce Sterling: I didn’t see it either. I thought of another app though.

Tish Shute: Oh!

Bruce Sterling: You’ve got a panorama maker in your home office, and it just scans the office 24 hours 365 and tags anything that moves, right? OK, where’s the clipboard?  At 8:15 it was over here. Now it’s vanished. Now another object is viewed over here. So, logically, ping, you hit it with a sticky light and there it is, right?

Tish Shute: Oh, that’s cool also knowing what has changed in any environment would be a big enabler for a lot of AR visions.

Bruce Sterling: I’m sure there are many other things you could do with panoramas.

Tish Shute: My jet lag is beginning to kick in big time – so many ideas to pursue from are2010 – those panoramas are very exciting though.

Bruce Sterling: Oh, well, it’s all right. We can augment reality! I’ve got three heads and six hands!

Shortly after Augmented Reality Event – are2010, I talked with Bruce Sterling on skype and in gdocs about his experience there.  I am posting the conversation in two parts to make it a more blog friendly length!

The picture above is the Auggie Award for the best AR demo (above) designed by Sigal Arad Inbar.  It was won by YDreams! See, Ivan Franco recounts the team’s ARE 2010 experience, and winning the event’s first-ever Auggie Award, for more.   The video below was shot at the YDreams booth by Bruce Sterling.

“The Hotness” – YDreams rocking it at ARE2010 from brucesflickr

Rudy Rucker, who was hanging out with Bruce Sterling, captured the are2010 buzz and some great images in his post, Augmented Reality, Painting, Twitter. As Rudy put it:

“AR is hoping to be a next big thing, a cozier and more commerce-driven cousin of the old VR, or virtual reality.”

Bruce Sterling’s opening key note is up, ARE 2010 Keynote by Bruce Sterling: Bake a Big Pie!, and also the ARE 2010 Keynote by Will Wright: Brilliant Inspiration for the Augmented Reality Community with more videos from are2010 on the way.  One must read post on are2010 is Chris Cameron’s post, Augmented Reality’s Next Steps: Sitting Down with the Titans of AR.

Talking with Bruce Sterling, Part 1

The Auggie panel, Bruce Sterling, Jesse Schell, and Mark Billinghurst inspect the award.

Tish Shute: In your keynote at the 9am of the augmented reality industry you asked some questions of the are2010 audience: “What’s the mission statement?  You’re the world’s first pure play experience designers, except that user experience it’s mostly futuristic hot air.  But run with that, right?  What are your tactical steps?  You should get dressed, have a coffee, have a to-do list.”

How much of that did you see going on in the next two days?

Bruce Sterling: Well, I wasn’t privy to any of the business discussions.  I didn’t think it was an accident that this standard AR enabled tag thing came up from Bruno Uzzan, Total Immersion.  That seemed to me to be a useful thing.  I was always interested in the Augmented Reality Consortium.  It struck me as remarkable that there was this group of people who clearly all knew one another and it had some kind of game plan.  I applaud them for that, because these are not the 1980’s.  [laughs]  You know, it’s just a different world for young startup companies.

Tish Shute: I think you’re right. There seem to be some VC conversations going on, we don’t know what went on in the meetings, but it was noticeable in the atmosphere of excitement, and remarked on by a few people. So I think that kind of was definitely going on.

And, of course, I was so busy I never even got to see the expo properly! You said you wanted to be surprised.

Did anyone surprise you in any of the talks, in any of the expo?

AR used as interfaces for devices

Italian augmented robot from SEAC02 from brucesflickr

Bruce Sterling: I have to say I was a little bit surprised to see Andrea Carignano demoing a robot. I happen to know him because he’s here in Torino. He’s the guy that came out of Fiat and went into AR. I am not a particularly huge robot fan, but I think it’s of great interest that AR is used as interfaces for devices, as opposed to the Jesse Schell idea that AR is all about a “man with the X-ray eyes.”

My suspicion is that a lot of surprises will come out of mashups of AR.

Tish Shute: I didn’t get to see Andrea’s robot.  So what did it do?

Bruce Sterling:  It’s basically a sister device to that little helicopter that those Parrot AR Drone guys were doing.  It’s a little autonomous robot and it runs around with a webcam on it.  You can place video into the acquisition stream coming off the robot.  You can play a game, and blow away imaginary monsters or whatever.

Tish Shute: It’s interesting, because did you notice Will Wright and Patrick O’Shaughnessey, Patched Reality, spend some time hacking the Parrot AR drone in the hallway?  Did you come across them?

Bruce Sterling: Rudy was there with them.  You know, I didn’t want to watch Will Wright hack a robot.

[laughter]

Tish Shute: They seemed to be having fun even though as it turned out the power supply was dead.

Bruce Sterling:  I’m sure Will enjoyed that.  As a game designer, you want to go out and get your hands dirty with a plastic gizmo.

[laughter]

My Swiss Army knife can’t get through airport security, so I really don’t want to strip anything down.  But yeah, what else did I see that was of particular interest?  I was pretty happy about the Korean guys because they are a difficult group to get close to.

AR companies are like mini-global micro-startups.  They’re “glocal”.

“Korean elegance at the Zenitum booth” – from brucesflickr

Tish Shute: Zenitum.  What did you like from Zenitum.  They were one of our sponsors, along with Qualcomm.

Bruce Sterling:  I know that Seoul is like the number one center for augmented reality discussion.  But it’s  difficult to get behind the scenes as a journalist there and  track what’s going on in Korea.  I’m fine with Italian “realtà aumentata.”   And I feel like I’ve got a handle on French “réalité augmentée.”   The Germans were not hard to find, and the Dutch all speak English!  But the Koreans, and whoever the hell it is in Kuala Lumpur…  I have no idea what’s going in Kuala Lumpur, and only the vaguest idea of what’s transpiring in Singapore!  But I know that people there are paying a coherent interest.

So the Koreans show up, and they had some relatively predictable anime style 3D avatar conversion stuff.  But they had a really nice display space.

“Anime figures become three-d smartphone animated avatars,” from brucesflickr

Tish Shute: Ah, So Zenitum created a hot spot at the exhibition?

Bruce Sterling:  Yeah.  The Koreans had  IKEA furniture and some nifty little woven baskets.  They’d really classed up their presentation.  Most Koreans in tech tend to be kind of muscular.  The Koreans are not known for their refined presentations.  On the contrary, they tend to undersell everybody else.  But I don’t know, maybe they’ve been hanging out with Samsung and upgrading their design chops. [laughs]

Tish Shute:  Did you take some photos you could send me?

Bruce Sterling:  I took a few, but  I don’t consider myself a photographer.  They’re all up on my Flickr set. It was interesting to see so many people from so many different nations in such a collegial atmosphere.

Tish Shute: Yes – there were many different countries represented at are2010

Bruce Sterling:  It’s the beginning… and so global at such a young stage.

Tish Shute: Yes. As you said, it was 9 AM, so everyone was actually super excited to be gathered together from across the globe to start a new day together.  As you mentioned, there was a very warm affirmative vibe – everyone sharing a passion.

Bruce Sterling:   They have an online commonality. They seem to be aware of one another’s work through the Internet.

Clearly they had all heard about one another.  That’s a departure from earlier models of tech startup, where you usually have like three hippies in a local garage.  Now you’ve got German-American-Korean outfits like Metaio, and Total Immersion has a Russian affiliate.  They’re inherently multinational, both inside the company and out.

Tish Shute: It was the multinational garage, wasn’t it?

Bruce Sterling:  Yeah.  AR companies are like mini-global micro-startups.  They’re “glocal.” There’s something quite new to me about that.  I don’t find it’s shocking, because in Europe today it’s common to find startup teams who are multinational.  But to see such intense globalism at such an early stage of an industry is really different.

Tish Shute: Yes it made for a fun atmosphere?  It was wonderful running into Iguchi Takahito, Tonchidot.  You have a great rapport with each other despite the language barrier?

Bruce Sterling:  Yeah.  That guy from Tonchidot, he’s very charismatic.  He’s punchy.  That’s reflected in the very strong graphic design from his company.

Tish Shute: Using minimal English to make the case for Sekai No Camera at the Auggies, Iguchi Takahito still got through to the audience.

Bruce Sterling:  Well, his visuals were good.

What AR means for artistic practice…

Picture of Eric Gradman’s Cloud Mirror, from James Alliban post ARE2010 – Augmented Reality utopia in Silicon Valley – see for more on the are2010 ARt Gala

Tish Shute: So before I move on to wider themes, I’m going to wrap up on some of the different aspects of the conference.  I was chairing the technology track but you were more free roaming, was there anything that went on in the sort of hallway discussions and the presentation rooms that struck you?

Bruce Sterling:  Well, I did get collared by artists.   They really wanted to talk to me.  We got into some serious discussions on  what AR means for artistic practice.  How you can do this and reach that, how can one sharpen up one’s presentation?  I mean, they really wanted some art criticism.

Tish Shute: That’s very interesting.  Did you come up with anything that you hadn’t been thinking about already through the conversations?

Bruce Sterling: I’ve seen augmented reality installations before, and I certainly know many electronic artists.  But I don’t know.  People in the AR art space, they are looking for guidance and trying to find fellow spirits.  In their own way, they have the same pioneer spirit as the business people.

Helen Papagiannis shows Iguchi Takahito, Tonchidot, her AR Wonder Turner, an exquisite corpse inspired installation

Tish Shute: Yeah, it’s interesting, because we wanted the art gala to be even bigger, but it turns out, because of the logistics of putting up art in a conference space is fabulously expensive, because it has to be all installed and hung…

Bruce Sterling:  I’m keenly aware of that.  At Share Festival in Turin we bring in six installations, and it’s very heavy work.  It really takes a lot of logistics.  It was like a Battle of the Bands.  It’s like doing a rock concert.

Tish Shute: One of the installations I was really sad to not have there was Uber geeks’  “Steve” H.E.AI.D installation that Brady Forrest & Co. took to Burning Man.

So I was very happy that we actually did get the number of artists we did.

Bruce Sterling:  Well, there aren’t a million AR artists in the world, so it’s hard to judge.   I didn’t see many business people rushing up to have me critique their business plans.

Tish Shute: [laughs]  They were all in the meeting rooms.

Bruce Sterling:  Maybe it’s for the best.

VC and AR Startup Action

The Zenitum Booth, are2010, photo from Chris Cameron’s Flickr stream

Tish Shute: Do you know that why your talk started a few moments late is because we had 50 people who arrived from the Silicon Valley neighborhood I guess!

Bruce Sterling:  Did they not preregister?

Tish Shute: No. They all stood in the line for the same day registration!

Bruce Sterling: It ‘ll be interesting to see what transpires there, if there is a little wave of startup action.  God knows they need some place to put their money, because the VC scene in the US is pretty much moribund.

Tish Shute: Ogmento is the first US AR Games startup to get VC, I think.  I think there was some VC action at are2010 for sure.  And Qualcomm obviously seems to have commercialization plans for their AR technology, and to be scouting talent  and ways to deliver new AR experiences.

Jay Wright, Qualcomm presents Joe Dunn, e23 Games, winner of the are2010 StartUp Launch Pad with a check

Bruce Sterling:  Some  people don’t need venture capital.  I mean, Google Goggles isn’t going to be hurting for VC money, obviously [ see Chris Cameron’s RWW post, Google Goggles Coming Soon to iPhone] .  AR may come up through other methods, like people allying themselves with Hollywood, or peeling off of advertising companies.   There’s a lot of outfits who might conceivably want in-house AR skills.  Then when people set up a specialty AR shop,  they  peel off the list of clients.  I don’t know.  Those old days  of Silicon Valley venture capital seem like a lost world.

Tish Shute: Yes.  I, again, didn’t see anything really of the business tracks and production tracks.  Did you get back and forth between the tracks?

Bruce Sterling:  I went to the Hollywood tracks.  I mean, to the extent that I could.

Is Hollywood stirring? Who’s going to have the first breakout AR property?

Tish Shute: So what did you see from…Is Hollywood stirring?  Is it waking up?  I mean I know Kent Demaine, Oooii,  and Brad Foxhoven, Ogmento, spoke about the Hollywood AR scene.

Bruce Sterling:  There were guys there from LA who were sort of saying, look…they are aware of us, but they just want AR to promote their properties to some particular niche.  They realize that AR is potentially a mass medium and that you could do some real AR entertainment.  So they were batting around some ideas as to where that might happen.  Like, could it come out of a console gaming scene?  Who’s going to have the first breakout AR property?  A popular hit AR property, as opposed to like a neat way to sell shoes, or whatever.   Really, anybody’s guess is as good as theirs or mine.  But at least they were actively guessing.

Tish Shute: I know the breaking the fourth wall discussion has been going on for a while and now the question is, whether AR is going to take down the fourth wall and bring interactive storytelling into the mainstream.  Did you hear any of that?

Bruce Sterling:  Well, I always shy away from discussions of that kind because I don’t think there’s any “final thing.”  Practically everything that AR is involved in right now is  a transitional technology. Also, because I am a storyteller, I get alarmed whenever people in technology start saying, “Oh well, it’s all about telling stories.”  Because obviously it isn’t.

People can tell stories perfectly well orally, and absolutely nobody does that.  AR is not at all about telling stories.  It’s about a great many other things, such as user bases, niche audiences,  media saturation, urban informatics,  convergence culture, and the language of digital media.   I could list these factors until the world looks level. It’s really becoming pretty chaotic.  As I was saying in my speech, AR companies are media startups who almost never use the old-fashioned word “media.”

Tish Shute: Oh, that’s interesting.  Yes.  So why do you think that has happened that way?

Bruce Sterling:  Well, it’s because they are trying to do a different thing than media does.  I mean, they are trying to “augment reality.”  They don’t want you to know that you are using a medium.  They don’t want you to realize that you’re watching computer animation overlaid on some video acquisition stream.  That would defeat the whole point of AR.  It’s entirely different from an analog medium like television, where you turn on the television and there’s a constant stream of station identification alerts.   That’s like: “Don’t touch that dial!  You’re on channel 13!  Stay with us!”  Then it’s like, “And now a few words from our friendly sponsors!”  That medium was engineered to keep your eyeballs locked to a single stream that they’re feeding you.

In AR, it’s much more participative, more geolocative.  I’m not particularly interested in station-identification branding from my AR provider. What I really want to see is the interactivity of the augments they’re bringing to me.  It’s like  FlickR, the photo sharing site. You don’t have any TV-style splash page for FlickR.  “Hi! We’re FlickR! FlickR, bringing your photos to you!” No, FlickR is all about “you, you, you,” your photos, your tags, your friends, your activity around you.   It’s immediately trying to be very participative.

Tish Shute: Will Wright got to that point, didn’t he. He was trying to move us into an idea of blended reality. That the game is about the world, not about the dragons or the overlays per se.

Bruce Sterling: Right. I think that’s true. But see, the world isn’t a medium. A medium is something like this interview,  where I’m connecting to you and there’s a video Skype channel between us.  Whereas AR is more about spatial 3-D,  about 3-dimensional impositions.  Pieces of media: sound, vision, information visualization, tags, floating tags, air tags, icons, arrows, warning signs, warning sounds, tactility, whatever, being brought into the environment around us.

That’s why it’s properly called “augmented reality” instead of just augmented media.   If you call your work “augmented media,” you’re really in trouble. Because if it’s all about augmenting somebody else’s media, why doesn’t that medium just buy you, and augment their own selves?    If you think that way, instead of augmenting the world, you’ll just be a modest little plug-in for old-school media.

The World as the Platform

Blaise Aguera y Arcas, Microsoft, Santa Clara, are2010, photo from Chris Cameron’s Flickr stream

Tish Shute: Yes, which is why Blaise so generously gave the technical underpinning  for augmenting reality in his tech talk – about the trellis and the grapes,  he really explained how the world can become a platform for augmented reality.

Bruce Sterling: I wish I could have seen that. I did not see Blaise’s speech.

Tish Shute: We’re going to put the videos up in better quality.  People in the front row have put it up on the web already.  He really went into some of the challenges of mapping for augmented reality.

Bruce Sterling: His visual-mapping technique is important.  Registration is super important for AR.

Tish Shute: I think it was a really generous talk actually because he went step by step on how we will do this.

Bruce Sterling: I rather imagine that Microsoft has patented those steps.

Tish Shute: Oh, yes, I guess so!

Bruce Sterling: I could be wrong. Maybe they’ll open-source it. You never know.

Tish Shute: You never know. Because the world as a platform isn’t something one company can own, or go it on their own to exploit.

Bruce Sterling: I expect there to be a thorny path, but sometimes I’m surprised. Sometimes people really do try to fertilize the tech field in the hope of getting a good corn crop before they start fighting.

Tish Shute: We’ll I keep hearing that we may even see the unlikely marriage of Apple and Microsoft  – maybe wishful thinking, but there are motivations beyond AR for this unlikely match, and certainly between them these titans have what it takes to realize the grand visions of AR ? [laughs] But who knows…

Bruce Sterling: Well, yeah, it depends on where the thing catches fire.

Tish Shute: Yes. You mean whether AR catches fire in the form of  AR and mapping..

Bruce Sterling: It’s hard to say, but I’m convinced now that there’s more going on than I once thought. I thought that Bruno Uzzan made a very good speech for his company when he talked about how he worked on AR for eleven years.  Eleven years is no flash in the pan.   He has his long list of clients and successful applications. I thought he was right in his impatience with the press for not catching on. It’s gone on for quite awhile. The mere fact that you’re not aware of it, doesn’t mean it doesn’t exist.

The Illusive AR eyewear

My are2010co-chair, Ori Inbar, CEO and co-founder of the hottest new AR game development start-up, Ogmento, donning his goggles to open are2010 – picture from Chris Cameron’s Flickr stream

Tish Shute: Yes. So, the other theme you brought up in your opening keynote and I would be interested to know if anything you saw at are2010 changed your view is the illusive AR eyewear, and  if we actually got AR Goggles that worked they would bring AR’s gothic sister, VR, back from the grave right? [laughs]

Bruce Sterling: Right.

Tish Shute: It took quite a lot of work, but we pulled together a six-company HMD panel, right?

Bruce Sterling: Yeah. I was impressed to see so many of them there.  And I was chagrined to see how prototype-like all their gadgets were. But that doesn’t surprise me, because if any of those head-mounts were remotely working, they would be hyped out the wazoo. Everybody’s been waiting for them and hoping for the best. They’re obviously not ready for prime time. [laughs] Maybe in certain limited applications. Like maybe a diving mask. [laughs]

Tish Shute: No, I think what was nice though they got inspired and they all got together on the last day. I saw them having a meeting about standards. They got inspired to actually work together.

Bruce Sterling: Yeah, well, unless they’re going to invent mechanical eyeballs that those machines can fit onto, it’s going to be tough. OK, I’m a skeptic, but I’m prepared to be surprised. I’m also a skeptic in Artificial Intelligence, but as soon as they bring me an AI that can write a decent novel, I’m going to get it and review that book. [laughs]

Tish Shute: It’s interesting. Re AI, I’m totally in agreement with you. In terms of the way computers turned out, it wasn’t AI per se that they turned out to be good for, not in the way everyone had dreamed of it, rather it was the harvesting of human intelligence that turned out to be the big thing. But what is interesting is that despite all of that, AI or machine learning, as it is now called, permeates our whole society now from the stock market to how many businesses make many of their decisions.

Bruce Sterling: Well, there’s a lot of so-called collective intelligence.  But Marvin Minsky-style hard AI, no way. Alan Turing-style AI, forget about that.

Tish Shute: Yeah. So, that’s an interesting comparison with the HMDs.

Bruce Sterling: People stretch the definitions.  It’s like, well, my car engine is Artificial Intelligence. Yeah, so is your wall transistor. No, I don’t really think so.

And AR is a similarly big tent. I mean, Uzzan had to admit that he had denied that AR was AR, unless it was using his favorite technology. And he felt embarrassed to be rubbing shoulders with people who put AR into cell phones. And I can understand his feeling there, because, gee whiz, that’s certainly not what AR pioneers had in mind. But he had to admit he’d become more ecumenical about it. Obviously, they’re  there and doing business like gangbusters. You can’t very well ignore success, right?

I had a similar feeling about the goggles. Obviously, the goggles would be great, should they work. But if they did work, I rather think virtual reality would come very strongly to the fore.  You’d see people doing all kinds of elaborate immersive-style stuff.   A truly immersive technology doesn’t need to “augment” much of anything.

Tish Shute: Yeah, you’re right.

Social Augmented Experiences

Bruce Sterling: I think many of the most interesting AI aspects are not personal in the way goggles are.  They’re not about guys walking around with personal tech. They’re about big, communal, social-media experiences, like stage shows, and urban informatics, things where large numbers of people can interact with the same augmented reality. The projection mapping, which I go on and on about. Augmented public spectacles.

Tish Shute: Yeah, projection’s our best example of a social augmented experience right now because we are yet to have an easy way to do networked social augmented experiences easily – but that is of course the thrust of my interest in ARWave [see the slides for my presentation, AR Wave:  Federation, Game Dynamics, Semantic Search, Mobile Social Communications here].

Bruce Sterling: I think of Edison’s early days, when he wanted to sell movies to people for a nickel a clip.  You had to bend over and put your eyes on this visor and turn this crank. That coin-op device was easy for Edison to monetize, as opposed to getting a bunch of people to sit in theater seats. But people laugh at movies when they’re together in the seats.   Cinema is a more social, involving experience in a crowd situation.

Tish Shute: But it started with them, didn’t it, Hollywood – the movie biz? Basically Nickelodeons, right?

Bruce Sterling: That’s right. They were Nickelodeons. They were a lot like the goggles because they isolated the user.

Tish Shute: Yeah, that’s a really important point that the goggles are not Nirvana because of this question of whether they actually detract from the social augmented experience and blended realities, by drawing us into VR experiences?

Bruce Sterling: I’m tempted to claim that they’re more a VR technology than an AR technology.

Tish Shute: That’s a very interesting point because…

[thunder]

Tish Shute: Wow! What was that?

Bruce Sterling: Thunder storm.

Tish Shute: Oh, my God, how very Gothic! [laughs]

Bruce Sterling: It can get pretty loud up here in the mountains.

Tish Shute: Oh, you live in the mountains, better still!

Bruce Sterling:  Torino is in the foothills. This is Piemonte. So the Apennines are over there. The Alps are over here. We do get some rather spectacularly unstable weather.

Tish Shute: It sounded like a bomb to my NYC ears. [laughs]

Bruce Sterling: Yeah, it didn’t hit the building, but it was maybe half a kilometer away. I saw the flash.

Tish Shute: Oh, you did?   Well, I hope you don’t lose your power midstream here.    I was really happy to hear of that connection between Rudy Rucker and Layar  [Rudy was touched when Maarten Lens-FizgGerald from Layar said that he met the Layar co-founder at a Rudy Rucker lecture].

Bruce Sterling: That was very fun, yes.

Tish Shute: Wasn’t that wonderful? What was that experience like going around the conference with Rudy?

Bruce Sterling: Well, you know, Rudy’s very into graphics. He’s a mathematician, so he understands the underpinnings of this stuff. But he’s a skeptic. He thinks they’re kid toys. He’s not a gamer. He’s a good old-fashioned computer-science hacker. So he wanted to tell me all about his new eighth-order, fifth-dimensional fractals. He showed me a great many of them. They’re psychedelic. Rudy’s fractals are considerably trippier than most apps that help you find a barber or a train station. [laughs] Rudy really is a visionary. He’s into some very weird stuff.

Gamer Guys at are2010

Brad Foxhoven, Chief Marketing Officer, Co-Founder, Ogmento at are2010

Tish Shute: At are2010 there was a lot of discussion about how game dynamics and AR are going to intersect, right? Anything that you saw of interest there?

Bruce Sterling: Well, obviously, there are gamer guys there. Ori’s a gamer. The gamer guys are getting some money. The big buzz right now in gaming is, of course, social gaming.  Farmville has kicked everybody’s ass because it’s not even a game and yet it has more users than the entire gaming industry.

Tish Shute: I know, right! [laughs]

Bruce Sterling: Obviously that’s kind of humiliating. For a long time, I’ve seen people trying to do giant multiuser games on cell phones. It’s difficult to do because the interface on cell phones is crap, right? People aren’t going to run around responding to SMSs.

I can imagine people running around with little Wii-style bats that have audio and visuals on them. It makes a very large native AR game seem more plausible.

Tish Shute: Yes. that would be cool!

Bruce Sterling: Again, it’s not very gamelike to use those little fiduciary markers.

Tish Shute: No.

Bruce Sterling: Moving little cardboard chips, around like with card games…. It would be pretty easy to set up a little AR chess game.  Star Trek style hologram chess pieces,  and so forth. But it’s just cumbersome.

Tish Shute: And also, from what we’ve seen from things like Foursquare, the proximity based social gaming doesn’t have to offer very much [a crown badge, a mayorship] to get some mind share.. the social is the primary game dynamic…

Bruce Sterling:  I’ve seen a lot of different philosophies of gaming over the years. Who’s to say that Second Life doesn’t have the best idea? They built a little scene and then slammed their gate shut behind them.  But at least they’ve got a really nicely-paying little cult stuck in there. It’s different. And it’s manageable and it’s really theirs, theirs, theirs.  They don’t have to call in outside experts to try and run the monster.   They haven’t blown it up to the scale of Yahoo! where they’ve lost control of the enterprise, and gone into a tailspin of management overhead. Second Life has a very intense, almost a cultish atmosphere among the player-slash-developers.

Tish Shute: One thing that helped them was the thing they were always criticized, that the barrier of entry was so high. But once they got people they never left, right?

Bruce Sterling:  That’s not a bug, that’s a feature.

Tish Shute: One of the best features!

Bruce Sterling: Yeah, it’s like being in Mensa. Why don’t you lower your barriers to entry and get in some interesting stupid people?

Tish Shute: [laughs]

Bruce Sterling: In Mensa, we’d rather sit here making puns about neutrinos and fourth-order quadratic equations. [laughs] OK, that’s a business model, if that’s what you want.

The Man With the X-Ray Eyes!

Jesse Schell’s during his keynote, “Seeing,” at are2010, picture from Chris Cameron’s Flickr stream

Tish Shute: Ok!  Now to unpack the man with the x-ray eyes idea, Jesse Schell’s keynote theme.  This is a root metaphor for AR – making the invisible visible, seeing through walls. To me. I think you kind of wrote the book on this because all my ideas on what radical transparency might be come from you – your idea of Amazon.org is key to how I understand this..

Bruce Sterling: Oh, really? That’s funny.   I was touched that Jesse brought up that famous Corman film, because I was a judge in a fantasy film conference in Trieste earlier this year.  And Roger Corman was there.  He was the guest of honor.   “X: the Man with the X-ray Eyes” was one of the films shown during the conference, and I saw it.  I even had dinner with Roger Corman.  I had never met him before, so that was quite amusing.  The difficulty with a film of that kind is that what we science fiction writers call a “House of Cards Ending.”  In that story structure,  you ramp the thing up until the protagonist sees God, and then he has to be destroyed by the falling pillars of the temple.  That’s a classic science fiction structure:  like Frankenstein.  For the sake of the drama, Corman evades the issue of what’s really going on. For instance, let’s just suppose “the Man with the X-ray eyes” is not in fact a psychopath.  Let’s say he gets a grant from the Department of Health and Human Services, and he acts like a real scientist, not a stock B-movie “mad scientist.” So he has, like, backup guys, and some placebos, and a large group of people to test it on, trusted colleagues, and so forth.  You wouldn’t get any of that movie’s wild activity out of that.  What you would get is like a 5% improvement to people’s vision.

Then, in a year, there would be a 10% improvement in people’s vision.  There would be a  classic industrial story.  A rising star, you know, a cash cow.   Real tech isn’t done by a single guy as a divine curse.  It’s created by classic  tech startup culture.  So a runaway technology really behaves in the way that personal computers do.

Tish Shute: The things that get me all Utopian and happy about this are the ideas like those you first outlined with the notion of Amazon.org.

Bruce Sterling:  It would be easy to do an entirely different kind of film than “Man with the X-ray Eyes.”  Something much less B movie,  much less pat.  I mean, at the end of the film,  he destroys his own hardware and blinds himself.  Why?  For what rational reason would he do that?  Why doesn’t anybody else know the big secret of what he’s doing?  Why aren’t there Koreans doing it?  Why aren’t there Austrians doing it?  Why aren’t there Italians doing it?  Why?  AR doesn’t behave like that.  It’s not one lone guy with magic eye drops.  It’s entire teams of people that have been working on stuff for 17 years.  They all approach it in different ways.

Now, they are going to get scandals in AR.  I can guarantee you that.  They are going to get into  hot water eventually.  At least some people will surely come out and accuse them of being Roger Corman B movie monsters.  But unless they accidentally discover atomic fission or destroy the Gulf of Mexico with an oil spill [laughs], I don’t think they’re going to be particularly badly off!   The trouble I imagine  for AR people is very typical new media trouble.  It’s like movies being accused of corrupting our morals, or comic books being accused of leading to violence, or Google being accused of making us stupid and warping our brains.

I’m not an alarmist in that sense, but at least I’m concerned about real threats.  Roger Corman is a B-movie director who’s trying to sew up his lost plot ends by destroying his hero and his hardware. That’s not very plausible. It’s a nice science fiction movie device, but technology isn’t a movie.

Tish Shute: Yes. Well, the other thing that you always remind us of with AR is not to be saying it’s going to be this glorious moment when it’s no longer gimmickey, no longer pop culture. You always emphasize that’s actually part of what’s good about it.

Bruce Sterling: It’s not an accident that practically everybody in that audience knew about Roger Corman.  Nobody looked surprised; not the Austrians, not the Koreans. They were all like: “Oh, yes! Roger Corman!  Love him!”

Tish Shute: There were so many Rudy Rucker fans. Were you watching Twitter? People like Eric Gradman were succumbing to fanboyz moments..

Bruce Sterling: “Yeah. Rudy Rucker, he’s the best.”

“Rudy Rucker gripping an Augmented Reality shoe” from brucesflickr

Tish Shute: [laughs]  I noticed you inspired him to join Twitter..

Bruce Sterling: Well, I’ve got 8,000 followers and, obviously, a lot of them are Rudy’s fans.  Of course he’s going to be gang-rushed on Twitter. That’s not really any more surprising than two motorcycle stunt guys at the same attraction. And I’m a big fan of his Rudy’s blog.   He’s always got interesting things to say.

Tish Shute: Yes. AR does seem to bring out some of the coolest smartest people!  This morning I had breakfast with Joshua Kauffman in Central Park.  He is an advisor and entrepreneur working on design in the public sphere.  I was feeling rather brain dead and jet lagged.  I told Joshua I was wondering how to get the cottonwool out of my brains for this interview and he suggested,  the All Souls College one-word question interview!  Have you ever heard of that? – although apparently they recently scrapped it.

Bruce Sterling: Well, I’ve heard of All Souls College there in Oxford. What was their interview question?

Tish Shute: They used to use only one word, so they would only give you one word. It’s not a question. Basically, they throw out the word and then you had to spin off from there.

Bruce Sterling: You’re supposed to free-associate on a single word?

Tish Shute: I guess so. I hadn’t heard about it, but Joshua suggested it.

Bruce Sterling:  Well, it’s possible..

Tish Shute: Joshua came up with some good words..

Bruce Sterling: Right.

Tish Shute: We were talking about these proximity-based social work networks like Foursquare and Gowalla and how they may influence the emergence of social augmented experiences.

So Joshua’s suggestion for the first word was “territorialization” e.g. how do these new mobile social experiences like Foursquare,  and the observation that actually rather than breaking down territorialization, which would be a good thing, tend to support territorialization…but perhaps new forms of territorialization?

Bruce Sterling: Yeah, they’re re-intensifying it in a very odd, electronic fashion.

Tish Shute: Yes.

Bruce Sterling: I have noticed that.  It’s not true of stuff like projection mapping or the webcam fiduciary display stuff. But with the handheld stuff, and especially the urban informatic stuff, it really can’t help but take on a local flavor. Layar is like “Augmented Dutch Reality.”

And TonchiDot really is “Augmented Japanese Reality.” It’s hard to imagine a Layar interface going gangbusters at Tokyo.  Whereas the TonchiDot interface, which is very clearly influenced by Anime and cartoon graphics…. Maybe it could find some niche of hipsters in Amsterdam hash bars…

…to be continued in Part 2