Planetary from Bloom Studio, Inc. on Vimeo.

It is just over a week until Augmented Reality Event, and I know there are a lot of people, including me (full disclosure I am co-chair and co-founder) who are totally psyched to see what unfolds there this year.   Bruce Sterling, Vernor Vinge, Blaise Aguera Y Arcas,  Jaron Lanier, Will Wright, Marco Tempest and Frank Cooper will join 107 speakers from 76 augmented reality companies on a single stage (see my previous post) to tell a momentous story of a technology of our time (also see my previous post here).

As Bruce Sterling points out, Augmented Reality is “truly a child of the twenty-teens, a genuine digital native,” and one visible indication that:

..the Internet really could look like a “legacy.” The Legacy Internet as an old-fashioned, dusty, desk-based place best left to archivists and librarians, while the action is out on the streets (see the full interview below).


(photo by Jasmina Tesanovic)

Opening this post is a video of Ben Cerveny’s Planetary app, which “turns your music into a universe,” and enchants all who try it.  Planetary shot into #3 on the Top Ten Free ipad app list soon after its release.

Ben Cerveny’s talk at Augmented Reality Event will be one of the must attend talks (see the full schedule for Augmented Reality Event here, and note my discount code for Augmented Reality Event, TISH295, is still good, if you want to register).

Planetary, while it is not an AR experience,  points the way for AR to take us out of the old-fashioned, “Legacy Internet.”

“Planetary is just the sort of science fiction experience you expect when using an object from the future like iPad,” developer Bloom Studio writes on the app’s iTunes page. ( from Mark Brown’s Wired post).

In his interview on cnet Daniel Terdiman, Ben describes how popular computing will evolve beyond those, “dusty, desk-based place best left to archivists and librarians,” (Bruce Sterling).

Ben points out:

“The tablet is a total disruption of how we understand popular computing. The next era of experiences will be driven by visceral gesture-based input, and rich fluid responsiveness in native graphics contexts. I see the potential for Bloom to help define a “killer pattern” for application design. Because apps have been deconstructed into discrete tasks that flow across devices….”

Bruce Sterling had some interesting comments on the Bloom app:

I’m a big fan of Ben and his good works in infoviz — and urban informatics, too. I admit I’m not sure the I entirely need the metaphor of a solar system in order to play a few Texas blues tracks. But I could be persuaded. Ben Cerveny is a significant thinker and a very well-spoken guy.

I’m not saying that happens tomorrow; I’m just saying, why not? Why not aspire to that?

I too am a huge fan of  The Bloom team, Ben Cerveny, Tom Carden, and Jesper Sparre Andersen (also see my post here about Fizz, the Bloom team’s app used by The Locker Project for their Strata demo).  And, if you haven’t already heard about The Locker Project and Telehash – get on it!  This is one of the most important projects of our time – an infrastructure for a better future!

Interview with Bruce Sterling by Tish Shute and Ori Inbar

Tish Shute: As you so memorably put it, “AR is a technovisionary dream come true – something really rare, and you have to be really patient for those….”

What is best and worst, in your view, about the way Augmented Reality technovisionary dream is coming true and emerging to flourish in the wild?

Bruce Sterling: The best part is that AR is truly happening and is a lot of fun, and the worst part is that it’s happening in a Depression. If AR had broken loose in the dotcom days when cash flew around like soap bubbles, man, that would have been psychedelic.

AR that is even more of-our-time than “social media.” AR has arisen directly from modern technical factors that just didn’t use to exist. It’s made from shiny new parts, and is truly a child of the twenty-teens, a genuine digital native. It’s a little kid and it has to walk before it can run, but it’s great to see it walking.

Tish Shute: As Jesse Schell pointed out last year at ARE2010, “The whole point of AR is to see things from a different point of view…How can there be a more powerful art form than one that actually changes what you see?” What do you feel will be the most impactful application of AR in people’s everyday lives?

Bruce Sterling: I’m all for impact, but it’s pretty clear that the people who would weep for joy to have Augmented Reality are people whose reality is already damaged. People who need reality augmented as a prosthetic, in other words, so that they can achieve an “everyday life.” This is like the impactful but underappreciated role of the Internet in the lives of people who’ve been shut-in. If you’re laid-up in a hospital bed, a laptop is a revolution in convalescence.

But that kind of “impact” doesn’t sound too exciting or too profitable. My guess would be that the biggest arena for “impactful AR” would be augmenting cityscapes for foreign people who can’t speak the local language, can’t read the signs, and lack time to learn the local reality. Imagine, say, the Brazilian overlay for Moscow. You could show up, read your native Brazilian overlay of that city, do your business, eat, sleep, buy, leave, and scarcely “be in Moscow” at all. Constructed right, the AR Brazilian Moscow might even be a better Moscow — a Moscow that Russians themselves would pay to visit.

Tish Shute: You pointed out last year, in your opening keynote for ARE2010, that less immersive forms of AR have their own merits. We are still not seeing much “head mounted display weirdness” yet, but many other forms of AR are emerging – mobile, webcam, projected video, sonic augmented reality, even sticky light. You noted, practically everything that AR is involved in is a transitional technology. But since you spoke last year at ARE2010, which of these transitional technologies have shown the most promise for AR?

Bruce Sterling: It’s got to be handsets. Smartphones. The stats there are just amazing. The smartphone biz makes the personal computer business look like a Victorian railroad. When I read a guy like Tomi Ahonen, who talks about transitioning out of the old-fashioned “Legacy Internet,” that idea is startling. But AR is one visible indication that the Internet really could look like a “legacy.” The Legacy Internet as an old-fashioned, dusty, desk-based place best left to archivists and librarians, while the action is out on the streets.

Tish Shute: This year we have seen gestural interfaces go mainstream. What are the most interesting directions for gestural interfaces that you have seen emerge in recent months?

Bruce Sterling: To me, the most “interesting” part is seeing people do gestural stuff in public. William Gibson, my fellow author, observes that cellphones have stolen the gestural language of cigarettes. There’s lots of fidgeting, box tapping, ash-swiping, slipping boxes in and out of pockets… People quickly learn to do that without thinking twice, and they forget how weird it looks. It’s “design dissolving in behavior,” as Adam Greenfield puts it.

The gestural hack scene for the Kinect has been amazing. It’s like watching 1950s Beatnik dancing go mainstream.

Tish Shute: You have observed that Augmented Reality is Glocal which not only gives us different flavors of augmented experience but is “a departure from earlier models of tech startups, where you usually have like three hippies in a local garage. Now you’ve got German-American-Korean outfits like Metaio, and Total Immersion has a Russian affiliate. They’re inherently multinational, both inside the company and out.” What flavors of glocalness do you hope/expect to see at Augmented Reality Event this year.

Bruce Sterling: I’d be pretty happy to see some AR input from Brazil, India, and South Africa. I seem to be picking up a lot of followers in my Twitter stream from those locales. If I saw some Augmented Bollywood Reality, that would pretty much make my day.

Ori Inbar: What sessions will you go to at ARE this year? Who do you want to meet at ARE 2011?

Bruce Sterling: I make it my business to hang out with artists, but I’m hoping to drill down more on the technical aspects. For instance, where exactly are the bottlenecks in building animated augments? It looks like we’re about a sneeze away from jamming some crude Hanna-Barbera cartoons into real spaces. But the devil is in the details there.

Ori Inbar: Your commentary about the evolution of the AR industry over the years had significant focus on style. Is the AR industry dressed to kill yet? Any glimpses of promise in that direction?

Bruce Sterling: I’m not “pro-style” in every possible aspect of life, but as an Augmented Reality critic, it’s clear to me that if you claim to “augment” reality, then you should work hard to augment it — struggle to make it better. Otherwise you might as well call yourself “Defaced Reality,” or even “3D Spam.” When I see that kind of crudity and carelessness in AR, I’m gonna call people out on it. I know there will be the AR equivalent of cheesy billboards and gang graffiti, but I never much cared for those, either.

The industry’s videos have improved radically in the past year and a half. It used to be all about “look at my grainy, shaky handheld video of my cool new AR hack,” but nowadays the biz has really pulled its socks up.

If AR is about “experience design,” as I think it basically is, then eventually, as a matter of intellectual consistency and professional pride, everything you create will be considered part of “the experience.” That’s the industry’s way forward — that’s what it would do if it was grown-up.

AR people already look better than most similar geeks in the gaming business, and some day, I really do believe that augmentation people will become glamorous. They won’t be supermodels, but they’ll be about as chic as, say, professional set designers. Because AR is set design, in a way; it’s real-time interactive set-design for three-D spaces.

Ori Inbar: In the Layar Launch in 2009 you said “it’s the dawn of AR…”, at ARE 2010, you followed up on the theme saying “it’s 9am in the AR industry.” What time is it now?

Bruce Sterling: I’d be guessing it’s around 9:30 AM, but come on, that’s just a metaphor! ARE we all gonna blow off at 4:30 PM and have a beer, or is AR one of those cruel tech startups where nobody ever gets a personal life?

Ori Inbar: Are you reading any new fictional literature about AR that inspires you? And/or What interesting design fictions for AR have you come across recently?

Bruce Sterling: Well, I’m always interested in creative people who just plain make stuff up. Because that’s why I commonly do myself. The stuff that “inspires” me is usually stuff that I just didn’t expect to see. But when I don’t expect it, that usually means I wasn’t paying enough attention. I plan to pay a lot of attention to AR this year.

I’m not sure it makes a lot of sense to write fiction nowadays “about AR,” because it’s no longer a fictional topic. It’s become like writing fiction “about cinema.” You can write good fiction about someone who works in cinema, but not fiction about cinema itself. AR is not sci-fi “Augmented Reality” any more, it’s become a real-world phenomenon, a new industry of real augmentation.

With that said, I must remark that I sit up straight whenever I see Marco Tempest do stuff. Magicians are all about mystery and wonder. You wouldn’t see a magician, say, using AR to work an assembly line, or re-order library books, or find a pizza joint in Barcelona. And that’s great. Marco is always gonna do something freaky and out-there, and even though he’s a tech magician, it’s never about the tech first. It’s always about his ingenuity in finding new ways to employ new tools in creating a magical experience for his audience.

Marco’s not an entrepreneur, he’s not gonna revolutionize people’s daily lives or invent Web 4.0, but even if AR becomes “old hat” some day, it’s never going to be old hat when he’s doing it. The guy is a pro, and I’m quite the fan.

Magic Projection Live @ TEDxTokyo 2010 from Marco Tempest on Vimeo.

The prophets of Augmented Reality, Bruce Sterling (best know for his science fiction works, his non-fiction includes “The Hacker Crackdown,” “Tomorrow Now,” and “Shaping Things”), and  Vernor Vinge (author of “Rainbows End” and “The Coming Technological Singularity”) are joining  Will Wright (Legendary game designer of SimCity, The Sims, and Spore), and Jaron Lanier (a computer scientist, composer, visual artist, legend of virtual reality research, and the author of You Are Not A Gadget: A Manifesto) to judge the Auggies at the Second Annual Augmented Reality Event, 2011, Santa Clara, Ca., May 17th, May 18th!  Pictures top row, Bruce Sterling, Vernor Vinge, Will Wright, 2nd row, Jaron Lanier, Blaise Agüera y Arcas, and Frank Cooper III.

Augmented Reality has been prototyped in science fiction writing and films for many years now.  But Augmented Reality Event, the first global event dedicated to the emerging industry of AR,  is your chance to be part of a momentous transformation of science fiction into science fact.   Bruce gave a seminal keynote last year at ARE2010, “At the 9am of the Augmented Reality Industry…” But we are edging closer to high noon this year – see John Markoff’s recent New York Times post, “Augmented Reality Comes Closer to Reality,” and Bruce Sterling’s opening keynote at ARE2011 will raise the bar for us all again.

Bruce Sterling  and Vernor Vinge will wrap up the show with fireside chat.  Jaron Lanier will be keynoting at are2011 for the first time and Blaise Agüera y Arcas (a leader in Microsoft’s mobile strategy), will return to top his Ted talk demonstrating innovations in Bing Maps and Augmented Reality.  Frank Cooper III, who serves as Senior Vice President and Chief Consumer Engagement Officer of PepsiCo, will give, an up to now, missing perspective of  the big brands’ on Augmented Reality (AR).

“The main stage at ARE 2011 will be blessed with science fiction visionaries, ground breaking scientists, mind blowing technologists, and legendary game designers and more!”

Come prepared to Augmented Reality Event.  Read as much Bruce Sterling and Vernor Vinge as you can, and follow @bruces blog on Wired, Beyond the Beyond.  With only a few weeks to go until Augmented Reality Event, myself and co-chairs Ori Inbar, and Chris Grayson, have been working hard on a preliminary schedule ( by the time you click on this link it should be updated again).  You can follow us on twitter for updates as they come in – @tishshute, @comogard, @chrisgrayson,  and please follow @arealityevent and join our ARE facebook posse.  And, of course, don’t forget to register soon while we are still offering discount codes.

Readers of this post can use the code TISH295 for $100 of the already sweet price if $395.

If you joined us for Augmented Reality Event last year, you will know that the”Auggies” – an award for the best AR demo presented live with commentary American idol style,  is a chance to join the best and brightest in AR as they write the next chapter for AR in the sharp and often amusing reparte between judges and contestants.  Submit your demo proposal here under the “Auggies” track.

The picture below is the Auggie Award for the best AR demo designed by Sigal Arad Inbar.  (See, Ivan Franco recounts the team’s ARE 2010 experience, and winning the event’s first-ever Auggie Award, and the video shot at the YDreams booth by Bruce Sterling. “The Hotness” – YDreams rocking it at ARE2010 from brucesflickr)

ARE2011 will include more than 90(!) speakers in 30 sessions organized into 3 tracks: business, technology & programming, and production & design.

It will feature special activities such as a Startup launch pad (submit your proposal here under track: “Startup Launch Pad”), and an ARt Gala with live performances.  There will be displays by top AR artists of AR art projects and live performance art by the world’s best AR artists featuring: Helen Papagiannis, Amir Baradaran, Sander Veenhof, Ina Centaur and more to be announced.

The exhibition area will be open throughout the 2 days of the event and will include the latest product demos by the leading AR companies, as well as a career fair to help grow the fledging industry.  A small number of booths is still available in the exhibition hall ($995 for 10′x10′).Grab them while they last!

A press conference will kick start the event, as a vehicle for AR companies to launch new products and services. Submit your proposal here and add: “Press Conference” in the title. The event wrap up will feature Marco Tempest with a live AR Magic show

I have been so busy working on are2011 (and another project yet to be named -  hint I am focused on social augmentation and the world as a platform for a geo-situated social interest graph), that I have had no time to blog since I was on The Potential for Augmented Reality in Education Panel at SXSW, 2011. But I have posted my slide deck here for my talk, “Enchanted Objects and People: Data Driven AR.”

We are entering a new era of collective engagement possibilities for augmented reality, consumer to consumer brokerages which could unleash the the visions of the collaborative consumption movement and tap into our collective energies in totally new ways.  As Seth Praebatsch, Scavngr, suggested in his SXSW keynote, The Game Layer on Top of the World, the power of communal game play may even help us address even the most intractable problems like failure in education and global warming!!

One of my favorite new AR ventures exploring the potential of new forms of social engagement through AR is Suwappu.  We are working on how to get them across the pond and a few time zones to are2011.

“Dentsu London are developing an original product called Suwappu. Suwappu are woodland creatures that swap pants, toys that come to life in augmented reality. BERG have been brought in as consultant inventors, and we’ve made this film. Have a look!”

Click here or on the image above to watch the video.

“Suwappu is a range of toys, animal characters that live in little digital worlds. The physical toys are canvasses upon which we can paint worlds, through a phone (or tablet) lens we can see into the narratives, games and media in which they live.”

Many new players in Augmented Reality will join the pioneering AR companies, Layar, Metaio, Occipital, Ogmento, Total Immersion, YDreams, and renowned innovators, Mark Billinghurst, Steven Feiner, Blair MacIntyre and the Georgia Tech team and many others will return to surprise and amaze us this year – see the still growing list of speakers here.   Qualcomm, who announced an SDK for vision based augmented reality, and $200,000 developer challenge last year, will also be back with several of their team at are2011!

Visual Search and OCR augmented reality apps have flourished in the last year and they will have a strong presence at are2011.  Long anticipated and oft fretted over face recognition apps are coming to a phone near you soon.  Viewdle, working locally on the phone, is taking a new approach to face recognition.  Google has so far said that they will not use or release the face recognition technology that they apparently already have.  But Shailesh Nalawadi, Google Goggles, will return to are2011 to discuss building out a computer vision search database and 3D Classifiers to solve AR challenges and show us what Google Goggles has been working on recently.  Aurasma, out next month, is perhaps the next big thing in this space, so we are all eager to try it out and see what they bring to ARE2011.

My interview with Anselm Hook, Visual Search, Augmented Reality and a Social Commons for the Physical World Platform: Interview with Anselm Hook, is still a great reference point for important questions in this space.

Wordlens, wowed us all with OCR done locally on the phone, and they will be  showing off new features at ARE2011. Pulling out WordLens to translate at subway poster for the first time is a magic moment, and guaranteed to impress the person sitting next to you too!    Tactical Information Systems, who Fred Wilson said had the potential to be a Shazam for faces at Web 2.0 Expo, NYC, will show us what they have been up to since then. 

Data driven AR is still in the early stages, but it is data that will unlock augmented experiences of the world around us in many powerful ways.   Also, we are seeing exciting new efforts to put people at the center of their data.  Jeremie Miller who ushered in the Twitter era with his invention of XMPP has brought us a new real time protocol, TeleHash and the Locker Project, that will unleash the full potential of communication at the edge of the network.   And don’t miss Ben Cerveny and Bloom,  at ARE2011, with “pop-cultural instruments for data expression and exploration” and “where data visualization meets game design,”  I highly recommend Ben’s talk!

Also I am very excited that Mike Kuniavsky will be speaking at  ARE2011 for the first time.  He  pointed out in 2007 that Magic is a powerful core interaction metphor for Ubiquitous computing [and AR].  Offices. libraries, and the desktop provided us with common metaphors that unleashed the power of the PC through files, desktops and trash cans, browsing, etc.,  but metaphors of magic – “enchanted objects and people,” are keys to augmented reality experiences.   And, if Magic is a core interaction metaphor for AR, kinect hacks have shown us that gesture will be the soul of the AR experience.  Jaron Lanier’s keynote will be a must see and make sure you catch Chris Arkenberg’s presentation on the Future of Hands Free AR.

This post is just a glimpse at some of what will be going on at Augmented Reality Event.  I cannot do justice to everything in a single post, so I hope to see you there!  And, if by any chance you have a few moments to daydream between now and then, feel free to ponder your own script for a Green Lantern movie:  “In brightest day and darkest night, no evil will escape my sight.”  I will too.  As @brendanscully noted, “Green lantern’s power is Augmented Reality!”

The Points of Control map is interactive, so please click here or on the image above for the full experience.

Today at 4pm EST, 1pm PDT John Battelle and Tim O’Reilly will discuss the Points of Control map and The Battle for the Internet Economy in a Free Webcast:

“More than any time in the history of the Web, incumbents in the network economy are consolidating their power and staking new claims to key points of control. It’s clear that the internet industry has moved into a battle to dominate the Internet Economy.

John Battelle and Tim O’Reilly will debate and discuss these shifting points of control as the board becomes increasingly crowded. They’ll map critical inflection points and identify key players who are clashing to control services and infrastructure as they attempt to expand their territories. They’ll also explore the effect these chokepoints could have on people, government, and the future of technology innovation.”

I’ve been wanting to start a discussion on the  Points of Control map in the Augmented Reality community for a while now, and Chris’ recent post on the latest edition of the Gartner Hype Cycle, “Is AR Ready for the Trough of Disillusionment?” and this post by Mac Slocum, “How Augmented Reality Apps Can Catch On,” and the conversation in the comments between Mac, Raimo (one of the founders of Layar), and Chris, all prompted me to get a conversation started…(see below for all that followed!).  Chris put me on the hot seat back in June when he did this very generous interview with me on Boing Boing, so it was time to turn the tables.

Tim O’Reilly, in his  keynote for Web 2.0 Expo, pointed out there is both a fun and a dark side to the Points of Control map.  There are companies on this map, he noted, that rather than “growing the pie,” are trying to divide up the pie, and they are forgetting to think about creating a sustainable ecosystem. I expect the conversation between Tim O’Reilly and John Battelle to dig deep into this Battle for the Internet Economy.  If, like me, you have another engagement at the time of the webcast, you can register on the site to receive the recording.

AR is still too young to figure in the battles of the giants, but there will be a lot to be learned from this conversation.  And, The Points of Control map is good to think with from the POV of AR in many ways.  As Chris Arkenberg observed:

“When I look at this map, the points of control map, it’s really interesting to me, because what it says to me with respect to AR is each of these little regions that they have drawn out would be a great research project. So every single one of these should be instructive to AR.

In other words, we should be able to look at social networks, the land of search, or kingdom of ecommerce, and apply some very rigorous critical thinking to say, “How would AR add to this engagement, this experience of gaming, or ecommerce, or content?”

Looking at each of these individually and really meticulously saying, “OK, well yes, it can do this but how is that different from the current screen media experience, the current web experience that we have of all these types of things?”   You know, how can augmented reality really add a new layer of value and experience to these? And I think that process would really trim a lot of the fat from the hopes and dreams of AR and anchor it down into some very pragmatic avenues for development.  And then you could start looking at, “Well, OK, what happens when we start combining these?” When we take gaming levels and plug that into the location basin, as you suggested.”

Chris Arkenberg is a technology professional with a focus on product strategy & development, specializing in 3D, augmented reality, ubicomp and the social web. He uses research, scenario planning, and foresight methodologies to help organizations anticipate change and adopt a resilient and forward-looking posture in the face of unprecedented uncertainty. His personal work is collected at urbeingrecorded, and his professional profile is here.

He is also one of the founder/organizers of AR DevCamp which is currently scheduled for Dec. 4th (somewhere in SF or The Valley!)  Chris said, “No further details atm (still trying to find a venue and get sponsors) but please direct people to http://ardevcamp.org for upcoming information.”

Talking with Chris Arkenberg

Tish Shute: I know some people thought the positioning of AR by Gartner near the peak of the hype cycle was misguided, and based on a very narrow understanding of AR as used in marketing apps. But reading your post I thought you made a lot of good points.

Chris Arkenberg: It’s tracking hype, right? It’s not necessarily tracking the growth of the technologies or their maturation so much as it’s tracking the general attention level. And what’s interesting to me is that tends to affect the amount of money that goes into those technologies.

Tish Shute: I was particularly interested in your post because I have been writing a post about two recent O’Reilly events in NYC, Maker Faire, Web 2.0 Expo, and then Hadoop World, where Tim gave a very interesting 45 minute keynote.   AR was pretty low profile at all three events.   But the NVidia augmented reality demo attracted a lot of attention at the sponsors expo, and Usman Haque, Founder of Pachube announced in his presentation, they are working on an augmented reality interface for Pachube called Porthole, its designed for facilities management and, “as a consumer-oriented application that extends the universe of Pachube data into the context of AR – a ‘porthole’ into Pachube’s data environments.. “  Usman also mentioned, when I talked to him, that he is contributing to the AR standards discussion and on the program committee now for the W3C group on augmented reality.  For more on this standards discussion and the Pachube AR interface, see Chris Burman’s paper for the W3C, Portholes and Plumbing: how AR erases boundaries between “physical” and “virtual.”

I think pioneers in the augmented reality commmunity should pay attention to these wider conversations about the Battle for the Internet Economy, and the exploration of the  “Platforms for Growth” theme at Web 2.0 Expo is very important- this is a course also a nudge to read my upcoming post on these O’Reilly events!

Also I have another project I have been chewing on that I would like to talk to you about.   I want to start an AR conversation about the wonderful Points of Control map produce for Web 2.0 summit by John Battelle. [ Note there will be, "Battle for the Internet Economy" free Web2Summit webcast w/ @johnbattelle & @timoreilly Wed 10/27 at 1pm PT http://bit.ly/b46cmb #w2s]

Up to this point, understandably given the immaturity of the technology, AR has little role in the “Battle for the Internet Economy.”  But this doesn’t mean that the map isn’t good for AR visionaries, enthusiasts, entrepreneurs, and developers to think with.   And both you and Tim have pointed out the potential for AR to leverage the giant data subsystems in the sky.   I have to say the positioning of Cloud Computing on the brink of heading down into the trough of disillusionment in this recent rendition of the Gartner Hype Cycle seems ridiculous!

Cloud Computing is already ubiquitous hardly seems credible that it is headed for a trough of disillusionment!

Chris Arkenberg: Yeah, it’s ubiquitous so why even talk about it when it’s your fundamental infrastructure?

Tish Shute: Yeah and I seriously doubt it is imminently headed for a trough of disillusionment….and this brings me back to the Points of Control Map which as John Batelle points out, “aims to identify key players who are battling to control the services and infrastructure of a websquared world” in which the “Web and the world intertwine through mobile and sensor platforms.”  This instrumented world, of course, creates a great deal of opportunity for augmented reality. Have you seen that, that points of control map?

Chris Arkenberg: I think I have, actually.

Tish Shute: There has been much debate about how this intertwining of the web and the world will play out in augmented reality.   Chris Burman points out in his position paper for W3C,  Portholes and Plumbing: how AR erases boundaries between “physical” and “virtual”, that “trying to draw parallels between a browser based web and the possibilities of AR may solve issues of information distribution in the short-term,”  but it must not have a limiting effect in the long-term.   But now we at least have one web standards-based browser for AR thanks to the work of Blair MacIntyre and the Georgia Tech team.  But I think the discussion in the comments of Mac Slocum’s recent post, “How Augmented Reality Apps Can Catch On” is an interesting starting point from which to think about platforms of growth for AR.  I am not sure if I am stretching his meaning but I think Raimo, Layar, is suggesting that what the Point of Control map call the the Plains of Media content is very important to the growth of the fledgling AR industry right now. And I would agree with this, and add that the neighboring terrain of gaming levels will be pretty key as one of my other favorite AR start ups Ogmento hopes to reveal in the near future! But what do you think was most important in this brief but pithy dialogue between you Raimo and Mac?

[The screenshot above is a teaser video the Gary Hayes from MUVEdesign for his upcoming (2011 release date), game called Time Treasure.  See Gary’s blog for more and Gary’s  post from over a year ago on AR Business models.  Thomas K. Carpenter, on Games Alfresco notes, “I think this is a terrific idea and I find it interesting he’s planning this on a tablet rather than a smartphone.”

Chris Arkenberg: The way I took it…And to give a little bit of context, I came from sort of this apprehension of augmented reality as an expression of the existing Internet. So as sort of a visualization layer that allows you to kind of draw out data, and then, with all the affordances of being able to anchor it to real world things.

And my own sort of path has led me to want to really try to understand that and refine it, particularly with respect to the sort of Internet of things and the smarter planet idea of just having embedded systems everywhere. And specifically, what is the value-add for augmented reality as a visualization layer of an instrumented world?

And so that’s caused me to be a bit biased towards that side of AR. And the way I took Raimo’s comment was that he was saying that, “You know, really what we’re interested in is media.” That he was effectively saying that AR for them is really just about that space between the screen and the the world, or between your eyes and the world, and what you can do there.

Certainly I had considered it in the past, but I hadn’t really focused on it or assumed that it was a priority as a business model. And so he kind of reminded me that, actually, there’s a lot of entertainment applications. There’s a lot of, obviously, advertising and marketing applications.
And so I felt that I was being a little narrow in my focus…

Tish Shute: Yes this comes to the heart of what I am interested in about the role AR can play in opening up new relationships to the world of data that we live, not just making it more accessible and useful to us when and where we need it, but AR as a road to reimagining  it..

Have you seen any interesting work yet to explore these great data economies in the cloud through AR. I mean can you think of any others – there is planefinder.net but others?

Chris Arkenberg: I’ve seen a few just sort of skunk works type applications that people have been playing around with, again, to try and reveal things. One of them was similar to the aircraft, but it was more for military use and being able to identify things of interest in the sky. I’ve seen a couple other for navigation, so being able to identify mountain peaks on a visual plane, for example, but this isn’t so much about revealing an instrumented world.

Tish Shute: Yeah, I think that was from the Imagination right? I know that’s an interesting one. Usman at Web 2.0 Expo, in his presentation, mentioned the work Pachube is doing on an Augmented Reality interface. I interviewed Usman again as my last long interview with him was nearly 18 months ago now and Pachube is well on the way to becoming the Facebook of Data or the analogy that Usman prefers – the Twitter of sensors!

Chris Arkenberg: Hmm, interesting.

Tish Shute: And to go back to your comments on Augmented Reality not getting caught in some of the traps that have made virtual worlds lose relevancy I think that is vital that AR developers understand the strategic possibilities of key points of control in the internet economy because the isolation and Balkanization of virtual worlds were certainly a factor in their rapid slide into the trough of disillusionment – although many would argue that a fundamental flaw in the kind of virtual experience that Second Life and other virtual worlds constructed was really the fatal flaw (see James Turner’s interview with Kevin Slavin Reality has a gaming layer).

But Second Life’s isolation from the other great network economies of the internet was certainly a limiting factor.

Chris Arkenberg: And that’s been exactly my sense, and I’ve, over the years, tried to encourage development in that direction for virtual worlds. I did work, through Adobe, to help develop Atmosphere 3D back in the the early 2000’s. And we did a lot of work to try and understand the marketplace and the specific value-add of doing things in 3D over 2D.

And this is kind of why I keep referring back to VR and VW’s with respect to augmented reality, is that with immersive worlds, there was this idea…there was this big rush. Everybody was so excited about it. It was obviously the next cool thing. And everybody wanted to try to do everything in it. You could do your shopping in virtual worlds. You could have meetings in virtual worlds.

Tish Shute: and shopping, yes ..that didn’t work out so well!

Chris Arkenberg: And everybody was very excited in developing these things. And what it really came down it is, “Yeah, you can, but it’s actually a lot better to do those things on a flat plane or in person.” Meeting Place, WebEx, TelePresence – those tools generally do a much better job at facilitating TelePresence meetings than a virtual world does. The same with TelePresent Education. There are only very specific things that both VR and AR are really good at.

And that’s where I find myself with augmented reality right now, trying to really pick through that and critically look at which uses are really appropriate for an AR overlay. And again, I think that’s why the hype cycle is important, because it reflects back this desire that AR is going to be the next big thing – the be-all, end-all of interacting with data in the cloud – and forces us all to take a critical look at why we should do things in AR instead of on a screen.

AR is not going to work well for most things but it’s going to be very good for certain uses. Right now I’m very keen at trying to understand what those things might be.

Tish Shute: I had this wonderful conversation (more in an upcoming post) with Kevin Slavin one of the founders of Area/Code at Web 2.0 Expo and I think some of what he describes about the data brokerages of High Frequency trading have some interesting implications for AR’s role, say, in ubiquitous computing. The trading markets are now pretty much dominated by machine to machine intelligence; machine to machine brokerages. They are basically game economies on the scale that we can barely wrap our heads around where the speed that bots and algo traders can access the network is the key. We really have no clue what is going on until we lose our house…

Kevin was also interviewed by James Turner on O’Reilly Radar. He talked about how much of the interesting work in location based mobile social apps is defined in opposition to the model of Second Life. He also talked to me about how we are seeing “first life” take on the qualities of “second life.” What goes on the trading floor is largely a performance secondary to a more important world of machine intelligence with giant co-located servers and bots fighting for trading advantages measured in fractions of seconds.

He pointed out how we draw on all these tropes from sci-fi movies, these HUDs based on ideas of machine intelligence where the robot talks to the other robot in English through an English HUD!  Many of our current visual tropes for AR are perhaps just as inadequate for the kind of data driven world we live in.

Of course, when you are thinking of having fun with dinosaurs, or illustrated books, or whatever, this is not, perhaps, an issue.  But if you are thinking of augmented reality interfaces as being important in a battle for network economy, and platforms for growth,  how this new interface helps us live better in a world of data is an important issue.

Chris Arkenberg: Now, does that indicate that the UI just needs more overhaul and innovation, or more that the visual interface for those experiences shouldn’t really leave the screen? It shouldn’t move on to the view plane?

Tish Shute: Yes we have a few concept videos that try and explore this ..

Chris Arkenberg: Well, and I think this will happen at the level of human-computer interface. I mean that’s always been its role, in making coherent the sort of machine mind, for lack of a better term, making it coherent to the human mind. So I mean there is a lot of this sort of machine intelligence, the semantic Web 3.0 revolution, where it really is about enabling machines, and agents, and bots to understand the content that we’re feeding them.

But at the end of the day, they, for now, need to be providing value to us human operators. So there’s always going to be a role for human-computer interface and user experience design to make this stuff meaningful.

I mean, if you look at the revolution in visualization & data viz, this is of incredible value because it takes a tremendous amount of data and collates it into a glanceable graphic that you can look at and immediately comprehend massive amounts of data because it’s delivered in a handy, visual way.

So I see that as a fascinating design challenge, how the user experience of the data world can be translated into meaningful human interaction.

Tish Shute: Yeah. And when we see Stamen Design pursuing a big idea in AR, that’s when we might start to rock and roll, right?

Chris Arkenberg: Yeah. In my article, I sort of jokingly suggested that Apple will create the iShades. But, they’ve got the track record of being way ahead of the curve and delivering the future in very bold forms.

Tish Shute: A key part for the battle for the network economy is to bring the complexity of data into the human realm in a way that increases human agency. Kevin suggests that the giant robot casinos of markets should actually lift off into total abstractions as theses machine-driven trades get back into the human realm in ways that are so damaging to our lives – a lost house or job! The notion of a counterveillence society where people have more agency over the important aspects of their lives, health, housing, job (which I discussed with Kevin – interview upcoming) has gotten pretty tricky!

But I think we will begin to see AR eyewear for specific applications (gaming and industrial) get more common fairly soon – possibly as smart phone accessories.

And it is clear that AR is going to be, increasingly,  a part of our entertainment smorgesborg in coming months. Itouch has a camera (although lower resolution), Nintendo’s are AR-ready and many aspects of the AR vision of hands-free spatial interfaces will go mainstream through Natal.

But we are yet to see an app/platform emerge for mobile. Social AR games that turn every bar and cafe and ultimately the whole city into a gaming venue  -although I think Ogmento and MUVE aim to lead the way here! Will an AR company achieve Zynga level success by using the Foursquare, for example?

My feeling is that the lesson of Zynga is pretty important for mobile social AR games. Could Flash social gaming have taken off without Facebook?

Chris Arkenberg: And that’s the real driver. And again, as you mentioned with Second Life, and this was exactly my own sense, is that they stuck to the closed garden model and didn’t get the power of social and collaboration. They attempted to add some of those affordances within the world, but, you know, ultimately most people aren’t in virtual worlds, and most people aren’t using augmented reality. So leveraging the really predominate platforms like Twitter and Facebook and Foursquare, being able to leverage those affordances, that connectivity, into a platform like augmented reality, I think, is really critical. Because again, you get nothing unless you have the masses, unless you have people present.

Tish Shute: In AR research there is a long history of the notion of powerful AR-dedicated devices, but smart phones and tablets are good enough,  and can launch augmented reality into the heart of the internet economy. I think  the elusive AR eyewear will come to us initially as a smart phone accessory for specific apps.  But, for the moment, most AR apps make little attempt to play in the wider internet economy.

Chris Arkenberg: And I think it’s actually much lower hanging fruit, really, to do gaming, marketing, transmedia. Because then you don’t really care about the cloud, or maybe you only really care about a little part of it that your gaming property is addressing. Then it becomes much more about entertainment, and much more about persuasion, and sensationalism. And if you’ve got dancing dinosaurs on your street, great! It’s entertaining, it’s cool, it’s new. That stuff is fairly straightforward.

I keep coming back to this idea of, you know, the instrumented city. What sort of data trails do you get out of a fully instrumented city? So maybe you get traffic patterns, maybe you get geo-local movements of masses, maybe you get energy usage, that sort of thing, all the, sort of heat maps you can generate from a city. But then what good does it do to be able to have that on an augmented reality layer versus just looking at it on a mobile device or looking at it on your laptop?

Tish Shute: Of course the use cases for “magic lens” AR are different from the kind of hands free, 360 view with tightly registered media, that a full vision of AR has always promised. The 360 view is quite a different metaphor from the web and mobile rectangular screens.

Chris Arkenberg: Yes, yes.

Tish Shute: Did you see that great parody of Michael Jackson’s “Beat It” with the iPads versus the iPhones, right?

Chris Arkenberg: Oh, really?

Tish Shute: I tweeted it cos i thought it was quite funny and a little close to the bone!
[laughter]

“ur wanna an ipatch 2 b the new fad?” #AR gets cameo in Twitter, iPads & iPhone’s Michael Jackson-Inspired Parody via @mashable

It is hard to get away from the importance of eyewear when discussing AR!

Chris Arkenberg: Yes, so the hardware, to me, is a big stumbling point right now, or it’s a large gating factor, I think, for realizing what an augmented reality vision could really be like. That it really does need to be heads up. This holding the phone up in front of you is fun to demonstrate that it’s possible, and it’s valuable in some ways…

Tish Shute: And it’s particularly nice in some applications like the planes app, the Acrossair subway app where you hold the phone down and get the arrow, right?

Chris Arkenberg: Yeah, the way-finding stuff I think is really valuable…

Tish Shute: Sixth Sense really caught people’s imagination because it managed to deliver the gesture interface with cheap hardware, even if projection has limited uses (no brightly lit spaces or privacy for example!).

The other important and as yet unrealized part of the AR dream is real-time communications. Many interesting uses cases would require this. As you know that is my chief excitement, along with federation, in the Google Wave Servers for (which should soon be released at Wave in a Box) for ARWave.

Chris Arkenberg: Well my sense of Wave is that it was a ChromeOS protocol that they instantiated, or that they exhibited in the public deployment of Google Wave. That that was a proof of their sort of low level architectural solution. Because, you know, they’ve been rumored to be working on this cloud OS for some time. And so my sense is that Wave is actually one of their core components of that cloud OS, and that it just happened to incarnate for the public in a test run as Google Wave.

Tish Shute: I do hope that Wave In the Box will lower the barriers to entry to people experimenting with this technology. The FedOne server was just way too hard for most people to take the time to set up. Of course, it is the brilliance of the Wave Operational Transform work that also poses problems in terms of ease of use. But Wave Federation Protocol is pretty innovative. And could even play an important role in a real time communications for AR eyewear connected to smartphones. The challenges that Wave takes on re real-time communications, federation, permissions and filters are pretty important ones for AR…

Chris Arkenberg: Especially when you’re trying to federate a lot of permissions and filter a lot of data, which all of that gets even more important when you have a visual layer between you and the real world.

Tish Shute: You got it. Yeah!

Chris Arkenberg: I think that’s really valuable real estate, both for third parties that want to get access to your eyes, as well as for you, as the user, who still needs to navigate through the phenomenal world and not be occluded by massive amounts of overhead data.

Tish Shute: Yes, I am sure Google has big plans for the next level of cloud computing and Wave looks at some key challenges. I suppose federation poses some key business problems. I think it was Michael Jones who said to me that it was a bit like socialism in that you have to be willing to give something up for the greater good.

Perhaps federation does not present enough appeal because of its challenges re business models?

Chris Arkenberg: Well, I wonder. I mean there’s got to be some value for their ad platform as ads are moving more towards this personalized experience. Advertising is becoming less of a shotgun blast and more of a very precise, surgical strike. So being able to track user data to such a fine degree to mobilize the appropriate ads around them wherever they are, on any platform, is certainly very valuable to Google and their ad ecology.

Tish Shute: Many people have high hopes that HTML 5 by lowering the barrier of entry for  browser style AR could also pave the way for some interesting AR work..

Chris Arkenberg: Well, as much as I would hope that all the different players are going to come together and establish some shared set of standards, really, what’s happening is it’s a rush to the finish line to be the first…to get the most penetration in the marketplace so that Layar, for example, can say, “It’s official. We’re the platform.” And then the consolidation that will follow, where the Googles and the other big players like Qualcomm say, “OK, it’s mature enough. We’ll start buying up all the smaller companies.”

And that’s where the real challenge is right now is that there are no standards. It’s such an immature technology that you have a lot of different players trying to establish the ground rules. And again, this is one of the challenges that faced public virtual worlds, is that you had a lot of different virtual worlds that weren’t talking to each other in any particular way, and that they each had their own development platform. And so you end up with a very fractured ecosystem or set of competing ecosystems, which is kind of what’s happening with AR right now, where a developer has to choose between a number of different new platforms or hedge by deploying across multiple platforms. Basically, the web browser wars are set to be recapitulated by the AR browsers.

Among them, Layar and Metaio seem to be getting the most traction. But there’s still not a really strong case for a unified development ecosystem to emerge.

Tish Shute: So a discussion of ecosystem development brings us back to the Points of Control Map I think. So what do you see as key points of interest for AR developers to watch in the Points of Control Map? And where do you want to sort of put your bets, right? We are still really waiting for mobile social AR to emerge into the mainstream.

Chris Arkenberg: Yes. And that’s primarily the shortcoming of the hardware itself, but also of the accuracy of current GPS technology. That’s another kind of gating factor, because again, AR wants to be able to express the data within a distinct place or object.

So in a lot of ways, other than kind of what we’ve allowed for the broader entertainment purposes, for AR to really work, there needs to be more resolution in GPS location. So for it to be truly locative…because it’s OK to tell Foursquare that you’re in Bar X. But if you want to be able to draw data directly on a wall within that bar, or do advertising over the marquee on the front, you need more factors to accurately register those images on a discreet location. So that’s another, sort of, aspect of the immaturity of AR, is that it’s still very hard to register things on discreet locations without employing a number of diverse triangulation methods.

Tish Shute: Right. The mobile AR games we see at the moment are really just faking a relationship to the physical world unless they rely on markers or some limited form of natural feature recognition which is really just a more sophisticated form of markers. But the Qualcomm SDK does offer some opportunities to tie AR media to the world more tightly as does the Metaio SDK. But in terms of a mobile social AR game that could be like the Cape of Zynga to FourSquare in Location Basin [see the Points of Control map]… We haven’t seen anything close yet.

AR should be able to bring the check-in mode to any object in our environment.

Chris Arkenberg: Yes, yes. And that’s actually one of the early interests I had in the notion of social augmented reality. I wanted a way to tag my community with invisible annotations that only certain people could read, and found pretty quickly that that’s very difficult to do. I mean you can kind of do some regional tagging, like on a beach, for example, but if you wanted to tag the bench that was on the cliff above the beach, it’s very difficult to do that using strictly locative reckoning.

There’s all sorts of really cool social engagement that can be revealed when people are allowed to attach things to the world around them, to the streets they normally pass through, or the points of interest that they normally engage in. To be able to author on the fly on the streets and attach it discreetly to an object effectively.

Tish Shute: And yes we do have all kinds of markers and QR codes. But Erick Schonfeld of Tech Crunch made a good point that QR codes: “Until QR code scanners become a default feature of most smartphones and they start to become actually useful enough for people to go through the trouble to scan them, they will remain a gee-whiz feature nobody uses.”

Chris Arkenberg: So again, this gets back to competing standards and who gets access to the phone stack, the bundle. Who gets the OEM deal…?

Tish Shute: Yes, the battles for the networks on the Handset Plains are pretty important for AR!
[laughter] I think Layar have made some smart moves on The Handset Plains.

And there are a lot of acquisitions of nearfield technology to look at.  If I remember rightly Ebay bought the Red Laser tech from Occipital – now there’s any interesting company. Their panorama stuff rocks!

Chris Arkenberg: Right. There’s a lot of nearfield stuff that’s supposed to hit all of the major mobile platforms in the next year or so.

I mean I think where this is heading, in my mind, is basically smart motes. You know, little nearfield wide-range RFID’s that are the size of a small, tiny square that you could attach to just about anything and then program it to be a representative of your establishment or of an object, that then you can start to tag just about anything. I mean you can’t rely on geo to do it, but if you have a Nearfield chip there that costs maybe like two cents to buy in bulk, and you can flash program it, then you can start to attach data to just about anything.

Tish Shute: Yes ‘cos some things still remain very difficult for near field image recognition technologies like Google Goggles.

Chris Arkenberg: Well, if your phone can interrogate for Nearfield devices, and it detects a chip in its near field, it can then interrogate that chip. The chip may contain flash data on itself, or it may contain the local server in the establishment, or it may go to the cloud and get that data back.

Tish Shute: Yes there is moverment from the top and open source hardware like Arduino has created an opportunity for all sorts of creativity with instrumented environments.  And the handheld sensors in our pockets – our smart phones create a lot of opportunity for bottom up innovation too.

Chris Arkenberg: I mean that’s my guess. If you look at what IBM is doing with their Smarter Planet initiative, they’re partnering with a lot of municipalities, and obviously with a lot of businesses and their global supply chains.

But they’re basically working with municipalities and all these stakeholders to instrument their territory, their business, or their city, as it were. So they’re working to provide embedded sensors and the software necessary to read them out and run reports & viz. And presumably that software can extend to include some sort of mobile device to interrogate the sensors and read the data.

That’s kind of a top-down approach of a very large global company working with top-down governance bodies to do this. Simultaneously you have the maker crowd experimenting with Arduino and such to build from the grassroots, the bottom up approach.

And that’s primarily gated by the amount of learning it takes to be able to program these devices, to be able to hack them. Typically, the grassroots creators who make these devices don’t have the luxury of very large budgets to make things highly usable and Wizywig.

So the bottom up community is a sandbox to create tremendous amounts of innovation, because they are unconstrained by the very real financial needs of the top down innovators. And so you get a lot of fascinating innovation, a very rich ecology from the bottom-up approach, but you don’t get a lot of wide distribution. But that does filter up to and inform the top down approach that has a lot more money to put into this stuff. And it ultimately has to respond to the needs of the marketplace.

I mean if there’s an answer to the question of whether something like AR will succeed through the bottom-up grassroots approach or the top-down industry approach, I would say it would be both. That handsets will be hacked to read the bottom up innovations of the maker community, and handsets will be preprogrammed to read the top down efforts of the IBMs of the world.

Tish Shute: Yes but i have to say it is very time-consuming hacking phones (I have just seen a few days suck up in this myself so that I could upgrade my G1 to try out the new ARWave client!). I mean Android has obviously been the platform of choice because of openness but the business model of iPhone and its market share in the US sure make it important for developers.  It’s like you don’t exist if you don’t have an iphone app for what you are doing.

Chris Arkenberg: Yeah, and that’s the challenge, because at the end of the day developers prefer not to work for free and a solid, reliable mechanism to monetize their efforts becomes very appealing.

When I look at this map, the points of control map, it’s really interesting to me, because what it says to me with respect to AR is each of these little regions that they have drawn out would be a great research project. So every single one of these should be instructive to AR.

In other words, we should be able to look at social networks, the land of search, or kingdom of ecommerce, and apply some very rigorous critical thinking to say, “How would AR add to this engagement, this experience of gaming, or ecommerce, or content?”

Looking at each of these individually and really meticulously saying, “OK, well yes, it can do this but how is that different from the current screen media experience, the current web experience that we have of all these types of things?” You know, how can augmented reality really add a new layer of value and experience to these? And I think that process would really trim a lot of the fat from the hopes and dreams of AR and anchor it down into some very pragmatic avenues for development. And then you could start looking at, “Well, OK, what happens when we start combining these?” When we take gaming levels and plug that into the location basin, as you suggested.

Tish Shute: Some of the important platforms for AR don’t appear to have spots on the map like Google Street View and other mapping technologies that hold out so much hope for AR, or am I missing something?

Chris Arkenberg: You mean on the map?

Tish Shute: Yes for the full vision of AR we need sensor integration, computer vision and cool mapping technologies to come together. Do you see where Google Maps and Google Street View… Where would they be?

Chris Arkenberg: Yeah, I mean it’s certainly content, it’s location…

Are you familiar with Earthmine?

Tish Shute: Yes, yes I am, definitely. Earth Mine, Simple Geo, Google Street View, user generated internet photo sets like Flickr all of these could be very important to AR, potentially.

Chris Arkenberg: Well, and the interesting thing about Earthmine is that they’re effectively trying to do an extremely precise pixel to pixel location mapping. So they’re taking pictures of cities just like Street View, except they’re using the Z axis to interrogate depth and then using very precise geolocation to attach a GPS signature to each pixel that they’re registering in their images. Effectively, you get a one-to-one data set between pixels and locations. And so you can look at something like Google Street View, and if you point to the side of a building, in theory, it should know exactly where that is.

They’re rolling this out with the idea of being able to tag augmented reality objects in layers directly to surfaces in the real world. So that’s another approach to trying to get accurate registration and to try and create what are essentially mirror worlds. Then your Google Street View becomes a canvas for authoring the blended world, because if you plop a 3D object into Street View on your desktop, and then you go out to that location with your AR headset, you’ll see that 3D object on the actual street.

Tish Shute: There was some experimental work with Google Earth as a platform for a kind of simulated AR but I suppose Google Earth doesn’t figure in the battle for the network economy as it never got developed as a platform.

Chris Arkenberg: It hasn’t tried to become a platform, to my knowledge. I mean I know some people are doing stuff with it, but as far as I know, Google owns it, they did it the best because they have the best maps, and there’s not a huge ecosystem of development that’s based around it other than content layers.

And my sense of everything else on the Points of Control map is they’re looking more at these sort of platform technologies that…

Tish Shute: Yes, re platforms for growth for AR. Gaming consoles will probably emerge as a significant platform for AR this year.

Chris Arkenberg: There will be much more of a blended reality experience in the living room for sure, and with interactive billboards. Digital mirrors are another area. So I mean if we kind of extend AR to include just blended reality in general, you know, this is moving into our culture through a number of different points. As you mentioned, it will be in the living room, it will be in our department stores where you can preview different outfits in their mirror. We’re already seeing these giant interactive digital billboards in Times Square and other areas.

It’s funny. I mean for me, the sort of blended reality aside, the augmented reality, to me, is actually a very simple proposition in some respects. When I look at this map, augmented reality is just an interface layer to this map in my mind, just as it’s an interface layer to the cloud and it’s an interface layer to the instrumented world. It’s a way to get information out of our devices and onto the world.

Tish Shute: The importance of leveraging existing platforms has become pretty clear but it is interesting Facebook definitely gave Zynga the opportunity but would Facebook be so big without Zinga’s social gaming boost?

Chris Arkenberg: I feel that Zynga has definitely helped its growth…But I think Zynga has benefited a lot more from Facebook than Facebook has from Zynga.

Tish Shute: Zynga certainly proved you could build a profitable business on Facebook’s API!

Chris Arkenberg: They did. And they also really validated the Facebook ecosystem and the platform. They really extended it… Zynga benefited from the massive social affordances that Facebook had already architected and developed. They brought gaming directly into Facebook, and particularly, this emerging brand of lightweight social gaming that when you sit it on top of a massive global social network like Facebook, it suddenly lights up.

Tish Shute: AR pioneers should quite carefully go through this map. There is so much to think about here. I’m a kind of fanatic about Streams of Activity in AR. Real time brokerages and their potential for AR is something I am fascinated by. That is one reason I love the ARWave project.

Anselm Hook, to me, is one of the great thinkers in this area of real time brokerages – with his project Angel, and the work of Ushahidi, which is now the platform for augmented foraging (see here). Anselm is now working on AR at PARC which is exciting.

Chris Arkenberg: Well, there are some challenges working with data streams. Presentation and filtering I think is a big challenge with any sort of stream. Because obviously, you have a lot of potential data to manage, to parse, and to make valuable and comprehensible. So I think this is bound very closely to being able to personalize experiences, or having very discreet valuable experiences. Disaster relief, for example, I think is an interesting idea that ties into the Pachube type of work. Where, if you had the headset and you were a relief worker, and you had immediate lightweight, non-intrusive, heads up alpha channel overlay, waypoint markers showing you all of the disaster locations or points of need, AR becomes extremely valuable, because it’s a primarily hands-free environment. This is why the military stuff is so interesting.

Tish Shute: Ha! We are running into the eye patch/shades/goggles/sexy specs thing again. But filtering and making streams of activity relevant will be very interesting for AR.  Again that it why I love the Wave Federation Protocol work because what they have built into their XMPP extensions. You can have your real-time personal data streams, or community streams, or broadcast publicly – the permissions are built.

And Thomas Wrobel’s original vision of these layers and channels is only fully expressed if you have the eyewear.

Chris Arkenberg: Well, and it becomes redundant if it’s on a mobile. To use a very basic example, Twitter, obviously there’s an app you can view those streams of activity on the camera stream. But you can view that real time data on the screen. Why do you need to see it heads up?

The reason I really pay attention to what the military is investing in, one, because they have a ton of money, but also because they tend to represent the core bio survival needs of the species…So, when I look at computing, I see this very obvious trend of computers getting smaller and smaller and closer and closer to us because they’re so valuable to our success. They give us so much valuable information for engaging our world on a moment by moment basis. So, of course now we have these tiny little handheld devices that give us access to the global knowledge depositories of human history, because it’s so useful to have that stuff right at hand.

The only impediment now is that it takes one of our hands, if not both of them, to access it. So if you are in the natural world, which we are all always in the natural world, ultimately, you want your hands free in order to engage with the world on a physical level.

I see computation, or rather, our access to computation is just going to get thinner and thinner, and we’ll very soon move into eyewear, and inevitably, we’ll move into brain computer interface in some capacity.

So when you’re the disaster worker, or a deployed soldier, or the extreme mountain biker, or the heli-skier, or just an adventurer, there are a lot of very practical reasons to have access to information on a heads-up plane. I see AR as being so profound and so valuable, but we’re getting a glimpse of it in its infancy, and it’s got a ways to go to be able to really contain what it is we’re reaching for.

Tish Shute: I agree.

Chris Arkenberg: And that’s been a big criticism I’ve had with all the existing AR implementations that I’ve seen, is that the UI really needs a revolution. It’s very heavy handed. It is not dynamic, even though it’s supposed to be. It does not take advantage of transparencies. It treats the screen like a screen. It doesn’t treat the screen like a window onto the real world. When you’re looking on the real world, you don’t want a lot of occlusion. You want very soft-touch indicators of a data shadow behind something that you can then address and then have it call out the information that’s important to you.

Tish Shute: Now, that’s a very nice kind of image you’ve conjured for me there. Do you see that more could be done on the smartphone than is being done within that? Or are we like waiting for the old ishades?

Chris Arkenberg: I think there’s definitely a lot of room for improvement on the smartphone UI. Nobody’s really played around with it much. And again, I think that’s in part that there hasn’t been a really established platform with enough money to fund interesting UI work. We see it in some of the concept demos that float around every now and then.

I guess it’s both a blessing and curse that I’m always five steps ahead of where I’m trying to get to.

Tish Shute: Yeah, I am familiar with that feeling!

Chris Arkenberg: So I’m always trying to reach for the vision even though it’s a bit distant. I think there’s going to be a lot of development on the handsets. But again, I think we need a lot of refinement. We need a lot of real critical analysis of why this is a good thing.

To get back to the original point of Raimo’s comment, it struck me. And I knew it, but I just had set it aside as gimmickry. But he’s right. Content is a huge driver for this. Just stuff that’s engaging, and fun, and cool, and shows off the technology so they can get enough money to make it through whatever Trough of Disappointment may be waiting.

Tish Shute: Yeah, don’t underestimate the Planes of Content!  They are a great place to get interest and money to keep AR technology moving on, right?

Chris Arkenberg: Yeah, yeah. Because, you know, there’s a lot of freedom there. And you can piggyback on all the rest of the content that’s out there and jump on memes and marketing objectives, etc…

And there’s a lot of stuff…I’m blanking on some of the names, but some of these historical recreations of city streets. There’s a street in London where they overlaid historical photos in a really compelling experience. [Museum of London - http://www.museumoflondon.org.uk/] Again, I’m completely forgetting the attributions, but hose are the type of things that can really be pursued on the existing platforms. There is stuff that’s really compelling and really cool.

I heard of another interesting use case – and I should say that I can’t find attributions to this anywhere on the web and I may be paraphrasing or mis-representing the actual work, but I think the concept is worth exploring anyway. But the idea was that you could take the locations of border checkpoints and conflict sites in Palestine and Israel and visually overlay them on an AR layer in San Francisco. And it would do some sort of transposition where you could virtually view these things in San Francisco with the same locational mapping superimposed. So you could see where the checkpoints where. You could see where the wall was. You could see where suicide bombings were and where there had been conflicts. [I cannot find any citations for this!]

Tish Shute: But with an AR view? But why would you use an AR view if you are in San Francisco, then?

Chris Arkenberg: Because it superimposes two realities, translating the Gaza conflict into San Francisco as you are walking around. You can interrogate the world. There’s a discoverability aspect where you’re using the headset to reveal things, or the handset rather, to reveal things that you could not see otherwise in your city. It was done as an art piece, but as a provocative, obviously political art piece.

Tish Shute: Very interesting. I’d love to see that. Because that’s interesting to get away from this idea that you actually have to sort of have this one to one relationship between the data and the world is kinda nice, isn’t it? Well, not one to one, but a very literal…getting away from that literalness is kind of good.

Chris Arkenberg: And that’s a possibility of virtual reality and augmented reality merging, that maybe virtual reality is actually going to do best by coming out of the box and writing itself over our reality, so that as you are walking around, you are no longer seeing San Francisco, but you are seeing part of Everquest or World of Warcraft.

Tish Shute: Well this is where Bruce Sterling gets to that point he made in his keynote for are2010, that if we actually have viable AR eyewear, then you get the gothic stepsister of AR, VR rising from the grave!  He asks whether the very charm of augmented reality, is in fact that it adds rather than subtracts from your engagement with the world and that getting get sucked back into the black hole of VR might not be so great.

Chris Arkenberg: And then you get all sorts of interesting challenges to social cohesion if you have a lot of different people experiencing very different worlds, effectively. That if there is no real consensual reality and a majority of your local populous is, in fact, experiencing very different and unique versions of the world, what does that do to social cohesion? How does that reinforce tribalism, for example, when only you and certain others get to opt in to a particular layer view of the world?

Tish Shute: Yes Jamais Cascio wrote an interesting piece on that issue on AR and social cohesion a while back.

An eye patch is a more logical vision than the goggles in many ways but I suppose the loss is stereo vision?

Chris Arkenberg: And actually, there were developments in military helicopter technology many years ago that used a single pane square of glass over the eye mounted to the helmets of pilots. And then they drew various bits of heads-up information on it. So that ensures that you’re having a real strong engagement with the real world, which, obviously, when you’re a helicopter pilot is quite important. But you still have access to the data layer of the invisible world.

Tish Shute: I just went to Hadoop World and I have to say, I was awestruck about how big that’s got. I mean Hadoop has gone from like zero to huge in just a few years. I mean it’s just like now everyone has the power of the Google big table at their fingertips.

What’s the play for AR in the land of search?

I could imagine Hadoop being very powerful tool for AR analytics?

Have you got any thoughts on the land of search and AR? Of course visual search is proceeding at a fast pace and there is a lot of promise for integrations with AR in the future but the latency for visual search is still pretty high?

Chris Arkenberg: In the near term, not a lot. In the medium term, there’s a larger trend towards virtual agents that you can program or teach to keep watch over things for you as an effort to scale down the data overload. So search is something that’s going to become more personalized and more active. There’s a movement to make it so people can essentially deputize these agents to be always searching for them; to be out there looking for the things that they have told these agents are important to them.

So active search for AR I think presents some challenges, obviously because you need to do text input, typically, or voice input. Voice input, I think, is much more achievable than text input for AR. But I can certainly imagine an AR layer that is being serviced by these agents that we have roaming around the web for us reconciling their visual view of the world with our personalizations. AR apps are contextually aware so it knows that if you’re downtown, it’s not going to be giving you a ton of information about Software as a Service infrastructure, or what have you. But that, instead, it’s going to be handing you little tidbits about a particular clothing brand you’ve opted in to follow and information about music venues & schedules, for example. Or perhaps you’ll be on the lookout for other users that have opted in to publicly tag themselves as a member of this or that affinity.

I keep coming back to this idea of AR as really just a simple visualization layer that all of these other technologies can potentially feed into. So in that sense, search becomes a passive thing that AR is just simply presenting to you in a heads-up, hands-free, or potentially hands-free environment.

Tish Shute: Yes, the big challenge is the stepping stones to that point! Small steps that keep interest going into developing the underlying technology (and not just in research labs!) that will bring us that interface.  We have seen some movement already with Qualcomm.

Chris Arkenberg: And there are bandwidth issues as well, as we can see with the Google Goggles, which is a great idea of visual search. But you have to take a picture and send it to the cloud and wait for your results. It’s not a real-time dynamic interrogation of the world.

Tish Shute: Yes we are really only at the very beginning of AR being ready for prime time.. it would be interesting to ask AR developers how many of them use AR on a daily basis.

Chris Arkenberg: I think a lot of us, we’re just informed by the sci-fi myths and fascinated with the potential now that’s it’s starting to become real. But I think we all kinda get that it’s still extraordinarily young. I mean the web is extraordinarily young. And AR is itself far younger in a lot of ways in its implementations.

Everybody has a lot of excitement about all of the great potentials that are being unleashed by this great wave of the Internet and the web and ubiquitous mobile computing. So that’s why, you know, you look at that map and we talk about AR and you can’t talk about any of the stuff without talking about all of it, in a lot of ways, particularly with something like AR where it’s so ultimately agnostic and could be completely pervasive across all of these layers.

So my fascination is with the future, and I measure our progress towards it by the young nascent offerings from the platform players and the developers. And yeah, a lot of it is…it’s akin to getting that first triangle on the screen in 3D. You know, when the renderer finally works and you get a triangle on the screen, and you go, “Oh my God, it renders.” And then you can start to really build polygons and build objects, and start doing boolian operations, and get light and rendering in there, and textures, and on, and on, and on.
So I’m fascinated by the Layars and the Metaio’s…
[laughter]

Tish Shute: Yes and hats off to all the players in the emerging industry, Layar, Metaio, Ogmento, Total Immsersion, and all the others who are finding clever ways to bring fun aspects of AR into the mainstream, and fuel interest to take the technology to the next level.

Chris Arkenberg: Absolutely. And the hype cycle is very valuable. It has really helped launch the AR industry. It’s brought a lot of eyes, and it’s brought a lot of money into the industry. And it’s forcing people like us to have these conversations to understand how to refine its growth and really focus on the potential in all these different venues, whether it’s trying to save lives, or better understand your city, or have really compelling entertainment experiences.

Everybody’s excited, and everybody’s sharing, and everybody’s trying to move it forward in a way that’s the most productive.

Recently, Qualcomm announced an SDK for vision based augmented reality – currently in private beta and open to the public this fall. The Qualcomm augmented reality (AR) bonanza will launch with a $200,000 developer challenge and a SDK that will put vision based augmented reality into the hands of developers without licensing fees.

This is a big step forward for augmented reality and a very important move made by an industry giant to support the rapidly evolving AR industry. Innovation at all levels of the AR stack, particularly at the hardware level (CPU/GPU optimization) is vital for the full vision of augmented reality – media tightly registered to physical space, to take center stage. Vision based AR takes mobile AR beyond compass/GPS based AR post-its, which are only loosely connected to the world (but the staple of most current AR apps), towards the holy grail of AR – markerless tracking with the whole world as the platform.

Click on the image above or see here for a video demo of an AR version of Rock’em Sock’em Robots game.  Mattel, one of the first companies working with the SDK demoed AR Rock’em Sock’em, at the Uplinq 2010 conference (see Chris Cameron’s ReadWriteWeb write-up on Uplinq 2010).

The Qualcomm AR stack, which reaches from the metal to developer APIs, will give Android developers an important edge in AR development. And, when vision based AR starts getting integrated with visual search capabilities, and combined with cool tools like Unity, we will start to see the augmented world get really interesting.

Visual search is already an area of AR getting a lot of attention, with Google Goggles, Point and Find, Japan’s NTT DoCoMo set to launch “chokkan nabi,” or “intuitive navigation,” in September, and the recent partnership between Layar and Kooaba. Metaio’s mobile augmented reality platform Junaio is already integrated with Kooaba’s computer vision capabilities.

And, of course, I am particularly excited about including open distributed real time communications for AR in this stack, which is why I asked a group of developers who have been inputting into the ARWave project if they had questions for Jay Wright, Qualcomm.  Thank you Yohan Baillot, Gene Becker, Anselm Hook, Patrick O’Shaughnessey, Thomas Wrobel, Markus Strickler, and Davide Carnovale for your input.  [Note: see my upcoming post, about the future of ARWave and real time distributed communications for AR following this Google announcement.]

Jay Wright, “is responsible for developing and driving Qualcomm’s augmented reality commercialization strategy.” He “handles partnerships with leading innovators in industry and academia and leads Qualcomm’s efforts in enabling augmented reality within the mobile ecosystem.” In the interview below, Jay very generously answers our questions in detail.

A key contributor of questions for this interview is Yohan Baillot. Yohan is working on a full vision of AR – integrating computer vision, visual search, open distributed real time communications and AR eyewear. Yohan Baillot is founder of Simulation3D, a consulting and system integration company specializing in interactive visualization systems and eyewear-based AR systems. (I hope to bring you an interview with Yohan soon!).

Qualcomm was the title sponsor for are2010, Augmented Reality Event, and played a vital role in making this event an historic gathering of the talent and creative minds at the heart of the emerging AR industry. Watch out for the videos of the are2010 sessions to be posted at the end of August. My are2010 co-chair, Ori Inbar, is preparing them to go online while kicking his newly funded start up, Ogmento, into high gear! Ogmento is also one of the start ups pioneering vision based AR.

Metaio, (with Total Immersion, they are one of the first augmented reality companies), has played a key role in bringing a vision component to smart phone augmented reality apps with their Unifeye mobile SDK.  Junaio, Metaio’s own mobile augmented reality platform has gone beyond location based AR with “junaio glue” – “the camera’s eye is now able to identify objects and “glue” object specific real-time, dynamic, social and 3D information onto the object itself,” (see my upcoming interview with Metaio founder, Thomas Alt).  Also, recently, Layar – who continue to innovate at a breathtaking pace, announced a partnership with the computer vision company Kooaba.

Both Maarten Lens-FitzGerald, Layar, and Thomas Alt, Metaio, when I spoke to them recently, saw the Qualcomm SDK as a very positive development for AR, and they look forward to exploring its capabilities and integrating it where appropriate with their AR tools.  See more about Layar’s upcoming visit, to the US here – August 10th NYC, and August 12th SF.  Also save the date, Sept 27th, Munich, for InsideAR, Metaio’s upcoming conference.

It is clear that vision based AR will be driving the next wave of AR apps. And, as Maarten and Thomas both pointed out, it will be interesting to see which use cases capture the imagination of users the most. Having more tools freely available to AR developers will certainly be a boost to creativity. And, Qualcomm’s SDK is going to give Android developers, in particular, a big opportunity to take the lead.

Interview with Jay Wright, Director, Business Development, Qualcomm

Tish Shute: Before I start with questions on the new Qualcomm vision based augmented reality SDK, I want to briefly look ahead to what many people feel is vital for the full realization of augmented reality – head mounted displays, or more specifically, comfortable, sexy AR eye wear. Is Qualcomm going to be involved in the development of augmented eye wear and wearable displays?

Jay Wright: I think there’s some core technology that needs to come together so we can have what we think needs to be a see-through head mounted display with a decent field of view. And that looks like something that is quite possibly further than a three to five year horizon.

Tish Shute: Gene Becker asked some interesting general questions about the Qualcomm AR initiatives. He said, “I’m unclear exactly what Qualcomm’s goal is.” It would be interesting to hear from you the Qualcomm view, from the top down.

Jay Wright: Our largest revenue stream comes from sales of chipsets. And we see augmented reality as a technology that drives demand for increasing amounts of processing power. So we want to create demand for chips, higher-end chips, and augmented reality does that. Specifically vision based augmented reality because it is so computationally intensive.

Tish Shute: Yes. And I think that is why people are very excited by the Qualcomm SDK. It is not only the first free toolkit for developers to build vision apps from, isn’t it? There’s been nothing freely available before this, has there? But also Qualcomm is paying attention to the complete AR stack to support vision based AR development, from the chips to game/app development tools like Unity.

Jay Wright: That’s really the goal. We’re not here to be in the augmented reality applications business. Qualcomm’s role in the ecosystem has been to serve as an enabler. And that’s what we want to do with augmented reality: provide the enabling technology that allows the entire ecosystem to flourish.

“Augmented Reality has a number of attributes that make it a great fit for Qualcomm’s core competencies”

Augmented Reality has a number of attributes that make it a great fit for Qualcomm’s core competencies. It’s very computationally intensive, algorithmically complex, requires tight integration of hardware and software, and benefits from tight integration of multiple hardware components. And that’s the kind of problem we like here, where we can apply our core competence of really optimizing complex systems for performance, while at the same time minimizing power consumption.

And as you know Tish, mobile AR is really extremely power sensitive. We sometimes talk about it as a battery’s worst nightmare. It’s roughly equivalent to playing a 3D game and recording a video all at the same time.

Whenever there is something that takes a lot of power, that’s a definite opportunity for us to optimize it.

Tish Shute: Right. One of the core business is chips right, but for Qualcomm there’s basically a lot of profit in licensing. When I talked to the developer community about the Qualcomm SDK developers first question was, “What’s the licensing? What’s this going to cost us in the long run to develop on this SDK re licensing?” And they had all different takes on this. So everyone had different ideas about what your approach to licensing might or might not be. Could you clarify the approach to licensing, as I think this is a core concern for developers.

Jay Wright: Anytime you see something for free, you kind of say, “Hey, what’s the hook?” So yes, it’s definitely a logical question. Our intent is not to generate licensing revenue from application developers using the SDK. So the SDK will be made available free of charge for development, and it will also be free of charge for developers to deploy applications.

Tish Shute: Now, this is another question. You also include not just image recognition capabilities but Unity in the package you are offering developers. Unity products usually involve a license. They do have some free products too, I think. But how does this work? And how do you separate your part from their part, or don’t you?

Jay Wright: That’s a good question. What we’re trying to do with the platform is incorporate it into tools that people already know how to use. So we’re actually going to have the SDK support two different tool chains. One of them is the Android SDK and NDK. And then the other one, is Unity.

We’re working with Unity to create an extension to the Unity environment that will be available as part of the Unity installer when you install Unity from the Unity website. Developers will still be paying whatever license fees are associated with Unity’s products on their existing pricing schedule.

Tish Shute: One of Thomas Wrobel’s question is whether developers can just use the image recognition without Unity? Your answer is yes, you can work with the computer vision component of the SDK separate from Unity?

Jay Wright: Yes, you can.

Tish Shute: Good because we would like to build a completely open Android client for ARWave, and not tie it to Unity unless people choose to. He’s using the open Android JPCT 3D engine, which he’s adapting for AR. So he could actually use the part of the SDK that does image recognition and association with that, right?

Jay Wright: That’s correct. You are not required to use Unity. Unity is just one option for building the application.

Tish Shute: Great! That’s very good. But I’m sure many developers are going to jump on the chance to use Unity. But I mean it’s nice to be flexible because it’s so early for AR that people have different ideas and new use cases coming up all the time. I think it’s excellent you’ve divided that.

Another of Thomas’s questions was, “Can developers use their own positioning data sharing solution?” He’s really talking about AR blips.

Jay Wright: With data sharing solutions, I am assuming that by data he means referring to augmentation data or graphics?

Tish Shute: Yes, and I’ll ask him to elaborate. But, at the moment, everyone is using different ideas for POI, aren’t they?

“The goal with our platform is to make it just as easy for a developer to create 3D content for the real world as it is for a game world or a virtual world.”

Jay Wright: Yes. So let me answer it this way, Tish. The goal with our platform is to make it just as easy for a developer to create 3D content for the real world as it is for a game world or a virtual world. So all we’re really trying to do is provide the computer vision piece that makes the real world look like a bunch of geometric surfaces and potentially some meta data that is associated with this so you know what you are looking at.

So that means from a developer’s perspective, you are still doing all of the 3D content, all of the animations, all of the game logic, all of the rendering. You are still doing that all yourself. So if you think about doing an AR game, you are doing everything you used to do, except you are not creating a virtual terrain. You are just going to map it in the real world.

So if you want to do a browser that is doing POI’s, your POI data, or augmentation, or meta data, or whatever it is, that can be in your application, it can be in the cloud, it can be wherever you want to put it. We’re not putting any constraints on what that content is or where it’s stored.

Tish Shute: Right, and that’s what I hoped for. And I think that does answer the question. People are interested to know how far Qualcomm is going with this. For instance, Gene Becker asked: “do they see a business at a certain level in the AR stack?” As you said AR development basically feeds into the core business of chip development, right? But does Qualcomm also see some new business models developing?

Jay Wright: I think it’s foreseeable that Qualcomm could identify other business opportunities down the line. But we’re certainly not there today. Today, our motivation for the investment in AR is to create technology that is going to advance the chipset business.

Tish Shute: When the news came out about Qualcomm’s support of a game development studio at Georgia Tech at the same time as the SDK I think I wondered what was the scope of Qualcomm’s interest [for more on using Unity for AR development see Vision-Based Augmented Reality Technical Super Session video from Uplinq 2010].  For example, I am interested to know how the Qualcomm initiative in developing an AR stack connects to the effort to introduce an AR browser based on web standards, i.e., the Kharma/Kamra KML/HTML Augmented Reality Mobile Architecture from Blair MacIntyre and the Georgia Tech team (image below)? Are you supporting the open standards based browser development too?

Jay Wright: Blair is going to continue to work on the browser effort. And it’s our expectation that he will use our SDK and technologies for vision pieces of the browser effort where appropriate. So they are certainly not mutually exclusive. I would just think about our technology as one element of what may be used in that browser, as I expect it would be an element of what any other app developer would put in their application, whether it be browser, or game, or whatever.

Tish Shute: Yes Now, this is an interesting question, which is sort of connected…I’m trying to keep some form of narrative for this! It follows from the question about Blair’s web-based standards browser. A few people have asked me why we haven’t heard more from Qualcomm in all these various standard discussions that are starting to come up. I mean is it just too early, or are you too busy, or what?

Jay Wright: No, let me explain. The type of standards that have come up so far have been around how HTML should be extended for geo-browser type applications. And while that’s interesting, I think the standards efforts that Qualcomm would be more likely to be associated with in the near term are those related to API’s that are hardware accelerated.

So one of the things that we are in the process of doing right now, Tish – because as you know, Qualcomm is a company that adheres to standards and strives to produce a leading implementation of those standards on our hardware and software – is we are in the process of determining what API set within the existing SDK should be standardized.

Tish Shute: Right.

Now, my next question is, “Who are the other players at this level of the AR stack in the standards conversation? Who else is working at that level?” Obviously, the AR Lab in Graz was, but now they are Qualcomm, right?

Jay Wright: They are still independent. Qualcomm is the exclusive industrial partner of the Christian Doppler Handheld AR LAB in Graz.

Tish Shute: Does this compete with, say, the work that other AR start ups are doing?

Jay Wright: Our intent is not to compete with companies that have done augmented reality technology. Our intent is to enable the entire ecosystem. So we would like to work with both Metaio and Total Immersion to find ways that they can benefit from our technology. That would be the hope – that our technology can kind of lift and float all boats in the ecosystem.

Tish Shute: There are not many implementations of vision based AR right now? I mean obviously Microsoft is doing stuff because they have Georg Klein now, right, and there is Google Goggles, Total Immersion, Metaio, and it will be interesting to see where Layar’s partnership with Kooaba will lead?

Jay Wright: Yes. I think there are relatively few commercial implementations of vision based AR stacks.

Tish Shute: One of Patrick O’Shaughnessey’s question is he wants to understand what features are going to be in the vision component, very specifically. Patrick O’Shaughnessy, Patched Reality, working with Circ.us, Edelman, and Metaio used the Unifeye SDK to do a vision based AR app for Ben and Jerry’s that’s been getting all the attention lately. He was a speaker at are2010.

He very specifically wants to know what features will be included in the computer vision component. He says, “I’m most interested in understanding what features are going to be in the vision component. Is it marker based?” Well I know it’s more than marker based. I saw some of it in Chris Cameron’s ReadWriteWeb write-up on Uplinq 2010. Is it “NFT? PTAM? other? Also, are you are integrating any backend services.” That is an interesting question!

Jay Wright: So let’s get to the features on the client side, the vision based features. There’s support for, what AR aficionados would know as natural feature targets, or image based targets. And we use those to represent, obviously, 2D planar surfaces.

The other thing that we are trying to do to set expectations, Tish, about where these can be used is to let people know that they work best in what we’re calling near-field environments. So the idea isn’t that you use the system to create a large scale AR system that can recognize buildings indoors and outdoors. It’s the idea where I can recreate 3D experiences that take place on surfaces that are in my immediate field of view, whether that be on the table in front of me, or on the floor, or on the wall, or on the shelf.

Also, when you talk about near field experiences, there are some other constraints that are implied. Like, if it’s in front of me and my immediate field of view is probably going to be pretty well lit. And lighting, of course, is an important requirement.

So we’ll support these natural feature targets, or image targets. And we also have support for sort of a hybrid marker image type. It’s something called a frame marker, which has kind of a black border with some dots on it.

Click on the image above or here to view Vision-Based Augmented Reality Technical Super Session video from Uplinq 2010

Jay Wright: So there’s this additional type. And the reason for this additional hybrid marker type is it has a lower computational requirement than a natural feature target. So the idea is these things can be used as game pieces or elements of play where I want to have a large number of them detected and tracked simultaneously.

So you can have, for example, one big natural feature target that serves as a game board or game surface, and you can use these other things as smaller game pieces. And when you put them out, different types of content can appear on them and do different things.

Tish Shute: Yes, that’s nice! And the other thing I noticed was the virtual buttons. How well developed is that?

Jay Wright: The idea behind virtual buttons is, in addition to supporting augmentation, we want to support interaction. And we think there are going to be different types of user interaction with augmented reality content. It may be hand tracking and finger tracking, but another compelling form we’ve identified so far is the ability for me to touch particular surfaces and have an event fire within the application..

So virtual buttons are rectangular areas on image targets that a developer can define, and they serve as buttons. So you can create a target that is a game board, for example, and define certain regions. And when the user covers that region with his hand, like pushing a button, your application can detect that event and take some action.

Tish Shute: Nice! And what is the documentation on these capabilities that is offered by Qualcomm…For example Yohan Baillot, who is interested in integrating eyewear-based AR systems with smartphones asked. How deep does this go? Will there be full documentation on Snapdragon, people who want to work at that level? Is there a chip SDK?

Jay Wright: . Qualcomm’s model is to work with providers of the operating systems and deliver functionality of the chip through the operating system. So many operating systems APIs will take advantage of functionality that’s in the chip. But there is no separate chip SDK per se.

Tish Shute: I suppose that does come up a little bit with one of Anselm Hook’s questions, because there is some overlap with Google Goggles here, isn’t there, in terms of what you’re doing, right? Are you going to work closely with Google Goggles ?

Jay Wright: Google Goggles is performing what we’ve described ‘visual search’. So the idea is you take a picture, send it to the cloud and identify it and the results come back. I think if we see Google Goggles go in a direction where there’s an AR experience that would be a good area for us to collaborate with Google.

Tish Shute: Anselm Hook is very interested in having some kind of open standard around this physical tagging of the world, right, – the physical world as a platform. But I suppose that’s down the road but is there a plan to start talking about open standards here – visual search with image recognition? That’s a very powerful combination. (see my interview with Anselm Hook here).

Jay Wright: I think it is. And we’re very interested to hear from developers and others that have ideas about how they would want to integrate with the functionality that we have to best enable those kinds of combined experiences.

Tish Shute: Well, I know Anselm has a lot of very important ideas on that.

Jay Wright: I’d be very interested in hearing those because we want to do everything we can to enable the maximum number of applications and best user experience for anything that people want to do.

Tish Shute: Let’s go back to some specific questions about the platform, right? For example Yohan Baillot asked, “Is it arbitrary image/tag recognition supported? Is the tag / image specifiable by user? Is face recognition supported?” Not yet, face recognition, right?

Jay Wright: Not yet.

Tish Shute: What are the plans with that?

Jay Wright: I think we’ve identified it as an interesting area and something that there’s some interest in, but have not made a decision on a particular technology direction.

Tish Shute: You’ve answered some of these but 3D model based vision tracking. Yohan’s question was, “Is 3D model based vision tracking supported (that is recover the pose of the camera using a known 3D model and a 2D camera view of this model)?”

Jay Wright: That’s something we’re looking at very closely, but again, don’t have a plan, or don’t have a future date for.

Tish Shute: And you said with the natural landmark tracking that’s not supported, right?

Jay Wright: I don’t know if I know what that means, Tish. But we don’t have any APIs that provide compass or GPS functionality other than already exists in the operating system. So if you want to take advantage of the compass or other sensors, you can absolutely do that, but the SDK does not currently provide anything different or anything more than already exists in the OS.

Tish Shute: This is an interesting question, “Is Snapdragon offloading some processing to the GPU, if any?”

Jay Wright: Certainly rendering functionality that utilizes OpenGL is being offloaded to the GPU. We’re currently in the process of determining multiple methods for offloading functionality between both symmetric and heterogeneous cores on Snapdragon. Which would include the GPU, the apps processor, and DSPs.

Tish Shute: No one has truly solved optimizing the GPU/CPU for mobile AR yet have they?

Jay Wright: That really gets to the heart of the optimization here. Which pieces ought to be operating on which cores and when, and why? And that’s something that we’re looking at very closely.

Tish Shute: Right. The only AR – that is truly 3D media tightly registered to the physical world has been done for military and medical (and that has often been with a locked of camera!). But to take mobile AR to the next level I think many developers would like access to the CPU/GPU, for example a developer interested in the future of eyewear like Yohan?

Jay Wright: We’re very interested in hearing what kinds of tools developers would like to see.

Tish Shute: What is the best forum for discussing feature specifics?

Jay Wright: To provide feature requests to us?

Tish Shute: Yes. And discuss them.

Jay Wright: if people go to qdev.net/AR there’s an application up there for the private beta program. So if people do have ideas about features or other things they would like to see, they’re welcome to submit [their requests and ideas] there.

Tish Shute: I also have some questions about the specifics of the competition. Some people are a little confused about some things. Yohan asked, “What is the expected form of the project? Lab demonstration? Specific capability? Complete end to end system?”

Jay Wright: The only requirement is that they submit an Android application that we can then get running on a device. So if it has a backend component or backend server that it works against, great. If it does, it does. If it doesn’t, it doesn’t. But that’s really it. There’s no limit to the application category. It can be a game, it can be a museum tour, it can be a children’s learning game or learning experience. It can really be anything. The idea is we want to find experiences for which AR delivers some unique value. We’ll be announcing more specifics about the competition in the near-future.

Tish Shute: Right, because some people weren’t sure about the Unity being separated whether it was biased towards games. And it’s not really, is it?

Jay Wright: Unity is a bias toward just rapid development for 3D, I think. It’s most commonly associated with games, but there are also a lot of Unity customers that use it for medical simulations and other types of applications that aren’t really games at all.

Tish Shute: Yes. It’s very flexible, I know. You did bring up the backend services again. Are you thinking of offering any of that?

Jay Wright: There is a backend tool that we offer. And the backend tool is what you use to generate your targets. So if you want to create or use a particular image for a target in your application, you upload it to our target management application, and then it will evaluate that target and tell you how well it will work. So as you know, certain images are more likely to be recognizable than others. And so there’s metrics in that application that will give you some feedback.

And then you can download your target resource from the website that you can then incorporate into your application project.

Tish Shute: So this is available at the moment to people who are in the private beta and not to…you know, all of this information and documentation, right?

Jay Wright: That’s correct.

Tish Shute: So that’s an incentive. Now, just to encourage people to submit to the private beta is the other thing that people seem confused about. In one part you say 25 developers. And some people have thought that meant it was limited to 25 individuals. And some people have like maybe four people on their team, so they were going, “Well, are we going to be accepted because we have four developers, or do we count as one because we are all working at the same project?”

Jay Wright: it’s just 25 companies.

Tish Shute: OK. I think we’ve gone through the questions. Just to clarify and maybe give some incentive for people to apply to the private beta…the big advantage of getting in the private beta, aside from getting a month’s start on the competition, is that you get a chance to input, right?

Jay Wright: Yes. A chance to provide feedback, get early access to the technology. And then we are also providing a free HTC phone.

Tish Shute: Oh, yes. I forgot the phone. Yes, right. In the requirements, though, you basically seem to be asking for sort of a full app…some people get reticent about delivering their full application plan, right?

Jay Wright: Yes. I understand that. People should just reveal what they are comfortable talking about. Just so you understand the constraint on this end, this is early technology and we’re trying to understand exactly what the support requirement is going to be. And we have limited supported resources at this time, so we want to make sure that we can focus the resources that we have on folks that are really going to use the technology and have a sound plan to actually build something. So that’s really the motivation behind limiting the size of the private beta.

Tish Shute: OK. Yes, it’s good to reiterate that. We’re down to the last question that I have, and then I’ll ask you if there is anything that I missed. You say you are partnering with Mattel. Who are the developers? Because I mean Mattel isn’t an augmented reality development team.

Jay Wright: Mattel used a subcontractor, Aura Interactive.

Tish Shute: Nice. But that’s your only partner that I saw, right? Why Mattel?

Jay Wright: Well, to launch a new technology, companies will often find showcase partners to demonstrate compelling uses of it. And we thought Mattel and the Rock’em Sock’em™ toy was a great example of combining augmented reality with an existing toy.

Tish Shute: And I think people agree with you on Rock’em Sock’em (see Chris Cameron’s RWW post).

Jay Wright: And there’s other showcase partners and applications that we will continue to work on to kind of spur the ecosystem and show what is possible.

Tish Shute: OK. Now, is there anything I’ve left out that you think? What’s the core of this narrative that we need to get across, and if I’ve left anything out that is a key piece?

Jay Wright: I think you’ve done an excellent job of covering all the bases, Tish.

Tish Shute: [laughs]

Jay Wright: I think the important overriding message to get across is that we really see ourselves in an enablement role here, and that we are trying to provide….we’d like to provide fundamental technology that helps all developers build content for the real world.

Shortly after Augmented Reality Event – are2010, I talked with Bruce Sterling on skype and in gdocs about his experience there.  I am posting the conversation in two parts to make it a more blog friendly length!

The picture above is the Auggie Award for the best AR demo (above) designed by Sigal Arad Inbar.  It was won by YDreams! See, Ivan Franco recounts the team’s ARE 2010 experience, and winning the event’s first-ever Auggie Award, for more.   The video below was shot at the YDreams booth by Bruce Sterling.

“The Hotness” – YDreams rocking it at ARE2010 from brucesflickr

Rudy Rucker, who was hanging out with Bruce Sterling, captured the are2010 buzz and some great images in his post, Augmented Reality, Painting, Twitter. As Rudy put it:

“AR is hoping to be a next big thing, a cozier and more commerce-driven cousin of the old VR, or virtual reality.”

Bruce Sterling’s opening key note is up, ARE 2010 Keynote by Bruce Sterling: Bake a Big Pie!, and also the ARE 2010 Keynote by Will Wright: Brilliant Inspiration for the Augmented Reality Community with more videos from are2010 on the way.  One must read post on are2010 is Chris Cameron’s post, Augmented Reality’s Next Steps: Sitting Down with the Titans of AR.

Talking with Bruce Sterling, Part 1

The Auggie panel, Bruce Sterling, Jesse Schell, and Mark Billinghurst inspect the award.

Tish Shute: In your keynote at the 9am of the augmented reality industry you asked some questions of the are2010 audience: “What’s the mission statement?  You’re the world’s first pure play experience designers, except that user experience it’s mostly futuristic hot air.  But run with that, right?  What are your tactical steps?  You should get dressed, have a coffee, have a to-do list.”

How much of that did you see going on in the next two days?

Bruce Sterling: Well, I wasn’t privy to any of the business discussions.  I didn’t think it was an accident that this standard AR enabled tag thing came up from Bruno Uzzan, Total Immersion.  That seemed to me to be a useful thing.  I was always interested in the Augmented Reality Consortium.  It struck me as remarkable that there was this group of people who clearly all knew one another and it had some kind of game plan.  I applaud them for that, because these are not the 1980’s.  [laughs]  You know, it’s just a different world for young startup companies.

Tish Shute: I think you’re right. There seem to be some VC conversations going on, we don’t know what went on in the meetings, but it was noticeable in the atmosphere of excitement, and remarked on by a few people. So I think that kind of was definitely going on.

And, of course, I was so busy I never even got to see the expo properly! You said you wanted to be surprised.

Did anyone surprise you in any of the talks, in any of the expo?

AR used as interfaces for devices

Italian augmented robot from SEAC02 from brucesflickr

Bruce Sterling: I have to say I was a little bit surprised to see Andrea Carignano demoing a robot. I happen to know him because he’s here in Torino. He’s the guy that came out of Fiat and went into AR. I am not a particularly huge robot fan, but I think it’s of great interest that AR is used as interfaces for devices, as opposed to the Jesse Schell idea that AR is all about a “man with the X-ray eyes.”

My suspicion is that a lot of surprises will come out of mashups of AR.

Tish Shute: I didn’t get to see Andrea’s robot.  So what did it do?

Bruce Sterling:  It’s basically a sister device to that little helicopter that those Parrot AR Drone guys were doing.  It’s a little autonomous robot and it runs around with a webcam on it.  You can place video into the acquisition stream coming off the robot.  You can play a game, and blow away imaginary monsters or whatever.

Tish Shute: It’s interesting, because did you notice Will Wright and Patrick O’Shaughnessey, Patched Reality, spend some time hacking the Parrot AR drone in the hallway?  Did you come across them?

Bruce Sterling: Rudy was there with them.  You know, I didn’t want to watch Will Wright hack a robot.

[laughter]

Tish Shute: They seemed to be having fun even though as it turned out the power supply was dead.

Bruce Sterling:  I’m sure Will enjoyed that.  As a game designer, you want to go out and get your hands dirty with a plastic gizmo.

[laughter]

My Swiss Army knife can’t get through airport security, so I really don’t want to strip anything down.  But yeah, what else did I see that was of particular interest?  I was pretty happy about the Korean guys because they are a difficult group to get close to.

AR companies are like mini-global micro-startups.  They’re “glocal”.

“Korean elegance at the Zenitum booth” – from brucesflickr

Tish Shute: Zenitum.  What did you like from Zenitum.  They were one of our sponsors, along with Qualcomm.

Bruce Sterling:  I know that Seoul is like the number one center for augmented reality discussion.  But it’s  difficult to get behind the scenes as a journalist there and  track what’s going on in Korea.  I’m fine with Italian “realtà aumentata.”   And I feel like I’ve got a handle on French “réalité augmentée.”   The Germans were not hard to find, and the Dutch all speak English!  But the Koreans, and whoever the hell it is in Kuala Lumpur…  I have no idea what’s going in Kuala Lumpur, and only the vaguest idea of what’s transpiring in Singapore!  But I know that people there are paying a coherent interest.

So the Koreans show up, and they had some relatively predictable anime style 3D avatar conversion stuff.  But they had a really nice display space.

“Anime figures become three-d smartphone animated avatars,” from brucesflickr

Tish Shute: Ah, So Zenitum created a hot spot at the exhibition?

Bruce Sterling:  Yeah.  The Koreans had  IKEA furniture and some nifty little woven baskets.  They’d really classed up their presentation.  Most Koreans in tech tend to be kind of muscular.  The Koreans are not known for their refined presentations.  On the contrary, they tend to undersell everybody else.  But I don’t know, maybe they’ve been hanging out with Samsung and upgrading their design chops. [laughs]

Tish Shute:  Did you take some photos you could send me?

Bruce Sterling:  I took a few, but  I don’t consider myself a photographer.  They’re all up on my Flickr set. It was interesting to see so many people from so many different nations in such a collegial atmosphere.

Tish Shute: Yes – there were many different countries represented at are2010

Bruce Sterling:  It’s the beginning… and so global at such a young stage.

Tish Shute: Yes. As you said, it was 9 AM, so everyone was actually super excited to be gathered together from across the globe to start a new day together.  As you mentioned, there was a very warm affirmative vibe – everyone sharing a passion.

Bruce Sterling:   They have an online commonality. They seem to be aware of one another’s work through the Internet.

Clearly they had all heard about one another.  That’s a departure from earlier models of tech startup, where you usually have like three hippies in a local garage.  Now you’ve got German-American-Korean outfits like Metaio, and Total Immersion has a Russian affiliate.  They’re inherently multinational, both inside the company and out.

Tish Shute: It was the multinational garage, wasn’t it?

Bruce Sterling:  Yeah.  AR companies are like mini-global micro-startups.  They’re “glocal.” There’s something quite new to me about that.  I don’t find it’s shocking, because in Europe today it’s common to find startup teams who are multinational.  But to see such intense globalism at such an early stage of an industry is really different.

Tish Shute: Yes it made for a fun atmosphere?  It was wonderful running into Iguchi Takahito, Tonchidot.  You have a great rapport with each other despite the language barrier?

Bruce Sterling:  Yeah.  That guy from Tonchidot, he’s very charismatic.  He’s punchy.  That’s reflected in the very strong graphic design from his company.

Tish Shute: Using minimal English to make the case for Sekai No Camera at the Auggies, Iguchi Takahito still got through to the audience.

Bruce Sterling:  Well, his visuals were good.

What AR means for artistic practice…

Picture of Eric Gradman’s Cloud Mirror, from James Alliban post ARE2010 – Augmented Reality utopia in Silicon Valley – see for more on the are2010 ARt Gala

Tish Shute: So before I move on to wider themes, I’m going to wrap up on some of the different aspects of the conference.  I was chairing the technology track but you were more free roaming, was there anything that went on in the sort of hallway discussions and the presentation rooms that struck you?

Bruce Sterling:  Well, I did get collared by artists.   They really wanted to talk to me.  We got into some serious discussions on  what AR means for artistic practice.  How you can do this and reach that, how can one sharpen up one’s presentation?  I mean, they really wanted some art criticism.

Tish Shute: That’s very interesting.  Did you come up with anything that you hadn’t been thinking about already through the conversations?

Bruce Sterling: I’ve seen augmented reality installations before, and I certainly know many electronic artists.  But I don’t know.  People in the AR art space, they are looking for guidance and trying to find fellow spirits.  In their own way, they have the same pioneer spirit as the business people.

Helen Papagiannis shows Iguchi Takahito, Tonchidot, her AR Wonder Turner, an exquisite corpse inspired installation

Tish Shute: Yeah, it’s interesting, because we wanted the art gala to be even bigger, but it turns out, because of the logistics of putting up art in a conference space is fabulously expensive, because it has to be all installed and hung…

Bruce Sterling:  I’m keenly aware of that.  At Share Festival in Turin we bring in six installations, and it’s very heavy work.  It really takes a lot of logistics.  It was like a Battle of the Bands.  It’s like doing a rock concert.

Tish Shute: One of the installations I was really sad to not have there was Uber geeks’  “Steve” H.E.AI.D installation that Brady Forrest & Co. took to Burning Man.

So I was very happy that we actually did get the number of artists we did.

Bruce Sterling:  Well, there aren’t a million AR artists in the world, so it’s hard to judge.   I didn’t see many business people rushing up to have me critique their business plans.

Tish Shute: [laughs]  They were all in the meeting rooms.

Bruce Sterling:  Maybe it’s for the best.

VC and AR Startup Action

The Zenitum Booth, are2010, photo from Chris Cameron’s Flickr stream

Tish Shute: Do you know that why your talk started a few moments late is because we had 50 people who arrived from the Silicon Valley neighborhood I guess!

Bruce Sterling:  Did they not preregister?

Tish Shute: No. They all stood in the line for the same day registration!

Bruce Sterling: It ‘ll be interesting to see what transpires there, if there is a little wave of startup action.  God knows they need some place to put their money, because the VC scene in the US is pretty much moribund.

Tish Shute: Ogmento is the first US AR Games startup to get VC, I think.  I think there was some VC action at are2010 for sure.  And Qualcomm obviously seems to have commercialization plans for their AR technology, and to be scouting talent  and ways to deliver new AR experiences.

Jay Wright, Qualcomm presents Joe Dunn, e23 Games, winner of the are2010 StartUp Launch Pad with a check

Bruce Sterling:  Some  people don’t need venture capital.  I mean, Google Goggles isn’t going to be hurting for VC money, obviously [ see Chris Cameron’s RWW post, Google Goggles Coming Soon to iPhone] .  AR may come up through other methods, like people allying themselves with Hollywood, or peeling off of advertising companies.   There’s a lot of outfits who might conceivably want in-house AR skills.  Then when people set up a specialty AR shop,  they  peel off the list of clients.  I don’t know.  Those old days  of Silicon Valley venture capital seem like a lost world.

Tish Shute: Yes.  I, again, didn’t see anything really of the business tracks and production tracks.  Did you get back and forth between the tracks?

Bruce Sterling:  I went to the Hollywood tracks.  I mean, to the extent that I could.

Is Hollywood stirring? Who’s going to have the first breakout AR property?

Tish Shute: So what did you see from…Is Hollywood stirring?  Is it waking up?  I mean I know Kent Demaine, Oooii,  and Brad Foxhoven, Ogmento, spoke about the Hollywood AR scene.

Bruce Sterling:  There were guys there from LA who were sort of saying, look…they are aware of us, but they just want AR to promote their properties to some particular niche.  They realize that AR is potentially a mass medium and that you could do some real AR entertainment.  So they were batting around some ideas as to where that might happen.  Like, could it come out of a console gaming scene?  Who’s going to have the first breakout AR property?  A popular hit AR property, as opposed to like a neat way to sell shoes, or whatever.   Really, anybody’s guess is as good as theirs or mine.  But at least they were actively guessing.

Tish Shute: I know the breaking the fourth wall discussion has been going on for a while and now the question is, whether AR is going to take down the fourth wall and bring interactive storytelling into the mainstream.  Did you hear any of that?

Bruce Sterling:  Well, I always shy away from discussions of that kind because I don’t think there’s any “final thing.”  Practically everything that AR is involved in right now is  a transitional technology. Also, because I am a storyteller, I get alarmed whenever people in technology start saying, “Oh well, it’s all about telling stories.”  Because obviously it isn’t.

People can tell stories perfectly well orally, and absolutely nobody does that.  AR is not at all about telling stories.  It’s about a great many other things, such as user bases, niche audiences,  media saturation, urban informatics,  convergence culture, and the language of digital media.   I could list these factors until the world looks level. It’s really becoming pretty chaotic.  As I was saying in my speech, AR companies are media startups who almost never use the old-fashioned word “media.”

Tish Shute: Oh, that’s interesting.  Yes.  So why do you think that has happened that way?

Bruce Sterling:  Well, it’s because they are trying to do a different thing than media does.  I mean, they are trying to “augment reality.”  They don’t want you to know that you are using a medium.  They don’t want you to realize that you’re watching computer animation overlaid on some video acquisition stream.  That would defeat the whole point of AR.  It’s entirely different from an analog medium like television, where you turn on the television and there’s a constant stream of station identification alerts.   That’s like: “Don’t touch that dial!  You’re on channel 13!  Stay with us!”  Then it’s like, “And now a few words from our friendly sponsors!”  That medium was engineered to keep your eyeballs locked to a single stream that they’re feeding you.

In AR, it’s much more participative, more geolocative.  I’m not particularly interested in station-identification branding from my AR provider. What I really want to see is the interactivity of the augments they’re bringing to me.  It’s like  FlickR, the photo sharing site. You don’t have any TV-style splash page for FlickR.  “Hi! We’re FlickR! FlickR, bringing your photos to you!” No, FlickR is all about “you, you, you,” your photos, your tags, your friends, your activity around you.   It’s immediately trying to be very participative.

Tish Shute: Will Wright got to that point, didn’t he. He was trying to move us into an idea of blended reality. That the game is about the world, not about the dragons or the overlays per se.

Bruce Sterling: Right. I think that’s true. But see, the world isn’t a medium. A medium is something like this interview,  where I’m connecting to you and there’s a video Skype channel between us.  Whereas AR is more about spatial 3-D,  about 3-dimensional impositions.  Pieces of media: sound, vision, information visualization, tags, floating tags, air tags, icons, arrows, warning signs, warning sounds, tactility, whatever, being brought into the environment around us.

That’s why it’s properly called “augmented reality” instead of just augmented media.   If you call your work “augmented media,” you’re really in trouble. Because if it’s all about augmenting somebody else’s media, why doesn’t that medium just buy you, and augment their own selves?    If you think that way, instead of augmenting the world, you’ll just be a modest little plug-in for old-school media.

The World as the Platform

Blaise Aguera y Arcas, Microsoft, Santa Clara, are2010, photo from Chris Cameron’s Flickr stream

Tish Shute: Yes, which is why Blaise so generously gave the technical underpinning  for augmenting reality in his tech talk – about the trellis and the grapes,  he really explained how the world can become a platform for augmented reality.

Bruce Sterling: I wish I could have seen that. I did not see Blaise’s speech.

Tish Shute: We’re going to put the videos up in better quality.  People in the front row have put it up on the web already.  He really went into some of the challenges of mapping for augmented reality.

Bruce Sterling: His visual-mapping technique is important.  Registration is super important for AR.

Tish Shute: I think it was a really generous talk actually because he went step by step on how we will do this.

Bruce Sterling: I rather imagine that Microsoft has patented those steps.

Tish Shute: Oh, yes, I guess so!

Bruce Sterling: I could be wrong. Maybe they’ll open-source it. You never know.

Tish Shute: You never know. Because the world as a platform isn’t something one company can own, or go it on their own to exploit.

Bruce Sterling: I expect there to be a thorny path, but sometimes I’m surprised. Sometimes people really do try to fertilize the tech field in the hope of getting a good corn crop before they start fighting.

Tish Shute: We’ll I keep hearing that we may even see the unlikely marriage of Apple and Microsoft  – maybe wishful thinking, but there are motivations beyond AR for this unlikely match, and certainly between them these titans have what it takes to realize the grand visions of AR ? [laughs] But who knows…

Bruce Sterling: Well, yeah, it depends on where the thing catches fire.

Tish Shute: Yes. You mean whether AR catches fire in the form of  AR and mapping..

Bruce Sterling: It’s hard to say, but I’m convinced now that there’s more going on than I once thought. I thought that Bruno Uzzan made a very good speech for his company when he talked about how he worked on AR for eleven years.  Eleven years is no flash in the pan.   He has his long list of clients and successful applications. I thought he was right in his impatience with the press for not catching on. It’s gone on for quite awhile. The mere fact that you’re not aware of it, doesn’t mean it doesn’t exist.

The Illusive AR eyewear

My are2010co-chair, Ori Inbar, CEO and co-founder of the hottest new AR game development start-up, Ogmento, donning his goggles to open are2010 – picture from Chris Cameron’s Flickr stream

Tish Shute: Yes. So, the other theme you brought up in your opening keynote and I would be interested to know if anything you saw at are2010 changed your view is the illusive AR eyewear, and  if we actually got AR Goggles that worked they would bring AR’s gothic sister, VR, back from the grave right? [laughs]

Bruce Sterling: Right.

Tish Shute: It took quite a lot of work, but we pulled together a six-company HMD panel, right?

Bruce Sterling: Yeah. I was impressed to see so many of them there.  And I was chagrined to see how prototype-like all their gadgets were. But that doesn’t surprise me, because if any of those head-mounts were remotely working, they would be hyped out the wazoo. Everybody’s been waiting for them and hoping for the best. They’re obviously not ready for prime time. [laughs] Maybe in certain limited applications. Like maybe a diving mask. [laughs]

Tish Shute: No, I think what was nice though they got inspired and they all got together on the last day. I saw them having a meeting about standards. They got inspired to actually work together.

Bruce Sterling: Yeah, well, unless they’re going to invent mechanical eyeballs that those machines can fit onto, it’s going to be tough. OK, I’m a skeptic, but I’m prepared to be surprised. I’m also a skeptic in Artificial Intelligence, but as soon as they bring me an AI that can write a decent novel, I’m going to get it and review that book. [laughs]

Tish Shute: It’s interesting. Re AI, I’m totally in agreement with you. In terms of the way computers turned out, it wasn’t AI per se that they turned out to be good for, not in the way everyone had dreamed of it, rather it was the harvesting of human intelligence that turned out to be the big thing. But what is interesting is that despite all of that, AI or machine learning, as it is now called, permeates our whole society now from the stock market to how many businesses make many of their decisions.

Bruce Sterling: Well, there’s a lot of so-called collective intelligence.  But Marvin Minsky-style hard AI, no way. Alan Turing-style AI, forget about that.

Tish Shute: Yeah. So, that’s an interesting comparison with the HMDs.

Bruce Sterling: People stretch the definitions.  It’s like, well, my car engine is Artificial Intelligence. Yeah, so is your wall transistor. No, I don’t really think so.

And AR is a similarly big tent. I mean, Uzzan had to admit that he had denied that AR was AR, unless it was using his favorite technology. And he felt embarrassed to be rubbing shoulders with people who put AR into cell phones. And I can understand his feeling there, because, gee whiz, that’s certainly not what AR pioneers had in mind. But he had to admit he’d become more ecumenical about it. Obviously, they’re  there and doing business like gangbusters. You can’t very well ignore success, right?

I had a similar feeling about the goggles. Obviously, the goggles would be great, should they work. But if they did work, I rather think virtual reality would come very strongly to the fore.  You’d see people doing all kinds of elaborate immersive-style stuff.   A truly immersive technology doesn’t need to “augment” much of anything.

Tish Shute: Yeah, you’re right.

Social Augmented Experiences

Bruce Sterling: I think many of the most interesting AI aspects are not personal in the way goggles are.  They’re not about guys walking around with personal tech. They’re about big, communal, social-media experiences, like stage shows, and urban informatics, things where large numbers of people can interact with the same augmented reality. The projection mapping, which I go on and on about. Augmented public spectacles.

Tish Shute: Yeah, projection’s our best example of a social augmented experience right now because we are yet to have an easy way to do networked social augmented experiences easily – but that is of course the thrust of my interest in ARWave [see the slides for my presentation, AR Wave:  Federation, Game Dynamics, Semantic Search, Mobile Social Communications here].

Bruce Sterling: I think of Edison’s early days, when he wanted to sell movies to people for a nickel a clip.  You had to bend over and put your eyes on this visor and turn this crank. That coin-op device was easy for Edison to monetize, as opposed to getting a bunch of people to sit in theater seats. But people laugh at movies when they’re together in the seats.   Cinema is a more social, involving experience in a crowd situation.

Tish Shute: But it started with them, didn’t it, Hollywood – the movie biz? Basically Nickelodeons, right?

Bruce Sterling: That’s right. They were Nickelodeons. They were a lot like the goggles because they isolated the user.

Tish Shute: Yeah, that’s a really important point that the goggles are not Nirvana because of this question of whether they actually detract from the social augmented experience and blended realities, by drawing us into VR experiences?

Bruce Sterling: I’m tempted to claim that they’re more a VR technology than an AR technology.

Tish Shute: That’s a very interesting point because…

[thunder]

Tish Shute: Wow! What was that?

Bruce Sterling: Thunder storm.

Tish Shute: Oh, my God, how very Gothic! [laughs]

Bruce Sterling: It can get pretty loud up here in the mountains.

Tish Shute: Oh, you live in the mountains, better still!

Bruce Sterling:  Torino is in the foothills. This is Piemonte. So the Apennines are over there. The Alps are over here. We do get some rather spectacularly unstable weather.

Tish Shute: It sounded like a bomb to my NYC ears. [laughs]

Bruce Sterling: Yeah, it didn’t hit the building, but it was maybe half a kilometer away. I saw the flash.

Tish Shute: Oh, you did?   Well, I hope you don’t lose your power midstream here.    I was really happy to hear of that connection between Rudy Rucker and Layar  [Rudy was touched when Maarten Lens-FizgGerald from Layar said that he met the Layar co-founder at a Rudy Rucker lecture].

Bruce Sterling: That was very fun, yes.

Tish Shute: Wasn’t that wonderful? What was that experience like going around the conference with Rudy?

Bruce Sterling: Well, you know, Rudy’s very into graphics. He’s a mathematician, so he understands the underpinnings of this stuff. But he’s a skeptic. He thinks they’re kid toys. He’s not a gamer. He’s a good old-fashioned computer-science hacker. So he wanted to tell me all about his new eighth-order, fifth-dimensional fractals. He showed me a great many of them. They’re psychedelic. Rudy’s fractals are considerably trippier than most apps that help you find a barber or a train station. [laughs] Rudy really is a visionary. He’s into some very weird stuff.

Gamer Guys at are2010

Brad Foxhoven, Chief Marketing Officer, Co-Founder, Ogmento at are2010

Tish Shute: At are2010 there was a lot of discussion about how game dynamics and AR are going to intersect, right? Anything that you saw of interest there?

Bruce Sterling: Well, obviously, there are gamer guys there. Ori’s a gamer. The gamer guys are getting some money. The big buzz right now in gaming is, of course, social gaming.  Farmville has kicked everybody’s ass because it’s not even a game and yet it has more users than the entire gaming industry.

Tish Shute: I know, right! [laughs]

Bruce Sterling: Obviously that’s kind of humiliating. For a long time, I’ve seen people trying to do giant multiuser games on cell phones. It’s difficult to do because the interface on cell phones is crap, right? People aren’t going to run around responding to SMSs.

I can imagine people running around with little Wii-style bats that have audio and visuals on them. It makes a very large native AR game seem more plausible.

Tish Shute: Yes. that would be cool!

Bruce Sterling: Again, it’s not very gamelike to use those little fiduciary markers.

Tish Shute: No.

Bruce Sterling: Moving little cardboard chips, around like with card games…. It would be pretty easy to set up a little AR chess game.  Star Trek style hologram chess pieces,  and so forth. But it’s just cumbersome.

Tish Shute: And also, from what we’ve seen from things like Foursquare, the proximity based social gaming doesn’t have to offer very much [a crown badge, a mayorship] to get some mind share.. the social is the primary game dynamic…

Bruce Sterling:  I’ve seen a lot of different philosophies of gaming over the years. Who’s to say that Second Life doesn’t have the best idea? They built a little scene and then slammed their gate shut behind them.  But at least they’ve got a really nicely-paying little cult stuck in there. It’s different. And it’s manageable and it’s really theirs, theirs, theirs.  They don’t have to call in outside experts to try and run the monster.   They haven’t blown it up to the scale of Yahoo! where they’ve lost control of the enterprise, and gone into a tailspin of management overhead. Second Life has a very intense, almost a cultish atmosphere among the player-slash-developers.

Tish Shute: One thing that helped them was the thing they were always criticized, that the barrier of entry was so high. But once they got people they never left, right?

Bruce Sterling:  That’s not a bug, that’s a feature.

Tish Shute: One of the best features!

Bruce Sterling: Yeah, it’s like being in Mensa. Why don’t you lower your barriers to entry and get in some interesting stupid people?

Tish Shute: [laughs]

Bruce Sterling: In Mensa, we’d rather sit here making puns about neutrinos and fourth-order quadratic equations. [laughs] OK, that’s a business model, if that’s what you want.

The Man With the X-Ray Eyes!

Jesse Schell’s during his keynote, “Seeing,” at are2010, picture from Chris Cameron’s Flickr stream

Tish Shute: Ok!  Now to unpack the man with the x-ray eyes idea, Jesse Schell’s keynote theme.  This is a root metaphor for AR – making the invisible visible, seeing through walls. To me. I think you kind of wrote the book on this because all my ideas on what radical transparency might be come from you – your idea of Amazon.org is key to how I understand this..

Bruce Sterling: Oh, really? That’s funny.   I was touched that Jesse brought up that famous Corman film, because I was a judge in a fantasy film conference in Trieste earlier this year.  And Roger Corman was there.  He was the guest of honor.   “X: the Man with the X-ray Eyes” was one of the films shown during the conference, and I saw it.  I even had dinner with Roger Corman.  I had never met him before, so that was quite amusing.  The difficulty with a film of that kind is that what we science fiction writers call a “House of Cards Ending.”  In that story structure,  you ramp the thing up until the protagonist sees God, and then he has to be destroyed by the falling pillars of the temple.  That’s a classic science fiction structure:  like Frankenstein.  For the sake of the drama, Corman evades the issue of what’s really going on. For instance, let’s just suppose “the Man with the X-ray eyes” is not in fact a psychopath.  Let’s say he gets a grant from the Department of Health and Human Services, and he acts like a real scientist, not a stock B-movie “mad scientist.” So he has, like, backup guys, and some placebos, and a large group of people to test it on, trusted colleagues, and so forth.  You wouldn’t get any of that movie’s wild activity out of that.  What you would get is like a 5% improvement to people’s vision.

Then, in a year, there would be a 10% improvement in people’s vision.  There would be a  classic industrial story.  A rising star, you know, a cash cow.   Real tech isn’t done by a single guy as a divine curse.  It’s created by classic  tech startup culture.  So a runaway technology really behaves in the way that personal computers do.

Tish Shute: The things that get me all Utopian and happy about this are the ideas like those you first outlined with the notion of Amazon.org.

Bruce Sterling:  It would be easy to do an entirely different kind of film than “Man with the X-ray Eyes.”  Something much less B movie,  much less pat.  I mean, at the end of the film,  he destroys his own hardware and blinds himself.  Why?  For what rational reason would he do that?  Why doesn’t anybody else know the big secret of what he’s doing?  Why aren’t there Koreans doing it?  Why aren’t there Austrians doing it?  Why aren’t there Italians doing it?  Why?  AR doesn’t behave like that.  It’s not one lone guy with magic eye drops.  It’s entire teams of people that have been working on stuff for 17 years.  They all approach it in different ways.

Now, they are going to get scandals in AR.  I can guarantee you that.  They are going to get into  hot water eventually.  At least some people will surely come out and accuse them of being Roger Corman B movie monsters.  But unless they accidentally discover atomic fission or destroy the Gulf of Mexico with an oil spill [laughs], I don’t think they’re going to be particularly badly off!   The trouble I imagine  for AR people is very typical new media trouble.  It’s like movies being accused of corrupting our morals, or comic books being accused of leading to violence, or Google being accused of making us stupid and warping our brains.

I’m not an alarmist in that sense, but at least I’m concerned about real threats.  Roger Corman is a B-movie director who’s trying to sew up his lost plot ends by destroying his hero and his hardware. That’s not very plausible. It’s a nice science fiction movie device, but technology isn’t a movie.

Tish Shute: Yes. Well, the other thing that you always remind us of with AR is not to be saying it’s going to be this glorious moment when it’s no longer gimmickey, no longer pop culture. You always emphasize that’s actually part of what’s good about it.

Bruce Sterling: It’s not an accident that practically everybody in that audience knew about Roger Corman.  Nobody looked surprised; not the Austrians, not the Koreans. They were all like: “Oh, yes! Roger Corman!  Love him!”

Tish Shute: There were so many Rudy Rucker fans. Were you watching Twitter? People like Eric Gradman were succumbing to fanboyz moments..

Bruce Sterling: “Yeah. Rudy Rucker, he’s the best.”

“Rudy Rucker gripping an Augmented Reality shoe” from brucesflickr

Tish Shute: [laughs]  I noticed you inspired him to join Twitter..

Bruce Sterling: Well, I’ve got 8,000 followers and, obviously, a lot of them are Rudy’s fans.  Of course he’s going to be gang-rushed on Twitter. That’s not really any more surprising than two motorcycle stunt guys at the same attraction. And I’m a big fan of his Rudy’s blog.   He’s always got interesting things to say.

Tish Shute: Yes. AR does seem to bring out some of the coolest smartest people!  This morning I had breakfast with Joshua Kauffman in Central Park.  He is an advisor and entrepreneur working on design in the public sphere.  I was feeling rather brain dead and jet lagged.  I told Joshua I was wondering how to get the cottonwool out of my brains for this interview and he suggested,  the All Souls College one-word question interview!  Have you ever heard of that? – although apparently they recently scrapped it.

Bruce Sterling: Well, I’ve heard of All Souls College there in Oxford. What was their interview question?

Tish Shute: They used to use only one word, so they would only give you one word. It’s not a question. Basically, they throw out the word and then you had to spin off from there.

Bruce Sterling: You’re supposed to free-associate on a single word?

Tish Shute: I guess so. I hadn’t heard about it, but Joshua suggested it.

Bruce Sterling:  Well, it’s possible..

Tish Shute: Joshua came up with some good words..

Bruce Sterling: Right.

Tish Shute: We were talking about these proximity-based social work networks like Foursquare and Gowalla and how they may influence the emergence of social augmented experiences.

So Joshua’s suggestion for the first word was “territorialization” e.g. how do these new mobile social experiences like Foursquare,  and the observation that actually rather than breaking down territorialization, which would be a good thing, tend to support territorialization…but perhaps new forms of territorialization?

Bruce Sterling: Yeah, they’re re-intensifying it in a very odd, electronic fashion.

Tish Shute: Yes.

Bruce Sterling: I have noticed that.  It’s not true of stuff like projection mapping or the webcam fiduciary display stuff. But with the handheld stuff, and especially the urban informatic stuff, it really can’t help but take on a local flavor. Layar is like “Augmented Dutch Reality.”

And TonchiDot really is “Augmented Japanese Reality.” It’s hard to imagine a Layar interface going gangbusters at Tokyo.  Whereas the TonchiDot interface, which is very clearly influenced by Anime and cartoon graphics…. Maybe it could find some niche of hipsters in Amsterdam hash bars…

…to be continued in Part 2

Above is an image above  from Total Immersion’s augmented reality experience developed for the “Networked City” exhibition in South Korea, – “a fun scenario created for a u-City’s infrastructure and city management service”

“To the naked eye, the exhibit looks like a bare bones model of a city. But when visitors put on the special AR goggles a whole new world unfolds – as graphics overlaid on the city model.” (Games Alfresco)

“The Networked City,” is a large scale augmented virtuality of a scenario for a networked city. But my guess, reading the     Korea IT Times, is the plan is to move from an augmented virtuality to an augmented reality as Incheon Free Economic Zone  (IFEZ) realizes its vision to become a leading u-City – where reality is turned “inside out” (see Inside Out: Interaction Design for Augmented Reality ).  If you are not familiar with South Korea’s u-Cities, check out this post for a short primer (and note Google Trends search on Augmented Reality shows  South Korea leaving everyone else in the dust).

Ubiquitous computing and augmented reality are like adenine and thymine – a DNA base pair.

A sky view of Incheon Free Economic Zone (from Korean IT Times). For more on the IFEZ vision to become a leading u-City see here.

Korea IT Times writes about the u-city concept:

“Korea began using the term u-City after accepting the concept of ubiquitous computing, a post-desktop model of human-computer interaction created by Mark Weiser, the chief technologist of the Xerox Palo Alto Research Center in California, in 1998. There have been a lot of research in this field since 2002. As a result, many local governments in Korea have applied this concept to various development projects since 2005 based on a practical approach to it.”

The back story to many of my recent posts, including this one, is an understanding of a relationship between ubiquitous computing and augmented reality that emerged, for me, in a February conversation with Adam Greenfield, Towards a Newer Urbanism: Talking Cities, Networks, and Publics with Adam Greenfield.  In cased you missed it, here is the link again because I think it holds up very well considering the rapid developments of recent months.  Also, importantly for this post, it includes a discussion of  moving on from Weiserian visions.

Adam Greenfield’s Speedbird is one of my key sources for understanding “networked urbanism,” and the list he makes of the elements of networked urbanism here (also see the comments) – is my mantra for thinking about the DNA base pair relationship of augmented reality and ubiquitous computing.

Adam Greenfield’s, “summary of what those of us who are thinking, writing and speaking about networked urbanism seem to be seeing” is:

1. From latent to explicit; 2. From browse to search; 3. From held to shared; 4. From expiring to persistent; 5. From deferred to real-time; 6. From passive to interactive; 7. From component to resource; 8. From constant to variable; 9. From wayfinding to wayshowing; 10. From object to service; 11. From vehicle to mobility; 12. From community to social network; 13. From ownership to use; 14. From consumer to constituent.

Augmented Reality – Making Visible the Invisible

The screenshot above is one of  the coolest “making visible the invisible” AR applications. It was developed at Columbia University Graphics and User Interface Lab where Steven Feiner is Director (see the deep list of projects from the lab here).  This app “shows carbon monoxide levels projected over New York City. The height of each ball reflects concentrations of the pollutant.” Credit: Sean White and Steven Feiner  (via Technology Review).

The recent emergence of “magic lens” augmented reality apps for our smart phones – Wikitude, Layar, Acrossair, Sekai Camera, and many others now, have given us a new window into our cities. But we are yet to realize the full potential of the AR/ubicomp base pair that can “make visible the invisible” and give us new opportunities to relate to the invisible data ecosystems of our cities, not merely as a spectator experience,  but as an interactive, in context, real time opportunity to reimagine social relations.

Mark Shepard says in his curatorial statement for, “Toward the Sentient City:” (Much more soon on this very significant exhibit which runs from Sept. 17th to Nov. 7th, 2009.)

“In place of natural weather systems, however, today we find the dataclouds of 21st century urban space increasingly shaping our experience of this city and the choices we make there.”

Augmented Reality, as Joe Lamantia points out, is becoming the great “ambassador of ubiqitous computing.” AR is. “…mak[ing] it possible to experience the new world of ubiquitous computing by reifying the digital layer that permeates our inside-out world,” and we are only just glimpsing the razor thin end of the wedge in this regard.

I am still working on my Gov 2.0 Summit write up  and, amongst other things, I will talk about how an emerging new social contract around open data, here in the US,  will put augmented reality  apps center stage  – “doing stuff that matters.” At Gov 2.0 Expo Showcase Tim O’Reilly tweeted:

Tim O’Reilly Really enjoyed @capttaco (Digital Arch Design) @ #gov20e: “Augmented Reality could be a new public infrastructure” http://bit.ly/18iCx

Also see Tim O’Reilly and Jennifer Pahlka on Forbes.com discuss the The “Web Squared” Era -  “the Web Squared era is an era of augmented reality arriving (like the sensor revolution) stealthily, in more pedestrian clothes than we expected.… …our world will have “information shadows.” Augmented reality amounts to information shadows made visible.”

Again there is back story to how I came to think about Information Shadows in relation to augmented reality.  So in case your missed it the first time, here is the link to a conversation that began in a hallway meeting between Tim O’Reilly, Mike Kuniavsky, ThingM, Usman Haque, Pachube, and Gavin Starks, AMEE, at ETech earlier this year,  “Dematerializing the World, Shadows, Subscriptions and Things as Services: Talking With Mike Kuniavsky at ETech 2009.”

Slide from Augmented City Lab @ Picnic ’09

So What’s Next for Mobile Augmented Reality?

These videos from Daniel Wagner’s team from Graz University of Technology showing Realtime Panorama Mapping and Tracking on Mobile Phones and Creating an Indoor Panorama in Realtime, as Rouli from Games Alfresco points out,  indicate that there is a lot in store for us at ISMAR09.

We may not be so impressed by directory style/”post it” AR anymore, as these applications have become common place so quickly!  But while these early mobile AR apps may be disappointing in relation to some futurist visions of AR – merely AR/ubicomp appetizers,  there are still good implementations of this model coming out (see new comers to the app store Bionic Eye and RobotVision). And Layar, always on the ball, has upped the ante for the new cohort of AR Browsers with Layar 3D.

But as Bruce Sterling notes here:

*In AR, everybody wants to be the platform and the browser, and nobody wants to be the boring old geolocative database. Look how Tim [creator of RobotVision] here, who is like one guy working on his weekends, can boldly fold-in the multi-billion dollar, multi-million user empires of Apple iPhone, Microsoft Bing, Flickr, and Twitter, all under his right thumb

(watch video here)

But if  you looking for something more from AR, you probably won’t have to wait too long.  The two pioneering companies in AR, Total Immersion – founded in 1999, and Metaio – founded in 2003 are both coming out with “mobile augmented reality platforms” in a matter of weeks (see press releases here and here).  And both companies, it seems, will deploy much more sophisticated AR rendering and tracking than we have seen to date.

I approached Bruno Uzzan, founder and CEO of Total Immersion, for an interview as part of my look at the new industry of augmented reality through the eyes of the founding members of the AR Consortium. These consortium members are some of the first commercial augmented reality companies.

The interview below with Bruno began early this summer and then we both went on vacation and it picks up after the announcement of the partnership between Total Immersion and Int13.

The significance of this announcement is that Total Immersion is now positioned to take the augmented reality experiences they have developed for a number of top brands onto multiple mobile platforms with, “Int13′s very clever embedded solution that allows our [Total Immersion's] solutions to work across many [mobile] platforms,” while Int13 gets to extend their reach.

Total Immersion has a 50 person R&D team and their two main focuses have been, firstly getting:

“Augmented Reality to work with as many platforms as possible – PC, Mac, Mobile, Game Consoles, all those are the platforms that we are targeting. We are currently doing lot of work in the R & D team in cross platform compatibility….”

and, secondly:

“Our R&D guys are working on the real world interacting more with the virtual world.  And I have started seeing some results which are pretty much crazy and this will be ready for next year.”

Pandora’s Box – Shared Augmented Realities

Spes or “Hope”; engraving by Sebald Beham, German c1540 (see Wikipedia article on Pandora’s Box)

There are many weaknesses to the mobile smart phone AR experiences we have now, and the lack of near field object recognition (to date), and difficulties with accurate positioning aren’t the only ones.  Note re solving positioning problems in mobile AR, we are yet to see AR  leverage public libraries for analyzing scenes like Flickr’s geo tagged photos, see Aaron Straup Copes’s work on “The Shape of Alpha.” And for more on this my post here.

But, as Joe Lamantia points out:

“One of the weakest aspects of the existing interaction patterns for augmented reality is their reliance on single-person, socially disconnected user experiences.”

In my view, The Pandora’s Box of Augmented Realities is an open, distributed, multiuser augmented reality framework, fully integrated with the internet and world wide web.

As Yochai Benkler has pointed out many times, and argues again in, Capital, Power, and the Next Step in Decentralization, it is “open, collaborative, distributed practices that have been at the core of what made the Internet.”  We have to try to make sure that open, collaborative, distributed practices are at the core of mobile augmented reality.

Can Google Wave be the basis for an Open, Distributed, Multiuser Augmented Reality Framework?

I have been exploring the idea of using Google Wave protocol as the basis for a distributed, multiuser open augmented reality framework with a small group of AR enthusiasts and developers. And I am happy to say the proposal is beginning to get fleshed out a little.  New collaborators are welcome both for “gear heady” input and use case suggestions (but re the latter, you can’t just say everything you see in Denno Coil..!).

This effort started with Thomas Wrobel’s  proposal for an Open AR Framework prototyped on IRC – see here, and click to enlarge the image above of, “Sky Writer: Basic Concept for an Open Multi-source AR Framework.”

But recently we began looking at the Wave Federation Protocol.  And, if you check out this post, and this post, you may get a glimpse of why Google Wave protocol might be a good basis for an open, distributed, AR Framework.  You will notice, if you study what Google Wave has done with the XMPP protocol, that many of  the elements of networked urbanism that Adam Greenfield describes resonate strongly with what is being attempted in Wave.

But enough said for now!  Regardless of the details of implementation,  Google Wave or an AR protocol built from scratch (phew! the latter does seem like a lot of work) -  an open, distributed, multiuser AR framework integrated with the internet and web would explode the potential of AR, creating new possibilities for data flows, mashups ,and shared augmented realities.

And we are excited by Google Wave because, as Thomas puts it:

“The really great thing wave does ….(aside from being an open standard backed by a major player…hopefully leading to thousands of worldwide servers )….is that it allows anyone to create any number of waves, set precisely who can view or edit them, and for them to be able to be updated quickly and continuously (and even simultaneously!) Better yet, changes will (if necessary) propagate to all the other servers sharing that wave. It does all this right now. From my eyes this does a lot of the work of an AR infrastructure already.

I cant see any other protocol actually doing anything like this at the moment, although correct me if I’m wrong, as alternatives are always welcome :)”

Also, Thomas notes, “even the playback system (that is, the ability to playback the changes made to a wave since its creation) …this could give us automatically some of the ideas Jeremy Hight has mentioned in his visionary work here,  and here on “the geo spatial web, interlinked locations and data, immersive augmentation and open source geo augmentation.”

One of the many reasons why an Open, distributed AR Framework would be so cool is it would open up all kinds of possibilities for GeoAR by providing the over-arching standard protocol for communication of updates necessary for the substandards that will facilitate GeoAR.

Also important to note is the  Wave Federation Protocol allows anyone:

“to run wave servers and become wave providers, for themselves, or as services for their users, and to “federate” waves, that is, to share waves with each other and with Google Wave. – “the federation gateway and a federation proxy and is based on open extension to XMPP core [RFC3920] protocol to allow near real-time communication between two wave servers.” See Reuven Cohen’s blog for more here and here, “HTTP is Dead, Long Live the Real Time Cloud.”

Still some people have expressed concern that an AR Framework using Google Wave protocol would give Google disproportionate influence.   Will Google-specific functionality be an issue?  How much stuff is Google specific just because no one else is using it (yet)? And how much is Google specific because it holds no value to anyone else but Google? These are some of the questions that have come up.

You are going to see a variety of suggestions for standards and specs for open AR coming out out in the next few months which as, Robert Rice of the AR Consortium points out is: “a good thing, we need that competition early on to settle down on best case.” Recently,  Mobilizy have offered up an ARML (“an augmented reality mark-up language specification based on the OpenGIS® KML Encoding Standard (OGC KML) with extensions”) for consideration see here.

So it is, perhaps, also important to note, that an Open AR Framework should be neutral/transparent to techniques of  “reality recognition,”  and methodologies of registration/tracking, allowing various ones to work on the system as new techniques evolve, and to support as many evolving standards as possible.

Augmented Reality developers, like Total Immersion and others with powerful rendering/tracking AR software, should be able use an Open AR Framework to exchange the data which their tracking will use. And the tracking/rendering problems they and other researchers have solved are much harder than figuring out data exchange on on a standard infrastructure or protocol!

So I pricked up my ears when I heard Bruno Uzzan, CEO of Total Immersion -  the first and currently the largest augmented reality company, with a 50 person R&D team in France and offices in LA, where Bruno himself is now based, say: “Total Immersion is  only months away from launching shared mobile augmented reality experiences using near field object recognition/tracking across multiple platforms” (for more details read my conversation with Bruno Uzzan below).

I was happy when I asked Bruno about the possibilities for developing an open, distributed, multiuser augmented reality framework fully integrated with the internet and world wide web (possibly using Google Wave protocols), and he replied:

“I think this is feasible. I think that’s doable, that’s just  in my opinion. I mean some people might have another kind of opinion but I think that that’s definitely doable.”

Total Immersion – working with the “symbiosis between augmented reality and brands”

Total Immersion has created many of the best known and most ambitious augmented reality experiences for major brands to date, including Mattel’s new AR toys to be released in conjunction with the James Cameron film Avatar, and AR baseball cards for Topps, video here (or click screenshot above), and the UK’s first augmented reality books.

Bruno founded Total Immersion 10 years ago when he was just 27. And the kind of conviction it took to survive as an augmented reality business in the decade before augmented reality captured the world’s attention is remarkable.

AR’s first steps out into the world after 17 years as predominantly a lab science maybe “wobbly” (what new technology isn’t), and sometimes gloriously kitsch – check out this riotus video of the 3D Interactive Live Show Total Immersion produced in Korea (also see the Total Immersion Augmented Reality Blog for more on the TI’s turn key  Interactive 3D Live Show Solution).

As Lamantia points out here, ” projecting mixed realities into public, common, or social spaces makes them social by default.”

However, the potential for shared location based augmented reality experiences is as yet untapped.  So I see the entry of the most experienced commercial augmented reality company into mobile as pretty interesting.   While  smart phone AR still has significant limitations, and it certainly does differ from some of the futurist dreams of AR (see Mok Oh’s post here on his disappointment in this regard), it is significant that Total Immersion is committing to becoming a leader in mobile AR.

Our smart phones, the powerful networked sensor devices that so many people carry in their pockets, have proved themselves a “good enough for now”  mediating device for early manifestations of the ubiquitous computing and augmented reality base pair.  And now AR and ubicomp is mixed in the  rich, messy soup of everyday life, commerce, business, marketing, art, entertainment, and government, we should get ready to see these technologies grow up fast, and unfold in some surprising ways that lab science didn’t necessarily predict.

And, perhaps, the new dialogue between scientists and entrepreneurs may spur both communities to outdo themselves.

Particularly, as Joe Ludwig notes: “It seems to me that the biggest disconnect between the academics and the entrepreneurs is that they disagree on how far we are from the finish line.”

See the comments’s on Ori Inbar’s post, Augmented Reality Entrepreneurship: Natural Evolution or Intelligent Design?, for  a courteous but spirited discussion on the potential benefits and frictions of the newly expanded AR community of  researchers and  entrepreneurs.

As Blair MacIntyre (see my long conversation with Blair here) notes:

“not all academics and researchers are only interested in the traditional models of impact. Case in point: I wouldn’t be building unpublishable games, nor investing so much time talking to the press, entrepreneurs and VCs if I did not believe strongly in the value of the impact I am having by doing that — and I know others with the same attitude.”

In this vein, check out the Marble Game (video here) developed by Steve Feiner and his team at Columbia U. It’s enabled by Goblin XNA, an open source AR framework built on top of Microsoft’s XNA, which powers XBox live games, Zune games, and some Windows games. For more about Goblin XNA and AR from Columbia U see here.  (Hat tip to Brian Jepson for this link)

While we are still waiting for the kind of sexy AR specs – nothing totally game changing in Gigantico’s AR eyewear rounup (maybe note this Apple patent), that might get wide adoption. But at least researchers are not afraid to explore the possibilities of AR Goggles.

But how far are we now, with or without sexy goggles,  from a fuller expression of the base pair DNA of ubiquitous computing and augmented reality?

We may have a LAN of things before we have an Internet of Things

The picture above is a workshop I attended at Conflux last weekend – Fish ‘n microChips, with Natalie Jeremijenko. We are at the site of the Amphibious Architecture project (a commissioned work for Toward the Sentient City) and “a collaborative project with xClinic, The Living and other intelligent creatures.”

We are probably as far off some grand futurist visions of ubiquitious computing as we are some of the futurist visions of augmented reality. But as it turns out that may not be a bad thing! Recently, @mikekuniavsky noted in a tweet:

“Another argument for the LAN of Things before the Internet of Things: http://tinyurl.com/lgp9uq”

Bert Moore, in the article Mike linked to points out, the grand vision of an “internet of things” with everything connected to everything  can “distract people from thinking about the benefits of RFID in smaller, more easily implemented and cost-justified applications.”  The same argument I think applies to sensor networks and augmented reality.

In New York City, a series of commissioned works for the Architectural League of New York’s exhibit, “Toward the Sentient City” are giving us the opportunity to dip our toes into the ocean of a “networked urbanism.”   For only a small budget, two of the five commissioned works, Amphibeous Architecture and Natural Fuse demonstrate how sensor networks can allow us to explore new kinds of communities – connecting people to environments in interesting ways to create new forms of social agency.

“Amphibeous Architecture” -  from The Living Architecture Lab at Columbia University Graduate School of Architecture, Planning and Preservation (Directors David Benjamin and Soo-in Yang) and Natalie Jeremijenko, Environmental Health Clinic at New York University, uses a skillfully built (electronics and water are notoriously hard to mix) array of partially submerged sensors to pierce the blinding, reflective surfaces of the rivers  surrounding Manhattan and to create a new two way relationship with the ecosystem below – the water, our neighbors the fish and even a beaver that lives in the water surrounding Manhattan.

Image from Toward the Sentient City

In a similar spirit, “Natural Fuse” – Usman Haque, creative director, Nitipak ‘Dot’ Samsen, designer, Ai Hasegawa, designer, Cesar Harada, designer, Barbara Jasinowicz, producer, creates a network of people and electronically assisted plants to explore what it takes to work together on energy consumption and to experience the consequences of “selfish” and “unselfish” behavior interactively before it is too late to modify our actions.

The “Greedy Switch“ from Natural Fuse on the left. On the right “The System” – click to enlarge.

Much more to come in another post on these works, and “Toward the Sentient City.”  Also an update on how Pachube – an important part of both these projects and a very important contribution to ubiquitous computing because it creates the opportunity to connect environments and create mashups from diverse sensor data feeds – has matured since my interview with Pachube founder, Usman Haque, “Pachube, Patching the Planet,” in January this year.

In the picture above Natalie Jeremijenko, and Jonathan Laventhol give the Amphibious Architecture sensor array a last look over, as it will soon be lowered into the East River. Jonathan is on a busman’s holiday to help out at the pre launch of Amphibious Architecture, nr Manhattan Bridge, NYC.

I was very happy to get  a chance to talk to Jonathan Laventhol - more on our conversation in another post. Jonathan Laventhol is CTO of Imagination – one of the world’s leading design, events, and branding agencies. We talked about the importance of  Pachube, which Jonathan called the “The Facebook of Data,”  and  how the symbiosis between brands and augmented reality, and healthcare applications, would  be key to augmented reality emerging into the mainstream.

Natalie Jeremijenko’s workshop at Conflux on the social negotiation of technology and how “everyware” can give us the chance to experience new forms of agency and connection was a totally inspiring.  And I will cover this too in another post.  I have so much awesome stuff  to write about at the moment!

None of the projects in, “Toward the Sentient City,” included a mobile augmented reality, or “magic lens” component, but they all pointed to why “enchanted windows into our newly inside-out reality” are going to be so important. And why the DNA base pair of ubicomp and augmented reality can really do stuff that matters.

Shangri- La – “Transfigured City”

Screenshot from Shangri-La episode Transfigured City

In my AR Consortium founder member interview series, I have found that, understandably, the visionary founders of these first augmented reality companies are a little reticent about sharing their full vision.  They are basically on stealth mode in this regard.  So as you will not, from my interview with Total Immersion founder and CEO, Bruno Uzzan, get a fully drawn scenario of his vision for a next generation of shared augmented reality experiences, here’s a really interesting anime episode from the anime Shangri La called, Transfigured City, to mull over instead.

As you can tell from this rather long and circuitous intro to my my conversation with Bruno Uzzan, I  have been investigating shared augmented realities pretty intensively recently. And Mike Kuniavsky pointed me to Shangri-La, and Transfigured City, in a conversation with Mark Shepard, after Mark’s presentation at Conflux, Sentient City Survival Kit.

Mike Kuniavsky with Tod E. Kurt is founder of ThingM, a ubiquitous computing device studio. Also Mike Kuniavsky researches, designs and writes about people’s experiences at the intersection of technology and everyday life – see Mikes blog Orange Cone.  And I interviewed Mike at Etech- see here.

In Transfigured City, the “Metal Age” group has to figure out how to share and communicate in a city transfigured by augmented realities/virtualities, where no-one sees the same place in the same way.  Only one character can figure out from her previous experience of the city the relationship between the transfigured city and how it used to be.

The conversation I had with Mike Kuniavsky on The Transfigured City continued at a picnic in Washington Square Park the next day with Elizabeth Goodman, who I met at Etech when she gave a brilliant presentation, Designing for Urban Green Space.  We covered so many areas at the picnic related to ubiquitous computing and augmented realities that this conversation probably deserves a post of its own (my writing to do list is growing longer!).

The Plot Synopsis for Shangri La:

“In the mid-21st century, the international committee decided to forcefully reduce CO2 emission levels to mitigate the global warming crisis. As a result, the economic market was transferred mainly into the trade of carbon. A great earthquake destroys much of Japan, yet the carbon tax placed on the country is not lifted, so Tokyo is turned into the world’s largest “jungle-polis” that absorbs carbon dioxide. Project Atlas is commenced to plan the rebuilding of Tokyo and oversee the government organization, which the Metal Age group opposes due to its oppressive nature. However, Atlas is only built with enough room for 3,500,000 people and most people are not allowed to migrate into the city. The disparity between the elite within Atlas and the refugees living in the jungles outside of its walls set up the background of the story.”

Talking With Bruno Uzzan

Tish Shute: We won’t have fully opened the Pandora’s Box of Augmented Realities until we have ubiquitous, shared augmented realities, will we?

Bruno Uzzan: Yes. The most important for augmented reality is the experience we want to share. Now we are working on the cell phone, we can potentially do some marketing components that we already have developed now on cell phone. Done. It’s working.

But the most interesting part of it is how these new components [cell phone AR] will be used for marketing campaigns by brands. And we are also pretty much well positioned to transform some of the AR that we currently have working on Mac and PC and to transform these to applications working on mobile devices.

Tish Shute: We haven’t really experienced yet what it means to actually share mobile AR experiences?

Bruno Uzzan: It’s hard — we did a Facebook app. It’s a first try, it has a way to go.  But to go more and more into social, is the way forward for us – to share and expand AR experiences. But yes, I mean what you’re seeing is how two people on two different applications can share that same expanse.  For sure we are going in that direction. We are currently working on those kind of solutions. How people can share and experience together at the same time. That’s how we start creating excitement in augmented reality, and it’s coming up.

It’s a new market and there’s so much more in store for augmented reality. You know, some people are telling me, don’t you believe that augmented reality is a gimmick? It will be a trend for a few weeks or a few months and then gone? I say, you’re kidding me. This is only the beginning. I mean I can assure you that the applications that are on the market today are one percent of what we will have five years from now.

Tish Shute: I agree.

Bruno Uzzan: And I’m sure that augmented reality will be a part of a lot of components that we are currently using today – GPS, web browser, glasses, I mean there are so many applications that will come up shortly. This is only the beginning. I’m completely convinced that augmented reality will be in three years from now what virtual reality is today, which is a billion dollar market.  I know that it’s not just a gimmick of a few weeks or a few months, because so many brands are jumping into it, spending money, exploring solutions.  I know that it’s not just short term -what they are willing to do and we are willing to do, but also middle and long term. And that’s what makes this adventure pretty much unique and what makes creating a cutting edge technology, very, very much exciting for us.

Tish Shute: First could you explain more to me about your partnership with Int13. I am not sure I understand what is in the arrangement from Total Immersion’s POV. I mean what happens re your own mobile software development? Haven’t you only been licensed the Int13 SDK for a limited period of time and have limited access to all it’s power? Stephane from Int13 said to Ori on Games Alfresco, here, “we have licensed the SDK4 for two years,” and then Ori asks, “but you have basically kept the power to yourselves, right?” So if they are the only ones that can enhance it and develop the software, where will  TI be in two years in mobile if you haven’t really had the chance to develop your own software .

Bruno Uzzan: Actually it’s a real win-win situation. Int13 is a very small company and they have so many requests they can’t possibly fulfill them all. So  this is a way for both of us to be, as quickly as possible, the first mobile provider for all the requests we have. Also they give us exclusivity so nobody else can use INT13 SDK for such applications.  I think that it is a good partnership,

And concerning our own mobile application… First of all we have currently some mobile applications working. But with Int13 we have a mobile solution that can work on many different devices. That’s a fact and that’s working. And, believe me you will hear from us a lot more about this soon. We are fully independent on our mobile development. The reason we closed the partnership with Int 13 is  to be able to deploy mobile in a broad way.

I mean you know that the difficulty with AR mobile is that each separate device needs some customization. Working on the iPhone is different from working on the Nokia, different from working on the Palm; it’s different from working on the Samsung. Each of them have their own operating system inside and so we were interested in Int13′s very clever embedded solution that allows our solutions to work across many platforms.

The reason we are working with Int13 is that we are able to work on so many mobile devices, thanks to Int13. And in the mobile AR race that we are currently in, the next two years will be extremely important to us…

Tish Shute: OK, that definitely clarifies it a lot. So Int13 has done an embedded solution to allow TI developed AR solutions to work easily across many devices?

Bruno Uzzan: Yes  they have kind of an embedded solution, a way to address extremely quickly new cell phone… But, currently on our side, we are in discussions with a mobile company… and that only refers to some very specific mobile devices.  And what they have is also a way to embed deeper our technology into mobile, so that we can have quicker… applications that work on a large number of cell phones.

Tish Shute: So, basically it means you don’t have to go through some complicated negotiations with each of the cell phone companies, is what you are saying?

Bruno Uzzan: Not only negotiations, but also hard development. You know? Working on the Windows mobile is completely different from working on the Palm OS. You know, that’s different! Its a big work, to have a mobile application working on many other devices. So, INt13,  provides us a way for us to save some time and some development cost too.

Tish Shute: And Int13 doesn’t have powerful AR development tools like D’fusion right?

Bruno Uzzan: Right! That’s right. That’s why we say it’s a true win-win solution. They can benefit from our work too. And we can benefit from their work, in order to deploy quicker and faster mobile solutions.

Tish Shute: Now, the second thing is… there is a lot of debate and disagreement about how far mobile augmented reality is from delivering something more that the “post it” approach that has been much publicized in recent months, via all the AR browser apps.

But from my understanding from the conversation we had earlier this summer (see below), Total Immersion is targeting a much higher level of mobile augmented reality than we’ve seen to date?

Bruno: Yes the browser apps we have seen are a kind of augmented reality, but not exactly the way we see it. Let me explain you why. With this kind of application it’s true that you can overlay 3D-information and video. That’s a fact. So, in a sense, that’s augmented reality. But the way that they are working on the position of the 3D on that video is that they are using compass and GPS-information.. so it means that this AR solution will work only on some building and some physical objects that are FIXED. In a fixed and known position.

So you want to go to a theater?

The theater is here, for sure it will not move, so you know the position of the theater, and that’s a fact that you can superimpose an object on the theater. That’s what can be done currently. What we are achieving and what we are doing on mobile is more than that. We want to be able to port our solution with trading cards, with brands, into a smart phone.

I’m assuming that you want a can, a drink can, to be able to trigger an experience. The only way you can do it is to be able to understand what the can, it is. And the current solutions that are out there can’t do that, it’s impossible.

Tish Shute: Right, yes. There’s no near-field object at all in these early browser apps.

Bruno Uzzan: And the solution we have is that we can recognize a can and then — in a very, very precise way and that activates geo-location, so we can superimpose 3D. I mean in that case, it opens up all the applications that we currently have, so they could work on mobile.

Tish Shute: So for example, if you’re working with a soft drink company, people can trigger that experience wherever they see that can?

Bruno Uzzan: Correct.

Tish Shute: Yes. Yes, I assumed that was what you’re doing

Bruno Uzzan: We believe — and maybe that’s not the case, but we believe that our marker-less tracking technology is pretty much unique on the mobile devices.

I haven’t seen yet, from anyone, a full augmented reality mobile solution working.

I really see AR being part of the Web 3.0 next generation. I mean the vision I have is that, you know — today, when you want to have information, you go on a website and then you find your information. AR — and the future is that I think it will be part of the opposite. You want to have information about a product, you just show it to your computer and the information will automatically pop up. I see here a new way to market some key messages, a new way to get information is that some physical product by themselves could be a way to get information, and you don’t have to search anymore for them, it’s coming out to you.

AR is definitely for me, one of these components. Another thing that AR is a solution, another thing that AR itself will create these kind of results in how information is being displayed. But I’m seeing  here a way that could be part of a new way to have access to information. And that’s part of the vision I have. Whatever, if it is through mobile phone or web or PC, Mac, whatever, I really believe that now this kind of new generation of receiving information will come shortly and could be a kind of a new — could be part of the new 3.0 generation of the web.

Tish Shute: My friend Gene Becker did an interesting post recently on some of the current limitations of mobile AR where he pointed out the problem of:

“Simplistic, non-standard data formats – POIs, the geo-annotated data that many of these apps display, are mostly very simple one-dimensional points of lat/long coordinates, plus a few bytes of metadata. Despite their simplicity there has been no real standardization of POI formats; so far, data providers and AR app developers are only giving lip service to open interoperability. Furthermore, they are not looking ahead to future capabilities that will require more sophisticated data representations. At the same time, there is a large community of GIS, mapping and Geoweb experts who have defined open formats such as GeoRSS, GeoJSON and KML that may be suitable for mobile AR use and standardization.”

Bruno Uzzan: That’s interesting. I mean — I know exactly what his is referring to. He is mainly referring to a localization and how you can have a quick, accurate localization.  If you look at current solutions, and you look at this 3-D superimposing on the video, the 3-D is shaking a lot. I don’t know if you see that in some of these early efforts.

It’s hard to use because the 3-D, you know, is  part of the magic of augmented reality, that is when the 3-D is being inserted in a very easy way and smooth way in your solution. Here, when you see this overlay, 2-D or 3-D overlaid on the video, it’s shaking a lot. One reason for this is that the GPS compass is not accurate enough to coordinate the perfect location of the user. And here, what Gene says is interesting. I think we are addressing this localization issue in a pretty smart way.

But to be frank with you, I don’t believe mobile augmented reality in the extremely short term — I’m talking about three weeks, one, two months is mature enough for good AR applications.  It will be shortly.  But for now it is more proof of concept than a true and easy application to use.

But we are starting to see a lot of new application coming out, but I really believe that marketing and entertainment are the two key markets for AR right now.

I’ve been working ten years in augmented reality. And, eight years ago, when I was talking about augmented reality, I was E.T., you know? Nobody understood what I said, and I thought it was crazy. And now, today, yes it’s completely different.

Tish Shute: The Pandora’s Box of Augmented Realities, in my view, is an open, universal and standard, distributed, multiuser, augmented reality framework fully integrated with the internet and world wide web. I have been looking into Google Wave protocols as a basis for this would you be interested in this? Do you think it is feasable?

Bruno Uzzan: I think this is feasible. I think that’s doable, that’s just  in my opinion. I mean some people might have another kind of opinion but I think that that’s definitely doable.

Tish Shute: Yes I suppose an open AR Framework involves cooperation and collaboration, it is more about business and politics than technological problems.

Bruno Uzzan: Yes!  Actually the Web is politics. Business is politics.

Tish Shute: I would be interested if anyone in your R&D team would be interested in looking at some of the ideas that are emerging in our little discussion of Google Wave and an Open AR Framework  to offer feedback. it is an interesting time now to input on the Wave Federation Protocol docs because nothing is set it stone right now.

Bruno Uzzan: Just shoot me an email, I’ll try to put you in touch with the right person and, and a team member that can input on this.

Tish Shute: For mobile augmented reality the best thing we’ve got now is the phone, right?

Bruno Uzzan: Right.

Tish Shute: And the only way we can use the phone is by holding it up, right?  Isn’t this a bit of an an obstacle as you introduce better object recognition and tracking?  People are going to have to stop moving to use their phone. What do you feel about that experience? Isn’t AR eyewear and essential part of a tightly registered AR experience?

Bruno Uzzan: We don’t do hardware and we don’t have the current solution for eyewear that would do all we need for a good mobile AR experience, so I guess we don’t have the current answer for that.  But we are beginning to see the next generation of this — of these glasses.

Tish Shute: But you’re happy enough with the mobile experience of augmented reality on smart phones that you’re investing in this next generation of software for this.

Bruno Uzzan: Yes, I know. We know that some application will not work on the iPhone. And yes, whatever you do, you still need to hold the iPhone, so it means that you can’t play with your hands anymore. So we know that partially, some AR solutions  we have on other platforms will lose the magical effectivities on just the iPhone.

But I’m starting to see on the market some glasses that could perhaps be not too expensive — that’s a challenge!  And easy to use — that’s another big challenge. And, that could fit on anybody’s faces and head — there’s another big challenge. So yes, I’m starting to see that, but so far AR glasses are only applicable for some very, very specific application, like design or theme park or, you know, some specific location where it makes sense to move forward with glasses.

I don’t believe that kids will use glasses for — in our toys and for games in the next months or maybe othe next one or two years. But maybe something will come out shortly and that could be a big breakthrough, and enable us to think another way. But  from what we have seen so far and from what we know in this hardware market, I don’t believe that currently there is a workable solution.

Note: The following section of the interview took place earlier in the Summer.

Tish Shute: You are the first commercial AR company  – you started in 1999 right?

Bruno Uzzan: Yes you are right. We started the extremely early in this augmented reality market. We were the first company worldwide to start doing augmented reality and to start promoting augmented reality. So it’s true, we are pretty old players although the market has been getting bigger and bigger for the last year and a half. So for a long time we were only in the market, and the market was not really there.

But for the past 8 months, the company has been growing really fast.

Tish Shute: Yes I’m sure. Congratulations for hanging in there long enough to get the pay off!

Bruno Uzzan: You know, my background is Financial. So I have been driving the company for many years in a very cash efficient way. So we have been waiting for the markets to reach maturity before starting make some investments. So that’s the reason we are still here, and that’s the reason I think we managed pretty smartly the cash that we raised for the company.

Tish Shute: Yes there is a saying that when a market takes off you can tell a pioneers because they are the ones with the arrows in their backs. But I am glad you are dodging the arrows!

Bruno Uzzan: You know, I’ve always driven the company with revenue. And because revenue was not there at the beginning I was extremely cautious about the cash. So now that the company is getting some revenue, for sure we are making more and more investments, and taking advantage of our situation as a worldwide leader of augmented reality.

This situation is not easy as it appears today but it’s now getting better, as you can see, AR, Augmented Reality, has very good momentum and we are benefiting a lot from all this momentum for augmented reality right now.

Tish Shute: You’ve been very involved in researching developing augmented reality tools. Are you still as active in the research area, or are you too busy keeping up with work for hire now, to be working on research and building new technology for Augmented Reality?

Bruno Uzzan: Both. First of all, we are part of lot of projects either directly with clients like Mattel or with some partners that are using our technology to promote and develop other AR projects. From what we he have seen, many, many, many, projects augmented projects have been done currently with our solutions.

To continue with your previous question. So we are being perceived as this leader in that space, and we  have some pretty heavy demand for our services. But we are coming up with new technology, of course, still connected to Augmented Reality.  But, our R & D is working in two different directions, which of course also bind together.

The first one is platform developments. So we want Augmented Reality to work with as many platforms as possible – PC, Mac, Mobile, Game Consoles, all those are the platforms that we are targeting. We are currently doing lot of work in the R & D team in cross platform compatibility.

Tish Shute: Robert Rice said recently, “markers and webcams equal Photoshop page curls…”

Bruno Uzzan: Yes. There are so many concerns with markers. The quality is extremely bad. As soon as you hide a part of the marker, a slight part of the marker, you’re dead. You can’t track any more of the object. So compared to our solution where I want to say play with cards or where you are going to play with a Mattel toy, even if you hide a part of the toy, it’s still working.

Tish Shute: But you haven’t offered the public an SDK to your engine right? Basically the way people get access to your tools is working in a partnership with Total Immersion right?

Bruno Uzzan: Correct.

Tish Shute: Do you think in the future you might open your SDK? Are you considering that?

Bruno Uzzan: Yes, it would be interesting.

Tish Shute: So that is something we can see coming soon?

Bruno Uzzan: Maybe, because it’s true that Total Immersion is starting to be mature enough for these kind of tools. The only thing is that we have to respect good timing for that.  It’s a big decision. You know what I mean?  It is a big, big decision. We would then compete with others using our technology.

Tish Shute: Oh I know, it is a big decision when you have so much skin in the game! But it would be nice to have your SDK being THE platform for AR, wouldn’t it?

Bruno Uzzan: It is a really big decision that we can’t just take like that, you know.  There are a lot of friends who told me you have to be extremely careful about timing. This timing is pretty much connected to the maturity of the market. For sure, we see the market being more and more mature. But, there are a lot of low hanging fruits we still want to address

To get the best value possible for all the publicity we have and all the clients we have now.

Tish Shute: Yes, I know. You’ve been in this game so long. Now, there is an interesting question here though about tools and platforms because you know, A.R., augmented reality has already expanded  beyond its kind of original purist definition. And when I talk to people  about augmented reality, there are actually lot of different ideas and priorities of where the tools should go right now. You know, obviously we have these kind of browser-like applications, but these browser like applications are not dealing with recognizing near field objects yet.  What are your priorities for tool development and what are your priorities for AR development in the future? What areas are you going to focus on? Oh dear that is a rambling question!

Bruno Uzzan: [laughter]  So, one of our first priorities is we need to create our software with one development, one installer, one software that can be spread on different platforms. The same application, the same software can be used either on a PC, Mac, phone or console. So that’s a lot of work, because that means that our platform has to address many many different devices and that’s a big priority for us because we received this request from our clients. We want to be able to use one application on many different platforms and devices. So, that’s the first one.

And the second one is to add more and more interactivity between the real and the virtual world. So, we are working on some improvements to add some real components that will interact with virtual, and that also part of our big strategy and direction and these two worlds can more and more be bridged together, linked together so they can interact  one with the other.

Our R&D guys are working on the real world interacting more with the virtual world.  And I have started seeing some results which are pretty much crazy and this will be ready for next year.

There are so many different directions for interaction between the real world and virtual world to develop.  I’m sure ten years from now you’re going to have AR applications everywhere.  Its not just temporary fashion stuff or a gimmick for few months. I mean we are getting there, its getting stronger and stronger and we are getting a good adoption rate from our consumers. They like it, they test it, they play with it and brands wants more, people want more and its getting bigger and bigger.

Tish Shute: Yea and I totally agree, its not a gimmick because the interaction between “virtual” and “real” enhances the magic of both. Another question about you RandD operation. Is your R&D still in France or have you moved totally out to LA.

Bruno Uzzan: We are 50 people in France and I started this LA office two years ago and I moved permanently two years to LA. So I’m now permanently located in the US to take care of the US office, knowing that revenues are really getting bigger and bigger in the US. So it means that we are getting a lot of traction, working with large company and now I’m currently located in the US.

Tish Shute: My sister lives in Paris. Could I visit your R&D lab at some point? I’d love to visit!

Bruno Uzzan: Yeah sure sure sure. I mean if you want to go. You won’t have access to all the research. But if you want to go out and meet all the team please do.

Tish Shute: I’d love to.

Bruno Uzzan: No problem. Shoot me an Email you and I will introduce you to Eric Gehl, COO, he is the COO of the French team. And he can definitely take care of that.

Tish Shute: That would be fun. Thank you!

Recently, AR browser applications have really caught the imagination of the web community, eg., Layar and Wikitude?  Where do you think the most important market for AR is at the moment, entertainment,  green tech, business, education?

Bruno Uzzan: I think that all that you mention will be important. The first one that did grab my attention is entertainment particularly dual marketing, because they always searching for new ways to interact with players or the consumers.  But it’s just the tip of the iceberg, you know, I mean medical applications could be huge using augmented reality. Education, and edutainment is definitely using more and more augmented reality components.  And I will just be submitting with big companies – that are considering using augmentation for education. Museums are very important too. Also augmentation as a kind of free sales tool, you know there are so many applications, design, architecture – so many directions that it’s hard to say today which one will take the lead.

But I do believe that on the short term the ones that are really really moving fast are the entertainment business and the digital marketing business.

Tish Shute: What do you think are the biggest shortcomings with current augmented reality and what are the obstacles that no one has solved yet?

Bruno Uzzan: I think the cell phone is not fully ready for augmented reality – a lot of people are working on that but there are still a lot of constraints to get the augmented reality working on a cell phone and I think that from what I heard a lot of manufacturers and a lot of companies are working from direction that are going to help us a lot to develop some great cell phone applications.

And I think that’s one of the biggest part of the game. All the applications that you see on cell phones so far are just gimmicks – the next big key is how to transform some gimmick cell phone application to a real, industrial, robust application that’s going to work on a cell phone. So I think that’s a big challenge for this year.

Most of what we see now is just matching and overlaying some 2d components in a video. This is not what I call AR.  You’re far away – with this kind of application, you are far away from doing the registration that we need to do – you can’t do it. So here’s the challenge: “how can you get a Topps is an application working on cell phone. That’s the big challenge  How we can make that work!” You can’t today get a real AR Topps application working on cell phone because there’s no cell phone  that’s actually ready. But we are working on it and the first one that can make that work, it’s going to be huge.

When you are working with good AR components you need a lot of CPU and GPU programs. So today new cell phone have started to be more and more ready for augmented reality but you need a really good cell phone to make it work. You can’t choose an old cell phone to make it work because you have some recognition, you have some tracking, you have some rendering, so you can’t choose a Nokia cell phone two years old to make that work. For sure the newest iPhone is the one that can make it work, but that’s it for now. There is a lot of research – from large cell phone companies – to get more CPU and GPU into their cell phone.  But so far we are also waiting for these devices to be released to consumers.

Tish Shute: And the current economic climate has put a damper on MIDs hasn’t it. But who can tell? It depends what price points some new MID came out at right?

Bruno Uzzan: Correct.

Tish Shute: Yes,I agree. But basically what’s interesting, the interesting thing is, the iPhone can deliver so much of what is necessary and even if Apple hasn’t given access to the full power of the iphone to AR developers yet, there is really no going back now – the mobile augmented reality cat is out of the bag!

Bruno Uzzan: You’re right, you’re fully right.

Picture on the left Mirrorshades, picture on the right a Metroid Hud.

“Augmented Reality is like a Philip K Dick novel torn off its paperback rack and blasted out of iPhones,” Bruce Sterling in Beyond the Beyond

“a techno visionary dream come true – those are rare, really rare, you have to be patient,  it’s super cyberpunk”… Bruce Sterling, “At the Dawn of the Augmented Reality Industry.”

The Dawn of the Augmented Reality Industry continues to brighten, and now we have two augmented reality companies, Total Immersion and Ogmento, firmly established in Hollywood – the dream mother of so many of our augmented realities.

Ogmento is the most recent of these two pioneering augmented reality companies to set up shop in LA.  Total Immersion’s CEO Bruno Uzzan moved to LA from France two years ago, although he still has a fifty person RandD team in France.   Total Immersion began 10 years ago in the quiet, lonely, hours before the dawn of an AR industry.  But Total Immersion’s AR toys for Mattel, and augmented reality for Topps baseball cards, fired CNet writer Daniel Terdiman up enough to say, “I have seen the future of toys, and it is augmented reality” (see full post here on CNet).

Recently, I talked with  Ori Inbar, one of the founders of Ogmento and  the premier augmented reality blog Games Alfresco about his new venture in Hollywood. Bruce Sterling, @bruces, had some fun with my invention of brand new augmented reality trade jargon here!  Ori pointed out Ogmento brings two important new facets to the rapidly growing augmented reality field: firstly they are bringing leadership from veterans of the entertainment industry into augmented reality development. Brad Foxhoven and Brian Selzer from Blockade have partnered with Ori on Ogmento.  And, in an another important step forward for a young industry, Ogmento announced they will be acting as publishers for a fast growing cohort of augmented reality application developers and helping AR development teams out there bring their concepts to the market.

So I was very happy also to have the opportunity to talk with Brian Selzer.  Bruce Sterling pointed out in his seminal sermon from the flatlands at the Layar Developer Conference, AR is kind of a “Hollywood scene.” We have seen the web early adopter/developer/blogger community  embrace augmented reality browser experiences in recent weeks in an awesome wave of enthusiasm. Are Hollywood creatives equally smitten? For the answers see the full interview with Brian Selzer below.

Brian Selzer (www.brianselzer.com and twitter – brianse7en ) has an extensive involvement with emerging platforms:

“from launching dot com entertainment sites in the late 90′s to creating early versions of social gaming platforms, or bringing big brands like Spider-Man and X-Men into the mobile space for the first time.  Last year I was focused on bringing video game characters and worlds into the online space as UGC [user generated content] projects (mashade.com, instafilms.com).”

I began my own career in Hollywood doing motion control photography and creating software that bridged the language of robotics and servo motors with the visions of  film directors. Eventually our little company, NPlus1, moved on to 3D vision systems and image recognition stuff.  So yes, I have been really, really patient waiting for this particular techno visionary dream.  And, while I have been waiting for augmented reality to manifest, I have grown to love the internet.  But now, how awesome, It is OMG finally for mobile AR!

Augmented reality is busting out all over – through our laptops, our phones, on the streets, toys, baseball cards, art installations, sticky light calligraphy and more.

Many of my questions to Brian were directed at at how and when we will see augmented realities with near field object recognition, image recognition and tracking and, of course, the illusive eyewear.  As Bruce Sterling points out we are just at the very, very beginning – the dawn of an industry.  I created the photomontage below on the right to compliment Tonchidot’s illustration suggesting the evolutionary inevitability of holding our phones up (below on the left).  The Evolutionary Reality of AR will not end there.  It is just a step into eyewear, hummingbirds or Nano Air Vehicles, and more…….

The Evolutionary Reality of AR

Cartoon on the left by Tonchidot on the right a collage of a stock photo and the Pentagon’s Robot Humming Birds – “Nano Air Vehicles.”

While we finally we have, an affordable mediating device with the horse power, mindshare and business model to bring AR mainstream with the iphone.  The much anticipated Apple 3.1 Beta SDK to be released in September will not, I am sure, open up the Video API at the levels that augmented realities with near field object recognition and tracking require (I would love to be proved wrong though). But the magic wand to deliver even tightly registered AR graphics/media (that require a lot of CPU and GPU) to a wide audience is in our hands, so full access to may not be far off. And others, of course, can/will/might knock the iphone off its current pedestal.  AR made it’s mobile phone debut on the Android after all.

Like everyone else who loves AR, I wish that Apple would open up faster (and I wish Android would manifest on some rocking hardware). But we will see enough of the iphone Video API open for the next generation of mobile augmented reality games and applications to emerge in the coming months.

One of these will be Ogmento’s. Although Ogmento is in stealth mode, they have released a teaser for their first game, “Put A Spell,” developed by ARBalloon – screenshot below.  Ori did reveal to me in this interview that they are doing image recognition and using the Imagination AR engine.

As Brian notes, Hollywood has had the AR bug for a long time. AR has been everywhere in Science Fiction Movies and video games. Nintendo’s SPD3 head Kensuke Tanabe, “effectively the man in charge of overseeing all the Metroid franchise underneath original co-creator Yoshio Sakamoto,” explains the story of Metroid to Brandon Boyer of Offworld here (an image of a Metroid Hud on the right opening this post) :

“the idea of the different visors you use in the Prime games to interact with the world: the scan visor, for instance, set the game apart from other first person shooters in that the player was using it to proactively collect information from the world, rather than having the story come to them passively, in the form of cut-scenes or narration. “Prime could have adventure elements with the introduction of this visor,” says Tanabe, “That’s how we came up with the genre — first person adventure, instead of shooter.”

But as Brian points out:

“the light bulb has been lit and Hollywood is seeing that the software and hardware are here today to deliver these types of AR experiences in real life (to a lesser extent of course, but the path is getting clear).”

Talking with Brian Selzer

Tish Shute: Bruce Sterling’s sermon at the Layar Developer conference, “At the Dawn of the Augmented Reality Industry,” was absolutely awesome. He spread the future feast/orgy of augmented reality before us  – and described many of the dishes we will tasting both delectable and diabolical.  One of the many things he points out is, AR is kind of a “Hollywood scene.” And, as Ogmento is one of only two augmented reality companies in Hollywood, I am interested to hear how it looks from your neck of the woods. We have seen the web early adopter/developer/blogger community  embrace augmented reality browser in recent weeks in an awesome wave of enthusiam – are Hollywood creatives catching the buzz?

Brian Selzer:  It was a thrill to hear Bruce Sterling mention Ogmento. I devoured all of his Cyberpunk books back in the 80′s, along with writers like Gibson, Rucker, Shirley… To me, sci-fi writers are the visionaries who define and influence our technological paths into the future. They make science and tech sexy enough to want to manifest those experiences in the real world. Clearly Bruce sees the AR industry as being sexy. I love that he called it “a techno-visionary dream come true… and super-cyberpunk.”  And yes, kind of a Hollywood scene.

Hollywood creatives caught the AR bug before they knew what AR was.  Look at science fiction movies and video games to see AR everywhere. Terminator, The Matrix, Minority Report, Iron Man.. the list goes on.  Look at any video game with an integrated heads-up display.  It’s clear Hollywood loves AR.  It’s only been in the past few months though that the light bulb has been lit and Hollywood is seeing that the software and hardware are here today to deliver these types of AR experiences in real life (to a lesser extent of course, but the path is getting clear). So yes, the buzz is here and it’s strong.  With that, we all have to be prepared for the good, the bad and the ugly as AR goes mainstream.

It certainly goes to show how young this industry is when Ogmento and Total Immersion are currently the only AR companies based in Los Angeles. It’s very exciting to be the only company right now demonstrating a natural feature tracking (markerless) iPhone experience in Hollywood. We are in talks to bring some very big brand and properties to the mobile AR space. The goal is to deliver experiences that create added engagement and value to the consumer.

Tish Shute: Also in his landmark sermon Bruce Sterling noted that augmented reality has been around for 17 yrs and now at last we are seeing the dawning of  an augmented reality industry. What inspired you to take up the challenge of launching an augmented reality company in Hollywood?  Oh congrats that Bruce Sterling name checked Ogmento in his list of companies that prove that this really is the dawn of an industry!

Brian Selzer: I’ve always been involved in emerging platforms… from launching dot com entertainment sites in the late 90′s to creating early versions of social gaming platforms, or bringing big brands like Spider-Man and X-Men into the mobile space for the first time.  Last year I was focused on bringing video game characters and worlds into the online space as UGC projects (mashade.com, instafilms.com). Working with all these great CG game assets, I continued to think about what’s next, and that’s when I started to follow AR very closely and started engaging with those who were pioneering in the space.

I remember swapping instant messages with Robert Rice (@robertrice) right after the 2008 Super Bowl.  We were not chatting about the football game, but rather about some of the commercials that aired during the event as a sign that AR was making its way into the mainstream.  A lot of people became aware of AR for the first time when the GE SmartGrid commercial aired.  There were all these YouTube videos popping up of people blowing on holographic wind turbines.

The commercial that really got me excited though was the Coke Avatar commercial.  In that commercial people in the city were sporadically being portrayed as their digital persona’s, avatars, gaming characters, etc..  For me that spot did a great job showing how many of us already have these ‘alter egos” that live in cyberspace, and how the line between these worlds can sometimes be blurred. I remember watching that commercial and thinking that is exactly the type of experience I’d like to create with mobile AR.  I want to overlap the virtual world into our every-day reality. Why cant I bring my World of Warcraft or Second Life persona with me into the real world?

I am big on the notion of “Games and Goals.” I believe that games have the power to motivate people in a very powerful way. By challenging ourselves while playing a game we can climb mountains.  Augmented Reality is the perfect platform to bring gaming into the real world.  By mixing the virtual world with the physical world, this added layer of perception provides a very powerful experience for something like a role-playing game.

One of my earlier social-gaming projects was a website called Superdudes.  This was a “Be Your Own Superhero” concept that celebrated and motivated kids to create superhero avatar/persona’s online, and we gave members all sorts of games, challenges, and rewards, some of which carried into the real world. The site recognized members for teamwork, creativity, volunteer work and things like that. So the Superdudes were often involved in charity events and benefits to help children.  Everybody called each other by their Superhero names, and the line between fantasy and reality were being blurred.  This project really got me thinking about what happens when you take positive role-playing like this and mix it into the real world.  I started to work on a plan for location-based activist missions for points and rewards, but never got to complete that. So I have some unfinished business here.

I think it would be fantastic to be able to show up to some type of fun event with friends, and everybody could see each others alter ego personas standing before them. When you can turn the world into a playground, and use the power of gaming to make a positive impact on the planet… well, I don’t think there is anything better than that.  These are the types of projects that drive me, and I think AR is the best platform to support these types of social gaming experiences.

Tish: Does Ogmento have any RPGs under development?  I noticed in the Google Wave on RPG someone has been working on doing something with the Dungeons&Dragons API.  I am interested in exploring the web of protocols underlying Wave as a transport mechanism for multi-person, mobile, AR experiences (not requiring downloads), on an open global outdoor AR network. If not Wave, what do you see as the potential infrastrucure and protocols we could harness for an open augmented reality network?

Brian:  Ogmento has a deep background in video games and we interact regularly with most of the major game publishers. As a company we are not so much developing our own RPGs right now, but rather exploring what mobile AR extensions make sense for existing brands.  There are many limitations to location-based gaming, but a global AR network is exactly along the lines we are thinking.  Lots of discussions are taking place on protocols, platforms, API’s, and there are numerous ways to approach this.  We need to be able to use what’s available now and continue to refine and customize for AR’s specific needs and issues as we progress.

In general though, Ogmento is focused on what types of experiences can be had today and over the next couple of years. I still think we are several years out from a truly open augmented reality network.  We are certainly looking at launching our own “Ogmented Network” which would support some fun treasure hunt type experiences, or add an entertainment layer on top of traditional outdoor marketing campaigns.

Tish: I don’t know whether you have read Thomas Wrobel’s ideas for an open augmented reality network that I just published here on Ugotrade.  The principals he talks about are very important for augmented reality to become a major part of our lives – .  Considering the difficulty open networks can pose for emerging business models how can we fund the development of an open framework for augmented reality?

“a future AR Network, I mean one as universal and as standard as the internet. One where people can connect from any number of devices, and without additional downloads, experience the majority of the content.
Where people can just point their phone, webcam, or pair of AR glasses anywhere were a virtual object should be, and they will see it. The user experience is seamless, AR comes to them without them needing to “prepare” their device for it.”

Brian: I think funding for these types of projects will definitely come from Venture Capital groups in the near future.  It’s early in AR, but the VC’s are watching and deciding which horses to bet on.  Until that time, it’s about service work, and developing AR experiences for others with what is possible today. That work will help fund internal development of original AR products, and platform development.

Tish: How did you get started with Ogmento?

Brian: My first conversation with Ori was actually about my interest in Location Based RPG concepts.   We had a long conversation about the possibilities with AR, and it was clear that we shared similar interests, but were coming from different complimentary backgrounds. The idea of collaboration was exciting, so we just kept talking until the timing felt right. Now, with Ogmento we bring a unique blend of AR development experience with a deep backgrounds in AR technology, animation, video games, entertainment, social media, etc.   I think this is a powerful mix that will allow us to do some great things.

It’s still so early, and things are just getting started in AR. There are only so many webcam magic tricks you can enjoy before you are ready for something else.  The location-based apps have the most potential in my opinion, which is why we are really focused on mobile AR.   We have some board-game type projects, which do not instantly scream location-based gaming, but if you look at something like the ARhrrr board game, you can see how much more compelling it can be when the game invites the player to be actively moving around during the experience.

Tish: I am interested in your perspective on how we can create the kind AR experiences that really embody what has always been so exciting about AR – the tight alignment of graphics and media with real world objects and ultimately a rich immersive 3D experience, so I am going to hit you with a bunch of those, “Is this really eyewear or vaporware?” questions.  The real deal eyewear changes everything!

While eyeware is a big challenge technically and aesthetically,  I am pretty sure that there are several outfits out there that can pull off the optics and projection. 
Will the entertainment industry get excited enough to put a major push into delivering the eyewear in short order instead of the 5 to 10 year project that some people still think it is?    The business development challenge is bigger perhaps than the technical obstacles perhaps? What is your view on this?

And, perhaps, the eyewear is a clear example of a need for partnerships. For example, we have seen efforts from companies like Vuzix and Lumus, and recently a Japanese Company, Masunaga.

I have no reports from people who have tried the Maunaga eyewear yet.  But,  limited by small field of view, and tethered, currently eyewear offerings, available at a reasonable price point, are not workable solutions for augmented reality experiences. But the problems are not insurmountable. What will facilitate the real deal?  


It seems that it is critical to start creating hardware relationships now. The industry is costly and slow moving and as Robert Rice put it to me in a recent conversation, “once the software cat is out of the bag, its going to go wild and if the hardware isnt there, its going to stutter.”

As Ori notes some of the hardware companies like Intel and others don’t seem to be paying enough attention to AR.  Ori points out they don’t see the demand yet.  But in order to create an awesome AR experience and demand from a mass audience, don’t we need to work in conjunction with hardware designers?

Brian: It’s fun to think about who will eventually deliver a great hardware solution for AR glasses. It will happen. It would be cool to see somebody like an Oakley or Nike partnered up with a company like Vuzix to deliver something people actually might wear in public.  Perhaps a hardware manufacturer like Apple or Nokia will bring us something like the iSight or the NGaze down the line.  I’d love to see a set of glasses designed by Ideo.  Microsoft or Sony are already playing with technologies like Project Natale and the EyeToy, so I think its only a matter of time before they deliver an eyewear solution. I would even look to the toy companies to eventually make an investment here.

Gamers will be the early adopters, and in a few years we may start to see people running around in the park wearing glasses with headsets, but it will be acceptable because it’s clear they are using them for a game.  It’s going to take a very sexy and stylish piece of hardware for everyday people to be willing to wear AR glasses in public while going about their everyday business.   It’s like the recent cover of Wired magazine where Brad Pitt is wearing a mobile headset in his ear, and the editors point out that even he can’t pull that look off, so why do you think you can.  When AR glasses come in designer frames, and you can’t tell them from non-AR glasses, to me that’s when things get really interesting from a mass-adoption perspective.   Compare how many people were carrying around a mobile phone in the 80s to now.  I think it will be the same thing with glasses.

I was in an AR pitch meeting the other week at a very significant media company, and brought up the point that today’s handheld Smartphones will eventually evolve into tomorrows Smartglasses. My comment was quickly shrugged off as sort of a sci-fi notion that was irrelevant to the business at hand.  Probably true, but I think it is important to understand where digital media and entertainment is going, so you can adapt quickly, and evolve into those spaces more naturally.  The more we see people walking around with their Smartphones in front of their face (like a camera), the sooner it will be that we make the jump to eyeglasses as a key hardware device for AR experiences.

At Ogmento, we definitely are working on AR experiences with the hardware and software available today.  We will get some product out this year, and 2010 will be a banner year for markerless mobile AR in general.  I think the entire AR community is looking forward to bringing this technology to the mainstream in the form of games, marketing campaigns, virtual docent apps, and much more.  It might not be the full experience we are all dreaming about for some time, but we can see the path and the true potential, and it’s pretty spectacular.

You mention the tight alignment of graphics and media with real world objects.  That is really our focus. A lot of well-deserved attention is going to the browser overlay “post-it” approach right now, which uses compass and GPS.  We are focused on markerless natural feature tracking, so once you identify something that is AR enhanced in your environment, you can interact with that integrated experience.  On an iPhone that can be as simple as using your touch screen to interact.  When you are wearing glasses, it becomes more about visual tracking. There are lots of smart people thinking through these issues. Many of which you have interviewed. It is my hope that there are exciting collaborative efforts to be had in the coming months to get us all there together and faster.

Tish: Bruce touched on some of the hard problems that have to be solved for augmented reality – and he noted for instance security needs to be tackled in the early stages. Robert made a nice list, “privacy, media persistence, spam, creating UI conventions, security, tagging and annotation standards, contextual search, intelligent agents, seamless integration and access of external sensors or data sources, telecom fragmentation, privilege and trust systems, and a variety of others.” Will Ogmento be leading the way in solving some of these hard problems?

And, won’t trying to solve these hard problems for networked AR in walled garden scenarios one company at a time lead to a lot of reinventing the wheel wasted energy?

Brian: These are all important issues, and again there are a lot of smart people thinking about solutions to these problems on a daily basis.  Ogmento is interested in partnering with developers and supporting their efforts as a publisher of mobile AR experiences.  While we intend to roll up our sleeves in these areas, we are currently more focused on taking AR mainstream with the hardware and software available today.  As the industry evolves, so will Ogmento. As the opportunities evolve, our ability to make a greater impact tackling these issues will be realized.

Tish: Another area of development that could really kick AR into high gear might be creating augmented reality hotspots  where we use can deliver the kind of location accuracy/instrumentation necessary to create interesting AR experiences (partnership with Starbucks, perhaps ?!).  Augmented reality hots spots, could deliver the kind of high quality AR experience that isn’t possible ubiquitously at the moment, and may be a real way to get people really exploring the potential of AR now, rather than later?

Brian:  Agreed. I see a great opportunity here with this approach.

Tish: Although there are many obstacles to Green AR – the energy hogging servers at the backend for starters! Last week I had a conversation with Gavin Starks, AMEE, and Robert Rice and Jim Purbrick about how to work with AMEE and the technology available and encourage Green Tech AR development (see an early exploration of green tech AR from Pachube here).

We came up with the idea of holding a competition perhaps centered around a targeted instrumented space. But I would really love to hear your thoughts on the topic of Green Tech AR (the energy hogging servers at the back end being the first cloud on the horizon!.)  Cool GreenTech AR imaginings, social gaming ideas, RPGs, not even necessarily even tied to the immediately practical, would be like rain in a drought!

Brian:  I go back to “Games and Goals”… If you make environmental and other activist efforts fun and rewarding, more are likely to be motivated and participate.  Can you imagine having a personal “carbon footprint stat” floating over your self at all times? Or over your home or factory?  How would that change your behavior?  We all love stats. Look at how the Nike+ campaign has used technology and gaming to motivate people to run.  I think there is a lot that can be done to make being green fun. It starts with the individual, and spreads from there.  Keep me posted on that one!

Tish: I would also like to explore further the RRW suggestion that ambient intelligence is both the Holy Grail of AR and possibly snake oil:

“The holy grail of the mobile AR industry is to find a way to deliver the right information to a user before the user needs it, and without the user having to search for it. This holy grail is likely in a ditch somewhere beside a well-traveled road in the district of the semantic Web, ambient intelligence and the Internet of things. Be wary of any hyped-up invitation to invest in a company that claims to have gotten the opportunity right. What we’ve seen in the commercial industry to date is a rather complex version of a keyboard, mouse, and monitor.”

So Holy Grail, Snake Oil, or a ditch somewhere….?

Brian:  I instantly think of Minority Report, where Tom Cruise’s character is being bombarded with holographic ads personalized with his name and to his current situation.  In the future, Spam is a nightmare, especially when it knows who you are.  I think the key thing here is delivering “the right information”, and we still dont have that down. I do see a day where we can truly customize what comes to us, how we want it, when we want it.  My future vision of ambient intelligence is the ability to “turn everything off” if I want to… block out the stimuli and replace it with images of nature, or natural surroundings, etc.  Where I live in Los Angeles, we have those digital billboards everywhere, so it’s like advertising overload wherever you look (hints of Blade Runner).  I personally don’t mind them, but I know there is great debate on there being simply too many billboards everywhere. So AR would only add to the noise of life by adding yet another digital overlay of information, right?

Perhaps the holy grail is to use technology to filter things out. AR might become a solution to leading a simpler life, or a perfectly customized life if you want that. Ultimately the control needs to be with the individual.  I guess I am talking about something like TiVo taken to the extreme.

Tish: And then that other biggy – augmented reality search! I am asking this next question of  Wikitude and Sekai camera too and now I must also ask Acrossair and several others I guess! Obviously a huge area of opportunity in this broader landscape that uses location-awareness, barcode scanners, image recognition and augmented reality is to harness the collective intelligence – a whole new field of search. There is the beginning of a discussion on this in the comments here.

What will it take, in your view, to become a leader in augmented reality search?

Brian:  I’m more of a content guy, so I tend to focus on things like UI, quality of creative, etc..  From that perspective, I am looking forward to evolving beyond the “post-it” text overlay user-experience we see now in AR search. I was impressed with the TAT Augmented ID concept and hope we start seeing more smart design solutions like that emerging in the space.  There are some great new design approaches coming out of the location-aware space that should be applied to AR search. I’ve been studying the heads-up display designs being used in video games, and re-watching movies like Iron Man for ideas. This is another example where Hollywood has painted a polished picture of what AR can and should look like, and the masses have already accepted these design approaches.  So from that perspective, from my view the leaders in search will be delivering sexy, smart and simple solutions. It’s all about the S’s.

I am kicking off what will be a series of  talks with key players in the rapidly emerging augmented reality industry with an interview with Ori Inbar, co-founder of Ogmento. For Ori’s full bio see here.  Ori not only has a passion for interactive entertainment and a commitment to developing augmented reality to, “free young and old from getting lost in front of the screen.” Ori also, as I noted in the intro to my first conversation with Ori in May, brings invaluable experience to the young augmented reality industry because he has already gone through the cycle of working in a very small start-up and growing it into a billion dollar business. Ori worked with Shai Agassi (Shai is now leading the world changing Better Place ) driving Netweaver from a mere concept to a “major, major business for SAP.”

I have been tracking developments in Augmented Reality pretty carefully since my post, “Is it OMG finally for Augmented Reality?: Interview with Robert Rice.” And I talked at length to Blair McIntyre on Mobile Augmented Reality and Mirror Worlds recently. These interviews, and my first conversation with Ori, are long in depth conversations. But, if you haven’t already read them and you want the full story, they may be a good place to start.

As Ori notes, the Google trend on Augmented Reality is really growing exponentially at this point, and recently there have been two high profile round ups in the New York Times here,  and one in Venture Beat here.

Ori comments (for more see full interview below):

“What was unique about the article in Venture Beat is that it was probably the first roundup of Augmented Reality companies. It wasn’t very comprehensive or detailed, but it might be a sign that VCs are getting interested in AR companies.”

I feel that now is an excellent time for a detailed and comprehensive series of interviews on the state of play for augmented reality. I hope to speak with all eight founders of the AR Consortium, Int13, Metaio, Mobilizy, Neogence Enterprises, Ogmento, SPRXmobile, Tonchidot, and Total Immersion. The recent founding of the AR Consortium focused on facilitation of, “faster market penetration, robust technical standards, and a strong focus on the end-user’s experience,” is an important development for augmented reality.

Ogmento co-founder, Ori Inbar, created augmented reality’s trail blazing blog, Games Alfresco, and Pookatak Games – now Ogmento.  Ogmento will bring out their first augmented reality game for the iphone later this summer.  But Ogmento also brings two important new facets to the rapidly growing augmented reality field. One is that Ogmento brings leadership from veterans of the entertainment industry into augmented reality development  – Brian Selzer and Brad Foxhoven from Blockade have partnered with Ori on Ogmento.  The other, a very exciting announcement from Ogmento, is that they will be acting as publishers for a fast growing cohort of augmented reality application developers. Ori explains, Ogmento will be helping, “AR development teams out there bring their concepts to the market.”

The emergence of a savvy publisher for augmented reality developers is a vital step forward for this emerging industry.  As Ori notes in the interview below:

“recognizing elements on product packaging, posters, games will kick off a frenzy of new consumer experiences before the end of the year mobile AR will take the center stage. Next year will be huge for these experiences.”

The first commercial and practical toolsets, SDKs, and APIs developers wishing to create AR experiences have emerged including AR engines with key development tools for markerless image recognition like Imagination and SRengine Lite (for more see these posts on The Future Digital Life and Games Alfresco).  Also the pioneering and the most used AR engine out there, ARTookit, now has a version for the iPhone. And Metaio has produced a powerful  modular development tool kit, Unifeye.  Wikitude (Mobilizy) and Layar (SPRXmobile) have caused a lot of excitement recently with applications that unlock the potential for a wide range of augmented reality browsing experiences. Notably, they have both opened up developer APIs for their mobile augmented reality platforms in the last couple of weeks (although Layar is only providing “50 developer keys to interested companies across the globe,” whereas the Wikitude World Browser APIs are open to all). Maarten Lens-FitzGerald explained:

“There will be more keys distributed by Layar.  We are starting with a small amount to make sure that the servers will be able to handle it. Biggest difference is that the Layar API is aimed at Business to Business market: Companies and or developers with major brands or other content and services which are relevant for the new AR world. They are able to get their own branded experience in Layar”

Wikitude, however, has introduced the vital component of user generated content. With Wikitude.me you can add your own tags now.

I just added my first tag to Wikitude.me and twittered from TweetDeck:

“Signed up for Wikitude.me today, very cool the world as a wikipedia platform.”

click on image above to watch the video

I have interviewed both Mark A. M. Kramer, Mobilizy and Maarten Lens-FitzGerald, Sprxmobile, for this series so I will be posting more on Wikitude and Layar soon. See Wikitude’s “World Browser” press release and video for more, and the video here for read here more about Layar.   I was very chuffed to hear from Maarten Lens-FitzGerald of Sprxmobile the other day that my Interview with Robert Rice, in January of this year, was a key inspiration for SPRXmobile to get started on the development of Layar.  I hope this series of interviews and the arrival of a world class augmented reality publishing team, Ogmento, will be the inspiration for many more game changing augmented reality projects.

Robert Rice (who founded the AR Consortium with Ori) is a key innovator in the field who is tackling some of the really hard problems of AR development. While we will have to wait until ISMAR in October to see demos of Robert’s AR platform, Robert explained in my interview with him (to be posted soon):

“I guess you could say that we are trying to build a platform for platforms, or more accurately the infrastructure for the global augmented reality network. If Neogence does its job right, anything you create using ARtoolkit, Unifeye, or Imagination would be applications you could link to, integrate with, or deploy on what we are building, and not be tied to a specific set of hardware, browser, or walled garden.”

Augmented Reality and the Next Generation of Compelling Interactive Entertainment Experiences

Ogmento and the partnership of  Brian Selzer and Brad Foxhoven from Blockade with Ori Inbar is a very significant development for Augmented Reality.  I am very excited to be discussing Augmented Reality with Entertainment Industry veterans (interviews with Brian and Brad upcoming soon). Here is an excerpt from the beginning of my conversation with Brian.

“My first conversation with Ori was actually about my interest in Location Based RPG concepts. We had a long conversation about the possibilities with AR, and it was clear that we shared similar interests, but we’re coming from different complementary backgrounds. The idea of collaboration was exciting, so we just kept talking until the timing felt right. Now, with Ogmento we bring a unique blend of AR development experience with a deep backgrounds in AR technology, animation, video games, entertainment, social media, etc. I think this is a powerful mix that will allow us to do some great things.

It’s still so early, and things are just getting started in AR. There are only so many webcam magic tricks you can enjoy before you are ready for something else.

The location-based apps have the most potential in my opinion, which is why we are really focused on mobile AR. We have some board-game type projects, which do not instantly scream location-based gaming, but if you look at  something like the ARhrrr board game [for more see my interview with Blair McIntyre here], you can see how much more compelling it can be when the game invites the player to be actively moving around during the experience.”

Talking with Ori Inbar

Tish Shute: First I really want to catch up with you on your new venture – Ogmento.

Ori Inbar: It’s basically an evolutionary step. A little bit about Ogmento, I partnered with a couple of very strong veterans of the entertainment industry from LA, and we want to do two key things. One is develop augmented reality applications and games; and two, which is becoming really interesting lately, is to help AR development teams out there bring their concepts to the market.

Tish Shute: Your new partners are Brian Selzer and Brad Foxhoven. Are they both from Blockade?

Ori Inbar: Brad and Brian are both from Blockade and are leveraging their contacts and deep knowledge of entertainment companies and big brands they worked with over the years.

Tish: Sounds great to have a team like this getting into AR! How will you work with developers? Will you help them market their AR applications?

Ori: Exactly. In parallel to my blog becoming popular, it seems there’s a lot of activity picking up in the AR space. People are reaching out to us and are asking asking for help. So we started actually making that a part of our business. We help connect them with the right technologies if they need it or connect them with the right brands or companies and strategize with them on how to go to market and help publish their applications or games. So that’s becoming an exciting part of what we do.

Tish: It seems that great content rather than applications is going to be what drives the early AR market. What is your direction/vision for content development and what technologies are you focusing on: In my recent discussion with Robert Rice he asked the question: “The iphone…future or failure? With a seemingly anti-developer stance regarding augmented reality, and only a sliver of the global market share, are we letting the short term glitz of Apple and the iPhone fad pull us in the wrong direction? Shouldn’t we be focusing on Symbian devices that have the lion’s share of the market? or should we be looking more at either other OSs (winmobile, android) or not at all and trying to create a new platform that is more MID and less smart phone with a hardware partner?”

Ori: I can tell you that we’re now being inundated with requests for projects from all angles. Either from big brands, independent entertainment companies, all and everything in between. In terms of the hype it’s curving up. More and more people are hearing about it. In a sense we’re moving from a very strong push to a little pull. We’re starting to see some pull from people asking for development of AR projects.

In terms of technologies, what platforms to use? At this point we’re very open to picking the right technology, the right platform for each project. For example: Wikitude, or Layar, could be good for certain types of experiences, but they do not visually recognize elements in real life. So for that purpose you’ll need technologies from other folks like ARtoolkit or Imagination. We are basically picking the right tool for each job.

Tish: What distinguishes Imagination from ARtoolkit?

Ori: Imagination have been doing virtual reality and augmented reality for years now. They probably have the best augmented reality engine for mobile devices. It’s the only engine built from the ground up for mobile.

Tish: What about this whole issue of most of the world being Symbian and the U.S. being iPhone and possibly moving somewhat towards Android?

Ori: That’s right. We’re currently focusing on the iPhone because it’s the coolest out there and fits our target audiences perfectly, and there’s a pretty good market here in the U.S. which is currently our main target market. But you’re right, it could change tomorrow, when another major platform becomes popular. Another thing is that is attractive about the iPhone is that all of the iPhones are the same (although it’s now changing with the 3G-S). It’s very easy to develop an application and distribute it to 40 million people. But if you’re going into the Symbian market or Windows Mobile, it’s a nightmare. It’s not just the technical aspect of testing the app on all these devices but also the distribution challenge. Apparently there’s just no simple channel to distribute it across these various versions of these platforms.

Tish: That’s what stopped mobile gaming taking off until the iPhone wasn’t it.

Ori: Absolutely.

Tish: So this Austrian AR engine, Imagination, it must be for Symbian too, is it?

Ori: They have an augmented reality engine that works on P.C. webcam, Symbian, Windows Mobile, and now in the iPhone. You write the application once and theoretically it runs on all these platforms.

Tish: Any interesting development showing up on Imagination yet, or is it too early?

Ori: Our first game that we discussed [see my previous interview with Ori here] is actually going to be based on that engine.

Tish: Your game for pre-schoolers that we discussed before? What’s the release date for that?

Ori: We said it’s going to be released this summer and that’s still the plan, but it depends a little bit on Apple. You’ll be among the first to know when it’s in the app store.

Tish: It seems at the moment the two main forms of AR are mainly tethered or marker experiences or kind of stepping stone apps like Wikitude and Layar that are markerless but mainly pull info from web to world rather than truly aligning graphics in a tight relationship to the “real” world. Although what differentiates Wikitude from Layar is that you can actually create content with Wikitude.me and add your own tags now. When are we going to see something that goes beyond the tethered experience and the “browsing” experience and get to the magic of AR in terms of tightly aligning media/graphics with real world objects?

Ori: That’s right. That’s one difference between Layar and Wikitude. Another is that Wikitude is actually being used across the world by what is it now 160,000 or 200,000 people and Layar only works in the Netherlands for the moment. That’s a big difference. But things are changing rapidly.

But there are a lot of new AR concepts being developed out there (and we are fortunate to be working with some of them).

We’ll still see many webcam campaigns for another year or so, but recognizing elements on product packaging, posters, games will kick off a frenzy of new consumer experiences before the end of the year mobile AR will take the center stage. Next year will be huge for these experiences.

But to address your question, you’re going to see two different types of apps. One is the so called browsers like Wikitude and Layar, which actually doesn’t comply with the scientific definition of augmented reality in the sense that you have to align graphics with real life objects (Azuma).

Tish: Wikitude and Layar are not the purist idea of AR and technically should they really claim the title “browser”?

Ori: Right. But I don’t think it really matters to users that find these apps useful. The second type of apps you’re going to see in parallel are those which recognize markers or natural images and soon any real life object – and overlay on top of computer graphics. I believe we’ll see more and more of that towards the end of the year.

Tish: And you think Imagination really does give people an engine that allows them to do image recognition more easily?

Ori: Yes absolutely. They do. We’re using it. Right now it’s not an official SDK, but pretty soon they’ll open it up and more and more people will be able to take advantage of it.

Tish: When do you think they’ll open it up?

Ori: You’ll have to ask them But there’s also the ARtoolkit – the most used AR engine out there, which now has a version for the iPhone. They also have a version that can track images, but it’s still not running on the iPhone. It’s going to take some time until these, as well as the products from Metaio, and other folks are going to catch up with them.

Tish: I want to ask you about the Cartoon Network AR campaign? I didn’t get a chance to look at it before I spoke to you. It’s still a tethered experience I think but there is a “next generation AR” claim?

Ori: I think in terms of the experience it’s trying to take it a bit further than what we’ve seen so far by creating an actual game. But you are still tethered to a PC screen which is not significantly different than playing a 3D game on a PC.

Tish: Then the other thing is did you get a chance to play with the iPhone video API? Is it accessible now? I noticed your blog on this.

Ori: It’s under NDA with Apple so we cannot really talk about the details. But it seems like it’s doing only half of what we need for AR. It’ll be useful for applications like Wikitude but not when you want to align graphics with live video.

But I’m pretty sure it’s going to happen soon and there’s no reason why it shouldn’t… It’s just that Apple’s policy is to never reveals their plans. We don’t know when it’s going to happen.

Tish: You basically think we’re going to have to be very flexible because it seems as a developer the iPhone is obviously the only place to get easily to a market. But in terms of developer you do have to make some serious decisions and there are some interesting MIDs and new Android platforms coming out aren’t there?

Ori: Last year I thought MIDs would make a big difference in the AR world but they didn’t. Not in terms of adoption and not in terms of the number of MIDs that we expected to be released this year. Some companies are trying to resurrect it for next year… or later this year. I think the high price is going to be a barrier for adoption.

Tish: The economic climate hasn’t been good for it. Which bring up another question, now that people are really catching on to AR, should there be a partnership with the hardware people to get some of the hardware that really will make AR rock n roll moving e.g. accurate gps (Robert mentioned to me the idea of creating pseudolites = ground based differential GPS with <10cm accuracy hotspot say in partnership with Starbucks, for example).  And it seems to be that there definitely needs to be an eyeware push now we have seen close but not yet perfect prototypes from companies like Vuzix and Lumus. Will Ogmento,’cos you are going to be involved in lots of cool projects focusing on content, partner with the hardware people and get it moving along in that area?

Ori: That’s absolutely right. For ISMAR this year we’re planning some panel discussions with industry leaders as well as hardware companies to define the ideal mobile  device for augmented reality. These discussions are already happening. But I don’t think companies like Intel and others are paying enough attention to it just because they don’t see the demand yet. I believe that with more content and apps in the market, they’ll realize they can’t wait any longer and will accelerate their decision process and act.

Tish: But it does seem to me – one would have to be an Ostrich not to have noticed the excitement that relatively trivial Augmented Reality apps have stirred up. It’s something that people get is a cool and engaging experience and right away they like it. Although we haven’t seen a popular game yet have we?

Ori: Exactly. It’s gaining mindshare but it’s still very low on most people’s radar and there’s no market right now. You can’t even size the market. Before they invest a lot in this concept they’ll want to see some ROI.

Tish: So that’s the plan then. You’re basically hoping at Ogmento to make some popular iPhone apps? That’s really the first step?

Ori: Yes. That’s true. That’s what we think is going to trigger the other parts of the industry to contribute and to invest.

Tish: Right. Because ultimately a partnership between content and hardware – each enables investment and ROI in the other, its a synergistic combo. You need the big content to push the hardware companies, and you need the hardware to get the really dynamic content.

Ori: You are so right. It’s multiple elements in the industry that have to come together. You have the technology companies like Imagination and Metaio, then you have content companies like what we’re trying to do; the hardware vendors and the large content providers. Those brands that we’re trying to go after and educate them about the potential of AR. All these pieces need to come together for this market to ignite.

Tish: So is Ogmento talking to major content franchise owners or are they coming to you?

Ori: It’s both ways actually. Mostly we’re still educating. That’s one piece of the puzzle, the other piece is connecting them with various AR developers out there who have great ceoncepts, but don’t have the expertise or connections to market it.

Tish: So Ogmento acts as an agency for them or how would you describe it?

Ori: It’s more of a publisher-developer relationship. Similar to the gaming industry where you have game developers and publishers.

Tish: At the minute are you working with any particular team or are you still in the early stages with that?

Ori: We have several projects in the early stages. Follow us on Ogmento.com or Games Alfresco to see the progress with these projects in the future.

Tish: Have you had seen anyone coming up with good ideas for a Green Tech AR application? Seems that visualizing emissions and carbon footprint for everything in our lives would be a big step forward in taking action to make the changes we need to avert a climate catastrophe – seeing is believing!!

Ori: Not really yet. I was kind of playing with this idea (see my previous interview with Ori here) about that but the technology wasn’t really ready for this kind of application. I think that when it happens this will be a very important area.

click the image above to see video

Tish: I was thinking if we could organize a prize, for development of really good Green Tech AR apps. that would help.  It is early for Green Tech AR because it really involves a level of instrumentation and visualization/alignment of media with nearby objects  that is hard to do at the moment (although the necessary instrumentation is on its way to becoming ubiquitous – see Google’s Android to invade homes and Touch Revolution household Android devices coming this year). And smart energy monitoring like Current Cost is already widely available in the UK.  AMEE – the world’s energy meter is integrated with Pachube and can be used to calculate the carbon footprint of a Pachube feed that is monitoring some kind of energy consumption.  And many people are interested (see Tom Raftery’s Green Monk post here) in this kind of application that will really advance the usability of much Green Tech. So we have some ground work for a competition already!  Particularly, I think, if the competition focuses on a target instrumented environment.

[Note: Pachube has produced a really nice augmented reality demo (see video above) where 3D Pachube visualisation data is overlayed in realtime ‘on top’ of Arduino sensor boxes around their office. The demo  “features the Pachube office carbon footprint wall with chalk-drawn augmented reality marker, for Dennou-Coil-style space-hacking.” The code is written in c++ using openFrameworks, ArToolKit and the ofxPachube library and is being cleaned up for public release soon.  As the Pachube team notes, this “could provide an easy way to inspect rooms (or streets) full of sensor and environment data via a camera (e.g. iPhone)… or even AR goggles!]

Ori: Yes a prize is a good idea!

Tish: What do you think would be a reasonable sum to get the right kind of developers into that?

Ori: I think fifty thousand is the minimum. Or a publishing deal.

Tish: $50,000 is the minimum. And how would you offer it?

Ori: A cash prize for the first place and a little bit less for the second and third.

Tish: I’ll start talking to people. Maybe Ogmento could help adjudicate it, if we can find a way to raise the prize money, would you be willing to help run a competition?

Ori: We would love to. Just like we discussed before, it’s a matter of understanding the  current technical limitations, and then designing something that works within those limitations and delivering an added value.

Tish: What have been the most exciting things that you’ve seen since we’ve last talked. What are the things that got you going wow this is moving forward?

Ori: First If you just looked at the Google trend on Augmented Reality, it has the right curve. It’s really growing exponentially at this point. Also I really like a couple of articles just last week, one in the New York Times and one in Venture Beat. What was unique about the article in Venture Beat is that it was probably the first roundup of Augmented Reality companies. It wasn’t very comprehensive or detailed, but it might be a sign that VCs are getting interested in AR companies.

Tish: Yes.

And, in a way AR is perfect because it’s suited to the kind of level of investment that people are interested in right now – relatively small scale investment. And what’s good about particularly say iPhone apps, you can do a lot with relatively little can’t you?

Ori: Yeah, I agree. But to answer your question, I think the most exciting thing that is happening is the (small) swarm of AR developers popping up in various corners of the world and are looking to bring their ideas and products to the market. I think that’s unique and we haven’t seen it until this year.

Tish: Why are we seeing most things coming out of Europe like Layer, Wikitude, Imagination?

Ori: It’s a true statement. You know what? I have no idea why. I really don’t know.

Tish: Is there anything special coming out of Silicon Valley that’s normally leading the field in these kind of things?

Ori: I can’t say, but at least…there’s Ogmento!

Tish: Yes! There is Ogmento. Right. But it is interesting isn’t it? I think I know the answer to my own question. It’s because mobile culture is very well developed in Europe and this is springing out of mobile culture.

Ori: There is another important initiative from the US – the AR consortium which Robert Rice and I have recently launched…

Tish: Oh yes I must ask you about that. And Robert’s been really working hard on the big problems of full on AR- massively multiplayer, 3D, virtual goods market, tight alignment of media/ graphics with real world objects, partnerships to move the hardware forward – eyeware etc.  I know he has some exciting demos planned for ISMAR 2009,  it’s just that he’s still under the radar.

Ori: Robert is going after the hard problems, which is good.

Tish: It is great. Actually  I just spoke to him today and it seems like he’s a few months off being able to show us something. He is working hard to push the hardware forward.

Ori: I think he is and he’s probably targeting existing platforms.

Tish: Which is were we get back to the snake biting the tail – great content need good hardware and hardware investment comes from seeing great content.  What does the current crop of AR browsers have to do to take it to the next level?

Ori: I think what they’re doing right now is a very good first step. Which is opening it up just like Wikitude and Layar. It’s kind of what made a difference for Facebook versus other social networks and for Twitter as well. Their approach as a platform is what made it so huge. The other step which Wikitude is doing with wikitude.me is allowing people everwhere to tag the world.

Tish: They’re the first who are doing that so far.

Ori: There were other attempts to provide ways to tag the world, but I think Wikitude is the first that is actually available on a global scale.

Tish: Have you had a chance to try out Google Wave yet – do you see some potential for some interesting AR integrations with Wave? I think Wave may be a big game changer in real time communication, if it gets mass adoption. It basically makes the web like a videogame – bringing a real time many participant shared interaction to the web. I have been exploring in the sandbox and there are some interesting possibilities for role playing games. It’s completely open so it could be integrated into an AR project.

Ori: I am going to have to look into Wave in the next few days.

Tish: So what should we look out for from Ogmento in the next few months? What do you want to develop next?

Ori: I have given some hints above – you’ll have to stay tuned to discover…