Shortly after Augmented Reality Event – are2010, I talked with Bruce Sterling on skype and in gdocs about his experience there.  I am posting the conversation in two parts to make it a more blog friendly length!

The picture above is the Auggie Award for the best AR demo (above) designed by Sigal Arad Inbar.  It was won by YDreams! See, Ivan Franco recounts the team’s ARE 2010 experience, and winning the event’s first-ever Auggie Award, for more.   The video below was shot at the YDreams booth by Bruce Sterling.

“The Hotness” – YDreams rocking it at ARE2010 from brucesflickr

Rudy Rucker, who was hanging out with Bruce Sterling, captured the are2010 buzz and some great images in his post, Augmented Reality, Painting, Twitter. As Rudy put it:

“AR is hoping to be a next big thing, a cozier and more commerce-driven cousin of the old VR, or virtual reality.”

Bruce Sterling’s opening key note is up, ARE 2010 Keynote by Bruce Sterling: Bake a Big Pie!, and also the ARE 2010 Keynote by Will Wright: Brilliant Inspiration for the Augmented Reality Community with more videos from are2010 on the way.  One must read post on are2010 is Chris Cameron’s post, Augmented Reality’s Next Steps: Sitting Down with the Titans of AR.

Talking with Bruce Sterling, Part 1

The Auggie panel, Bruce Sterling, Jesse Schell, and Mark Billinghurst inspect the award.

Tish Shute: In your keynote at the 9am of the augmented reality industry you asked some questions of the are2010 audience: “What’s the mission statement?  You’re the world’s first pure play experience designers, except that user experience it’s mostly futuristic hot air.  But run with that, right?  What are your tactical steps?  You should get dressed, have a coffee, have a to-do list.”

How much of that did you see going on in the next two days?

Bruce Sterling: Well, I wasn’t privy to any of the business discussions.  I didn’t think it was an accident that this standard AR enabled tag thing came up from Bruno Uzzan, Total Immersion.  That seemed to me to be a useful thing.  I was always interested in the Augmented Reality Consortium.  It struck me as remarkable that there was this group of people who clearly all knew one another and it had some kind of game plan.  I applaud them for that, because these are not the 1980’s.  [laughs]  You know, it’s just a different world for young startup companies.

Tish Shute: I think you’re right. There seem to be some VC conversations going on, we don’t know what went on in the meetings, but it was noticeable in the atmosphere of excitement, and remarked on by a few people. So I think that kind of was definitely going on.

And, of course, I was so busy I never even got to see the expo properly! You said you wanted to be surprised.

Did anyone surprise you in any of the talks, in any of the expo?

AR used as interfaces for devices

Italian augmented robot from SEAC02 from brucesflickr

Bruce Sterling: I have to say I was a little bit surprised to see Andrea Carignano demoing a robot. I happen to know him because he’s here in Torino. He’s the guy that came out of Fiat and went into AR. I am not a particularly huge robot fan, but I think it’s of great interest that AR is used as interfaces for devices, as opposed to the Jesse Schell idea that AR is all about a “man with the X-ray eyes.”

My suspicion is that a lot of surprises will come out of mashups of AR.

Tish Shute: I didn’t get to see Andrea’s robot.  So what did it do?

Bruce Sterling:  It’s basically a sister device to that little helicopter that those Parrot AR Drone guys were doing.  It’s a little autonomous robot and it runs around with a webcam on it.  You can place video into the acquisition stream coming off the robot.  You can play a game, and blow away imaginary monsters or whatever.

Tish Shute: It’s interesting, because did you notice Will Wright and Patrick O’Shaughnessey, Patched Reality, spend some time hacking the Parrot AR drone in the hallway?  Did you come across them?

Bruce Sterling: Rudy was there with them.  You know, I didn’t want to watch Will Wright hack a robot.

[laughter]

Tish Shute: They seemed to be having fun even though as it turned out the power supply was dead.

Bruce Sterling:  I’m sure Will enjoyed that.  As a game designer, you want to go out and get your hands dirty with a plastic gizmo.

[laughter]

My Swiss Army knife can’t get through airport security, so I really don’t want to strip anything down.  But yeah, what else did I see that was of particular interest?  I was pretty happy about the Korean guys because they are a difficult group to get close to.

AR companies are like mini-global micro-startups.  They’re “glocal”.

“Korean elegance at the Zenitum booth” – from brucesflickr

Tish Shute: Zenitum.  What did you like from Zenitum.  They were one of our sponsors, along with Qualcomm.

Bruce Sterling:  I know that Seoul is like the number one center for augmented reality discussion.  But it’s  difficult to get behind the scenes as a journalist there and  track what’s going on in Korea.  I’m fine with Italian “realtà aumentata.”   And I feel like I’ve got a handle on French “réalité augmentée.”   The Germans were not hard to find, and the Dutch all speak English!  But the Koreans, and whoever the hell it is in Kuala Lumpur…  I have no idea what’s going in Kuala Lumpur, and only the vaguest idea of what’s transpiring in Singapore!  But I know that people there are paying a coherent interest.

So the Koreans show up, and they had some relatively predictable anime style 3D avatar conversion stuff.  But they had a really nice display space.

“Anime figures become three-d smartphone animated avatars,” from brucesflickr

Tish Shute: Ah, So Zenitum created a hot spot at the exhibition?

Bruce Sterling:  Yeah.  The Koreans had  IKEA furniture and some nifty little woven baskets.  They’d really classed up their presentation.  Most Koreans in tech tend to be kind of muscular.  The Koreans are not known for their refined presentations.  On the contrary, they tend to undersell everybody else.  But I don’t know, maybe they’ve been hanging out with Samsung and upgrading their design chops. [laughs]

Tish Shute:  Did you take some photos you could send me?

Bruce Sterling:  I took a few, but  I don’t consider myself a photographer.  They’re all up on my Flickr set. It was interesting to see so many people from so many different nations in such a collegial atmosphere.

Tish Shute: Yes – there were many different countries represented at are2010

Bruce Sterling:  It’s the beginning… and so global at such a young stage.

Tish Shute: Yes. As you said, it was 9 AM, so everyone was actually super excited to be gathered together from across the globe to start a new day together.  As you mentioned, there was a very warm affirmative vibe – everyone sharing a passion.

Bruce Sterling:   They have an online commonality. They seem to be aware of one another’s work through the Internet.

Clearly they had all heard about one another.  That’s a departure from earlier models of tech startup, where you usually have like three hippies in a local garage.  Now you’ve got German-American-Korean outfits like Metaio, and Total Immersion has a Russian affiliate.  They’re inherently multinational, both inside the company and out.

Tish Shute: It was the multinational garage, wasn’t it?

Bruce Sterling:  Yeah.  AR companies are like mini-global micro-startups.  They’re “glocal.” There’s something quite new to me about that.  I don’t find it’s shocking, because in Europe today it’s common to find startup teams who are multinational.  But to see such intense globalism at such an early stage of an industry is really different.

Tish Shute: Yes it made for a fun atmosphere?  It was wonderful running into Iguchi Takahito, Tonchidot.  You have a great rapport with each other despite the language barrier?

Bruce Sterling:  Yeah.  That guy from Tonchidot, he’s very charismatic.  He’s punchy.  That’s reflected in the very strong graphic design from his company.

Tish Shute: Using minimal English to make the case for Sekai No Camera at the Auggies, Iguchi Takahito still got through to the audience.

Bruce Sterling:  Well, his visuals were good.

What AR means for artistic practice…

Picture of Eric Gradman’s Cloud Mirror, from James Alliban post ARE2010 – Augmented Reality utopia in Silicon Valley – see for more on the are2010 ARt Gala

Tish Shute: So before I move on to wider themes, I’m going to wrap up on some of the different aspects of the conference.  I was chairing the technology track but you were more free roaming, was there anything that went on in the sort of hallway discussions and the presentation rooms that struck you?

Bruce Sterling:  Well, I did get collared by artists.   They really wanted to talk to me.  We got into some serious discussions on  what AR means for artistic practice.  How you can do this and reach that, how can one sharpen up one’s presentation?  I mean, they really wanted some art criticism.

Tish Shute: That’s very interesting.  Did you come up with anything that you hadn’t been thinking about already through the conversations?

Bruce Sterling: I’ve seen augmented reality installations before, and I certainly know many electronic artists.  But I don’t know.  People in the AR art space, they are looking for guidance and trying to find fellow spirits.  In their own way, they have the same pioneer spirit as the business people.

Helen Papagiannis shows Iguchi Takahito, Tonchidot, her AR Wonder Turner, an exquisite corpse inspired installation

Tish Shute: Yeah, it’s interesting, because we wanted the art gala to be even bigger, but it turns out, because of the logistics of putting up art in a conference space is fabulously expensive, because it has to be all installed and hung…

Bruce Sterling:  I’m keenly aware of that.  At Share Festival in Turin we bring in six installations, and it’s very heavy work.  It really takes a lot of logistics.  It was like a Battle of the Bands.  It’s like doing a rock concert.

Tish Shute: One of the installations I was really sad to not have there was Uber geeks’  “Steve” H.E.AI.D installation that Brady Forrest & Co. took to Burning Man.

So I was very happy that we actually did get the number of artists we did.

Bruce Sterling:  Well, there aren’t a million AR artists in the world, so it’s hard to judge.   I didn’t see many business people rushing up to have me critique their business plans.

Tish Shute: [laughs]  They were all in the meeting rooms.

Bruce Sterling:  Maybe it’s for the best.

VC and AR Startup Action

The Zenitum Booth, are2010, photo from Chris Cameron’s Flickr stream

Tish Shute: Do you know that why your talk started a few moments late is because we had 50 people who arrived from the Silicon Valley neighborhood I guess!

Bruce Sterling:  Did they not preregister?

Tish Shute: No. They all stood in the line for the same day registration!

Bruce Sterling: It ‘ll be interesting to see what transpires there, if there is a little wave of startup action.  God knows they need some place to put their money, because the VC scene in the US is pretty much moribund.

Tish Shute: Ogmento is the first US AR Games startup to get VC, I think.  I think there was some VC action at are2010 for sure.  And Qualcomm obviously seems to have commercialization plans for their AR technology, and to be scouting talent  and ways to deliver new AR experiences.

Jay Wright, Qualcomm presents Joe Dunn, e23 Games, winner of the are2010 StartUp Launch Pad with a check

Bruce Sterling:  Some  people don’t need venture capital.  I mean, Google Goggles isn’t going to be hurting for VC money, obviously [ see Chris Cameron’s RWW post, Google Goggles Coming Soon to iPhone] .  AR may come up through other methods, like people allying themselves with Hollywood, or peeling off of advertising companies.   There’s a lot of outfits who might conceivably want in-house AR skills.  Then when people set up a specialty AR shop,  they  peel off the list of clients.  I don’t know.  Those old days  of Silicon Valley venture capital seem like a lost world.

Tish Shute: Yes.  I, again, didn’t see anything really of the business tracks and production tracks.  Did you get back and forth between the tracks?

Bruce Sterling:  I went to the Hollywood tracks.  I mean, to the extent that I could.

Is Hollywood stirring? Who’s going to have the first breakout AR property?

Tish Shute: So what did you see from…Is Hollywood stirring?  Is it waking up?  I mean I know Kent Demaine, Oooii,  and Brad Foxhoven, Ogmento, spoke about the Hollywood AR scene.

Bruce Sterling:  There were guys there from LA who were sort of saying, look…they are aware of us, but they just want AR to promote their properties to some particular niche.  They realize that AR is potentially a mass medium and that you could do some real AR entertainment.  So they were batting around some ideas as to where that might happen.  Like, could it come out of a console gaming scene?  Who’s going to have the first breakout AR property?  A popular hit AR property, as opposed to like a neat way to sell shoes, or whatever.   Really, anybody’s guess is as good as theirs or mine.  But at least they were actively guessing.

Tish Shute: I know the breaking the fourth wall discussion has been going on for a while and now the question is, whether AR is going to take down the fourth wall and bring interactive storytelling into the mainstream.  Did you hear any of that?

Bruce Sterling:  Well, I always shy away from discussions of that kind because I don’t think there’s any “final thing.”  Practically everything that AR is involved in right now is  a transitional technology. Also, because I am a storyteller, I get alarmed whenever people in technology start saying, “Oh well, it’s all about telling stories.”  Because obviously it isn’t.

People can tell stories perfectly well orally, and absolutely nobody does that.  AR is not at all about telling stories.  It’s about a great many other things, such as user bases, niche audiences,  media saturation, urban informatics,  convergence culture, and the language of digital media.   I could list these factors until the world looks level. It’s really becoming pretty chaotic.  As I was saying in my speech, AR companies are media startups who almost never use the old-fashioned word “media.”

Tish Shute: Oh, that’s interesting.  Yes.  So why do you think that has happened that way?

Bruce Sterling:  Well, it’s because they are trying to do a different thing than media does.  I mean, they are trying to “augment reality.”  They don’t want you to know that you are using a medium.  They don’t want you to realize that you’re watching computer animation overlaid on some video acquisition stream.  That would defeat the whole point of AR.  It’s entirely different from an analog medium like television, where you turn on the television and there’s a constant stream of station identification alerts.   That’s like: “Don’t touch that dial!  You’re on channel 13!  Stay with us!”  Then it’s like, “And now a few words from our friendly sponsors!”  That medium was engineered to keep your eyeballs locked to a single stream that they’re feeding you.

In AR, it’s much more participative, more geolocative.  I’m not particularly interested in station-identification branding from my AR provider. What I really want to see is the interactivity of the augments they’re bringing to me.  It’s like  FlickR, the photo sharing site. You don’t have any TV-style splash page for FlickR.  “Hi! We’re FlickR! FlickR, bringing your photos to you!” No, FlickR is all about “you, you, you,” your photos, your tags, your friends, your activity around you.   It’s immediately trying to be very participative.

Tish Shute: Will Wright got to that point, didn’t he. He was trying to move us into an idea of blended reality. That the game is about the world, not about the dragons or the overlays per se.

Bruce Sterling: Right. I think that’s true. But see, the world isn’t a medium. A medium is something like this interview,  where I’m connecting to you and there’s a video Skype channel between us.  Whereas AR is more about spatial 3-D,  about 3-dimensional impositions.  Pieces of media: sound, vision, information visualization, tags, floating tags, air tags, icons, arrows, warning signs, warning sounds, tactility, whatever, being brought into the environment around us.

That’s why it’s properly called “augmented reality” instead of just augmented media.   If you call your work “augmented media,” you’re really in trouble. Because if it’s all about augmenting somebody else’s media, why doesn’t that medium just buy you, and augment their own selves?    If you think that way, instead of augmenting the world, you’ll just be a modest little plug-in for old-school media.

The World as the Platform

Blaise Aguera y Arcas, Microsoft, Santa Clara, are2010, photo from Chris Cameron’s Flickr stream

Tish Shute: Yes, which is why Blaise so generously gave the technical underpinning  for augmenting reality in his tech talk – about the trellis and the grapes,  he really explained how the world can become a platform for augmented reality.

Bruce Sterling: I wish I could have seen that. I did not see Blaise’s speech.

Tish Shute: We’re going to put the videos up in better quality.  People in the front row have put it up on the web already.  He really went into some of the challenges of mapping for augmented reality.

Bruce Sterling: His visual-mapping technique is important.  Registration is super important for AR.

Tish Shute: I think it was a really generous talk actually because he went step by step on how we will do this.

Bruce Sterling: I rather imagine that Microsoft has patented those steps.

Tish Shute: Oh, yes, I guess so!

Bruce Sterling: I could be wrong. Maybe they’ll open-source it. You never know.

Tish Shute: You never know. Because the world as a platform isn’t something one company can own, or go it on their own to exploit.

Bruce Sterling: I expect there to be a thorny path, but sometimes I’m surprised. Sometimes people really do try to fertilize the tech field in the hope of getting a good corn crop before they start fighting.

Tish Shute: We’ll I keep hearing that we may even see the unlikely marriage of Apple and Microsoft  – maybe wishful thinking, but there are motivations beyond AR for this unlikely match, and certainly between them these titans have what it takes to realize the grand visions of AR ? [laughs] But who knows…

Bruce Sterling: Well, yeah, it depends on where the thing catches fire.

Tish Shute: Yes. You mean whether AR catches fire in the form of  AR and mapping..

Bruce Sterling: It’s hard to say, but I’m convinced now that there’s more going on than I once thought. I thought that Bruno Uzzan made a very good speech for his company when he talked about how he worked on AR for eleven years.  Eleven years is no flash in the pan.   He has his long list of clients and successful applications. I thought he was right in his impatience with the press for not catching on. It’s gone on for quite awhile. The mere fact that you’re not aware of it, doesn’t mean it doesn’t exist.

The Illusive AR eyewear

My are2010co-chair, Ori Inbar, CEO and co-founder of the hottest new AR game development start-up, Ogmento, donning his goggles to open are2010 – picture from Chris Cameron’s Flickr stream

Tish Shute: Yes. So, the other theme you brought up in your opening keynote and I would be interested to know if anything you saw at are2010 changed your view is the illusive AR eyewear, and  if we actually got AR Goggles that worked they would bring AR’s gothic sister, VR, back from the grave right? [laughs]

Bruce Sterling: Right.

Tish Shute: It took quite a lot of work, but we pulled together a six-company HMD panel, right?

Bruce Sterling: Yeah. I was impressed to see so many of them there.  And I was chagrined to see how prototype-like all their gadgets were. But that doesn’t surprise me, because if any of those head-mounts were remotely working, they would be hyped out the wazoo. Everybody’s been waiting for them and hoping for the best. They’re obviously not ready for prime time. [laughs] Maybe in certain limited applications. Like maybe a diving mask. [laughs]

Tish Shute: No, I think what was nice though they got inspired and they all got together on the last day. I saw them having a meeting about standards. They got inspired to actually work together.

Bruce Sterling: Yeah, well, unless they’re going to invent mechanical eyeballs that those machines can fit onto, it’s going to be tough. OK, I’m a skeptic, but I’m prepared to be surprised. I’m also a skeptic in Artificial Intelligence, but as soon as they bring me an AI that can write a decent novel, I’m going to get it and review that book. [laughs]

Tish Shute: It’s interesting. Re AI, I’m totally in agreement with you. In terms of the way computers turned out, it wasn’t AI per se that they turned out to be good for, not in the way everyone had dreamed of it, rather it was the harvesting of human intelligence that turned out to be the big thing. But what is interesting is that despite all of that, AI or machine learning, as it is now called, permeates our whole society now from the stock market to how many businesses make many of their decisions.

Bruce Sterling: Well, there’s a lot of so-called collective intelligence.  But Marvin Minsky-style hard AI, no way. Alan Turing-style AI, forget about that.

Tish Shute: Yeah. So, that’s an interesting comparison with the HMDs.

Bruce Sterling: People stretch the definitions.  It’s like, well, my car engine is Artificial Intelligence. Yeah, so is your wall transistor. No, I don’t really think so.

And AR is a similarly big tent. I mean, Uzzan had to admit that he had denied that AR was AR, unless it was using his favorite technology. And he felt embarrassed to be rubbing shoulders with people who put AR into cell phones. And I can understand his feeling there, because, gee whiz, that’s certainly not what AR pioneers had in mind. But he had to admit he’d become more ecumenical about it. Obviously, they’re  there and doing business like gangbusters. You can’t very well ignore success, right?

I had a similar feeling about the goggles. Obviously, the goggles would be great, should they work. But if they did work, I rather think virtual reality would come very strongly to the fore.  You’d see people doing all kinds of elaborate immersive-style stuff.   A truly immersive technology doesn’t need to “augment” much of anything.

Tish Shute: Yeah, you’re right.

Social Augmented Experiences

Bruce Sterling: I think many of the most interesting AI aspects are not personal in the way goggles are.  They’re not about guys walking around with personal tech. They’re about big, communal, social-media experiences, like stage shows, and urban informatics, things where large numbers of people can interact with the same augmented reality. The projection mapping, which I go on and on about. Augmented public spectacles.

Tish Shute: Yeah, projection’s our best example of a social augmented experience right now because we are yet to have an easy way to do networked social augmented experiences easily – but that is of course the thrust of my interest in ARWave [see the slides for my presentation, AR Wave:  Federation, Game Dynamics, Semantic Search, Mobile Social Communications here].

Bruce Sterling: I think of Edison’s early days, when he wanted to sell movies to people for a nickel a clip.  You had to bend over and put your eyes on this visor and turn this crank. That coin-op device was easy for Edison to monetize, as opposed to getting a bunch of people to sit in theater seats. But people laugh at movies when they’re together in the seats.   Cinema is a more social, involving experience in a crowd situation.

Tish Shute: But it started with them, didn’t it, Hollywood – the movie biz? Basically Nickelodeons, right?

Bruce Sterling: That’s right. They were Nickelodeons. They were a lot like the goggles because they isolated the user.

Tish Shute: Yeah, that’s a really important point that the goggles are not Nirvana because of this question of whether they actually detract from the social augmented experience and blended realities, by drawing us into VR experiences?

Bruce Sterling: I’m tempted to claim that they’re more a VR technology than an AR technology.

Tish Shute: That’s a very interesting point because…

[thunder]

Tish Shute: Wow! What was that?

Bruce Sterling: Thunder storm.

Tish Shute: Oh, my God, how very Gothic! [laughs]

Bruce Sterling: It can get pretty loud up here in the mountains.

Tish Shute: Oh, you live in the mountains, better still!

Bruce Sterling:  Torino is in the foothills. This is Piemonte. So the Apennines are over there. The Alps are over here. We do get some rather spectacularly unstable weather.

Tish Shute: It sounded like a bomb to my NYC ears. [laughs]

Bruce Sterling: Yeah, it didn’t hit the building, but it was maybe half a kilometer away. I saw the flash.

Tish Shute: Oh, you did?   Well, I hope you don’t lose your power midstream here.    I was really happy to hear of that connection between Rudy Rucker and Layar  [Rudy was touched when Maarten Lens-FizgGerald from Layar said that he met the Layar co-founder at a Rudy Rucker lecture].

Bruce Sterling: That was very fun, yes.

Tish Shute: Wasn’t that wonderful? What was that experience like going around the conference with Rudy?

Bruce Sterling: Well, you know, Rudy’s very into graphics. He’s a mathematician, so he understands the underpinnings of this stuff. But he’s a skeptic. He thinks they’re kid toys. He’s not a gamer. He’s a good old-fashioned computer-science hacker. So he wanted to tell me all about his new eighth-order, fifth-dimensional fractals. He showed me a great many of them. They’re psychedelic. Rudy’s fractals are considerably trippier than most apps that help you find a barber or a train station. [laughs] Rudy really is a visionary. He’s into some very weird stuff.

Gamer Guys at are2010

Brad Foxhoven, Chief Marketing Officer, Co-Founder, Ogmento at are2010

Tish Shute: At are2010 there was a lot of discussion about how game dynamics and AR are going to intersect, right? Anything that you saw of interest there?

Bruce Sterling: Well, obviously, there are gamer guys there. Ori’s a gamer. The gamer guys are getting some money. The big buzz right now in gaming is, of course, social gaming.  Farmville has kicked everybody’s ass because it’s not even a game and yet it has more users than the entire gaming industry.

Tish Shute: I know, right! [laughs]

Bruce Sterling: Obviously that’s kind of humiliating. For a long time, I’ve seen people trying to do giant multiuser games on cell phones. It’s difficult to do because the interface on cell phones is crap, right? People aren’t going to run around responding to SMSs.

I can imagine people running around with little Wii-style bats that have audio and visuals on them. It makes a very large native AR game seem more plausible.

Tish Shute: Yes. that would be cool!

Bruce Sterling: Again, it’s not very gamelike to use those little fiduciary markers.

Tish Shute: No.

Bruce Sterling: Moving little cardboard chips, around like with card games…. It would be pretty easy to set up a little AR chess game.  Star Trek style hologram chess pieces,  and so forth. But it’s just cumbersome.

Tish Shute: And also, from what we’ve seen from things like Foursquare, the proximity based social gaming doesn’t have to offer very much [a crown badge, a mayorship] to get some mind share.. the social is the primary game dynamic…

Bruce Sterling:  I’ve seen a lot of different philosophies of gaming over the years. Who’s to say that Second Life doesn’t have the best idea? They built a little scene and then slammed their gate shut behind them.  But at least they’ve got a really nicely-paying little cult stuck in there. It’s different. And it’s manageable and it’s really theirs, theirs, theirs.  They don’t have to call in outside experts to try and run the monster.   They haven’t blown it up to the scale of Yahoo! where they’ve lost control of the enterprise, and gone into a tailspin of management overhead. Second Life has a very intense, almost a cultish atmosphere among the player-slash-developers.

Tish Shute: One thing that helped them was the thing they were always criticized, that the barrier of entry was so high. But once they got people they never left, right?

Bruce Sterling:  That’s not a bug, that’s a feature.

Tish Shute: One of the best features!

Bruce Sterling: Yeah, it’s like being in Mensa. Why don’t you lower your barriers to entry and get in some interesting stupid people?

Tish Shute: [laughs]

Bruce Sterling: In Mensa, we’d rather sit here making puns about neutrinos and fourth-order quadratic equations. [laughs] OK, that’s a business model, if that’s what you want.

The Man With the X-Ray Eyes!

Jesse Schell’s during his keynote, “Seeing,” at are2010, picture from Chris Cameron’s Flickr stream

Tish Shute: Ok!  Now to unpack the man with the x-ray eyes idea, Jesse Schell’s keynote theme.  This is a root metaphor for AR – making the invisible visible, seeing through walls. To me. I think you kind of wrote the book on this because all my ideas on what radical transparency might be come from you – your idea of Amazon.org is key to how I understand this..

Bruce Sterling: Oh, really? That’s funny.   I was touched that Jesse brought up that famous Corman film, because I was a judge in a fantasy film conference in Trieste earlier this year.  And Roger Corman was there.  He was the guest of honor.   “X: the Man with the X-ray Eyes” was one of the films shown during the conference, and I saw it.  I even had dinner with Roger Corman.  I had never met him before, so that was quite amusing.  The difficulty with a film of that kind is that what we science fiction writers call a “House of Cards Ending.”  In that story structure,  you ramp the thing up until the protagonist sees God, and then he has to be destroyed by the falling pillars of the temple.  That’s a classic science fiction structure:  like Frankenstein.  For the sake of the drama, Corman evades the issue of what’s really going on. For instance, let’s just suppose “the Man with the X-ray eyes” is not in fact a psychopath.  Let’s say he gets a grant from the Department of Health and Human Services, and he acts like a real scientist, not a stock B-movie “mad scientist.” So he has, like, backup guys, and some placebos, and a large group of people to test it on, trusted colleagues, and so forth.  You wouldn’t get any of that movie’s wild activity out of that.  What you would get is like a 5% improvement to people’s vision.

Then, in a year, there would be a 10% improvement in people’s vision.  There would be a  classic industrial story.  A rising star, you know, a cash cow.   Real tech isn’t done by a single guy as a divine curse.  It’s created by classic  tech startup culture.  So a runaway technology really behaves in the way that personal computers do.

Tish Shute: The things that get me all Utopian and happy about this are the ideas like those you first outlined with the notion of Amazon.org.

Bruce Sterling:  It would be easy to do an entirely different kind of film than “Man with the X-ray Eyes.”  Something much less B movie,  much less pat.  I mean, at the end of the film,  he destroys his own hardware and blinds himself.  Why?  For what rational reason would he do that?  Why doesn’t anybody else know the big secret of what he’s doing?  Why aren’t there Koreans doing it?  Why aren’t there Austrians doing it?  Why aren’t there Italians doing it?  Why?  AR doesn’t behave like that.  It’s not one lone guy with magic eye drops.  It’s entire teams of people that have been working on stuff for 17 years.  They all approach it in different ways.

Now, they are going to get scandals in AR.  I can guarantee you that.  They are going to get into  hot water eventually.  At least some people will surely come out and accuse them of being Roger Corman B movie monsters.  But unless they accidentally discover atomic fission or destroy the Gulf of Mexico with an oil spill [laughs], I don’t think they’re going to be particularly badly off!   The trouble I imagine  for AR people is very typical new media trouble.  It’s like movies being accused of corrupting our morals, or comic books being accused of leading to violence, or Google being accused of making us stupid and warping our brains.

I’m not an alarmist in that sense, but at least I’m concerned about real threats.  Roger Corman is a B-movie director who’s trying to sew up his lost plot ends by destroying his hero and his hardware. That’s not very plausible. It’s a nice science fiction movie device, but technology isn’t a movie.

Tish Shute: Yes. Well, the other thing that you always remind us of with AR is not to be saying it’s going to be this glorious moment when it’s no longer gimmickey, no longer pop culture. You always emphasize that’s actually part of what’s good about it.

Bruce Sterling: It’s not an accident that practically everybody in that audience knew about Roger Corman.  Nobody looked surprised; not the Austrians, not the Koreans. They were all like: “Oh, yes! Roger Corman!  Love him!”

Tish Shute: There were so many Rudy Rucker fans. Were you watching Twitter? People like Eric Gradman were succumbing to fanboyz moments..

Bruce Sterling: “Yeah. Rudy Rucker, he’s the best.”

“Rudy Rucker gripping an Augmented Reality shoe” from brucesflickr

Tish Shute: [laughs]  I noticed you inspired him to join Twitter..

Bruce Sterling: Well, I’ve got 8,000 followers and, obviously, a lot of them are Rudy’s fans.  Of course he’s going to be gang-rushed on Twitter. That’s not really any more surprising than two motorcycle stunt guys at the same attraction. And I’m a big fan of his Rudy’s blog.   He’s always got interesting things to say.

Tish Shute: Yes. AR does seem to bring out some of the coolest smartest people!  This morning I had breakfast with Joshua Kauffman in Central Park.  He is an advisor and entrepreneur working on design in the public sphere.  I was feeling rather brain dead and jet lagged.  I told Joshua I was wondering how to get the cottonwool out of my brains for this interview and he suggested,  the All Souls College one-word question interview!  Have you ever heard of that? – although apparently they recently scrapped it.

Bruce Sterling: Well, I’ve heard of All Souls College there in Oxford. What was their interview question?

Tish Shute: They used to use only one word, so they would only give you one word. It’s not a question. Basically, they throw out the word and then you had to spin off from there.

Bruce Sterling: You’re supposed to free-associate on a single word?

Tish Shute: I guess so. I hadn’t heard about it, but Joshua suggested it.

Bruce Sterling:  Well, it’s possible..

Tish Shute: Joshua came up with some good words..

Bruce Sterling: Right.

Tish Shute: We were talking about these proximity-based social work networks like Foursquare and Gowalla and how they may influence the emergence of social augmented experiences.

So Joshua’s suggestion for the first word was “territorialization” e.g. how do these new mobile social experiences like Foursquare,  and the observation that actually rather than breaking down territorialization, which would be a good thing, tend to support territorialization…but perhaps new forms of territorialization?

Bruce Sterling: Yeah, they’re re-intensifying it in a very odd, electronic fashion.

Tish Shute: Yes.

Bruce Sterling: I have noticed that.  It’s not true of stuff like projection mapping or the webcam fiduciary display stuff. But with the handheld stuff, and especially the urban informatic stuff, it really can’t help but take on a local flavor. Layar is like “Augmented Dutch Reality.”

And TonchiDot really is “Augmented Japanese Reality.” It’s hard to imagine a Layar interface going gangbusters at Tokyo.  Whereas the TonchiDot interface, which is very clearly influenced by Anime and cartoon graphics…. Maybe it could find some niche of hipsters in Amsterdam hash bars…

…to be continued in Part 2

Above is an image above  from Total Immersion’s augmented reality experience developed for the “Networked City” exhibition in South Korea, – “a fun scenario created for a u-City’s infrastructure and city management service”

“To the naked eye, the exhibit looks like a bare bones model of a city. But when visitors put on the special AR goggles a whole new world unfolds – as graphics overlaid on the city model.” (Games Alfresco)

“The Networked City,” is a large scale augmented virtuality of a scenario for a networked city. But my guess, reading the     Korea IT Times, is the plan is to move from an augmented virtuality to an augmented reality as Incheon Free Economic Zone  (IFEZ) realizes its vision to become a leading u-City – where reality is turned “inside out” (see Inside Out: Interaction Design for Augmented Reality ).  If you are not familiar with South Korea’s u-Cities, check out this post for a short primer (and note Google Trends search on Augmented Reality shows  South Korea leaving everyone else in the dust).

Ubiquitous computing and augmented reality are like adenine and thymine – a DNA base pair.

A sky view of Incheon Free Economic Zone (from Korean IT Times). For more on the IFEZ vision to become a leading u-City see here.

Korea IT Times writes about the u-city concept:

“Korea began using the term u-City after accepting the concept of ubiquitous computing, a post-desktop model of human-computer interaction created by Mark Weiser, the chief technologist of the Xerox Palo Alto Research Center in California, in 1998. There have been a lot of research in this field since 2002. As a result, many local governments in Korea have applied this concept to various development projects since 2005 based on a practical approach to it.”

The back story to many of my recent posts, including this one, is an understanding of a relationship between ubiquitous computing and augmented reality that emerged, for me, in a February conversation with Adam Greenfield, Towards a Newer Urbanism: Talking Cities, Networks, and Publics with Adam Greenfield.  In cased you missed it, here is the link again because I think it holds up very well considering the rapid developments of recent months.  Also, importantly for this post, it includes a discussion of  moving on from Weiserian visions.

Adam Greenfield’s Speedbird is one of my key sources for understanding “networked urbanism,” and the list he makes of the elements of networked urbanism here (also see the comments) – is my mantra for thinking about the DNA base pair relationship of augmented reality and ubiquitous computing.

Adam Greenfield’s, “summary of what those of us who are thinking, writing and speaking about networked urbanism seem to be seeing” is:

1. From latent to explicit; 2. From browse to search; 3. From held to shared; 4. From expiring to persistent; 5. From deferred to real-time; 6. From passive to interactive; 7. From component to resource; 8. From constant to variable; 9. From wayfinding to wayshowing; 10. From object to service; 11. From vehicle to mobility; 12. From community to social network; 13. From ownership to use; 14. From consumer to constituent.

Augmented Reality – Making Visible the Invisible

The screenshot above is one of  the coolest “making visible the invisible” AR applications. It was developed at Columbia University Graphics and User Interface Lab where Steven Feiner is Director (see the deep list of projects from the lab here).  This app “shows carbon monoxide levels projected over New York City. The height of each ball reflects concentrations of the pollutant.” Credit: Sean White and Steven Feiner  (via Technology Review).

The recent emergence of “magic lens” augmented reality apps for our smart phones – Wikitude, Layar, Acrossair, Sekai Camera, and many others now, have given us a new window into our cities. But we are yet to realize the full potential of the AR/ubicomp base pair that can “make visible the invisible” and give us new opportunities to relate to the invisible data ecosystems of our cities, not merely as a spectator experience,  but as an interactive, in context, real time opportunity to reimagine social relations.

Mark Shepard says in his curatorial statement for, “Toward the Sentient City:” (Much more soon on this very significant exhibit which runs from Sept. 17th to Nov. 7th, 2009.)

“In place of natural weather systems, however, today we find the dataclouds of 21st century urban space increasingly shaping our experience of this city and the choices we make there.”

Augmented Reality, as Joe Lamantia points out, is becoming the great “ambassador of ubiqitous computing.” AR is. “…mak[ing] it possible to experience the new world of ubiquitous computing by reifying the digital layer that permeates our inside-out world,” and we are only just glimpsing the razor thin end of the wedge in this regard.

I am still working on my Gov 2.0 Summit write up  and, amongst other things, I will talk about how an emerging new social contract around open data, here in the US,  will put augmented reality  apps center stage  – “doing stuff that matters.” At Gov 2.0 Expo Showcase Tim O’Reilly tweeted:

Tim O’Reilly Really enjoyed @capttaco (Digital Arch Design) @ #gov20e: “Augmented Reality could be a new public infrastructure” http://bit.ly/18iCx

Also see Tim O’Reilly and Jennifer Pahlka on Forbes.com discuss the The “Web Squared” Era -  “the Web Squared era is an era of augmented reality arriving (like the sensor revolution) stealthily, in more pedestrian clothes than we expected.… …our world will have “information shadows.” Augmented reality amounts to information shadows made visible.”

Again there is back story to how I came to think about Information Shadows in relation to augmented reality.  So in case your missed it the first time, here is the link to a conversation that began in a hallway meeting between Tim O’Reilly, Mike Kuniavsky, ThingM, Usman Haque, Pachube, and Gavin Starks, AMEE, at ETech earlier this year,  “Dematerializing the World, Shadows, Subscriptions and Things as Services: Talking With Mike Kuniavsky at ETech 2009.”

Slide from Augmented City Lab @ Picnic ’09

So What’s Next for Mobile Augmented Reality?

These videos from Daniel Wagner’s team from Graz University of Technology showing Realtime Panorama Mapping and Tracking on Mobile Phones and Creating an Indoor Panorama in Realtime, as Rouli from Games Alfresco points out,  indicate that there is a lot in store for us at ISMAR09.

We may not be so impressed by directory style/”post it” AR anymore, as these applications have become common place so quickly!  But while these early mobile AR apps may be disappointing in relation to some futurist visions of AR – merely AR/ubicomp appetizers,  there are still good implementations of this model coming out (see new comers to the app store Bionic Eye and RobotVision). And Layar, always on the ball, has upped the ante for the new cohort of AR Browsers with Layar 3D.

But as Bruce Sterling notes here:

*In AR, everybody wants to be the platform and the browser, and nobody wants to be the boring old geolocative database. Look how Tim [creator of RobotVision] here, who is like one guy working on his weekends, can boldly fold-in the multi-billion dollar, multi-million user empires of Apple iPhone, Microsoft Bing, Flickr, and Twitter, all under his right thumb

(watch video here)

But if  you looking for something more from AR, you probably won’t have to wait too long.  The two pioneering companies in AR, Total Immersion – founded in 1999, and Metaio – founded in 2003 are both coming out with “mobile augmented reality platforms” in a matter of weeks (see press releases here and here).  And both companies, it seems, will deploy much more sophisticated AR rendering and tracking than we have seen to date.

I approached Bruno Uzzan, founder and CEO of Total Immersion, for an interview as part of my look at the new industry of augmented reality through the eyes of the founding members of the AR Consortium. These consortium members are some of the first commercial augmented reality companies.

The interview below with Bruno began early this summer and then we both went on vacation and it picks up after the announcement of the partnership between Total Immersion and Int13.

The significance of this announcement is that Total Immersion is now positioned to take the augmented reality experiences they have developed for a number of top brands onto multiple mobile platforms with, “Int13′s very clever embedded solution that allows our [Total Immersion's] solutions to work across many [mobile] platforms,” while Int13 gets to extend their reach.

Total Immersion has a 50 person R&D team and their two main focuses have been, firstly getting:

“Augmented Reality to work with as many platforms as possible – PC, Mac, Mobile, Game Consoles, all those are the platforms that we are targeting. We are currently doing lot of work in the R & D team in cross platform compatibility….”

and, secondly:

“Our R&D guys are working on the real world interacting more with the virtual world.  And I have started seeing some results which are pretty much crazy and this will be ready for next year.”

Pandora’s Box – Shared Augmented Realities

Spes or “Hope”; engraving by Sebald Beham, German c1540 (see Wikipedia article on Pandora’s Box)

There are many weaknesses to the mobile smart phone AR experiences we have now, and the lack of near field object recognition (to date), and difficulties with accurate positioning aren’t the only ones.  Note re solving positioning problems in mobile AR, we are yet to see AR  leverage public libraries for analyzing scenes like Flickr’s geo tagged photos, see Aaron Straup Copes’s work on “The Shape of Alpha.” And for more on this my post here.

But, as Joe Lamantia points out:

“One of the weakest aspects of the existing interaction patterns for augmented reality is their reliance on single-person, socially disconnected user experiences.”

In my view, The Pandora’s Box of Augmented Realities is an open, distributed, multiuser augmented reality framework, fully integrated with the internet and world wide web.

As Yochai Benkler has pointed out many times, and argues again in, Capital, Power, and the Next Step in Decentralization, it is “open, collaborative, distributed practices that have been at the core of what made the Internet.”  We have to try to make sure that open, collaborative, distributed practices are at the core of mobile augmented reality.

Can Google Wave be the basis for an Open, Distributed, Multiuser Augmented Reality Framework?

I have been exploring the idea of using Google Wave protocol as the basis for a distributed, multiuser open augmented reality framework with a small group of AR enthusiasts and developers. And I am happy to say the proposal is beginning to get fleshed out a little.  New collaborators are welcome both for “gear heady” input and use case suggestions (but re the latter, you can’t just say everything you see in Denno Coil..!).

This effort started with Thomas Wrobel’s  proposal for an Open AR Framework prototyped on IRC – see here, and click to enlarge the image above of, “Sky Writer: Basic Concept for an Open Multi-source AR Framework.”

But recently we began looking at the Wave Federation Protocol.  And, if you check out this post, and this post, you may get a glimpse of why Google Wave protocol might be a good basis for an open, distributed, AR Framework.  You will notice, if you study what Google Wave has done with the XMPP protocol, that many of  the elements of networked urbanism that Adam Greenfield describes resonate strongly with what is being attempted in Wave.

But enough said for now!  Regardless of the details of implementation,  Google Wave or an AR protocol built from scratch (phew! the latter does seem like a lot of work) -  an open, distributed, multiuser AR framework integrated with the internet and web would explode the potential of AR, creating new possibilities for data flows, mashups ,and shared augmented realities.

And we are excited by Google Wave because, as Thomas puts it:

“The really great thing wave does ….(aside from being an open standard backed by a major player…hopefully leading to thousands of worldwide servers )….is that it allows anyone to create any number of waves, set precisely who can view or edit them, and for them to be able to be updated quickly and continuously (and even simultaneously!) Better yet, changes will (if necessary) propagate to all the other servers sharing that wave. It does all this right now. From my eyes this does a lot of the work of an AR infrastructure already.

I cant see any other protocol actually doing anything like this at the moment, although correct me if I’m wrong, as alternatives are always welcome :)”

Also, Thomas notes, “even the playback system (that is, the ability to playback the changes made to a wave since its creation) …this could give us automatically some of the ideas Jeremy Hight has mentioned in his visionary work here,  and here on “the geo spatial web, interlinked locations and data, immersive augmentation and open source geo augmentation.”

One of the many reasons why an Open, distributed AR Framework would be so cool is it would open up all kinds of possibilities for GeoAR by providing the over-arching standard protocol for communication of updates necessary for the substandards that will facilitate GeoAR.

Also important to note is the  Wave Federation Protocol allows anyone:

“to run wave servers and become wave providers, for themselves, or as services for their users, and to “federate” waves, that is, to share waves with each other and with Google Wave. – “the federation gateway and a federation proxy and is based on open extension to XMPP core [RFC3920] protocol to allow near real-time communication between two wave servers.” See Reuven Cohen’s blog for more here and here, “HTTP is Dead, Long Live the Real Time Cloud.”

Still some people have expressed concern that an AR Framework using Google Wave protocol would give Google disproportionate influence.   Will Google-specific functionality be an issue?  How much stuff is Google specific just because no one else is using it (yet)? And how much is Google specific because it holds no value to anyone else but Google? These are some of the questions that have come up.

You are going to see a variety of suggestions for standards and specs for open AR coming out out in the next few months which as, Robert Rice of the AR Consortium points out is: “a good thing, we need that competition early on to settle down on best case.” Recently,  Mobilizy have offered up an ARML (“an augmented reality mark-up language specification based on the OpenGIS® KML Encoding Standard (OGC KML) with extensions”) for consideration see here.

So it is, perhaps, also important to note, that an Open AR Framework should be neutral/transparent to techniques of  “reality recognition,”  and methodologies of registration/tracking, allowing various ones to work on the system as new techniques evolve, and to support as many evolving standards as possible.

Augmented Reality developers, like Total Immersion and others with powerful rendering/tracking AR software, should be able use an Open AR Framework to exchange the data which their tracking will use. And the tracking/rendering problems they and other researchers have solved are much harder than figuring out data exchange on on a standard infrastructure or protocol!

So I pricked up my ears when I heard Bruno Uzzan, CEO of Total Immersion -  the first and currently the largest augmented reality company, with a 50 person R&D team in France and offices in LA, where Bruno himself is now based, say: “Total Immersion is  only months away from launching shared mobile augmented reality experiences using near field object recognition/tracking across multiple platforms” (for more details read my conversation with Bruno Uzzan below).

I was happy when I asked Bruno about the possibilities for developing an open, distributed, multiuser augmented reality framework fully integrated with the internet and world wide web (possibly using Google Wave protocols), and he replied:

“I think this is feasible. I think that’s doable, that’s just  in my opinion. I mean some people might have another kind of opinion but I think that that’s definitely doable.”

Total Immersion – working with the “symbiosis between augmented reality and brands”

Total Immersion has created many of the best known and most ambitious augmented reality experiences for major brands to date, including Mattel’s new AR toys to be released in conjunction with the James Cameron film Avatar, and AR baseball cards for Topps, video here (or click screenshot above), and the UK’s first augmented reality books.

Bruno founded Total Immersion 10 years ago when he was just 27. And the kind of conviction it took to survive as an augmented reality business in the decade before augmented reality captured the world’s attention is remarkable.

AR’s first steps out into the world after 17 years as predominantly a lab science maybe “wobbly” (what new technology isn’t), and sometimes gloriously kitsch – check out this riotus video of the 3D Interactive Live Show Total Immersion produced in Korea (also see the Total Immersion Augmented Reality Blog for more on the TI’s turn key  Interactive 3D Live Show Solution).

As Lamantia points out here, ” projecting mixed realities into public, common, or social spaces makes them social by default.”

However, the potential for shared location based augmented reality experiences is as yet untapped.  So I see the entry of the most experienced commercial augmented reality company into mobile as pretty interesting.   While  smart phone AR still has significant limitations, and it certainly does differ from some of the futurist dreams of AR (see Mok Oh’s post here on his disappointment in this regard), it is significant that Total Immersion is committing to becoming a leader in mobile AR.

Our smart phones, the powerful networked sensor devices that so many people carry in their pockets, have proved themselves a “good enough for now”  mediating device for early manifestations of the ubiquitous computing and augmented reality base pair.  And now AR and ubicomp is mixed in the  rich, messy soup of everyday life, commerce, business, marketing, art, entertainment, and government, we should get ready to see these technologies grow up fast, and unfold in some surprising ways that lab science didn’t necessarily predict.

And, perhaps, the new dialogue between scientists and entrepreneurs may spur both communities to outdo themselves.

Particularly, as Joe Ludwig notes: “It seems to me that the biggest disconnect between the academics and the entrepreneurs is that they disagree on how far we are from the finish line.”

See the comments’s on Ori Inbar’s post, Augmented Reality Entrepreneurship: Natural Evolution or Intelligent Design?, for  a courteous but spirited discussion on the potential benefits and frictions of the newly expanded AR community of  researchers and  entrepreneurs.

As Blair MacIntyre (see my long conversation with Blair here) notes:

“not all academics and researchers are only interested in the traditional models of impact. Case in point: I wouldn’t be building unpublishable games, nor investing so much time talking to the press, entrepreneurs and VCs if I did not believe strongly in the value of the impact I am having by doing that — and I know others with the same attitude.”

In this vein, check out the Marble Game (video here) developed by Steve Feiner and his team at Columbia U. It’s enabled by Goblin XNA, an open source AR framework built on top of Microsoft’s XNA, which powers XBox live games, Zune games, and some Windows games. For more about Goblin XNA and AR from Columbia U see here.  (Hat tip to Brian Jepson for this link)

While we are still waiting for the kind of sexy AR specs – nothing totally game changing in Gigantico’s AR eyewear rounup (maybe note this Apple patent), that might get wide adoption. But at least researchers are not afraid to explore the possibilities of AR Goggles.

But how far are we now, with or without sexy goggles,  from a fuller expression of the base pair DNA of ubiquitous computing and augmented reality?

We may have a LAN of things before we have an Internet of Things

The picture above is a workshop I attended at Conflux last weekend – Fish ‘n microChips, with Natalie Jeremijenko. We are at the site of the Amphibious Architecture project (a commissioned work for Toward the Sentient City) and “a collaborative project with xClinic, The Living and other intelligent creatures.”

We are probably as far off some grand futurist visions of ubiquitious computing as we are some of the futurist visions of augmented reality. But as it turns out that may not be a bad thing! Recently, @mikekuniavsky noted in a tweet:

“Another argument for the LAN of Things before the Internet of Things: http://tinyurl.com/lgp9uq”

Bert Moore, in the article Mike linked to points out, the grand vision of an “internet of things” with everything connected to everything  can “distract people from thinking about the benefits of RFID in smaller, more easily implemented and cost-justified applications.”  The same argument I think applies to sensor networks and augmented reality.

In New York City, a series of commissioned works for the Architectural League of New York’s exhibit, “Toward the Sentient City” are giving us the opportunity to dip our toes into the ocean of a “networked urbanism.”   For only a small budget, two of the five commissioned works, Amphibeous Architecture and Natural Fuse demonstrate how sensor networks can allow us to explore new kinds of communities – connecting people to environments in interesting ways to create new forms of social agency.

“Amphibeous Architecture” -  from The Living Architecture Lab at Columbia University Graduate School of Architecture, Planning and Preservation (Directors David Benjamin and Soo-in Yang) and Natalie Jeremijenko, Environmental Health Clinic at New York University, uses a skillfully built (electronics and water are notoriously hard to mix) array of partially submerged sensors to pierce the blinding, reflective surfaces of the rivers  surrounding Manhattan and to create a new two way relationship with the ecosystem below – the water, our neighbors the fish and even a beaver that lives in the water surrounding Manhattan.

Image from Toward the Sentient City

In a similar spirit, “Natural Fuse” – Usman Haque, creative director, Nitipak ‘Dot’ Samsen, designer, Ai Hasegawa, designer, Cesar Harada, designer, Barbara Jasinowicz, producer, creates a network of people and electronically assisted plants to explore what it takes to work together on energy consumption and to experience the consequences of “selfish” and “unselfish” behavior interactively before it is too late to modify our actions.

The “Greedy Switch“ from Natural Fuse on the left. On the right “The System” – click to enlarge.

Much more to come in another post on these works, and “Toward the Sentient City.”  Also an update on how Pachube – an important part of both these projects and a very important contribution to ubiquitous computing because it creates the opportunity to connect environments and create mashups from diverse sensor data feeds – has matured since my interview with Pachube founder, Usman Haque, “Pachube, Patching the Planet,” in January this year.

In the picture above Natalie Jeremijenko, and Jonathan Laventhol give the Amphibious Architecture sensor array a last look over, as it will soon be lowered into the East River. Jonathan is on a busman’s holiday to help out at the pre launch of Amphibious Architecture, nr Manhattan Bridge, NYC.

I was very happy to get  a chance to talk to Jonathan Laventhol - more on our conversation in another post. Jonathan Laventhol is CTO of Imagination – one of the world’s leading design, events, and branding agencies. We talked about the importance of  Pachube, which Jonathan called the “The Facebook of Data,”  and  how the symbiosis between brands and augmented reality, and healthcare applications, would  be key to augmented reality emerging into the mainstream.

Natalie Jeremijenko’s workshop at Conflux on the social negotiation of technology and how “everyware” can give us the chance to experience new forms of agency and connection was a totally inspiring.  And I will cover this too in another post.  I have so much awesome stuff  to write about at the moment!

None of the projects in, “Toward the Sentient City,” included a mobile augmented reality, or “magic lens” component, but they all pointed to why “enchanted windows into our newly inside-out reality” are going to be so important. And why the DNA base pair of ubicomp and augmented reality can really do stuff that matters.

Shangri- La – “Transfigured City”

Screenshot from Shangri-La episode Transfigured City

In my AR Consortium founder member interview series, I have found that, understandably, the visionary founders of these first augmented reality companies are a little reticent about sharing their full vision.  They are basically on stealth mode in this regard.  So as you will not, from my interview with Total Immersion founder and CEO, Bruno Uzzan, get a fully drawn scenario of his vision for a next generation of shared augmented reality experiences, here’s a really interesting anime episode from the anime Shangri La called, Transfigured City, to mull over instead.

As you can tell from this rather long and circuitous intro to my my conversation with Bruno Uzzan, I  have been investigating shared augmented realities pretty intensively recently. And Mike Kuniavsky pointed me to Shangri-La, and Transfigured City, in a conversation with Mark Shepard, after Mark’s presentation at Conflux, Sentient City Survival Kit.

Mike Kuniavsky with Tod E. Kurt is founder of ThingM, a ubiquitous computing device studio. Also Mike Kuniavsky researches, designs and writes about people’s experiences at the intersection of technology and everyday life – see Mikes blog Orange Cone.  And I interviewed Mike at Etech- see here.

In Transfigured City, the “Metal Age” group has to figure out how to share and communicate in a city transfigured by augmented realities/virtualities, where no-one sees the same place in the same way.  Only one character can figure out from her previous experience of the city the relationship between the transfigured city and how it used to be.

The conversation I had with Mike Kuniavsky on The Transfigured City continued at a picnic in Washington Square Park the next day with Elizabeth Goodman, who I met at Etech when she gave a brilliant presentation, Designing for Urban Green Space.  We covered so many areas at the picnic related to ubiquitous computing and augmented realities that this conversation probably deserves a post of its own (my writing to do list is growing longer!).

The Plot Synopsis for Shangri La:

“In the mid-21st century, the international committee decided to forcefully reduce CO2 emission levels to mitigate the global warming crisis. As a result, the economic market was transferred mainly into the trade of carbon. A great earthquake destroys much of Japan, yet the carbon tax placed on the country is not lifted, so Tokyo is turned into the world’s largest “jungle-polis” that absorbs carbon dioxide. Project Atlas is commenced to plan the rebuilding of Tokyo and oversee the government organization, which the Metal Age group opposes due to its oppressive nature. However, Atlas is only built with enough room for 3,500,000 people and most people are not allowed to migrate into the city. The disparity between the elite within Atlas and the refugees living in the jungles outside of its walls set up the background of the story.”

Talking With Bruno Uzzan

Tish Shute: We won’t have fully opened the Pandora’s Box of Augmented Realities until we have ubiquitous, shared augmented realities, will we?

Bruno Uzzan: Yes. The most important for augmented reality is the experience we want to share. Now we are working on the cell phone, we can potentially do some marketing components that we already have developed now on cell phone. Done. It’s working.

But the most interesting part of it is how these new components [cell phone AR] will be used for marketing campaigns by brands. And we are also pretty much well positioned to transform some of the AR that we currently have working on Mac and PC and to transform these to applications working on mobile devices.

Tish Shute: We haven’t really experienced yet what it means to actually share mobile AR experiences?

Bruno Uzzan: It’s hard — we did a Facebook app. It’s a first try, it has a way to go.  But to go more and more into social, is the way forward for us – to share and expand AR experiences. But yes, I mean what you’re seeing is how two people on two different applications can share that same expanse.  For sure we are going in that direction. We are currently working on those kind of solutions. How people can share and experience together at the same time. That’s how we start creating excitement in augmented reality, and it’s coming up.

It’s a new market and there’s so much more in store for augmented reality. You know, some people are telling me, don’t you believe that augmented reality is a gimmick? It will be a trend for a few weeks or a few months and then gone? I say, you’re kidding me. This is only the beginning. I mean I can assure you that the applications that are on the market today are one percent of what we will have five years from now.

Tish Shute: I agree.

Bruno Uzzan: And I’m sure that augmented reality will be a part of a lot of components that we are currently using today – GPS, web browser, glasses, I mean there are so many applications that will come up shortly. This is only the beginning. I’m completely convinced that augmented reality will be in three years from now what virtual reality is today, which is a billion dollar market.  I know that it’s not just a gimmick of a few weeks or a few months, because so many brands are jumping into it, spending money, exploring solutions.  I know that it’s not just short term -what they are willing to do and we are willing to do, but also middle and long term. And that’s what makes this adventure pretty much unique and what makes creating a cutting edge technology, very, very much exciting for us.

Tish Shute: First could you explain more to me about your partnership with Int13. I am not sure I understand what is in the arrangement from Total Immersion’s POV. I mean what happens re your own mobile software development? Haven’t you only been licensed the Int13 SDK for a limited period of time and have limited access to all it’s power? Stephane from Int13 said to Ori on Games Alfresco, here, “we have licensed the SDK4 for two years,” and then Ori asks, “but you have basically kept the power to yourselves, right?” So if they are the only ones that can enhance it and develop the software, where will  TI be in two years in mobile if you haven’t really had the chance to develop your own software .

Bruno Uzzan: Actually it’s a real win-win situation. Int13 is a very small company and they have so many requests they can’t possibly fulfill them all. So  this is a way for both of us to be, as quickly as possible, the first mobile provider for all the requests we have. Also they give us exclusivity so nobody else can use INT13 SDK for such applications.  I think that it is a good partnership,

And concerning our own mobile application… First of all we have currently some mobile applications working. But with Int13 we have a mobile solution that can work on many different devices. That’s a fact and that’s working. And, believe me you will hear from us a lot more about this soon. We are fully independent on our mobile development. The reason we closed the partnership with Int 13 is  to be able to deploy mobile in a broad way.

I mean you know that the difficulty with AR mobile is that each separate device needs some customization. Working on the iPhone is different from working on the Nokia, different from working on the Palm; it’s different from working on the Samsung. Each of them have their own operating system inside and so we were interested in Int13′s very clever embedded solution that allows our solutions to work across many platforms.

The reason we are working with Int13 is that we are able to work on so many mobile devices, thanks to Int13. And in the mobile AR race that we are currently in, the next two years will be extremely important to us…

Tish Shute: OK, that definitely clarifies it a lot. So Int13 has done an embedded solution to allow TI developed AR solutions to work easily across many devices?

Bruno Uzzan: Yes  they have kind of an embedded solution, a way to address extremely quickly new cell phone… But, currently on our side, we are in discussions with a mobile company… and that only refers to some very specific mobile devices.  And what they have is also a way to embed deeper our technology into mobile, so that we can have quicker… applications that work on a large number of cell phones.

Tish Shute: So, basically it means you don’t have to go through some complicated negotiations with each of the cell phone companies, is what you are saying?

Bruno Uzzan: Not only negotiations, but also hard development. You know? Working on the Windows mobile is completely different from working on the Palm OS. You know, that’s different! Its a big work, to have a mobile application working on many other devices. So, INt13,  provides us a way for us to save some time and some development cost too.

Tish Shute: And Int13 doesn’t have powerful AR development tools like D’fusion right?

Bruno Uzzan: Right! That’s right. That’s why we say it’s a true win-win solution. They can benefit from our work too. And we can benefit from their work, in order to deploy quicker and faster mobile solutions.

Tish Shute: Now, the second thing is… there is a lot of debate and disagreement about how far mobile augmented reality is from delivering something more that the “post it” approach that has been much publicized in recent months, via all the AR browser apps.

But from my understanding from the conversation we had earlier this summer (see below), Total Immersion is targeting a much higher level of mobile augmented reality than we’ve seen to date?

Bruno: Yes the browser apps we have seen are a kind of augmented reality, but not exactly the way we see it. Let me explain you why. With this kind of application it’s true that you can overlay 3D-information and video. That’s a fact. So, in a sense, that’s augmented reality. But the way that they are working on the position of the 3D on that video is that they are using compass and GPS-information.. so it means that this AR solution will work only on some building and some physical objects that are FIXED. In a fixed and known position.

So you want to go to a theater?

The theater is here, for sure it will not move, so you know the position of the theater, and that’s a fact that you can superimpose an object on the theater. That’s what can be done currently. What we are achieving and what we are doing on mobile is more than that. We want to be able to port our solution with trading cards, with brands, into a smart phone.

I’m assuming that you want a can, a drink can, to be able to trigger an experience. The only way you can do it is to be able to understand what the can, it is. And the current solutions that are out there can’t do that, it’s impossible.

Tish Shute: Right, yes. There’s no near-field object at all in these early browser apps.

Bruno Uzzan: And the solution we have is that we can recognize a can and then — in a very, very precise way and that activates geo-location, so we can superimpose 3D. I mean in that case, it opens up all the applications that we currently have, so they could work on mobile.

Tish Shute: So for example, if you’re working with a soft drink company, people can trigger that experience wherever they see that can?

Bruno Uzzan: Correct.

Tish Shute: Yes. Yes, I assumed that was what you’re doing

Bruno Uzzan: We believe — and maybe that’s not the case, but we believe that our marker-less tracking technology is pretty much unique on the mobile devices.

I haven’t seen yet, from anyone, a full augmented reality mobile solution working.

I really see AR being part of the Web 3.0 next generation. I mean the vision I have is that, you know — today, when you want to have information, you go on a website and then you find your information. AR — and the future is that I think it will be part of the opposite. You want to have information about a product, you just show it to your computer and the information will automatically pop up. I see here a new way to market some key messages, a new way to get information is that some physical product by themselves could be a way to get information, and you don’t have to search anymore for them, it’s coming out to you.

AR is definitely for me, one of these components. Another thing that AR is a solution, another thing that AR itself will create these kind of results in how information is being displayed. But I’m seeing  here a way that could be part of a new way to have access to information. And that’s part of the vision I have. Whatever, if it is through mobile phone or web or PC, Mac, whatever, I really believe that now this kind of new generation of receiving information will come shortly and could be a kind of a new — could be part of the new 3.0 generation of the web.

Tish Shute: My friend Gene Becker did an interesting post recently on some of the current limitations of mobile AR where he pointed out the problem of:

“Simplistic, non-standard data formats – POIs, the geo-annotated data that many of these apps display, are mostly very simple one-dimensional points of lat/long coordinates, plus a few bytes of metadata. Despite their simplicity there has been no real standardization of POI formats; so far, data providers and AR app developers are only giving lip service to open interoperability. Furthermore, they are not looking ahead to future capabilities that will require more sophisticated data representations. At the same time, there is a large community of GIS, mapping and Geoweb experts who have defined open formats such as GeoRSS, GeoJSON and KML that may be suitable for mobile AR use and standardization.”

Bruno Uzzan: That’s interesting. I mean — I know exactly what his is referring to. He is mainly referring to a localization and how you can have a quick, accurate localization.  If you look at current solutions, and you look at this 3-D superimposing on the video, the 3-D is shaking a lot. I don’t know if you see that in some of these early efforts.

It’s hard to use because the 3-D, you know, is  part of the magic of augmented reality, that is when the 3-D is being inserted in a very easy way and smooth way in your solution. Here, when you see this overlay, 2-D or 3-D overlaid on the video, it’s shaking a lot. One reason for this is that the GPS compass is not accurate enough to coordinate the perfect location of the user. And here, what Gene says is interesting. I think we are addressing this localization issue in a pretty smart way.

But to be frank with you, I don’t believe mobile augmented reality in the extremely short term — I’m talking about three weeks, one, two months is mature enough for good AR applications.  It will be shortly.  But for now it is more proof of concept than a true and easy application to use.

But we are starting to see a lot of new application coming out, but I really believe that marketing and entertainment are the two key markets for AR right now.

I’ve been working ten years in augmented reality. And, eight years ago, when I was talking about augmented reality, I was E.T., you know? Nobody understood what I said, and I thought it was crazy. And now, today, yes it’s completely different.

Tish Shute: The Pandora’s Box of Augmented Realities, in my view, is an open, universal and standard, distributed, multiuser, augmented reality framework fully integrated with the internet and world wide web. I have been looking into Google Wave protocols as a basis for this would you be interested in this? Do you think it is feasable?

Bruno Uzzan: I think this is feasible. I think that’s doable, that’s just  in my opinion. I mean some people might have another kind of opinion but I think that that’s definitely doable.

Tish Shute: Yes I suppose an open AR Framework involves cooperation and collaboration, it is more about business and politics than technological problems.

Bruno Uzzan: Yes!  Actually the Web is politics. Business is politics.

Tish Shute: I would be interested if anyone in your R&D team would be interested in looking at some of the ideas that are emerging in our little discussion of Google Wave and an Open AR Framework  to offer feedback. it is an interesting time now to input on the Wave Federation Protocol docs because nothing is set it stone right now.

Bruno Uzzan: Just shoot me an email, I’ll try to put you in touch with the right person and, and a team member that can input on this.

Tish Shute: For mobile augmented reality the best thing we’ve got now is the phone, right?

Bruno Uzzan: Right.

Tish Shute: And the only way we can use the phone is by holding it up, right?  Isn’t this a bit of an an obstacle as you introduce better object recognition and tracking?  People are going to have to stop moving to use their phone. What do you feel about that experience? Isn’t AR eyewear and essential part of a tightly registered AR experience?

Bruno Uzzan: We don’t do hardware and we don’t have the current solution for eyewear that would do all we need for a good mobile AR experience, so I guess we don’t have the current answer for that.  But we are beginning to see the next generation of this — of these glasses.

Tish Shute: But you’re happy enough with the mobile experience of augmented reality on smart phones that you’re investing in this next generation of software for this.

Bruno Uzzan: Yes, I know. We know that some application will not work on the iPhone. And yes, whatever you do, you still need to hold the iPhone, so it means that you can’t play with your hands anymore. So we know that partially, some AR solutions  we have on other platforms will lose the magical effectivities on just the iPhone.

But I’m starting to see on the market some glasses that could perhaps be not too expensive — that’s a challenge!  And easy to use — that’s another big challenge. And, that could fit on anybody’s faces and head — there’s another big challenge. So yes, I’m starting to see that, but so far AR glasses are only applicable for some very, very specific application, like design or theme park or, you know, some specific location where it makes sense to move forward with glasses.

I don’t believe that kids will use glasses for — in our toys and for games in the next months or maybe othe next one or two years. But maybe something will come out shortly and that could be a big breakthrough, and enable us to think another way. But  from what we have seen so far and from what we know in this hardware market, I don’t believe that currently there is a workable solution.

Note: The following section of the interview took place earlier in the Summer.

Tish Shute: You are the first commercial AR company  – you started in 1999 right?

Bruno Uzzan: Yes you are right. We started the extremely early in this augmented reality market. We were the first company worldwide to start doing augmented reality and to start promoting augmented reality. So it’s true, we are pretty old players although the market has been getting bigger and bigger for the last year and a half. So for a long time we were only in the market, and the market was not really there.

But for the past 8 months, the company has been growing really fast.

Tish Shute: Yes I’m sure. Congratulations for hanging in there long enough to get the pay off!

Bruno Uzzan: You know, my background is Financial. So I have been driving the company for many years in a very cash efficient way. So we have been waiting for the markets to reach maturity before starting make some investments. So that’s the reason we are still here, and that’s the reason I think we managed pretty smartly the cash that we raised for the company.

Tish Shute: Yes there is a saying that when a market takes off you can tell a pioneers because they are the ones with the arrows in their backs. But I am glad you are dodging the arrows!

Bruno Uzzan: You know, I’ve always driven the company with revenue. And because revenue was not there at the beginning I was extremely cautious about the cash. So now that the company is getting some revenue, for sure we are making more and more investments, and taking advantage of our situation as a worldwide leader of augmented reality.

This situation is not easy as it appears today but it’s now getting better, as you can see, AR, Augmented Reality, has very good momentum and we are benefiting a lot from all this momentum for augmented reality right now.

Tish Shute: You’ve been very involved in researching developing augmented reality tools. Are you still as active in the research area, or are you too busy keeping up with work for hire now, to be working on research and building new technology for Augmented Reality?

Bruno Uzzan: Both. First of all, we are part of lot of projects either directly with clients like Mattel or with some partners that are using our technology to promote and develop other AR projects. From what we he have seen, many, many, many, projects augmented projects have been done currently with our solutions.

To continue with your previous question. So we are being perceived as this leader in that space, and we  have some pretty heavy demand for our services. But we are coming up with new technology, of course, still connected to Augmented Reality.  But, our R & D is working in two different directions, which of course also bind together.

The first one is platform developments. So we want Augmented Reality to work with as many platforms as possible – PC, Mac, Mobile, Game Consoles, all those are the platforms that we are targeting. We are currently doing lot of work in the R & D team in cross platform compatibility.

Tish Shute: Robert Rice said recently, “markers and webcams equal Photoshop page curls…”

Bruno Uzzan: Yes. There are so many concerns with markers. The quality is extremely bad. As soon as you hide a part of the marker, a slight part of the marker, you’re dead. You can’t track any more of the object. So compared to our solution where I want to say play with cards or where you are going to play with a Mattel toy, even if you hide a part of the toy, it’s still working.

Tish Shute: But you haven’t offered the public an SDK to your engine right? Basically the way people get access to your tools is working in a partnership with Total Immersion right?

Bruno Uzzan: Correct.

Tish Shute: Do you think in the future you might open your SDK? Are you considering that?

Bruno Uzzan: Yes, it would be interesting.

Tish Shute: So that is something we can see coming soon?

Bruno Uzzan: Maybe, because it’s true that Total Immersion is starting to be mature enough for these kind of tools. The only thing is that we have to respect good timing for that.  It’s a big decision. You know what I mean?  It is a big, big decision. We would then compete with others using our technology.

Tish Shute: Oh I know, it is a big decision when you have so much skin in the game! But it would be nice to have your SDK being THE platform for AR, wouldn’t it?

Bruno Uzzan: It is a really big decision that we can’t just take like that, you know.  There are a lot of friends who told me you have to be extremely careful about timing. This timing is pretty much connected to the maturity of the market. For sure, we see the market being more and more mature. But, there are a lot of low hanging fruits we still want to address

To get the best value possible for all the publicity we have and all the clients we have now.

Tish Shute: Yes, I know. You’ve been in this game so long. Now, there is an interesting question here though about tools and platforms because you know, A.R., augmented reality has already expanded  beyond its kind of original purist definition. And when I talk to people  about augmented reality, there are actually lot of different ideas and priorities of where the tools should go right now. You know, obviously we have these kind of browser-like applications, but these browser like applications are not dealing with recognizing near field objects yet.  What are your priorities for tool development and what are your priorities for AR development in the future? What areas are you going to focus on? Oh dear that is a rambling question!

Bruno Uzzan: [laughter]  So, one of our first priorities is we need to create our software with one development, one installer, one software that can be spread on different platforms. The same application, the same software can be used either on a PC, Mac, phone or console. So that’s a lot of work, because that means that our platform has to address many many different devices and that’s a big priority for us because we received this request from our clients. We want to be able to use one application on many different platforms and devices. So, that’s the first one.

And the second one is to add more and more interactivity between the real and the virtual world. So, we are working on some improvements to add some real components that will interact with virtual, and that also part of our big strategy and direction and these two worlds can more and more be bridged together, linked together so they can interact  one with the other.

Our R&D guys are working on the real world interacting more with the virtual world.  And I have started seeing some results which are pretty much crazy and this will be ready for next year.

There are so many different directions for interaction between the real world and virtual world to develop.  I’m sure ten years from now you’re going to have AR applications everywhere.  Its not just temporary fashion stuff or a gimmick for few months. I mean we are getting there, its getting stronger and stronger and we are getting a good adoption rate from our consumers. They like it, they test it, they play with it and brands wants more, people want more and its getting bigger and bigger.

Tish Shute: Yea and I totally agree, its not a gimmick because the interaction between “virtual” and “real” enhances the magic of both. Another question about you RandD operation. Is your R&D still in France or have you moved totally out to LA.

Bruno Uzzan: We are 50 people in France and I started this LA office two years ago and I moved permanently two years to LA. So I’m now permanently located in the US to take care of the US office, knowing that revenues are really getting bigger and bigger in the US. So it means that we are getting a lot of traction, working with large company and now I’m currently located in the US.

Tish Shute: My sister lives in Paris. Could I visit your R&D lab at some point? I’d love to visit!

Bruno Uzzan: Yeah sure sure sure. I mean if you want to go. You won’t have access to all the research. But if you want to go out and meet all the team please do.

Tish Shute: I’d love to.

Bruno Uzzan: No problem. Shoot me an Email you and I will introduce you to Eric Gehl, COO, he is the COO of the French team. And he can definitely take care of that.

Tish Shute: That would be fun. Thank you!

Recently, AR browser applications have really caught the imagination of the web community, eg., Layar and Wikitude?  Where do you think the most important market for AR is at the moment, entertainment,  green tech, business, education?

Bruno Uzzan: I think that all that you mention will be important. The first one that did grab my attention is entertainment particularly dual marketing, because they always searching for new ways to interact with players or the consumers.  But it’s just the tip of the iceberg, you know, I mean medical applications could be huge using augmented reality. Education, and edutainment is definitely using more and more augmented reality components.  And I will just be submitting with big companies – that are considering using augmentation for education. Museums are very important too. Also augmentation as a kind of free sales tool, you know there are so many applications, design, architecture – so many directions that it’s hard to say today which one will take the lead.

But I do believe that on the short term the ones that are really really moving fast are the entertainment business and the digital marketing business.

Tish Shute: What do you think are the biggest shortcomings with current augmented reality and what are the obstacles that no one has solved yet?

Bruno Uzzan: I think the cell phone is not fully ready for augmented reality – a lot of people are working on that but there are still a lot of constraints to get the augmented reality working on a cell phone and I think that from what I heard a lot of manufacturers and a lot of companies are working from direction that are going to help us a lot to develop some great cell phone applications.

And I think that’s one of the biggest part of the game. All the applications that you see on cell phones so far are just gimmicks – the next big key is how to transform some gimmick cell phone application to a real, industrial, robust application that’s going to work on a cell phone. So I think that’s a big challenge for this year.

Most of what we see now is just matching and overlaying some 2d components in a video. This is not what I call AR.  You’re far away – with this kind of application, you are far away from doing the registration that we need to do – you can’t do it. So here’s the challenge: “how can you get a Topps is an application working on cell phone. That’s the big challenge  How we can make that work!” You can’t today get a real AR Topps application working on cell phone because there’s no cell phone  that’s actually ready. But we are working on it and the first one that can make that work, it’s going to be huge.

When you are working with good AR components you need a lot of CPU and GPU programs. So today new cell phone have started to be more and more ready for augmented reality but you need a really good cell phone to make it work. You can’t choose an old cell phone to make it work because you have some recognition, you have some tracking, you have some rendering, so you can’t choose a Nokia cell phone two years old to make that work. For sure the newest iPhone is the one that can make it work, but that’s it for now. There is a lot of research – from large cell phone companies – to get more CPU and GPU into their cell phone.  But so far we are also waiting for these devices to be released to consumers.

Tish Shute: And the current economic climate has put a damper on MIDs hasn’t it. But who can tell? It depends what price points some new MID came out at right?

Bruno Uzzan: Correct.

Tish Shute: Yes,I agree. But basically what’s interesting, the interesting thing is, the iPhone can deliver so much of what is necessary and even if Apple hasn’t given access to the full power of the iphone to AR developers yet, there is really no going back now – the mobile augmented reality cat is out of the bag!

Bruno Uzzan: You’re right, you’re fully right.

Recently, I talked to Ori Inbar (above), formerly senior vice- president at SAP.  Ori is on a mission to make augmented reality commercially successful not in 5, 10, or 15 years, but now. Ori is the founder of Pookatak Games – a video game company, “with a vision to upgrade the way people experience the world.” Ori will be participating May 20th, in O’Reilly’s Where 2.0 panel, “Mobile Reality” -  an event not to be missed IMO.

The taste for computing anywhere anytime has entered human culture via the iphone and is spreading like chocolate cake and pizza at a preschool party (see why the iPhone changed everything).  And while the full flowering of the next step is yet to come – computing anywhere, anytime by anyone and anything (“the internet of things”), our love for these first devices capable of being mediating artifacts for ubiquitous computing (Adam Greenfield) is a vital first step to free us from our tethers to computer screens, and fulfill the promise of augmented reality.

If you need more convincing on the pivotal role augmented reality will play as the web moves into the world, check out Tim O’Reilly’s recent comments in this video clip posted on Augmented Times and here early last year.

From another perspective, the gloomy specter of economic and environmental catastrophe  is driving a movement to “infuse intelligence into the way the world work’s.” But the challenge for a smart planet is not just about making environments smart, it is about using smart environments to enable people to act smarter (see my interview with Adam Greenfield).

We need a rapid upgrade in both the way the world works, and the way we experience the world.

((Note:  It is time to read (if you haven’t already) Bruce Sterling’s Caryatids (Cory Doctorow’s book of the year for 2009) “as a software design manual” (see Julian Bleeker) because Caryatids reveals the Gordian knots of human folly, greed, compassion and desire entwined in near future designs for technologies to save the world.))

Ori Inbar, worked with Shai Agassi (Shai is now leading the world changing Better Place ) driving Netweaver from a mere concept to a “major, major business for SAP.” So Ori has already been through the cycle of working in a very small startup and growing it into a billion dollar business.  He has both the experience and the passion to realize his vision for augmented reality.

At Pookatak, he explains :

“We design “reality experiences” that make users’ immediate environments more significant to them. We wish to free young and old from getting lost in front of the screen. By delivering the world’s information to people’s field of view, and by weaving real world objects into interactive narratives, we help people rediscover the real world.”

Pookatak will release their first game this summer. Currently it is under wraps. But Ori gives us some glimpses of what is to come in the interview below.

In addition to founding Pookatak, Ori is involved in a broader effort to move augmented reality forward. On his blog, Games Alfresco – he recently welcomed a new partner, Rouli Nir, Ori has focused his eye of wisdom on every significant recent advance in Augmented Reality (check out this essence of Ori’s thinking in a fast paced video presentation for WARM ‘09).

Also Ori is one of the organizers of the interactive media track at ISMAR 2009.  At ISMAR this year, Ori explained, “we are trying to bring in people that develop interactive experiences for consumers, beyond the traditional attendees coming from a research perspective.”

In the interview below, Ori explains much of his thinking on how augmented reality will become commercially successful.  Enjoy it, think about it, and share it. And most importantly, if you can, get involved with ISMAR 2009.

Ori  has inspired me to participate in ISMAR this year.  Ori pointed out:

The call for papers is on, and this year it targets well beyond the typical research papers audience and into interactive media and art folks.

There are plenty of opportunities such as:

Art Gallery

Demonstrations

Tutorial

Workshops

It’s a huge opportunity to shape the emergence of augmented reality.

Interview With Ori Inbar

Making Augmented Reality Commercially Successful

Tish Shute: You are considered a key trail blazer in AR and you have the go to blog for augmented reality!  What are the most important lessons you have learned researching, writing, and developing AR in the last couple of years?

Ori Inbar: You need to have a vision. You need to know where this is going to go in ten or fifteen or twenty years. But you’ve got to start with something really simple that makes use of the technology you have on hand. And do something that is practical, that people will like, and something they would actually want to buy. Its as simple as that. I’m currently looking at what we could do with existing technology. First of all, you have to put it in front of people. Right now most people have never heard about the term augmented reality. Go into the street, and ask 100 people about it, maybe 2 would know about it. So you need to put it in front of people because most people think it’s still science fiction or a special effect you see in movies, not something you can experience in real life.

Tish: It seems to me to that for augmented reality applications to become popular with existing technology the key breakthrough would be getting people to hold up their phones. What are the obstacles to getting people to use their mobile devices like this?

Ori: There’s a really nice cartoon by Tonchidot (below) – the Japanese company behind the Sekai Camera. It’s an illustration showing the evolution of man, from ape to man (holding a cell phone looking down), to the developed man holding a device like a camera – in front of its eyes.

Which is exactly what you’re talking about. People ask, “are people going to walk with this like that all day long?” Probably not. I mean you have to build it in a way that doesn’t require them to hold it like that all the time. People are used to this gesture with the ubiquitous digital cameras. I tested one of my prototypes on a two and a half year old girl. She had no problem holding it just like she holds a camera.

Tish: Blair MacIntyre mentioned, “The problem with the mobile phone as a AR device is a problem of awareness,” i.e., you have to have a way of letting people know when there’s something interesting wherever they are. One of the issues regarding this is if you get too many alerts, then you tune them out.

Ori: First of all Blair is one of the people in academia that get it. Because he looks at it from an experience perspective. Not just as an interesting technical problem to solve. Let’s start with getting people to enjoy this new experience. The AR demos so far were mostly eye candies, and mostly for advertising – the GE AR ad created a lot of buzz; but you look at it for 10 seconds and you forget about it.  You need to build something that people would want to experience over time and would be willing to pay for. I think that’s the big test, right?

Now in terms of having a ubiquitous experience where you’re continously connected, it doesn’t have to be an overwhelming experience. Just like some of the social media tools we’re using today, we decide when to connect, and we filter out the trash. You could get alerts only for things that really matter to you, not for everything that happens in your immediate environment.

There will be many layers of information, and it’ll be up to you to pick the ones you want to experience. The real benefit is that you get the information in your own field of view and in context of where you are or what you do.

Tish: So what are you working on these days?

Ori: We are working on a little app that targets a very different audience than what you’d expect: pre schoolers. We think we can encourage them to get away from a PC or TV screen and learn something while playing – in the real world. You’ll hear more about it as soon as this summer. Nuff said.

But, it is a small application that will run on the iPhone. People ask how many pre-schoolers own iPhones? Well, their parents do.

Tish: Yes there are certainly many New York kids with iPhones – my kid now has my old iphone.  He has pretty much switched from playing games on his DS to the iPhone. I noticed in your WARM video you place a big emphasis on AR as something that will get kids away from screens and engaged with reality.  This is something parents will approve of!

Ori: Yes I saw something really interesting at my kids’ party one day; they were all sitting around the room – looking down at their own DS screens.  You could play the DS anywhere, but kids would usually play it on the sofa, looking at the screen, isolated from the world. With an iPhone and a camera, and the application we’re producing, reality becomes part of the game. Yes that makes it all of a sudden much more interesting for parents. Because kids are spending so much time in front of the screen, all of a sudden they’re something that will encourage them to interact with real objects, real things. Every parent I’ve talked to loves that idea.

Tish: Yes that is what is cool about the work of Kati London – I think I saw someone say this on Twitter, “Kati puts the computer in the game not the game in the computer.”

Ori: Yes, kids are spending more time in front of games and the computer because it’s more interesting. It captivates them with “game pleasures ” that tap into their brain’s dopamine circuitry – constantly seeking reward and satisfaction. So you’re not going to be able to tell them to go back to playing in reality without these pleasures. We have to study these mechanics from games and bring them into reality. It’s about programming real life; and augmented reality helps you achieve that.

Here’s an example: cause and effect; in a game when you do something you always get an immediate effect. You’re good, you get a reward. You’re not good, you get a cue to improve. In real life you do things and you could wait 2 or 3 years until you actually get feedback (if you’re lucky). Augmented Reality allows you to bring these mechanics into the real world. I think that’s going to help kids rediscover reality, in a new sense, which is what every parent is dreaming about.

Tish: I don’t know how much you can say about your app. But in regard to doing augmented reality on the iPhone.. there’s no compass. Is this a limitation?

Ori: True, no compass yet. But the camera gives you a lot of information that you can interact with. When you run the application, you see the world in front of you, and if the app can recognize real life objects – it can put virtual elements on top of it.

Tish: But not with any accuracy unless you’re using markers. Are you using markers?

Ori: We’re using natural feature recognition. It doesn’t have to be an ugly looking marker. It can be any image.

Tish: So you’re using image recognition. Are you working with one of these image recognition startup companies (list here )?

Ori: We’re working with one of those. What’s unique about it is it runs very nicely on any cell phone, and on the iPhone it works the best. For this first app, it doesn’t really matter where you are physically; the geolocation is not part of the experience.

Tish: For a truly engaging AR experience we will need more of a backend than is currently available?

Ori: I call the backend the cloud, where you have all this information and ways to access it from anywhere. Actually I think it’s become pretty mature today. If you look at the different elements required to enable an augmented reality experience to work, you have – first – the user whose always in the center. Then you have the lens. The lens can be an iPhone, or glasses, even a projector. The lens allows you to watch, sense and track information in the real world: people, places, things. Then in the backend you have the cloud where you store and retrieve information.

So if you look at the maturity of these different elements, I think the cloud is in pretty good shape. Because there’s so much information we’re collecting and storing. Anything from Google, Wikipedia, Facebook, all that kind of stuff, it’s a lot of useful information you can access from anywhere using APIs. And a lot of it is also starting to include geolocation information. Take Loopt or Google’s friends service that allows you to see where your friends are and what they’re doing. There’s tons of information out there and it’s pretty easy to access it. Now what do you do with it is the question?

Wikitude is such a simple and brilliant application and nobody thought about doing it until this guy from Salzburg did. It doesn’t have any sophisticated visual tracking. It knows your position and it’s simply looking at the angle you’re pointing to. Based on these parameters it brings information from Wikipedia that pertains to your field of view. So most of it was already there. It’s just a matter of connecting the pieces in an experience that is valuable for people.

Tish: It is the uptake of even a very simple technology that puts the magic in it.

Ori:  Yes, take Twitter. If you go to its homepage it looks like a very simple boring app but it is something that is both enjoyable and very useful to people.

Why you should participate in ISMAR 2009

Tish: I know that you are involved in organizing  ISMAR (picture above from Ori’s post on “ISMAR 2009: The World’s Best Augmented Reality Event…,“) and there is a call out for papers and for volunteers, can you tell me more about it?

Ori: Yes, we hope to have the first ISMAR where we practice what we have just discussed: let’s build on all the research invested so far and instead of thinking only about 5-10 years from now, let’s see what we can do today. So we are bringing people in from other disciplines – artists, interactive media developers and people from the entertainment industry.  The goal is to use the technology to make something interesting for people – again, something that people would buy, and making it commercially successful.  Many people either don’t know about ISMAR because in the past it was a pure engineering-orientated event and people  from a commercial perspective of AR weren’t attracted to it.  The Chair of the Event this year is based in Florida and he is going to bring in a lot of people from the entertainment industry such as Disney. I think this will transform this event into something more like SIGGRAPH – more of an industry event.  As one of the organizers of the interactive media track we are trying to bring in people that want to build applications for consumers.

Tish: In terms of AR applications what are the flagships today?

Ori: There are very few because it’s just the beginning. There’s one tiny studio in France called Int 13 . They’ve created maybe the first commercial game running on a mobile device using AR technology. It’s called Kweekies. It was one of the contenders for the Nokia Mobile innovation awards. They were one of the ten finalists, but they didn’t win it. It’s looks really cool. It’s somethng that runs on your desk, with a marker. Many AR folks say markers are the past, markers are ugly. But it’s still a cool experience. I think people will go for it.

Tish: Yes I think we will have to look to small companies that are free to think creatively to lead the way.  It seems many games companies are tied up pulling off huge big budget projects and enterprise is still catching up on how to use social media!

Ori: Yes, last year I was in the game development conference (GDC); there was no mention of augmented reality – not on the exhibition floor, none of the sessions, nobody talked about it. I was stunned. Then this year, there was a little a change. There were like three demos on the exhibition floor, Metaio, Vuzix and a Dutch company called Beyond Reality.  And then there was Blair’s talk, which was very very cool. The room was packed with people. And after the talk there were dozens of people lining up to talk with him about the topic. There was definitely interest, but still on the very edge. The video game industry is still a hit driven business and publishers spend upward of 20-30 million dollar to create the best AAA game possible. They just can’t take the risk. So it’s going to come from smaller companies, from outsiders coming in with a vision and understanding on how to put the AR pieces together to create a totally new experience.

Tish: But the basic tool set is there isn’t it?

Ori: I talked to some folks at the games developer conference, many folks with MMO background, and they have great ideas about AR. It’s great to see different people with different views on what’s needed first. “Joe the Programmer” had this idea of creating a small piece of hardware that you can put in every house and provide accurate geospatial information in your home. That could  open up many opportunities for AR experiences in homes.

Tish: Don’t you think we have enormous resources in terms of image databases that provide a great basis for augmented reality.  I was talking to Aaron Cope at ETech about The Shape of Alpha – Flickr’s vernacular mapping project using all the geotagged photos in Flickr. That is such cool project. Aaron will be speaking at Where 2.0 also.

Ori: Think of Google Earth. Google Earth leveraged communities to basically map all the major cities around the world into 3D models. And that is an essential step to be able to do augmented reality outdoors. Because if you had to model everything from scratch, it wouldn’t be realistic.

Augmented Reality and Becoming Greener.

Tish: I am really interested in how AR interfaces might be useful to some of the emerging energy identity/metering projects like AMEE and WATTZON because I think it is very important that people have very intuitive, immediate, and enjoyable ways to relate to energy data so they can make greener choices.

Ori: Back in the day I had an idea to build an Augmented Reality application to become greener. You look at things around your home with the camera and it  recognizes its green gas footprint and makes recommendations to reduce it.  I guess it was a bit too early to do that based on visual recognition alone…you’d need  additional sensors that would provide related information about what you are looking at.

Tish: Well as there is more interest in Green technology do you think we may see VC interest in some green AR projects now?

Ori: I talked to some of the investment folks, Angels as well as VC’s about AR and they had no clue what it is. There’s a need for a whole lot of education. And there are no proof points (as in successful investments in this domain), and counter to popular belief – they don’t like risk so much…

Tish: And consumer adoption must lead the way, right?

Ori: Just like with every emerging technology in history, people never bought the technology, they bought the content, the apps, the benefits that came on top of the technology. Whether it was VHS winning over Beta Max, or BluRay winning over HD. It’s always because of more/better content. Look at the video game console war: Xbox, and Nintendo did better than Sony just because they had more and better games. Even Windows was a success thanks to its applications. People bought it for the applications not the OS. The content is the first to drive demand.

Tish: One of the challenges to giving people new ways to relate to their energy consumption is that you can just have them looking at graphs of how bad they have been in the past you – that may make them feel bad but that doesn’t necessarily give them ways or motivation to change. There perhaps needs to be more immediate relationship to the data to facilitate change. I think the mantra for optimization of anything from energy usage to supply chains is timely, actionable data?

Ori: There are a lot of ideas about measuring information and displaying it to people. For example, the Prius hybrid car, one of its interesting features – which is kind of game like – is a constant display of your current fuel consumption. That alone changes how people drive because they try to beat the “Score” and as a result conserve more fuel. That model can be applied to our homes…

Tish: Yes that is something I am very interested in. I have been following several projects in this area – one of my favorites is the Arduino, Current Cost/Tweetawatt, Pachube integrations I saw at Homecamp.

You joined a start up with Shai Agassi which was bought out by SAP right? He has a brilliant approach with Better Place.

Ori:  I think what’s really unique about Better Place’s approach is that he doesn’t require people to change their behavior. People are still going to have their own cars. They’ll be able to drive as far as they want, and for the same (or lower cost). Its not necessarily about a new technology, electric cars have been around for a long time but there was no way people were going to be limited by the 50 or 70 mile range and Better Place is solving that problem. With its infrastructure of charging spots and battery switching stations, drivers are going to be able to drive anywhere. And it’ll be similar to having to stop once in a while to refuel your car. The price maybe even lower than what you pay today for your transportation needs – and you’ll stop generating green gas. It’s a clever way of taking technology to a whole new level without changing the behavior of people.

Tish: Better Place is a classic example of things as a service isn’t it?  It is basically a utility company.

Ori: It is similar to a phone carrier model.  You pay for a membership that gives you access to the car (equivalent to the phone) and electricity (equivalent to the phone line) for the same price of fuel cost today. And as bonus you get to save the world.

How the iphone changed the game for AR – and the iphone versus Android

Picture from Ori’s post, “GDC 2009: Why the iphone changed everything”

Ori: And back to AR, you have to take the same approach, because nobody’s wants to don those huge head mounted displays or backpacks. You have to take advantage of people’s current behavior: they already carry their iPhones or similar devices.

Tish: As we discussed, you just have to get people raising up their phones and looking through them when that is a useful thing to do. Both Wikitude and Nathan Freitas’s graffiti app were enough to get me interested in the evolutionary step of raising my phone! Nathan’s graffiti app is nice. You leave a marker for your graffiti so other people can find view/add their own – a nice primal experience like pissing on the lamp post to let your pack know where you’ve been.  Also the graffiti app taps into a long history of  NYC street culture around tagging and graffiti art (see my interview, “Is it OMG finally for Augmented Reality?”).

Ori: The app store has fundamentally changed the mobile gaming industry. Last year they were in shambles. There was no growth. Everybody was complaining, “we can’t handle it, there’s a million phones, and you have to test it on each phone. And carriers suck, they don’t care about sharing and promoting your content. Everything was bad. This year mobile gaming is the hottest thing. And it’s all because of the iPhone. It changed the game.

Tish: How do you think Android is going to get traction against the iphone?

Ori: Well the number one thing is the form factor – the iPhone is just much cooler than the G1. Its OK but it doesn’t have the same feel. People thought it was going to be easy to clone the iPhone but none of the attempts succeeded so far.

Tish: How much does it matter for AR not being able to runs things persistently in the background on the iphone?

Ori: Actually they have add a such a capability in OS 3.  You can now make use of a background service.

Tish: OS 3 will open up new possibilities for AR?

Ori: The access to the video API is still not public.  But there is a new Microsoft application – Microsoft Tag that makes use of that API which means it is probably OK to use it.

Tish: (I ask Ori for his card and he shows me how to read it with my iphone.) Oh nice you have an AR card, of course!

In Search of Pong for Augmented Reality

Tish: So how will AR begin to, as Blair’s friend put’s it, “facilitate a killer existence,” particularly as we are probably looking at some new and perhaps pricey hardware?

Ori: You could take the Better Place approach. We’re going to give you a great experience and we’ll include the devices as part of that experience for the same price. Let’s say you subscribe to an AR experience  which offers access to multiuser, support, and all the information you need wherever you go – exactly according to the vision. You pay for a subscription on a monthly basis and included in that cost we give you a better device that offers a  better AR experience. It’s following the phone carrier approach, but in a good way.

But first of all we do need our Pong! I was sitting with a couple of AR game enthusiasts at the GDC and we were asking ourselves, “how do we create the first pong for AR?”

Was Pong a multiplayer game? Not necessarily! Did it connect to the network? No! We have to create the first dot in a long line of dots that will bring us to our destination.

Tish: You haven’t seen a Pong yet have you?

Ori: Not yet. I mean there’s maybe a handful of games and apps out there, but I don’t think any of them is a Pong yet. Still, it’s getting closer.

Tish: Kati London is doing some very interesting work on bringing games into reality, isn’t she?

Ori: Yes, she works with Frank Lanz at Area/Code. He teaches at NYU and has designed games for the “Come Out and Play” festival here in Manhattan. And a lot of these games are actually low tech.

Tish: Yes I have a big alternate reality game blog brewing that I haven’t had time to write yet!

Ori: The city is the gameboard is their slogan. It’s going to be a great playground for AR games. The city becomes a theme park. The city could become an even bigger touristic attraction. People will come to the city to be part of these games. So you’re having thousands of people running around the city playing all sorts of games from laser-tag style to history adventures, to treasure hunts.

Composing Reality

Tish: So why haven’t you focused on one of these kinds of games with your company?

Ori: We have a couple of scenarios along these lines that we’re planning for 2010-11. But first focus on what’s possible today.

Tish: And what’s stopping you from doing those kind of games today?

Ori: Many things. The devices are not there yet, location services are not accurate enough, ubiquitous sensors are not  there yet.

Tish: You think alternate reality gaming needs more “ubiquity” than is currently available?

Ori: Not necessarily. People are doing alternate reality games with no “ubiquity” at all. But my interest is to add the visual aspect. I believe humans are mostly driven visually.

Jane McGonigal said in a talk at GDC, that AR would allow us to program reality, which is exactly how I look at it. Once you can recognize things, some of it with WiFi and RFID and all sorts of sensors. But visual sensors is always going to be the ultimate way to recognize things. And once you recognize things and know what they are, and can pull information about those things (or people and places) from the internet, you can program it (visually). You could program it to be fictional, like in a video game, or it could be programmed as non-fictional, like a documentary. And that allows you to do things that before were unimaginable.

Tish: But you can’t forget the visual, it is primary the connection to peoples’ primary sensory relationships.

Ori: Yes, it’s like you go to a grocery store and you pick your vegetables, a lot of it is by sight and by touch. And what if you could also see just by looking at it that it’s from a local store, and that it’s organic?

Tish: It goes beyond overlays really?

Ori: By the way, I don’t like the term ‘overlay’. I know that’s how it looks: you either overlay or superimpose, but I’m still searching for a better term. A term I prefer to use is “composing reality”. Just like painters, they use brushstrokes and colors and compose a painting. We need to take the real element and the virtual element and compose them into something new. It’s not just about slapping one on top of the other.

Tish: yes I think the idea of dashboards is not so appealing.

Pookatak Games

Tish: Do you want to explain the evolution of your company? You have an interesting history of success with high end enterprise applications.

Ori: Since I was a kid I wanted to invent and create things. When I discovered software, that was a really cool way of actually creating things from nothing. From thin air; and you can do it very quickly. That’s what brought me into software. But I was always looking for the intersection between technology and art. Looking for ways to bring these things together. In the early nineties virtual reality was doing it. It had the appeal of cutting edge technology that can be combined with art. But then, as we all know, it crashed. So I joined Shai Agassi’s startup (who is now doing Better Place) back in the early nineties. I was one of the first employees in his startup which was developing multimedia products. I was leading the development of one of its flagship product. At some point we realized the technology could be great for an enterprise environment.

It was a really great experience. First going through this cycle from a very small startup and growing into this multi billion dollar business. I was responsible for defining and marketing SAP’s platform, which was called Netweaver. It was just an idea when we joined SAP and by the time I left it was a major, major business for SAP. I learned about the challenges of building a platform. No matter what purpose you’re building it for, it typically has similar rules. It’s definitely not just about the technology; the content that comes with it is really key to making a platform successful.

The third part of this platform trifecta is the community. If you don’t build a community, you won’t get the critical mass required for adoption. It may be your own platform but it’s not necessarily the people’s platform. That experience is very key to what we’re doing today. Now, a new industry is being born on the basis of a remarkable technology. But to drive adoption, first we’ll need good content. The content will be created using today’s technology with internal tools developed to simplify the process. Next step would be to make the tools used internally – available to other developers. Help scale the industry, enable innovation on a larger scale. That way we have a chance to create a platform. So it isn’t really just about my company. I’m so passionate about augmented reality, I want to it to become a healthy and successful industry for the next 5, 10, 15 years.

Tish: Yes I am so ready to be liberated from the sitting behind a computing screen! And I know that all this hardware is murdering the environment.

Ori: There’s ‘s the book by Rolf Hainich which is called “The End Of Hardware. ” It’s about hardware for augmented-reality. Once you use goggles or other AR interfaces you eliminate the need for screens, laptops, etc. It’s going to be great for the environment. You have read Rainbow’s End, right? According to the book in few years there will barely be any (visible) hardware. At least it’ll have a much smaller footprint for the environment. And it’ll touch every aspect of life, everything you do. It’ll change the way you interact with the world.

The Illusive Eyewear for Immersive AR.

Friend of Ori’s in San Francisco wearing retro AR goggles (from Games Alfresco, Ori’s roundup of GDC 2009)

Tish:OK lets talk about goggles.

Ori: Goggles are going to happen, we want to be hands free.

It’s going to happen because it’s just a more intuitive way to use this technology. But above all it has to look cool. Because if it’s not, if it’s a big headset, then maybe a small percent of the population might use it, but most people won’t. It has to look like an accessory, like new cool eyeglasses that you just must wear.

I recently talked to a friend, who runs an industrial design firm, and has experience in designing such glasses for companies like Microvision and Lumux. He says that when you try to bring the images so close to our eyes – there are some really hard problems to solve. Otherwise it can become really annoying and cause dizzyness.

But I’m optimistic. I believe it’s going to happen 3 to 5 years from now. It’s already starting now: Vuzix announced goggles that will be available this year. Some AR apps that are going to take advantage of next year. Initially only a fraction of the population will use it. And that’s going to help advance it and make it better and better. But it’s going to take time until it reaches the mass market.

Tish: In virtual worlds we have seen, I think, a lot of mistakes in terms of reinventing the wheel and producing too many proprietary versions of the same thing and not enough concerted effort on standards and open platforms that could create a vibrant ecosystem.  How can augmented reality not make the same mistakes?

Ori: There are some early AR open source efforts ARTookit, ARtag but it is not a movement yet.  One of the things we’re trying to do at ISMAR this year is to put together  discussions around key industry issues, such as standards. Some people say it’s too early, you have to have a defacto standard to start from. But pretty soon it’s going to be too late. Just like with virtual worlds, all of a sudden you have all these islands that don’t talk to each other. Why get to that point if we can plan to avoid it? Let’s start thinking about it right now. On the other front there are devices. There are pockets of people working on adapting devices for AR, second guessing the hardware companies. Why not get them together with the Intels and Nvidias of the world, and discuss what this device should be able to do. And then compete to make it happen.

Tish: How much luck are you having with this discussion part?

Ori: People are very interested in doing this. We proposed these panels for ISMAR. And I’ve got some key people already on board. They have tons of input, they want to get involved. We’ll see how much we can actually get out of it.

Tish: In virtual worlds it was a while before vibrant opensource communities developed.  OpenSim has I think been the breakthrough community in this regard.

Ori: You have to think about the elements up front. The dream job is to architect the industry. Say we agree on the required pieces. Then we could help the right companies succeed in delivering the pieces. Next, we have to collaborate so that these pieces talk to each other. And eventually these communication methods will become defacto standards and most developers will adopt it.

Tish: So I’m going to put you in the role. You’ve got your dream job. You’re going to architect this community. So what are the key pieces and where would you like to see the open source communities take hold first?

Ori: Open source will not be exclusive. It’s going to live side by side with proprietary technology.

The key pieces? You have the user at the center. And the user interacts with a lens. The lens includes both the hardware and the software. And then the lens senses and interacts with the world, which includes people, things and places. And these people-things-places emit information – about who they are, where they are, what they’re doing, etc  – which is then stored in the cloud.

And then you have the content providers, the people and companies, composers who weave AR experiences through the pieces we mentioned before. These composers need a platform that glues these pieces together. Pieces of the platform will be on the lens, and in the world, and in the cloud. If you manage to remove the frictions, and connect these pieces into an experience that people like – then you have a platform. What the platform does it reduces the overhead and accelerates innovation.

Tish: Another problem virtual worlds faced in their development was their isolation from the world wide web.  Will augmented reality avoid this plight?

Ori:  Yes, I believe the key, like you said before, is not to reinvent the wheel. The cloud is already there.  Take Wikitude for example, all Mobilizy had to do is build  a relatively simple client app, connected to wikipedia, and all of a sudden it offered a wealth of information in your field of view.

I think we can learn a lot from web 2.0. For example, in order to have a ubiquitous experience like Robert Rice and others are striving for, you’ll need to 3d map the world. Google earth like apps are going to help but it is not going to be sufficient. So let’s leverage people. Google became successful in part by making people work with them.  Each time you create a link from your blog to my blog their search engines learn from it.  So let’s find ways to make people create information that can be used for AR.

Ori Inbar directed Wiki Mouse – a WIKI Film co-created by a swarm of movie makers around the world.