Today Metaio is holding Inside AR in Munich, Germany.   Metaio (the picture above shows Metaio co-founders Thomas Alt and Peter Meier), is behind some of the best known commercial and industrial AR experiences of recent years.  But as important as the many AR projects they have executed are the AR tools that Metaio has made available to developers.  Metaio’s AR products and tools have played an important role in bringing AR to a wider public, and given many developers the opportunity to explore AR.

Inside AR is a great opportunity to see what these AR pioneers  will be up to in the coming months.   I could not make it to Munich this year.  But, fortunately, I had the opportunity to talk with Thomas Alt, recently.   In this conversation – see below, I got a chance to discuss what was going on inside AR with Metaio.

The Fall season is always jam packed with great events, and I wish I could be in two places at once.  But this week, I will be in my home town, NYC, attending Web 2.0 Expo which, reflecting the heat in the NYC tech community, is a sold out event with a very exciting schedule this year (more on some of the presentations that I will be attending later in this post).  If you missed out on tickets to Web 2.0 Expo, all Keynotes will be Streamed Live: TUES 9/28 to THURS 9/30, and keep your eye on @w2e and #w2e on twitter.

Meanwhile, I am missing Inside AR, which had some great speakers lined up, including fellow New Yorker, John Swords, partner and Ringleader at Circ.us.  Hopefully, Swords will share his experiences at next month’s ARNY Meetup which will be “joining forces with another vibrant community – NY Gaming – for an unforgettable night of Augmented Reality Games” on Tuesday, Oct 19th, 6:30 PM at AOL Ventures in New York, NY.

At the most recent ARNY @swords gave a brilliant talk on the possibilities for AR Game development on the newly available opensource Parrot ARDrone platform.  It was great to hear from social game guru @swords on his plans for Parrot ARDrone games, and more.  The picture below of an ARDrone camera view is from John Swords Flickr set.  Swords was flying it inside his garage because the winds outside were too strong.

Also, I kicked off what will hopefully be an ongoing discussion on, “Story Telling with AR and the Big ARNY a collaborative AR Game for NY,” with a few slides.  I have opened up the presentation document for collaboration, so please ping me if you would like to be added as a contributor/editor, and are interested in getting involved.

Ori Inbar, CEO and co-founder of Ogmento, Games Alfresco, ARNY and my co-chair on Augmented Reality Event 2010, suggested The Big ARNY – A Collaborative AR Game Development Project modelled after A Swarm of Angels last year at the First ARNY Meetup – so let’s make it happen!  I will be catching up with Ori in October about what Ogmento has been up to since they became the first VC backed AR Game company!

“Games allow us to see each other, for a moment, in a way that living in a city prevents” – Kevin Slavin

I believe that, AR, to get beyond the stage of “interface du jour” needs to offer us new ways to relate to each other and the world around us so that we can actually improve  and deepen our engagement with reality not just create experiences that are primarily optical  (see James Turner’s interview with Kevin Slavin “Reality has a gaming layer” on not letting “the pleasure of a game and the meaning of a game and the experience of a game rest primarily in the optics.“  And see my recent post, Urban Augmented Realities and Social Augmentations that Matter: Talking with Bruce Sterling, Part 2).

Two of the most inspired creators of urban games,  Kevin Slavin and Kati London of Area/Code will be speaking at Web 2.0. Expo tomorrow.   And you can be sure I will be at both these sessions. Loitering on the Motherboard, Kevin Slavin, is 2:35pm Tuesday, 09/28/2010, and Games that Know Where you Live, Kati London – is a keynote that will also be live streamed – 4:55pm Tuesday, 09/28/2010

Recently Kevin Slavin was interviewed by James Turner, on O’Reilly Radar.   This, Reality has a gaming layar, is a must read piece about a “world where games shape life and life shapes games”  (see @timoreilly). 

Interview with Thomas Alt

Tish Shute: Perhaps you could just start with your background Thomas because I think there’s a lot of newcomers to AR but you are really one of the first movers in commercial AR. How long you’ve been involved in this?

Thomas Alt: Actually I’m an ex-researcher in augmented reality. I started with me actually after getting my master’s work in engineering from the Technical University of Munich working for a big company called Volkswagen. And at that time,1999, we got a research grant for researching how augmented reality could change manufacturing processes in the automobile industry.

And from the research work there, I basically went back to school, did my PhD about augmented reality. And while speaking at a conference, I met Peter Meier who is the co-founder of the company who was also a master’s student writing his thesis about augmented reality. That was in 2002.

And so it really was in the very early days of augmented reality. And both Peter and myself we got really excited about the technology; we saw endless possibilities. We said, ‘OK. Let’s just found a company. We actually founded the company in early 2003 with virtually no money. As a matter of fact the founding capital of the company was 25,000 Euros and this 25,000 Euros were won in a case competition in Germany – a business plan competition.

Tish Shute: So you won 25,000 Euros on this case competition and that’s where Metaio started….

Thomas Alt: Exactly. And to legally found a company in Germany it takes exactly 25,000 Euros so that was the founding capital. We started pretty much like good old SAP started.  It wasn’t in a garage though it was a very small office and we basically built up the business through work, so we don’t have any investors or whatever. Right now we are 66 people located in Munich where our headquarters have been for five years. We have some presence in the US, and we have a venture company in Seoul, South Korea.

Tish Shute: Awesome. I just noticed how fast you’ve been growing. So right now, I’m going to ask a couple of questions about where you see the technology and the emerging industry going.

First, what are the platform of choice for Mobile Augmented Reality at the moment?

Thomas Alt: Obviously in the cellphone hardware space there’s a fierce competition going on. It’s yet to be defined what will be the prevailing platform right now, obviously it’s the iPhone is big now, right? But Android is catching on very, very fast.

Tish Shute: You have pioneered bringing a cross platform SDK for vision assisted AR to a wide community of developers with Junaio and with your partnership with Kooaba – a visual search company from Europe.

Thomas Alt: Yes, yes, and this is how we would, also in the future like to position ourselves with Junaio.  Junaio will be a platform, a technology platform, which will allow users to do whatever they want to do in augmented reality. The API of Junaio is huge in the sense you can do anything from outdoor gaming, to visual search, to normal, uh, lay out style, you know, find the next burger king a mile away kind of super impositions.

Tish Shute: The only licensing you pay is for unifeye right? When you want to use your tool kit right?

Thomas Alt: Yes and this is how we’re distinguishing it. Junaio is our consumer brand targeting newbie AR developers, with limited programming skills, while the Unifeye platform is really our B to B platform where B to B customers can create their individual AR experiences.

Tish Shute: Yes which is what my friend Patrick O’Shaughnessey, Patched Reality, did for the Ben and Jerry’s app he created using Unifeye.

Thomas Alt: exactly…

Tish Shute: It is a lot of work developing for so different mobile platforms isn’t it. Junaio is on Android and iphone but you havent moved Junaio to Symbian?

Thomas Alt: To be honest with you right now its a matter of priorities we have other things we want to do first. And from analyzing the user base, iphone was a big step Android was a big step and now we are pretty much seeing what is happening next. As you know Nokia going into different directions as far as their smart phone operating system goes, and so on and so forth.  There are also capacity constraints. And right now obviously the most – potentially not the most possible users, but the users most inclined to do AR on a day to day basis are the ones using the iphone and android devices. But obviously there are a lot bigger cellphone manufacturers out there.  But just you know even the mobile web users aren’t as strong as the users on the iphone and android devices?

Tish Shute: So what do you think the iphone 4 has that brought to the AR picture?

Thomas Alt: Very fast camera access, very good for marker recognition. If you go to the Metaio site you’ll find a movie where we show on the iphone 4 app for a real augmented reality Leggo peice – this is something which is very nice

Tish Shute: Yes I see that, yes that is nice, yes, yes very nice. The Unifeye SDK is really putting markerless AR into the mainstream.

Thomas Alt: Yesterday we launched the first, a err very nice shopping… shopping solution for , but that’s completely external.

Tish Shute: Oh yes – the augmented reality shopping for seventeen.com, i was going to ask you about that, because it is the first augmented reality online shopping using natural feature tracking.

Also I am very excited to see the gestural interface, awesome!

The seventeen augmented reality shopping app is a PC experience but are you working on developing gestural interfaces for mobile AR?

Thomas Alt: We are continually pushing the envelope of what’s possible with AR. Gestural interfaces for mobile AR is certainly the next step in taking what we’ve done on the PC and making it more portable by using the mobile platform. One thing to keep in mind here is the limitations of mobile platforms and size of the screen needs to fit and make sense for the user experience.

Tish Shute: I know you started off as an AR researcher (although as you mentioned earlier you have been working in commercial AR and building Metaio for a long while now.

So in addition to how we are progressing towards gestural interfaces for augmented reality, I would like to ask some questions about AR eyewear. We won’t really have hands free AR without eyewear. What is your projection on when we will see consumer AR eyewear? And, Do you have a any comments on those speculating that we will not see AR eyewear go mainstream for 20years?! What is Metaio doing to move eyewear technology along?

Thomas Alt: Well as you know, it’s always, you know on the technological roadmap, and we’re still doing research projects, in our AR research department. We have worked on things like calibrating eyewear for augmented reality. There is some nice development there.

But really, commercially, the whole thing with eyewear has never caught on on a level which would make it a valuable avenue, business avenue, at least for Metaio. So, I guess as an ex-researcher, it’s still a very interesting, a very good technology. And it would definitely change the marketplace radically when available. But as per right now, there are very few commercial applications.

Tish Shute: Are the obstacles to AR eyewear technological obstacles or is it just a question of a a business model. I mean is it realistic to see eyewear in the next 3 to 5 years at a price point affordable to consumers, where you really, truly can have eye tracking? You know, the whole problem there was with virtual reality and eyewear giving people a headache. How far have we come in terms of the technology?

Thomas Alt: Well, it’s not so much technological factors ’cause all fundamental problems are solved. It’s more a rather large corporation, I guess, would have to step up to the plate and say okay, do, let’s get all the state of the art in electronics and develop just a perfect HMD.

Tish Shute: Something Yohan Baillot’s company Simulation 3D is doing at is looking at is hooking up eyewear to smart phones.

Thomas Alt: Yes exactly that would be even better. Metaio has done a strategic move into this HMD space for augmented reality about a year ago by acquiring a bankrupt company. I mean, we had considerable IP around it from our research base but in the long term we still believe in it and we did a move about a year ago in buying what was left over from a bankrupt company including a lot of IP, which basically goes into the direction of mobile augmented reality but also mobile augmented reality in connection with head mounted displays.

There’s actually a press release about this but that’s about a year ago…

I know that the whole HMD thing… I mean, I’ve seen companies come and go. Metaio has worked previously, very closely, with Microvision of Seattle. We have worked with a German company, doing HMDs and we have worked with Vuzix.  We are still working with Vuzix, so we’re still consider it very valuable.  But right now, I mean, it’s just not a big part of our commercial pipeline, to put it that way.

Tish Shute: It was interesting what Bruce Sterling said in his keynote at ARE 2010.  He actually made a strong case for why smart phone augmented reality may be more interesting because it’s less immersive. I mean, he raised the question of the fact that if you really truly had AR eyewear and HMDs you’d re-enter the world of virtual reality or as he called it AR’s Gothic step sister VR would rise from the grave….

Thomas Alt: Yeah, well, that’s a cultural or even a philosophical question and we have discussed it a lot, especially in the industrial domain. Also will the deployment of HMDs come about from end consumers using it in their spare time, or from professional users using the idea in their work time?

Tish Shute: Do you think it surprised people who have been working in augmented reality research how much people have engaged with the idea of smart phones as the mediating device for AR, and that rather than having the always on experience that eyewear would give us, we use smart phones as a magic lens of a smart phone when we need to or want to. Some people were skeptical that anyone would want to hold up a little window to look at augmentations of the world – a magic lens. I mean, it wasn’t self-evident that that would be an experience people enjoyed, and it turns out that it was.

Thomas Alt: That’s actually a very good analogy. And also in my view, I mean, certain behaviors just change also, right? I mean, this is exactly what Apple’s trying with the iPad, right? You’re taking the iPad, and all of the sudden you’re not constrained to a laptop or whatever. And it’s truly a companion of the couch, in-bed Web, in the kitchen, and so on and so forth. So digital usage with the iPad, which is a different market, and I’m aware of that but as an example, the iPad has changed our behavior. And obviously, the augmented reality guys are hoping that something similar happens with AR.

Tish Shute: Which of course brings up the question, I’m assuming that some of the next generation of slates/ipads are going to have front and back cameras, GPS, and compass, right?

Thomas Alt: Actually we know that.

Tish Shute: You know that, yes. I assume that you know that, because are you working on some prototypes, and have you got some plans?

Thomas Alt: You have to understand that I cannot talk as I’ve talked as a researcher. It’s the rules, so I have to be a little bit careful about what I say. We very much think that a webpad, or whatever pad, you would want to call it is on some occasions very good device for AR.

Tish Shute: Yeah. But it is an interesting point with holding up a larger device, because you hands aren’t free, but the neat thing about the phone for augmented reality is that you really can do a lot with your thumb, as we’ve found and just the position of the phone. But, how will this work it with the two hands on the larger device?

Thomas Alt: Keep in mind, everyone’s talking about mobile augmented reality, but really where the case for augmented reality, at this point, is the strongest is in the installation business, it’s in the web business… Not necessarily only commercially, but also use case-wise. There are tons of museums out there which are using our augmented reality system in an installation fashion, and to communicate products better, and more efficiently, and so on, and so forth.

So, I know that the hype is clearly on the mobile augmented reality side, but there are many examples augmented reality experiences where holding up a larger device is not a big obstacle.

Tish Shute: Well this brings me to some questions about the future of mobile AR. My interview with Jay Wright focused on how we are now in a new period for AR bringing together computer vision, visual search into a mobile stack that is really optimized for AR. What do you see emerging in mobile AR as we move beyond compass, GPS, camera, accelerometer based AR into markless image-based AR. What will the new use cases and where will we see mainstream users getting in AR. Will AR games be the first mainstream AR experiences?

Thomas Alt: My partner is actually, first of all, one of my best friends, second of all, very emotional, third of all, very intelligent, and he said the other day something I think very valuable in this area. He said, basically think about Mobile Augmented Reality, Thomas. There’s really a very limited number of use cases which you can do if you look at these classical Point and Find applications, ok? But there are almost unlimited number of use cases when Augmented Reality becomes a day to day companion, ok? So what he meant is, ok, I’m looking at my normal day… I’m looking at the city, I’m walking throughout this, I’m coming home, I’m having dinner basically. I can deploy Augmented Reality in a pure POI search fashion perhaps not even once. Ok when I’m travelling it’s a different story, but in an ordinary day I might use a POI search not even once.

But where this ultimately leads, you know, is even in the 15 minutes I’m having breakfast, I’m using AR – looking at the cereal box with my cell phone, I’m taking part in a sweepstakes or whatever. So from that we draw the conclusion that as a general strategy for Junaio, we should basically throw as much technology as possible into Junaio, make it halfway self-explanatory, and just give people the possibility to come up with ideas on how to deploy augmented reality continuously.

We have actually got a creative team from an Art School working on that, and just, you know, with very little programming skills coming up with things you can do with Augmented Reality on a day-to-day level. And it could be a scavenger hunt game, in the city, with monsters flying around, it could be the normal POI routine, it could be marketing purposes, and so on and so forth. And I think that’s really the roadmap, and this is a little bit similar on a more technical level, to what Qualcomm is doing, ’cause they’re floating out possibilities or capabilities I want to call them, and Metaio is doing that, but on a higher level [re the tools] meaning on a Junaio level.

Junaio is a capability platform. It is also a way for Metaio to demonstrate the capabilities of our technology. We will offer all the possibilities for AR and more that we have already demonstrated on PC augmented reality.

Tish Shute: What is the business model for Junaio? Are you encouraging developers to develop business on your platform ?

Thomas Alt: Junaio is our end consumer platform and our business model is similar to the way Google structures its business model. We work with OEMs, content partners, brands, and developers to offer free content to our end users. Where we do charge is on the advertising side, more specifically contextual and location based advertising. At the current stage, we are focused on building the content base, fostering our developer community, but in the near future, we will be introducing advertising channels.

First of all you have to have very good use cases in the platform basically. And then to put a business model on top of that from a technology stand point is not hard – its a pay channel. Its all prepared for this.

Tish Shute: You have quite a broad base as a company don’t you – you do everything from industrial AR, marketing to technology licensing and more?

Thomas Alt: Basically, there’s a lot of things people don’t see us. There is also the Unifeye PC SDK and we have a client base and partners who are sourcing software from us, and we are doing great pieces. I mean the hype of augmented reality is really coming to a peak. There are lots of pieces that are not even talked about any more. China’s GQ magazine launched with AR from Metaio, the biggest AR campaign anywhere – there are a lot of potential readers in China. And um, so that’s our business model… we have our IP, our patents and so on. And on this we can move on onto the mobile platform whenever it’s advisable or feasible.

Tish Shute: Right. Yeah. I mean uh, you’re very fortunate to have this base built on uh, years of developing IP. What are the most important areas of AR that Metaio holds IP and patents in, in your view?

Thomas Alt: there’s sleepless nights in that too…

So far we’re extremely excited about what’s going on with Junaio, it’s one of our big, big success stories. But we are sensible and trying to experiment because, you know, analogies from the past won’t really work in my view for Augmented Reality in a sense, that, you know, you better bring for a new system to fly, for a new technology to fly, you better bring a very concrete use case to the table, ok? And a well-defined use case. And we are, right now, with Junaio, in a state where we are checking out what could be such a very defined use case.

Tish Shute: So how many users does Junaio have now?

Thomas Alt: Let’s put it that way, we are, especially in the last 2 months, we are very satisfied. But we are not disclosing that, because users, and we’re seeing that from the competitive landscape, always needs 1 page of description what exactly a user is.

You understand what I’m saying? So this is why, ’cause we don’t want to up or downplay things, we are very careful saying, with users. Because I mean we have people who are actually also commercially very interested in Junaio…  We go through with them and discuss what exactly a user is. Cause there’s more then…a download is not a user. An app or something on your phone is not a user, basically, in my opinion.

Tish Shute: I am still waiting to see someone do something with AR and the Four Square API, or now the Facebook Places API. Do you see an interesting potential in the marriage of the rapidly emerging location based social networking space and augmented reality?

Thomas Alt: Definitely. Augmented reality offers a way for users to find information around them easily. Adding in the social networking component such as geo-tagging, rating, commenting can enhance the user experience and create engagement beyond just viewing the information. For example, within junaio, an average user can create their own personal channel and geo-tag photos or leave text messages at different locations. They can create a virtual tour of San Francisco and share it with their friends. By connecting the social side with good content, the augmented reality experience becomes more fun and interactive.

Tish Shute: And, of course, there’s the Junaio API. Are you beginning to see developers use that?

Thomas Alt: Yeah exactly, I mean if you go to Junaio.com, you can get a login, you have an API description. And the way it works is, that you bascially set up a call, which contains the information you would like to have in your individual channel. You submit it to us, it will get checked for profanity and other things, basically. And then we admit it to Junaio basically. The API is huge.   You can also use Junaio indoors.

This is very relevant. And there’s a tool chain for that, and so on and so forth. You can do mission-based search with Junaio. It’s in there, it’s called Junaio Glue. And there will be another very interesting feature coming up in a couple of weeks. And you can just do it, you can do a scavenger hunt, a game, normal POI search, and so on and so forth. And it’s all active. And that’s, what’s sometimes difficult for us to communicate, is it’s really a capabilities platform, but on the other hand it’s obviously very good to developers. And I mean on the developers side there’s huge interest.

Shortly after Augmented Reality Event – are2010, I talked with Bruce Sterling on skype and in gdocs about his experience there.  I am posting the conversation in two parts to make it a more blog friendly length!

The picture above is the Auggie Award for the best AR demo (above) designed by Sigal Arad Inbar.  It was won by YDreams! See, Ivan Franco recounts the team’s ARE 2010 experience, and winning the event’s first-ever Auggie Award, for more.   The video below was shot at the YDreams booth by Bruce Sterling.

“The Hotness” – YDreams rocking it at ARE2010 from brucesflickr

Rudy Rucker, who was hanging out with Bruce Sterling, captured the are2010 buzz and some great images in his post, Augmented Reality, Painting, Twitter. As Rudy put it:

“AR is hoping to be a next big thing, a cozier and more commerce-driven cousin of the old VR, or virtual reality.”

Bruce Sterling’s opening key note is up, ARE 2010 Keynote by Bruce Sterling: Bake a Big Pie!, and also the ARE 2010 Keynote by Will Wright: Brilliant Inspiration for the Augmented Reality Community with more videos from are2010 on the way.  One must read post on are2010 is Chris Cameron’s post, Augmented Reality’s Next Steps: Sitting Down with the Titans of AR.

Talking with Bruce Sterling, Part 1

The Auggie panel, Bruce Sterling, Jesse Schell, and Mark Billinghurst inspect the award.

Tish Shute: In your keynote at the 9am of the augmented reality industry you asked some questions of the are2010 audience: “What’s the mission statement?  You’re the world’s first pure play experience designers, except that user experience it’s mostly futuristic hot air.  But run with that, right?  What are your tactical steps?  You should get dressed, have a coffee, have a to-do list.”

How much of that did you see going on in the next two days?

Bruce Sterling: Well, I wasn’t privy to any of the business discussions.  I didn’t think it was an accident that this standard AR enabled tag thing came up from Bruno Uzzan, Total Immersion.  That seemed to me to be a useful thing.  I was always interested in the Augmented Reality Consortium.  It struck me as remarkable that there was this group of people who clearly all knew one another and it had some kind of game plan.  I applaud them for that, because these are not the 1980’s.  [laughs]  You know, it’s just a different world for young startup companies.

Tish Shute: I think you’re right. There seem to be some VC conversations going on, we don’t know what went on in the meetings, but it was noticeable in the atmosphere of excitement, and remarked on by a few people. So I think that kind of was definitely going on.

And, of course, I was so busy I never even got to see the expo properly! You said you wanted to be surprised.

Did anyone surprise you in any of the talks, in any of the expo?

AR used as interfaces for devices

Italian augmented robot from SEAC02 from brucesflickr

Bruce Sterling: I have to say I was a little bit surprised to see Andrea Carignano demoing a robot. I happen to know him because he’s here in Torino. He’s the guy that came out of Fiat and went into AR. I am not a particularly huge robot fan, but I think it’s of great interest that AR is used as interfaces for devices, as opposed to the Jesse Schell idea that AR is all about a “man with the X-ray eyes.”

My suspicion is that a lot of surprises will come out of mashups of AR.

Tish Shute: I didn’t get to see Andrea’s robot.  So what did it do?

Bruce Sterling:  It’s basically a sister device to that little helicopter that those Parrot AR Drone guys were doing.  It’s a little autonomous robot and it runs around with a webcam on it.  You can place video into the acquisition stream coming off the robot.  You can play a game, and blow away imaginary monsters or whatever.

Tish Shute: It’s interesting, because did you notice Will Wright and Patrick O’Shaughnessey, Patched Reality, spend some time hacking the Parrot AR drone in the hallway?  Did you come across them?

Bruce Sterling: Rudy was there with them.  You know, I didn’t want to watch Will Wright hack a robot.

[laughter]

Tish Shute: They seemed to be having fun even though as it turned out the power supply was dead.

Bruce Sterling:  I’m sure Will enjoyed that.  As a game designer, you want to go out and get your hands dirty with a plastic gizmo.

[laughter]

My Swiss Army knife can’t get through airport security, so I really don’t want to strip anything down.  But yeah, what else did I see that was of particular interest?  I was pretty happy about the Korean guys because they are a difficult group to get close to.

AR companies are like mini-global micro-startups.  They’re “glocal”.

“Korean elegance at the Zenitum booth” – from brucesflickr

Tish Shute: Zenitum.  What did you like from Zenitum.  They were one of our sponsors, along with Qualcomm.

Bruce Sterling:  I know that Seoul is like the number one center for augmented reality discussion.  But it’s  difficult to get behind the scenes as a journalist there and  track what’s going on in Korea.  I’m fine with Italian “realtà aumentata.”   And I feel like I’ve got a handle on French “réalité augmentée.”   The Germans were not hard to find, and the Dutch all speak English!  But the Koreans, and whoever the hell it is in Kuala Lumpur…  I have no idea what’s going in Kuala Lumpur, and only the vaguest idea of what’s transpiring in Singapore!  But I know that people there are paying a coherent interest.

So the Koreans show up, and they had some relatively predictable anime style 3D avatar conversion stuff.  But they had a really nice display space.

“Anime figures become three-d smartphone animated avatars,” from brucesflickr

Tish Shute: Ah, So Zenitum created a hot spot at the exhibition?

Bruce Sterling:  Yeah.  The Koreans had  IKEA furniture and some nifty little woven baskets.  They’d really classed up their presentation.  Most Koreans in tech tend to be kind of muscular.  The Koreans are not known for their refined presentations.  On the contrary, they tend to undersell everybody else.  But I don’t know, maybe they’ve been hanging out with Samsung and upgrading their design chops. [laughs]

Tish Shute:  Did you take some photos you could send me?

Bruce Sterling:  I took a few, but  I don’t consider myself a photographer.  They’re all up on my Flickr set. It was interesting to see so many people from so many different nations in such a collegial atmosphere.

Tish Shute: Yes – there were many different countries represented at are2010

Bruce Sterling:  It’s the beginning… and so global at such a young stage.

Tish Shute: Yes. As you said, it was 9 AM, so everyone was actually super excited to be gathered together from across the globe to start a new day together.  As you mentioned, there was a very warm affirmative vibe – everyone sharing a passion.

Bruce Sterling:   They have an online commonality. They seem to be aware of one another’s work through the Internet.

Clearly they had all heard about one another.  That’s a departure from earlier models of tech startup, where you usually have like three hippies in a local garage.  Now you’ve got German-American-Korean outfits like Metaio, and Total Immersion has a Russian affiliate.  They’re inherently multinational, both inside the company and out.

Tish Shute: It was the multinational garage, wasn’t it?

Bruce Sterling:  Yeah.  AR companies are like mini-global micro-startups.  They’re “glocal.” There’s something quite new to me about that.  I don’t find it’s shocking, because in Europe today it’s common to find startup teams who are multinational.  But to see such intense globalism at such an early stage of an industry is really different.

Tish Shute: Yes it made for a fun atmosphere?  It was wonderful running into Iguchi Takahito, Tonchidot.  You have a great rapport with each other despite the language barrier?

Bruce Sterling:  Yeah.  That guy from Tonchidot, he’s very charismatic.  He’s punchy.  That’s reflected in the very strong graphic design from his company.

Tish Shute: Using minimal English to make the case for Sekai No Camera at the Auggies, Iguchi Takahito still got through to the audience.

Bruce Sterling:  Well, his visuals were good.

What AR means for artistic practice…

Picture of Eric Gradman’s Cloud Mirror, from James Alliban post ARE2010 – Augmented Reality utopia in Silicon Valley – see for more on the are2010 ARt Gala

Tish Shute: So before I move on to wider themes, I’m going to wrap up on some of the different aspects of the conference.  I was chairing the technology track but you were more free roaming, was there anything that went on in the sort of hallway discussions and the presentation rooms that struck you?

Bruce Sterling:  Well, I did get collared by artists.   They really wanted to talk to me.  We got into some serious discussions on  what AR means for artistic practice.  How you can do this and reach that, how can one sharpen up one’s presentation?  I mean, they really wanted some art criticism.

Tish Shute: That’s very interesting.  Did you come up with anything that you hadn’t been thinking about already through the conversations?

Bruce Sterling: I’ve seen augmented reality installations before, and I certainly know many electronic artists.  But I don’t know.  People in the AR art space, they are looking for guidance and trying to find fellow spirits.  In their own way, they have the same pioneer spirit as the business people.

Helen Papagiannis shows Iguchi Takahito, Tonchidot, her AR Wonder Turner, an exquisite corpse inspired installation

Tish Shute: Yeah, it’s interesting, because we wanted the art gala to be even bigger, but it turns out, because of the logistics of putting up art in a conference space is fabulously expensive, because it has to be all installed and hung…

Bruce Sterling:  I’m keenly aware of that.  At Share Festival in Turin we bring in six installations, and it’s very heavy work.  It really takes a lot of logistics.  It was like a Battle of the Bands.  It’s like doing a rock concert.

Tish Shute: One of the installations I was really sad to not have there was Uber geeks’  “Steve” H.E.AI.D installation that Brady Forrest & Co. took to Burning Man.

So I was very happy that we actually did get the number of artists we did.

Bruce Sterling:  Well, there aren’t a million AR artists in the world, so it’s hard to judge.   I didn’t see many business people rushing up to have me critique their business plans.

Tish Shute: [laughs]  They were all in the meeting rooms.

Bruce Sterling:  Maybe it’s for the best.

VC and AR Startup Action

The Zenitum Booth, are2010, photo from Chris Cameron’s Flickr stream

Tish Shute: Do you know that why your talk started a few moments late is because we had 50 people who arrived from the Silicon Valley neighborhood I guess!

Bruce Sterling:  Did they not preregister?

Tish Shute: No. They all stood in the line for the same day registration!

Bruce Sterling: It ‘ll be interesting to see what transpires there, if there is a little wave of startup action.  God knows they need some place to put their money, because the VC scene in the US is pretty much moribund.

Tish Shute: Ogmento is the first US AR Games startup to get VC, I think.  I think there was some VC action at are2010 for sure.  And Qualcomm obviously seems to have commercialization plans for their AR technology, and to be scouting talent  and ways to deliver new AR experiences.

Jay Wright, Qualcomm presents Joe Dunn, e23 Games, winner of the are2010 StartUp Launch Pad with a check

Bruce Sterling:  Some  people don’t need venture capital.  I mean, Google Goggles isn’t going to be hurting for VC money, obviously [ see Chris Cameron’s RWW post, Google Goggles Coming Soon to iPhone] .  AR may come up through other methods, like people allying themselves with Hollywood, or peeling off of advertising companies.   There’s a lot of outfits who might conceivably want in-house AR skills.  Then when people set up a specialty AR shop,  they  peel off the list of clients.  I don’t know.  Those old days  of Silicon Valley venture capital seem like a lost world.

Tish Shute: Yes.  I, again, didn’t see anything really of the business tracks and production tracks.  Did you get back and forth between the tracks?

Bruce Sterling:  I went to the Hollywood tracks.  I mean, to the extent that I could.

Is Hollywood stirring? Who’s going to have the first breakout AR property?

Tish Shute: So what did you see from…Is Hollywood stirring?  Is it waking up?  I mean I know Kent Demaine, Oooii,  and Brad Foxhoven, Ogmento, spoke about the Hollywood AR scene.

Bruce Sterling:  There were guys there from LA who were sort of saying, look…they are aware of us, but they just want AR to promote their properties to some particular niche.  They realize that AR is potentially a mass medium and that you could do some real AR entertainment.  So they were batting around some ideas as to where that might happen.  Like, could it come out of a console gaming scene?  Who’s going to have the first breakout AR property?  A popular hit AR property, as opposed to like a neat way to sell shoes, or whatever.   Really, anybody’s guess is as good as theirs or mine.  But at least they were actively guessing.

Tish Shute: I know the breaking the fourth wall discussion has been going on for a while and now the question is, whether AR is going to take down the fourth wall and bring interactive storytelling into the mainstream.  Did you hear any of that?

Bruce Sterling:  Well, I always shy away from discussions of that kind because I don’t think there’s any “final thing.”  Practically everything that AR is involved in right now is  a transitional technology. Also, because I am a storyteller, I get alarmed whenever people in technology start saying, “Oh well, it’s all about telling stories.”  Because obviously it isn’t.

People can tell stories perfectly well orally, and absolutely nobody does that.  AR is not at all about telling stories.  It’s about a great many other things, such as user bases, niche audiences,  media saturation, urban informatics,  convergence culture, and the language of digital media.   I could list these factors until the world looks level. It’s really becoming pretty chaotic.  As I was saying in my speech, AR companies are media startups who almost never use the old-fashioned word “media.”

Tish Shute: Oh, that’s interesting.  Yes.  So why do you think that has happened that way?

Bruce Sterling:  Well, it’s because they are trying to do a different thing than media does.  I mean, they are trying to “augment reality.”  They don’t want you to know that you are using a medium.  They don’t want you to realize that you’re watching computer animation overlaid on some video acquisition stream.  That would defeat the whole point of AR.  It’s entirely different from an analog medium like television, where you turn on the television and there’s a constant stream of station identification alerts.   That’s like: “Don’t touch that dial!  You’re on channel 13!  Stay with us!”  Then it’s like, “And now a few words from our friendly sponsors!”  That medium was engineered to keep your eyeballs locked to a single stream that they’re feeding you.

In AR, it’s much more participative, more geolocative.  I’m not particularly interested in station-identification branding from my AR provider. What I really want to see is the interactivity of the augments they’re bringing to me.  It’s like  FlickR, the photo sharing site. You don’t have any TV-style splash page for FlickR.  “Hi! We’re FlickR! FlickR, bringing your photos to you!” No, FlickR is all about “you, you, you,” your photos, your tags, your friends, your activity around you.   It’s immediately trying to be very participative.

Tish Shute: Will Wright got to that point, didn’t he. He was trying to move us into an idea of blended reality. That the game is about the world, not about the dragons or the overlays per se.

Bruce Sterling: Right. I think that’s true. But see, the world isn’t a medium. A medium is something like this interview,  where I’m connecting to you and there’s a video Skype channel between us.  Whereas AR is more about spatial 3-D,  about 3-dimensional impositions.  Pieces of media: sound, vision, information visualization, tags, floating tags, air tags, icons, arrows, warning signs, warning sounds, tactility, whatever, being brought into the environment around us.

That’s why it’s properly called “augmented reality” instead of just augmented media.   If you call your work “augmented media,” you’re really in trouble. Because if it’s all about augmenting somebody else’s media, why doesn’t that medium just buy you, and augment their own selves?    If you think that way, instead of augmenting the world, you’ll just be a modest little plug-in for old-school media.

The World as the Platform

Blaise Aguera y Arcas, Microsoft, Santa Clara, are2010, photo from Chris Cameron’s Flickr stream

Tish Shute: Yes, which is why Blaise so generously gave the technical underpinning  for augmenting reality in his tech talk – about the trellis and the grapes,  he really explained how the world can become a platform for augmented reality.

Bruce Sterling: I wish I could have seen that. I did not see Blaise’s speech.

Tish Shute: We’re going to put the videos up in better quality.  People in the front row have put it up on the web already.  He really went into some of the challenges of mapping for augmented reality.

Bruce Sterling: His visual-mapping technique is important.  Registration is super important for AR.

Tish Shute: I think it was a really generous talk actually because he went step by step on how we will do this.

Bruce Sterling: I rather imagine that Microsoft has patented those steps.

Tish Shute: Oh, yes, I guess so!

Bruce Sterling: I could be wrong. Maybe they’ll open-source it. You never know.

Tish Shute: You never know. Because the world as a platform isn’t something one company can own, or go it on their own to exploit.

Bruce Sterling: I expect there to be a thorny path, but sometimes I’m surprised. Sometimes people really do try to fertilize the tech field in the hope of getting a good corn crop before they start fighting.

Tish Shute: We’ll I keep hearing that we may even see the unlikely marriage of Apple and Microsoft  – maybe wishful thinking, but there are motivations beyond AR for this unlikely match, and certainly between them these titans have what it takes to realize the grand visions of AR ? [laughs] But who knows…

Bruce Sterling: Well, yeah, it depends on where the thing catches fire.

Tish Shute: Yes. You mean whether AR catches fire in the form of  AR and mapping..

Bruce Sterling: It’s hard to say, but I’m convinced now that there’s more going on than I once thought. I thought that Bruno Uzzan made a very good speech for his company when he talked about how he worked on AR for eleven years.  Eleven years is no flash in the pan.   He has his long list of clients and successful applications. I thought he was right in his impatience with the press for not catching on. It’s gone on for quite awhile. The mere fact that you’re not aware of it, doesn’t mean it doesn’t exist.

The Illusive AR eyewear

My are2010co-chair, Ori Inbar, CEO and co-founder of the hottest new AR game development start-up, Ogmento, donning his goggles to open are2010 – picture from Chris Cameron’s Flickr stream

Tish Shute: Yes. So, the other theme you brought up in your opening keynote and I would be interested to know if anything you saw at are2010 changed your view is the illusive AR eyewear, and  if we actually got AR Goggles that worked they would bring AR’s gothic sister, VR, back from the grave right? [laughs]

Bruce Sterling: Right.

Tish Shute: It took quite a lot of work, but we pulled together a six-company HMD panel, right?

Bruce Sterling: Yeah. I was impressed to see so many of them there.  And I was chagrined to see how prototype-like all their gadgets were. But that doesn’t surprise me, because if any of those head-mounts were remotely working, they would be hyped out the wazoo. Everybody’s been waiting for them and hoping for the best. They’re obviously not ready for prime time. [laughs] Maybe in certain limited applications. Like maybe a diving mask. [laughs]

Tish Shute: No, I think what was nice though they got inspired and they all got together on the last day. I saw them having a meeting about standards. They got inspired to actually work together.

Bruce Sterling: Yeah, well, unless they’re going to invent mechanical eyeballs that those machines can fit onto, it’s going to be tough. OK, I’m a skeptic, but I’m prepared to be surprised. I’m also a skeptic in Artificial Intelligence, but as soon as they bring me an AI that can write a decent novel, I’m going to get it and review that book. [laughs]

Tish Shute: It’s interesting. Re AI, I’m totally in agreement with you. In terms of the way computers turned out, it wasn’t AI per se that they turned out to be good for, not in the way everyone had dreamed of it, rather it was the harvesting of human intelligence that turned out to be the big thing. But what is interesting is that despite all of that, AI or machine learning, as it is now called, permeates our whole society now from the stock market to how many businesses make many of their decisions.

Bruce Sterling: Well, there’s a lot of so-called collective intelligence.  But Marvin Minsky-style hard AI, no way. Alan Turing-style AI, forget about that.

Tish Shute: Yeah. So, that’s an interesting comparison with the HMDs.

Bruce Sterling: People stretch the definitions.  It’s like, well, my car engine is Artificial Intelligence. Yeah, so is your wall transistor. No, I don’t really think so.

And AR is a similarly big tent. I mean, Uzzan had to admit that he had denied that AR was AR, unless it was using his favorite technology. And he felt embarrassed to be rubbing shoulders with people who put AR into cell phones. And I can understand his feeling there, because, gee whiz, that’s certainly not what AR pioneers had in mind. But he had to admit he’d become more ecumenical about it. Obviously, they’re  there and doing business like gangbusters. You can’t very well ignore success, right?

I had a similar feeling about the goggles. Obviously, the goggles would be great, should they work. But if they did work, I rather think virtual reality would come very strongly to the fore.  You’d see people doing all kinds of elaborate immersive-style stuff.   A truly immersive technology doesn’t need to “augment” much of anything.

Tish Shute: Yeah, you’re right.

Social Augmented Experiences

Bruce Sterling: I think many of the most interesting AI aspects are not personal in the way goggles are.  They’re not about guys walking around with personal tech. They’re about big, communal, social-media experiences, like stage shows, and urban informatics, things where large numbers of people can interact with the same augmented reality. The projection mapping, which I go on and on about. Augmented public spectacles.

Tish Shute: Yeah, projection’s our best example of a social augmented experience right now because we are yet to have an easy way to do networked social augmented experiences easily – but that is of course the thrust of my interest in ARWave [see the slides for my presentation, AR Wave:  Federation, Game Dynamics, Semantic Search, Mobile Social Communications here].

Bruce Sterling: I think of Edison’s early days, when he wanted to sell movies to people for a nickel a clip.  You had to bend over and put your eyes on this visor and turn this crank. That coin-op device was easy for Edison to monetize, as opposed to getting a bunch of people to sit in theater seats. But people laugh at movies when they’re together in the seats.   Cinema is a more social, involving experience in a crowd situation.

Tish Shute: But it started with them, didn’t it, Hollywood – the movie biz? Basically Nickelodeons, right?

Bruce Sterling: That’s right. They were Nickelodeons. They were a lot like the goggles because they isolated the user.

Tish Shute: Yeah, that’s a really important point that the goggles are not Nirvana because of this question of whether they actually detract from the social augmented experience and blended realities, by drawing us into VR experiences?

Bruce Sterling: I’m tempted to claim that they’re more a VR technology than an AR technology.

Tish Shute: That’s a very interesting point because…

[thunder]

Tish Shute: Wow! What was that?

Bruce Sterling: Thunder storm.

Tish Shute: Oh, my God, how very Gothic! [laughs]

Bruce Sterling: It can get pretty loud up here in the mountains.

Tish Shute: Oh, you live in the mountains, better still!

Bruce Sterling:  Torino is in the foothills. This is Piemonte. So the Apennines are over there. The Alps are over here. We do get some rather spectacularly unstable weather.

Tish Shute: It sounded like a bomb to my NYC ears. [laughs]

Bruce Sterling: Yeah, it didn’t hit the building, but it was maybe half a kilometer away. I saw the flash.

Tish Shute: Oh, you did?   Well, I hope you don’t lose your power midstream here.    I was really happy to hear of that connection between Rudy Rucker and Layar  [Rudy was touched when Maarten Lens-FizgGerald from Layar said that he met the Layar co-founder at a Rudy Rucker lecture].

Bruce Sterling: That was very fun, yes.

Tish Shute: Wasn’t that wonderful? What was that experience like going around the conference with Rudy?

Bruce Sterling: Well, you know, Rudy’s very into graphics. He’s a mathematician, so he understands the underpinnings of this stuff. But he’s a skeptic. He thinks they’re kid toys. He’s not a gamer. He’s a good old-fashioned computer-science hacker. So he wanted to tell me all about his new eighth-order, fifth-dimensional fractals. He showed me a great many of them. They’re psychedelic. Rudy’s fractals are considerably trippier than most apps that help you find a barber or a train station. [laughs] Rudy really is a visionary. He’s into some very weird stuff.

Gamer Guys at are2010

Brad Foxhoven, Chief Marketing Officer, Co-Founder, Ogmento at are2010

Tish Shute: At are2010 there was a lot of discussion about how game dynamics and AR are going to intersect, right? Anything that you saw of interest there?

Bruce Sterling: Well, obviously, there are gamer guys there. Ori’s a gamer. The gamer guys are getting some money. The big buzz right now in gaming is, of course, social gaming.  Farmville has kicked everybody’s ass because it’s not even a game and yet it has more users than the entire gaming industry.

Tish Shute: I know, right! [laughs]

Bruce Sterling: Obviously that’s kind of humiliating. For a long time, I’ve seen people trying to do giant multiuser games on cell phones. It’s difficult to do because the interface on cell phones is crap, right? People aren’t going to run around responding to SMSs.

I can imagine people running around with little Wii-style bats that have audio and visuals on them. It makes a very large native AR game seem more plausible.

Tish Shute: Yes. that would be cool!

Bruce Sterling: Again, it’s not very gamelike to use those little fiduciary markers.

Tish Shute: No.

Bruce Sterling: Moving little cardboard chips, around like with card games…. It would be pretty easy to set up a little AR chess game.  Star Trek style hologram chess pieces,  and so forth. But it’s just cumbersome.

Tish Shute: And also, from what we’ve seen from things like Foursquare, the proximity based social gaming doesn’t have to offer very much [a crown badge, a mayorship] to get some mind share.. the social is the primary game dynamic…

Bruce Sterling:  I’ve seen a lot of different philosophies of gaming over the years. Who’s to say that Second Life doesn’t have the best idea? They built a little scene and then slammed their gate shut behind them.  But at least they’ve got a really nicely-paying little cult stuck in there. It’s different. And it’s manageable and it’s really theirs, theirs, theirs.  They don’t have to call in outside experts to try and run the monster.   They haven’t blown it up to the scale of Yahoo! where they’ve lost control of the enterprise, and gone into a tailspin of management overhead. Second Life has a very intense, almost a cultish atmosphere among the player-slash-developers.

Tish Shute: One thing that helped them was the thing they were always criticized, that the barrier of entry was so high. But once they got people they never left, right?

Bruce Sterling:  That’s not a bug, that’s a feature.

Tish Shute: One of the best features!

Bruce Sterling: Yeah, it’s like being in Mensa. Why don’t you lower your barriers to entry and get in some interesting stupid people?

Tish Shute: [laughs]

Bruce Sterling: In Mensa, we’d rather sit here making puns about neutrinos and fourth-order quadratic equations. [laughs] OK, that’s a business model, if that’s what you want.

The Man With the X-Ray Eyes!

Jesse Schell’s during his keynote, “Seeing,” at are2010, picture from Chris Cameron’s Flickr stream

Tish Shute: Ok!  Now to unpack the man with the x-ray eyes idea, Jesse Schell’s keynote theme.  This is a root metaphor for AR – making the invisible visible, seeing through walls. To me. I think you kind of wrote the book on this because all my ideas on what radical transparency might be come from you – your idea of Amazon.org is key to how I understand this..

Bruce Sterling: Oh, really? That’s funny.   I was touched that Jesse brought up that famous Corman film, because I was a judge in a fantasy film conference in Trieste earlier this year.  And Roger Corman was there.  He was the guest of honor.   “X: the Man with the X-ray Eyes” was one of the films shown during the conference, and I saw it.  I even had dinner with Roger Corman.  I had never met him before, so that was quite amusing.  The difficulty with a film of that kind is that what we science fiction writers call a “House of Cards Ending.”  In that story structure,  you ramp the thing up until the protagonist sees God, and then he has to be destroyed by the falling pillars of the temple.  That’s a classic science fiction structure:  like Frankenstein.  For the sake of the drama, Corman evades the issue of what’s really going on. For instance, let’s just suppose “the Man with the X-ray eyes” is not in fact a psychopath.  Let’s say he gets a grant from the Department of Health and Human Services, and he acts like a real scientist, not a stock B-movie “mad scientist.” So he has, like, backup guys, and some placebos, and a large group of people to test it on, trusted colleagues, and so forth.  You wouldn’t get any of that movie’s wild activity out of that.  What you would get is like a 5% improvement to people’s vision.

Then, in a year, there would be a 10% improvement in people’s vision.  There would be a  classic industrial story.  A rising star, you know, a cash cow.   Real tech isn’t done by a single guy as a divine curse.  It’s created by classic  tech startup culture.  So a runaway technology really behaves in the way that personal computers do.

Tish Shute: The things that get me all Utopian and happy about this are the ideas like those you first outlined with the notion of Amazon.org.

Bruce Sterling:  It would be easy to do an entirely different kind of film than “Man with the X-ray Eyes.”  Something much less B movie,  much less pat.  I mean, at the end of the film,  he destroys his own hardware and blinds himself.  Why?  For what rational reason would he do that?  Why doesn’t anybody else know the big secret of what he’s doing?  Why aren’t there Koreans doing it?  Why aren’t there Austrians doing it?  Why aren’t there Italians doing it?  Why?  AR doesn’t behave like that.  It’s not one lone guy with magic eye drops.  It’s entire teams of people that have been working on stuff for 17 years.  They all approach it in different ways.

Now, they are going to get scandals in AR.  I can guarantee you that.  They are going to get into  hot water eventually.  At least some people will surely come out and accuse them of being Roger Corman B movie monsters.  But unless they accidentally discover atomic fission or destroy the Gulf of Mexico with an oil spill [laughs], I don’t think they’re going to be particularly badly off!   The trouble I imagine  for AR people is very typical new media trouble.  It’s like movies being accused of corrupting our morals, or comic books being accused of leading to violence, or Google being accused of making us stupid and warping our brains.

I’m not an alarmist in that sense, but at least I’m concerned about real threats.  Roger Corman is a B-movie director who’s trying to sew up his lost plot ends by destroying his hero and his hardware. That’s not very plausible. It’s a nice science fiction movie device, but technology isn’t a movie.

Tish Shute: Yes. Well, the other thing that you always remind us of with AR is not to be saying it’s going to be this glorious moment when it’s no longer gimmickey, no longer pop culture. You always emphasize that’s actually part of what’s good about it.

Bruce Sterling: It’s not an accident that practically everybody in that audience knew about Roger Corman.  Nobody looked surprised; not the Austrians, not the Koreans. They were all like: “Oh, yes! Roger Corman!  Love him!”

Tish Shute: There were so many Rudy Rucker fans. Were you watching Twitter? People like Eric Gradman were succumbing to fanboyz moments..

Bruce Sterling: “Yeah. Rudy Rucker, he’s the best.”

“Rudy Rucker gripping an Augmented Reality shoe” from brucesflickr

Tish Shute: [laughs]  I noticed you inspired him to join Twitter..

Bruce Sterling: Well, I’ve got 8,000 followers and, obviously, a lot of them are Rudy’s fans.  Of course he’s going to be gang-rushed on Twitter. That’s not really any more surprising than two motorcycle stunt guys at the same attraction. And I’m a big fan of his Rudy’s blog.   He’s always got interesting things to say.

Tish Shute: Yes. AR does seem to bring out some of the coolest smartest people!  This morning I had breakfast with Joshua Kauffman in Central Park.  He is an advisor and entrepreneur working on design in the public sphere.  I was feeling rather brain dead and jet lagged.  I told Joshua I was wondering how to get the cottonwool out of my brains for this interview and he suggested,  the All Souls College one-word question interview!  Have you ever heard of that? – although apparently they recently scrapped it.

Bruce Sterling: Well, I’ve heard of All Souls College there in Oxford. What was their interview question?

Tish Shute: They used to use only one word, so they would only give you one word. It’s not a question. Basically, they throw out the word and then you had to spin off from there.

Bruce Sterling: You’re supposed to free-associate on a single word?

Tish Shute: I guess so. I hadn’t heard about it, but Joshua suggested it.

Bruce Sterling:  Well, it’s possible..

Tish Shute: Joshua came up with some good words..

Bruce Sterling: Right.

Tish Shute: We were talking about these proximity-based social work networks like Foursquare and Gowalla and how they may influence the emergence of social augmented experiences.

So Joshua’s suggestion for the first word was “territorialization” e.g. how do these new mobile social experiences like Foursquare,  and the observation that actually rather than breaking down territorialization, which would be a good thing, tend to support territorialization…but perhaps new forms of territorialization?

Bruce Sterling: Yeah, they’re re-intensifying it in a very odd, electronic fashion.

Tish Shute: Yes.

Bruce Sterling: I have noticed that.  It’s not true of stuff like projection mapping or the webcam fiduciary display stuff. But with the handheld stuff, and especially the urban informatic stuff, it really can’t help but take on a local flavor. Layar is like “Augmented Dutch Reality.”

And TonchiDot really is “Augmented Japanese Reality.” It’s hard to imagine a Layar interface going gangbusters at Tokyo.  Whereas the TonchiDot interface, which is very clearly influenced by Anime and cartoon graphics…. Maybe it could find some niche of hipsters in Amsterdam hash bars…

…to be continued in Part 2

The Augmented Reality Event: Bruce Sterling’s keynote from Ori Inbar on Vimeo.

Bruce Sterling’s keynote (aka the prophet of the augmented reality industry) set the bar high on the opening day with a keynote address reminding us all of how awesome it is to be the “world’s first pure play experience designers,”  but also not to forget “whose reality needs to be augmented most,” and “to cut ourselves a space of our own.”

“It’s 9 am in the augmented reality industry…without vision people perish…it’s your chance to build a big pie before you start slicing it up…it’s time for you to get dressed…good luck to you, I’ll be watching you”

Wow! Augmented Reality Event was hotness.  I know, as one of the chairs, it is not like I am a neutral observer.  But, if you were there, and you didn’t pick up on the “warm, affirmative feeling,” as Bruce put it, and the optimism, fun, and cool uber geekery, of are2010, I guess I will have to hear from you in the comments ‘cos the feedback has been incredibly upbeat, so far.

Anyway,  I am still basking in that rare glow of a geekgasm at 9am – the augmented reality industry embracing lovers whose dreams are in still in full flight – no burst bubbles, betrayals, train wrecks, or tragedies in sight yet?  Although Roger Cormanesque horrors were threaded through  Jesse ‘the man with the x-ray specs” Schell’s  closing keynote, “Seeing.”  So keeping watching Ori’s Vimeo stream for Jesse’s keynote  -  it will be up soon and it’s quite a ride!

I leave for England tomorrow to celebrate my mother’s eightieth birthday, so this will be a brief post for now.  But I am looking forward to posting soon a long interview with Bruce Sterling on his experience of are2010.

Bruce Sterling hung out with with Rudy Rucker (see Rudy’s post and pics on are2010 here), attracting fans wherever they went, visiting the expo, going to sessions,  talking generously with all – their table always crowded.  Bruce said he hadn’t had so much fun in a while.  And, apparently, Rudy was touched when Maarten Lens-FizgGerald from Layar said that he met the Layar co-founder at a Rudy Rucker lecture. Awesome!

As Ori says here:

“are 2010 is over. It was a blast.  Many thanks to 400 AR enthusiasts who joined us for 2 days of AR goodness.

Special thanks to our 90 speakers from 40 augmented reality companies, our exhibitors, sponsors, and above all – for Qualcomm.”

People’s slides will be up on the are2010 web site soon. My presentation, AR Wave: Federation, Game Dynamics, and Mobile Social Communications, is already up on slideshare.

You can catch up on some of the highlights of are2010 in Rouli’s linkfest, and check out these pointers he gave to following the event for more.

• Chris Grayson’s twitter account
• Patched Reality’s Patrick O’Shaughnessey and the augmented citizen Dan Romescu are also doing their share on twitter.
• Sophia Parafina ( @spara ) live blogs the event using Google Wave.

I will have a mega post up soon.  But for now here are a few photos that will give you a taste of some of the #are2010 magic.

Bruce gets a t-shirt from tonchidot CEO, Iguchi Takahito ( @iguchi ), after checking out Helen Papagiannis’ AR art

If  an event with Bruce Sterling, Rudy Rucker, Jesse Schell and Blaise Aguera y Arcas there wasn’t already enough awesomeness, check out how Sophia Parafina, Locatively, and Patrick O’Shaughnessy of Patched reality got to hang out with Will Wright – hacking the Parrot AR Drone.  And then, when a dead power supply stopped that adventure in its tracks, Will played some of Patrick’s AR games and gave him feedback.  OMG!  Will’s only the most important game designer the whole world.  There is already some videos shot from the front row up of Jesse Schell’s, Blaise Aguera y Arcas’ and Will Wright’s keynotes up, but the hi res versions are coming soon!

Augmented Twitter

Presenting Augmented Twitter (see video and slides above) at Jeff Pulver’s 140 Characters Conference (#140conf ) was super fun, and great video makes this a conference that you can enjoy catching up on after the fact.  Jeff Pulver does an excellent job of keeping people to a challengingly short format.  Even I managed to bring my talk in under 5 mins!

#140conf is a real time mobile social crowd, and pretty attuned to Augmented Reality.  Everyone had heard of Augmented Reality in the audience, and while most had never tried an AR app, nearly everyone used a mobile social app like, Four Square, Gowalla, or Latitude.   As Dan Harple (@dharple) – Executive Chairman, GyPSii, said in his  interesting presentation, Evolution of Location and Places,  “everyone get’s connection, and that connection in real time is the thing if we can get it, and that real time connection is innately mobile.”

ARwave aims to push mobile, social, real time connection even further with augmented reality.  As Anselm Hook puts it so brilliantly in his presentation at EComm, “AR is about publishing “verbs” – interactive, actionable, digital agents not publishing 3D models.”  I have some mega posts brewing on this topic.  Augmented Reality will need to support publishing game like behavior, and digital agents that can embody a set of actions and reactions.

This need for augmented reality to publish behavior, and to share and integrate, in one view, multiple real time data streams are just some of the reasons AR Wave uses an open federated protocol.  Federation is also particularly important for augmented reality because, as Anselm pointed out at WhereCamp,  AR will certainly demand very efficient distribution of state change at the systems level –  to move the computation to its lowest latency.

The only other cloud over our Augmented Reality party at #140conf  was that #ashtag kept our co-panelist and panel chair from joining us.   Rita J King, @ritajking, who is Innovator-in-Residence at IBM’s Analytics Virtual Center, the “General of the Imagination Age,” and Dancing Ink Productions, and Joshua Fouts, @josholalia, “Cultural Attaché,” and Chief Global Strategist of Dancing Ink, were on a 5 day trek out of #ashcloud, and, sadly, not there for our panel.

Bu Twitter, once again, was a life line in a time of crisis connecting them to TEDxVolcano, an impromptu unconference with must see presentations from Rita and others, see Rita’s blog for more.

So the two of us carried the flag for  Augmented Twitter.  Myself and Jerry Paffenfdorf, futurist, artist, entrepreneur and swell guy – the co-inventor of the most famous real time social web system you have never heard of (actually I tried and loved it in alpha testing, before it was quote “shut down by blood thirsty investors”).

Now Jerry lives in Detroit Michigan where he works on the Loveland Micro-real estate project which is the simplest, cheapest, funnest way to become a land owner.  At a dollar a square inch it mixes video games and real estate, like Farmville for urban development.

Joshua and Rita, our very virtual panel mates, are the first and largest inchvestors, and creating their own micro city within the project.  Jerry is one of the most creative and original thinkers on the planet, so treat yourself to glimpse of what is on his mind in the video above – Loveland, 3D mailbox, canned augmented reality, and the relationship of virtual worlds to the real time social web.

Jerry also hat tipped one of the most captivating projects and presentations of the conference, Alon Nir’s, The Story Behind @TheKotel, “Tweet Yr Prayers!”  What a great story about the power of Twitter to reach out into the world, and beyond!  I got a chance to chat with Alon at #140conf, and I found out he is brother of augmented reality guru, Rouli Nir, @augmented.  Rouli is known for his sharp and comprehensive AR commentary on Augmented Times and Games Alfresco.  Cool family!

Before I close this post, I want to mention @AndyDixn’s talk on the prison sysetm, A conversation with Andy Dixon: What the prison yard & twitter have in common.  This conversation, I think, is a great example about what makes #140conf special.  As @nwjerseyliz pointed out, we, “hear few voices from those who’ve experienced that side of the issue.”

Thank you @jeffpulver for creating such a cool staging for so many diverse voices.

And before I close here is what the only slide I didn’t have time to show said!

If you liked “Augmented Twitter”
Don’t miss Augmented Reality Event!

2 days, 3 tracks, 40 AR companies, 76 SpeakersArt! Magic! Competitions! Awards!Bruce (the Prophet) Sterling, Will (The Sims) Wright, Jesse (Gamepocalypse) Schell, Blaise Aguera y Arcas (Microsoft Bing) and You! The sneak preview of the schedule is here.

Register today at Augmented Reality Event.com

Discount code for @140 attendees, (and readers of this post!) TISH245 activates $245 price for full conference.

See you there!

Today, I was very excited when Thomas Wrobel sent me a draft of, “Everything Everywhere: A proposal for an Augmented Reality Network system based on existing protocols and infrastructure.”

Thomas has kindly agreed to let me publish his draft, to open a discussion on this topic. The diagram opening this post (click image to enlarge) shows, “An example of how collaborative 3D-spaces could be shared over existing IRC networks.” It is from Thomas’ proposal. The full text of his paper is included later in this post.

“Can we try to avoid a browser war this time?”

Thomas notes in the closing remark to his paper:

“I am absolutely confident in my belief AR will become at least as important as the web has, and probably a lot more so. It will also face much the same hurdles and challenges getting established as that medium did. But, speaking as a web-developer, can we try to avoid a browser war this time?”

Thomas Wrobel has consistently posted insightful comments on how existing standards could be used for creating open augmented reality networks. But he expressed concern to me that his work and this paper not be overplayed:

“I’m hardly a leader, I’m just an amateur with a load of ideas on AR-related topics, some which might be useful, others might become unworkable. I don’t want anyone to get the impression this is how I think it has to, or should be done.”

I have brought/am bringing up this topic of using existing standards and infrastructure where possible for open augmented reality networks in all my interviews with members of the AR Consortium.

And I am finding agreement on a point that Robert Rice makes, “there is no perfect, ultimate solution *now*, but we have to do *something* to work from and refine/evolve.”

Thomas Wrobel makes what I consider some crucial opening suggestions. I take my hat off to him for thinking about this early, coming up with some clear, elegant, and practical ideas, and doing the work to articulate these ideas so others can participate in evolving them.  Massive props for that, many times over.

Good ideas on standards at an early stage of  a developing industry like augmented reality are like spring sunshine and April showers for new crops. No one knows what storms and pests the growing season will bring – but water and sunshine (open standards) are always a good start. And, personally, I can’t wait to see how this new industry unfolds (see Bruce Sterling’s Layar Conference awesome keynote : “At the Dawn of the Augmented Reality Industry.”)

Thomas Wrobel is:

“a web developer working for a small, brand-new company called Lost Again, which mostly works on ARGs (That is, the alternate reality games, not the augmented reality games, although there’s probably going to be big overlap there in the future). We developed two educational ARG games for the Netherlands with a company called res-nova.”

I have been following Alternate Reality Games  through the amazing work of Elan Lee and Fourth Wall Studios. Like Thomas, I think the intersection of ARGs and augmented realities is going to be very interesting. Thomas wanted me to point out that the website for his company with Bertine van Hövell, http://www.lostagain.nl/, is just a placeholder for now.

“Probably be up fully within a week or two. And, “despite the logo, we aren’t an AR company [yet], or a travel firm. The logos supposed to represent being lost in our minds.”

Thomas has been thinking about the topic of an open augmented reality network for a while now.  He is an artist also known as DarkFlame and his ARN network is included in this augmented reality concept for 2086 he did in 2006 (click on image below to enlarge).

Beyond IRC

Both Thomas and Mez Breeze made extensive and insightful comments on my last post, “Augmented Reality – Bigger Than the Web: Second Interview with Robert Rice.” And in particular they both picked up on something I am very interested in – the potential use of the Google Wave Web of protocols in creating open augmented reality networks.

Mez in her brilliant brainsplosion on social tesseracting takes on the very definition of information:

“Tish, when you ask Robert “…what is your approach to delivering a massively shared real time [augmented reality] experience that is like Wave not confined to a walled garden?” that’s an extremely relevant question + one that needs to be addressed while considering the entirety of the Reality-Virtual Continuum. I’ve recently finished a series of articles addressing this: the framework I’ve developed is termed “Social Tesseracting.”

I have recently begun exploring the Google Wave Web of Protocols which are nicely outlined in this post by J Aaron Farr which includes the very interesting diagram below (so more on Google Wave in another post).

But, as Thomas notes, while he demonstrates his ideas using IRC (Internet Relay Chat) they reach Beyond IRC:

“As mentioned before IRC has some drawbacks, which are due to its age or method of working. As such, future systems might yet prove better alternatives for a open AR network. One example of such a system is Google Wave. It shares many of the advantages of IRC (open, anyone can create a channel of data, different permission levels can be set and its free), while avoiding some critical restrictions. (The data can be persistent). I believe some of the ideas I’ve mentioned, and possibly even the proposed protocol string could be adapted for Google Wave or other future systems. I believe overall the principles are more important then any specific implementation to get to them”

Also Thomas pointed that while he uses markers to illustrate some of his examples, they are just a method for tracking.  What he is presenting is going to be transparent to the methodology of registration/tracking.

Tish Shute: You mostly use marker based examples but there is no reason why the principles you are suggesting will not be just as relevant as we move more into using more sophisticated image recognition tools is there?

Thomas Wrobel: No reason whatsoever. I mostly choose familiar markers as something that could be used now, with a lot of coding library’s already established for them. I think for most future AR use, markers will go completely…especially outside. Either things will be done purely by gps, object recognition, or the (in the case of advertising) markers will look like normal posters.

However, I do think traditional markers might “cling on” as being used for non geographical specific stuff at home. After all, if you need some reference points for moving mesh’s about in real time…(say, when playing a board game with a friend on the other side of the world)….then there’s probably nothing that’s going to be more practical then some simple bits of paper or card.

Everything Everywhere

-  A proposal for an Augmented Reality Network system based on existing protocols and infrastructure.

by Thomas Wrobel

The following paper is my vision of a open AR Network and potential methods to implement it with existing technologies. Specifically I’ll be focusing on a potential for a global outdoor AR network, although the ideas aren’t limited to that.

Of course I call it “my” vision, but I’m obviously not the first to have many of these ideas. I have been influenced and inspired by many things…

[Some of Thomas Wrobel’s influences – watched and played. Images  from Mitsuo Iso’s Denno Coil (Click to enlarge) top,  below from the game “Metroid Prime,” and Terminator, and the last from Buffy the Vampire Slayer!]

The AR Network.

When I speak of a future AR Network, I mean one as universal and as standard as the internet. One where people can connect from any number of devices, and without additional downloads, experience the majority of the content.
Where people can just point their phone, webcam, or pair of AR glasses anywhere were a virtual object should be, and they will see it. The user experience is seamless, AR comes to them without them needing to “prepare” their device for it.

From this point forward, I will refer to this future AR Network simple as the “Arn”.

The Arn should be an inclusive, and open platform where any number of devices can connect to, and anyone can make and host their own location-specific models or data.
It should allow people to communicate both publicly and privately, and not have their vision constantly cluttered with things they don’t want to see.

There’s two old, existing paradigms that I think can help reach this goal when they are combined.

The Internet Relay Photoshop.

IRC, or Internet Relay Chat was a chat system designed by Jarkko Oikarinen in the late 80′s.

Its a system where people meet on “channels”, they can talk in groups, or privately. Channels can be read-only, or open to all to contribute to. There is no restriction to the number of people that can participate in a given discussion, or the number of channels that can be formed. All servers are interconnected and pass messages from user to user over the network.

To me, this relatively old internet technology is a great template, or even foundation, for how the Arn could operate. Rather then text being exchanged, it would be mesh data (or links to mesh data), but other then that much of the same principles could apply.

People could join channels of information to view or contribute. Families could leave messages to each other scribbled in mid-air on private channels. Strangers can watch AR games being played between people in parks. People going into a restaurant could see the comments from recent guests hovering by the menu items.
None of this would have to be called up specially, if they are on the right channel when it was broadcast, they will see it.

The IRC paradigm becomes particularly powerful when combined with another one common to many computer users; that of a “Layer” in an art program, such as Photoshop or Paint Shop Pro.
As most of us know, layers allow us to separate out different components of a piece of art while editing, either to focus our attention on one piece, or to make future editing easier.

Now what if we simply have each “channel” of information represented as a layer?

Click to enlarge image above.

Having channels corresponding to layers is an easy and intuitive way for the Arn to operate. The user can login and contribute data to any channel, like IRC as well as adjusting the desired opacity and visual range of each layer, like they would a layer in Photoshop.

In this way they can get a custom view of the world, both with shared and personal AR elements visible at the same time.
They would not have to switch between various overlays to their world view, as they could see many at the same time.

Persistence of Data

With IRC or IRC-like system to communicate the data sent is mostly temporary data…broadcast on the fly from user to user and device to device. Retained in the users local logs, but not “hosted” anywhere.

I think for the majority of day to day purpose’s this is not so much a drawback, but actually desired for AR. Most casual communication doesn’t need to be recorded permanently in 3D space and, indeed, if it was, the cost of running such a service would increase exponentially with users and with time. Not to mention, our visual view of the world would get very cluttered very quickly. Imagine what your monitor would be like if it kept a history of every window you have ever opened and their positions!

So for most cases AR space should be treated like a 3D monitor letting us display many pieces of data from remote and local sources, and even to share them with others, but not being, by default, a permanent record for it all.

Most data will be analogous to pixels on a display, and if kept in records its only on the clients devices, not on the network itself.

However, occasionally we do want 3d data analogous to a web-page, such as (in the example above), the map layer. Data here should be persistent and visible to all that have that layered turned on.  I see no reason why hosting this data needs to use anything else but standard web-hosting with the (read only) #channel on the Arn merely providing a route to the data.

As the user logs onto the channel, the server, using a chat-bot, can send them a list of meshes with location data attached, and the Arn browser can simply pick the data to display that’s local to them. (Note 1: By doing it this way around, it allows some degree of anonymity to be possible, rather then the server knowing exactly where you are and feeding the specific correct string to you.)

We simply need to establish standards so this data can be pulled up and interpreted.

For instance, this standard could be as simple as a XML string pointing to a KML file on a server. This could then be then displayed in the users field of view at the co-ordinates specified.

In this way permanent data tied to locations, such as historical overlays or maps, could co-exist on the same protocol as temporary data such as mid-air chat’s or gaming related meshes.

There is also no reason why this shared-space/personal spaces based on channels of data has to be restricted to things given absolute co-ordinates.

(Different ways to access the same mesh)

It could work just as well with Markers and thus relative co-ordinates.

This would be mostly useful for indoor use, letting people logged onto a channel see the same meshes as everyone else on the markers. Thus allowing multi-player AR games, or AR games with observers very easily.

For example; games like Chess could be played between people with no additional code needed; You simply have a set of markers for only your own pieces, and as you move them the channel updates with the new positions, which are displayed in place in your opponents field of view.

This sort of game comes “free” with just having a generic system of shared space supporting markers.

It would also allow AR adverts down the street or in magazines to be viewed by simply logging onto the right AR channel

If markers are designed with URL data in them, this could even be a prompted or automatic process.
“There is visual data in this area on the following channel; #ABCD would you like to view this channel?”

Pros and Cons of using IRC or IRC-like systems

Pros;

• Anyone can write a IRC interface software.
• Anyone can create new IRC channels without cost
• Channels can have read and write permissions set.
• Users can easily have multiple channels open at once.
• Already established with thousands of severs worldwide.

Cons;

• 500-or-so character limit. 3D data must be linked too, not sent.
• Slow update rate. Lines of data can take a whole second or more to send.
• Non-persistent. Good for a 3d-view, not good for storage.

An example of how collaborative 3D-spaces could be shared over existing IRC networks;

Click on the image to enlarge

While in the long run I would hope for a dedicated AR network to be developed, with greater flexibility with persistence of data, there is a lot that can be done with the existing IRC system to implement the ideas mentioned above.

Below I will show an example of simple, crude, pseudo-protocol that could be fairly easily implemented to create shared AR spaces broadcast across IRC channels.

Its important to note, the goal here isn’t to exchange the mesh data itself on IRC, its to exchange links to the data.

Exchanging the mesh data directly within the 500 character IRC limit would be very hard, and liable to errors.

It’s also a waste of network bandwidth, as many people logged onto the channel might not have that object in their field of view, so their clients should not bother downloading it. (it should be up to the client browsers when to anticipate and cache mesh data).

Proposed Basic XML link exchange for AR;

Principle;
As user creates or changes an object, the clients software  posts a simple xml formatted string to
the IRC channel.
Anyone logged into that channel then sees that mesh displayed in the specified location.

This string could be formatted as follows;

<Mesh
ID=”DARKFLAME:1”
Obj=”http://www.darkflame.co.uk/mesh/church/chuch.kml”
Loc=”(49.5000123,-123.5000123)”
Permissions=”None”
LastUpdate=”12/12/0000,2012:12”
/>

This string allows other users client logged into the channel to automatically load the object from the URL and display it at the correct position in their field of view.
If the permissions are set to allow it, they could then move the object themselves, with the update being feeding back seamlessly to other users on the channel.

The objects posted are given an ID, which can be just the posters name, followed by a unique object number for that name. These unique ID’s would allow clients to track different instances of the same mesh, as well as making it easy to implement permissions. (if only the poster should be allowed to move this object, then the clients simply check if ID matches the user name posting the update. If its not, they can ignore it).

Next the objects need to be linked to a mesh.

The location of the objects mesh doesn’t have to be a fixed remotely-hosted url, it could be an IP address and port number of the user posting the mesh,hosted by the application posting the link to the channel.

Obj=”www.darkflame.co.uk/mesh/church/chuch.kml”
Obj=”123,223,14,23::3030”

The objects co-ordinates, likewise, need not be specified as absolute gps co-ordinates, but instead could refer to generic Marker.

Loc=”(49.5000123,-123.5000123)”
Loc=”Marker1”
Or relative to a marker;
Loc=”Marker4 (+0.0023,-0.0023)”
Or relative to a default plane;
Loc=”Default(+0.213,-0.123)”

The AR Browsers could then handle the association between the Markers pattern and its Name.
This way the markers are reusable, they do need unique markers to be printed for every new bit of AR they want to look at.
Users could just keep a set of generic markers handy, which they could simply assign to be Marker1,Marker2 etc for any AR use. (Note 2: As mentioned above specific makers could also contain a default ID name and channel built into their data, letting the Arn browser simply prompt the user if they want to see the model even if they aren’t in the right channel. This set up would be most useful for paper and even billboard advertising.)

The Default location could be a settable region, or marker, on the clients browser that defines a playable/user-able area in the field of view. Mostly useful for home use, this could typical be a square region on a users desk.

So, in the chess-game example, the client of the person making the moves simply updates the position relative to the Default every time they move their marker (which is tied to a chess piece mesh).
Then the (non-owners) clients software could automatically display it relative to their Default plane. This would make games like Chess, Checkers, Go or any other game involving merely moving objects about automatically very intuitive and easy to set up.

So by having meshes settable to absolute gps, marker-relative, or default-relative locations, reduces the bother necessary to experience AR content quite considerably, and makes “non-geo-specific” AR applications and games trivial to implement.

Next is permissions.

Mesh-permissions would be a simple string saying who else can update the data, if anyone.

eg;
Permissions=”None”
Permissions=”RandomPerson1, RandomPerson2”
Permissions=”All”

By default you could only update or move your own meshes. (identified by the ID of first posting). If you attempt to update anyone else’s,  their clients would just ignore it.

Thus in a game of chess, you can only move your own pieces. If you attempted to move your opponents (by reassigning  your own marker to their pieces Ids), the clients would just ignore that assignment. You’d only be fooling your own system.
Likewise, when pinning a message in mid-air for your friends to read, no one else can change that message without your permission, although copying it would be easy.  (Note 3: It’s important to note this sort of object-specific permission system is in addition to the global-permissions, or “user-modes” it’s possible to set for the IRC channels and users as a whole.)

Finally, as object data could change within all sorts of time-scales, the easiest way to keep everyone logged in up to date is to just have a time-stamp of when each model was last updated.

LastUpdate=”12/12/0000,2012:12”

This would not necessarily be the same as the XML string post date, because the models mesh might not be updated, but merely moved, and in such case the Arn browser shouldn’t redownload the mesh.

This sort of arrangement could be used as a standard today, and users wouldn’t have to constantly download special AR programs to view a single AR mesh.

In the long-term I would hope for more advanced methods to manipulate Arn-content online, analogous to Dom manipulation in web-pages. But for now, we should at least establish standard methods for devices to pull up meshes and overlay them in the correct position.

So, having a layered system could give the user a seamless blend of dynamic and static data with which to paint their world with.
I believe this is all relatively easy to achieve using modifications of existing web technology, combined with some basic graphics systems.

Local Data:

However, so far I have only talked about remote data.
What of programs originating on the device itself? This is, after all, how most AR software we have at the moment works.

I think, that just like the remote channels, local software should also be blended into the same list of layers.  People shouldn’t have to “Alt+Tab” out of one view of the world, to see another.
They should be able to see both at once, if they wish.

For instance, if your playing a AR game, why shouldn’t your chat window be viewable at the same time?

If you have skinned your environment with a custom view of the world, why shouldn’t you also see mapping or restaurant recommendations?

So local data and remote data should be blended in the same view.
How can AR software – of which I hope, there will be  thousands – seamlessly be expected to layer their graphics, not only with the real world, but with each other, and with online data too? Will games and software makers need to co-operate to allow their graphics to be integrated together with correct occlusion taken into account? A tall order, no?

I must confess though, my technology knowledge fails me here.

I can only guess special graphics drivers, or 3D APIs,  will have to be developed to let programs share their 3D world with that of a Arn browser.
Maybe programmes should simply treat themselves as a local-sever which the browser can connect too, and let the Arn handle all the rendering itself (although I imagine many games designers would find this quite limiting).
So I leave it as an exercise to the readers to discuss and propose the best methods by which this vision of a layered world could be realised..

Beyond IRC:

As mentioned before IRC has some drawbacks, which are due to its age or method of working.
As such, future systems might yet prove better alternatives for a open AR network.
One example of such a system is Google Wave.
It shares many of the advantages of IRC (open, anyone can create a channel of data, different permission levels can be set and its free), while avoiding some critical restrictions. (The data can be persistent).
I believe some of the ideas I’ve mentioned, and possibly even the proposed protocol string could be adapted for Google Wave or other future systems.
I believe overall the principles are more important then any specific implementation to get to them.

Summary;

⁃    In order for AR to flourish the user shouldn’t need to download a separate application for each mesh they want to see.
⁃     Having url’s embedded into QRCoded markers which point to standard mesh files like dxf or kml would be a way to do this right now.  The QR code would only have to be seen precisely  in shot once, then its borders could be used like a standard marker.

⁃    An augmented view of the world needs to support visual multitasking, and having  layers of information is the best way to do that.
⁃
⁃    Methods need to be devised to allow drastically different software to contribute to these layers, without restricting either the software’s rendering ability’s, or the users ability to pick and choose what layers of information he wants to see.

Last point;

I am absolutely confident in my belief AR will become at least as important as the web has, and probably a lot more so. It will also face much the same hurdles and challenges getting established as that medium did.
But, speaking as a web-developer, can we try to avoid a browser war this time?

Everything Everywhere , draft.
by Thomas Wrobel
Darkflame a t gmail

Recently, I talked to Ori Inbar (above), formerly senior vice- president at SAP.  Ori is on a mission to make augmented reality commercially successful not in 5, 10, or 15 years, but now. Ori is the founder of Pookatak Games – a video game company, “with a vision to upgrade the way people experience the world.” Ori will be participating May 20th, in O’Reilly’s Where 2.0 panel, “Mobile Reality” -  an event not to be missed IMO.

The taste for computing anywhere anytime has entered human culture via the iphone and is spreading like chocolate cake and pizza at a preschool party (see why the iPhone changed everything).  And while the full flowering of the next step is yet to come – computing anywhere, anytime by anyone and anything (“the internet of things”), our love for these first devices capable of being mediating artifacts for ubiquitous computing (Adam Greenfield) is a vital first step to free us from our tethers to computer screens, and fulfill the promise of augmented reality.

If you need more convincing on the pivotal role augmented reality will play as the web moves into the world, check out Tim O’Reilly’s recent comments in this video clip posted on Augmented Times and here early last year.

From another perspective, the gloomy specter of economic and environmental catastrophe  is driving a movement to “infuse intelligence into the way the world work’s.” But the challenge for a smart planet is not just about making environments smart, it is about using smart environments to enable people to act smarter (see my interview with Adam Greenfield).

We need a rapid upgrade in both the way the world works, and the way we experience the world.

((Note:  It is time to read (if you haven’t already) Bruce Sterling’s Caryatids (Cory Doctorow’s book of the year for 2009) “as a software design manual” (see Julian Bleeker) because Caryatids reveals the Gordian knots of human folly, greed, compassion and desire entwined in near future designs for technologies to save the world.))

Ori Inbar, worked with Shai Agassi (Shai is now leading the world changing Better Place ) driving Netweaver from a mere concept to a “major, major business for SAP.” So Ori has already been through the cycle of working in a very small startup and growing it into a billion dollar business.  He has both the experience and the passion to realize his vision for augmented reality.

At Pookatak, he explains :

“We design “reality experiences” that make users’ immediate environments more significant to them. We wish to free young and old from getting lost in front of the screen. By delivering the world’s information to people’s field of view, and by weaving real world objects into interactive narratives, we help people rediscover the real world.”

Pookatak will release their first game this summer. Currently it is under wraps. But Ori gives us some glimpses of what is to come in the interview below.

In addition to founding Pookatak, Ori is involved in a broader effort to move augmented reality forward. On his blog, Games Alfresco – he recently welcomed a new partner, Rouli Nir, Ori has focused his eye of wisdom on every significant recent advance in Augmented Reality (check out this essence of Ori’s thinking in a fast paced video presentation for WARM ‘09).

Also Ori is one of the organizers of the interactive media track at ISMAR 2009.  At ISMAR this year, Ori explained, “we are trying to bring in people that develop interactive experiences for consumers, beyond the traditional attendees coming from a research perspective.”

In the interview below, Ori explains much of his thinking on how augmented reality will become commercially successful.  Enjoy it, think about it, and share it. And most importantly, if you can, get involved with ISMAR 2009.

Ori  has inspired me to participate in ISMAR this year.  Ori pointed out:

The call for papers is on, and this year it targets well beyond the typical research papers audience and into interactive media and art folks.

There are plenty of opportunities such as:

Art Gallery

Demonstrations

Tutorial

Workshops

It’s a huge opportunity to shape the emergence of augmented reality.

Interview With Ori Inbar

Making Augmented Reality Commercially Successful

Tish Shute: You are considered a key trail blazer in AR and you have the go to blog for augmented reality!  What are the most important lessons you have learned researching, writing, and developing AR in the last couple of years?

Ori Inbar: You need to have a vision. You need to know where this is going to go in ten or fifteen or twenty years. But you’ve got to start with something really simple that makes use of the technology you have on hand. And do something that is practical, that people will like, and something they would actually want to buy. Its as simple as that. I’m currently looking at what we could do with existing technology. First of all, you have to put it in front of people. Right now most people have never heard about the term augmented reality. Go into the street, and ask 100 people about it, maybe 2 would know about it. So you need to put it in front of people because most people think it’s still science fiction or a special effect you see in movies, not something you can experience in real life.

Tish: It seems to me to that for augmented reality applications to become popular with existing technology the key breakthrough would be getting people to hold up their phones. What are the obstacles to getting people to use their mobile devices like this?

Ori: There’s a really nice cartoon by Tonchidot (below) – the Japanese company behind the Sekai Camera. It’s an illustration showing the evolution of man, from ape to man (holding a cell phone looking down), to the developed man holding a device like a camera – in front of its eyes.

Which is exactly what you’re talking about. People ask, “are people going to walk with this like that all day long?” Probably not. I mean you have to build it in a way that doesn’t require them to hold it like that all the time. People are used to this gesture with the ubiquitous digital cameras. I tested one of my prototypes on a two and a half year old girl. She had no problem holding it just like she holds a camera.

Tish: Blair MacIntyre mentioned, “The problem with the mobile phone as a AR device is a problem of awareness,” i.e., you have to have a way of letting people know when there’s something interesting wherever they are. One of the issues regarding this is if you get too many alerts, then you tune them out.

Ori: First of all Blair is one of the people in academia that get it. Because he looks at it from an experience perspective. Not just as an interesting technical problem to solve. Let’s start with getting people to enjoy this new experience. The AR demos so far were mostly eye candies, and mostly for advertising – the GE AR ad created a lot of buzz; but you look at it for 10 seconds and you forget about it.  You need to build something that people would want to experience over time and would be willing to pay for. I think that’s the big test, right?

Now in terms of having a ubiquitous experience where you’re continously connected, it doesn’t have to be an overwhelming experience. Just like some of the social media tools we’re using today, we decide when to connect, and we filter out the trash. You could get alerts only for things that really matter to you, not for everything that happens in your immediate environment.

There will be many layers of information, and it’ll be up to you to pick the ones you want to experience. The real benefit is that you get the information in your own field of view and in context of where you are or what you do.

Tish: So what are you working on these days?

Ori: We are working on a little app that targets a very different audience than what you’d expect: pre schoolers. We think we can encourage them to get away from a PC or TV screen and learn something while playing – in the real world. You’ll hear more about it as soon as this summer. Nuff said.

But, it is a small application that will run on the iPhone. People ask how many pre-schoolers own iPhones? Well, their parents do.

Tish: Yes there are certainly many New York kids with iPhones – my kid now has my old iphone.  He has pretty much switched from playing games on his DS to the iPhone. I noticed in your WARM video you place a big emphasis on AR as something that will get kids away from screens and engaged with reality.  This is something parents will approve of!

Ori: Yes I saw something really interesting at my kids’ party one day; they were all sitting around the room – looking down at their own DS screens.  You could play the DS anywhere, but kids would usually play it on the sofa, looking at the screen, isolated from the world. With an iPhone and a camera, and the application we’re producing, reality becomes part of the game. Yes that makes it all of a sudden much more interesting for parents. Because kids are spending so much time in front of the screen, all of a sudden they’re something that will encourage them to interact with real objects, real things. Every parent I’ve talked to loves that idea.

Tish: Yes that is what is cool about the work of Kati London – I think I saw someone say this on Twitter, “Kati puts the computer in the game not the game in the computer.”

Ori: Yes, kids are spending more time in front of games and the computer because it’s more interesting. It captivates them with “game pleasures ” that tap into their brain’s dopamine circuitry – constantly seeking reward and satisfaction. So you’re not going to be able to tell them to go back to playing in reality without these pleasures. We have to study these mechanics from games and bring them into reality. It’s about programming real life; and augmented reality helps you achieve that.

Here’s an example: cause and effect; in a game when you do something you always get an immediate effect. You’re good, you get a reward. You’re not good, you get a cue to improve. In real life you do things and you could wait 2 or 3 years until you actually get feedback (if you’re lucky). Augmented Reality allows you to bring these mechanics into the real world. I think that’s going to help kids rediscover reality, in a new sense, which is what every parent is dreaming about.

Tish: I don’t know how much you can say about your app. But in regard to doing augmented reality on the iPhone.. there’s no compass. Is this a limitation?

Ori: True, no compass yet. But the camera gives you a lot of information that you can interact with. When you run the application, you see the world in front of you, and if the app can recognize real life objects – it can put virtual elements on top of it.

Tish: But not with any accuracy unless you’re using markers. Are you using markers?

Ori: We’re using natural feature recognition. It doesn’t have to be an ugly looking marker. It can be any image.

Tish: So you’re using image recognition. Are you working with one of these image recognition startup companies (list here )?

Ori: We’re working with one of those. What’s unique about it is it runs very nicely on any cell phone, and on the iPhone it works the best. For this first app, it doesn’t really matter where you are physically; the geolocation is not part of the experience.

Tish: For a truly engaging AR experience we will need more of a backend than is currently available?

Ori: I call the backend the cloud, where you have all this information and ways to access it from anywhere. Actually I think it’s become pretty mature today. If you look at the different elements required to enable an augmented reality experience to work, you have – first – the user whose always in the center. Then you have the lens. The lens can be an iPhone, or glasses, even a projector. The lens allows you to watch, sense and track information in the real world: people, places, things. Then in the backend you have the cloud where you store and retrieve information.

So if you look at the maturity of these different elements, I think the cloud is in pretty good shape. Because there’s so much information we’re collecting and storing. Anything from Google, Wikipedia, Facebook, all that kind of stuff, it’s a lot of useful information you can access from anywhere using APIs. And a lot of it is also starting to include geolocation information. Take Loopt or Google’s friends service that allows you to see where your friends are and what they’re doing. There’s tons of information out there and it’s pretty easy to access it. Now what do you do with it is the question?

Wikitude is such a simple and brilliant application and nobody thought about doing it until this guy from Salzburg did. It doesn’t have any sophisticated visual tracking. It knows your position and it’s simply looking at the angle you’re pointing to. Based on these parameters it brings information from Wikipedia that pertains to your field of view. So most of it was already there. It’s just a matter of connecting the pieces in an experience that is valuable for people.

Tish: It is the uptake of even a very simple technology that puts the magic in it.

Ori:  Yes, take Twitter. If you go to its homepage it looks like a very simple boring app but it is something that is both enjoyable and very useful to people.

Why you should participate in ISMAR 2009

Tish: I know that you are involved in organizing  ISMAR (picture above from Ori’s post on “ISMAR 2009: The World’s Best Augmented Reality Event…,“) and there is a call out for papers and for volunteers, can you tell me more about it?

Ori: Yes, we hope to have the first ISMAR where we practice what we have just discussed: let’s build on all the research invested so far and instead of thinking only about 5-10 years from now, let’s see what we can do today. So we are bringing people in from other disciplines – artists, interactive media developers and people from the entertainment industry.  The goal is to use the technology to make something interesting for people – again, something that people would buy, and making it commercially successful.  Many people either don’t know about ISMAR because in the past it was a pure engineering-orientated event and people  from a commercial perspective of AR weren’t attracted to it.  The Chair of the Event this year is based in Florida and he is going to bring in a lot of people from the entertainment industry such as Disney. I think this will transform this event into something more like SIGGRAPH – more of an industry event.  As one of the organizers of the interactive media track we are trying to bring in people that want to build applications for consumers.

Tish: In terms of AR applications what are the flagships today?

Ori: There are very few because it’s just the beginning. There’s one tiny studio in France called Int 13 . They’ve created maybe the first commercial game running on a mobile device using AR technology. It’s called Kweekies. It was one of the contenders for the Nokia Mobile innovation awards. They were one of the ten finalists, but they didn’t win it. It’s looks really cool. It’s somethng that runs on your desk, with a marker. Many AR folks say markers are the past, markers are ugly. But it’s still a cool experience. I think people will go for it.

Tish: Yes I think we will have to look to small companies that are free to think creatively to lead the way.  It seems many games companies are tied up pulling off huge big budget projects and enterprise is still catching up on how to use social media!

Ori: Yes, last year I was in the game development conference (GDC); there was no mention of augmented reality – not on the exhibition floor, none of the sessions, nobody talked about it. I was stunned. Then this year, there was a little a change. There were like three demos on the exhibition floor, Metaio, Vuzix and a Dutch company called Beyond Reality.  And then there was Blair’s talk, which was very very cool. The room was packed with people. And after the talk there were dozens of people lining up to talk with him about the topic. There was definitely interest, but still on the very edge. The video game industry is still a hit driven business and publishers spend upward of 20-30 million dollar to create the best AAA game possible. They just can’t take the risk. So it’s going to come from smaller companies, from outsiders coming in with a vision and understanding on how to put the AR pieces together to create a totally new experience.

Tish: But the basic tool set is there isn’t it?

Ori: I talked to some folks at the games developer conference, many folks with MMO background, and they have great ideas about AR. It’s great to see different people with different views on what’s needed first. “Joe the Programmer” had this idea of creating a small piece of hardware that you can put in every house and provide accurate geospatial information in your home. That could  open up many opportunities for AR experiences in homes.

Tish: Don’t you think we have enormous resources in terms of image databases that provide a great basis for augmented reality.  I was talking to Aaron Cope at ETech about The Shape of Alpha – Flickr’s vernacular mapping project using all the geotagged photos in Flickr. That is such cool project. Aaron will be speaking at Where 2.0 also.

Ori: Think of Google Earth. Google Earth leveraged communities to basically map all the major cities around the world into 3D models. And that is an essential step to be able to do augmented reality outdoors. Because if you had to model everything from scratch, it wouldn’t be realistic.

Augmented Reality and Becoming Greener.

Tish: I am really interested in how AR interfaces might be useful to some of the emerging energy identity/metering projects like AMEE and WATTZON because I think it is very important that people have very intuitive, immediate, and enjoyable ways to relate to energy data so they can make greener choices.

Ori: Back in the day I had an idea to build an Augmented Reality application to become greener. You look at things around your home with the camera and it  recognizes its green gas footprint and makes recommendations to reduce it.  I guess it was a bit too early to do that based on visual recognition alone…you’d need  additional sensors that would provide related information about what you are looking at.

Tish: Well as there is more interest in Green technology do you think we may see VC interest in some green AR projects now?

Ori: I talked to some of the investment folks, Angels as well as VC’s about AR and they had no clue what it is. There’s a need for a whole lot of education. And there are no proof points (as in successful investments in this domain), and counter to popular belief – they don’t like risk so much…

Tish: And consumer adoption must lead the way, right?

Ori: Just like with every emerging technology in history, people never bought the technology, they bought the content, the apps, the benefits that came on top of the technology. Whether it was VHS winning over Beta Max, or BluRay winning over HD. It’s always because of more/better content. Look at the video game console war: Xbox, and Nintendo did better than Sony just because they had more and better games. Even Windows was a success thanks to its applications. People bought it for the applications not the OS. The content is the first to drive demand.

Tish: One of the challenges to giving people new ways to relate to their energy consumption is that you can just have them looking at graphs of how bad they have been in the past you – that may make them feel bad but that doesn’t necessarily give them ways or motivation to change. There perhaps needs to be more immediate relationship to the data to facilitate change. I think the mantra for optimization of anything from energy usage to supply chains is timely, actionable data?

Ori: There are a lot of ideas about measuring information and displaying it to people. For example, the Prius hybrid car, one of its interesting features – which is kind of game like – is a constant display of your current fuel consumption. That alone changes how people drive because they try to beat the “Score” and as a result conserve more fuel. That model can be applied to our homes…

Tish: Yes that is something I am very interested in. I have been following several projects in this area – one of my favorites is the Arduino, Current Cost/Tweetawatt, Pachube integrations I saw at Homecamp.

You joined a start up with Shai Agassi which was bought out by SAP right? He has a brilliant approach with Better Place.

Ori:  I think what’s really unique about Better Place’s approach is that he doesn’t require people to change their behavior. People are still going to have their own cars. They’ll be able to drive as far as they want, and for the same (or lower cost). Its not necessarily about a new technology, electric cars have been around for a long time but there was no way people were going to be limited by the 50 or 70 mile range and Better Place is solving that problem. With its infrastructure of charging spots and battery switching stations, drivers are going to be able to drive anywhere. And it’ll be similar to having to stop once in a while to refuel your car. The price maybe even lower than what you pay today for your transportation needs – and you’ll stop generating green gas. It’s a clever way of taking technology to a whole new level without changing the behavior of people.

Tish: Better Place is a classic example of things as a service isn’t it?  It is basically a utility company.

Ori: It is similar to a phone carrier model.  You pay for a membership that gives you access to the car (equivalent to the phone) and electricity (equivalent to the phone line) for the same price of fuel cost today. And as bonus you get to save the world.

How the iphone changed the game for AR – and the iphone versus Android

Picture from Ori’s post, “GDC 2009: Why the iphone changed everything”

Ori: And back to AR, you have to take the same approach, because nobody’s wants to don those huge head mounted displays or backpacks. You have to take advantage of people’s current behavior: they already carry their iPhones or similar devices.

Tish: As we discussed, you just have to get people raising up their phones and looking through them when that is a useful thing to do. Both Wikitude and Nathan Freitas’s graffiti app were enough to get me interested in the evolutionary step of raising my phone! Nathan’s graffiti app is nice. You leave a marker for your graffiti so other people can find view/add their own – a nice primal experience like pissing on the lamp post to let your pack know where you’ve been.  Also the graffiti app taps into a long history of  NYC street culture around tagging and graffiti art (see my interview, “Is it OMG finally for Augmented Reality?”).

Ori: The app store has fundamentally changed the mobile gaming industry. Last year they were in shambles. There was no growth. Everybody was complaining, “we can’t handle it, there’s a million phones, and you have to test it on each phone. And carriers suck, they don’t care about sharing and promoting your content. Everything was bad. This year mobile gaming is the hottest thing. And it’s all because of the iPhone. It changed the game.

Tish: How do you think Android is going to get traction against the iphone?

Ori: Well the number one thing is the form factor – the iPhone is just much cooler than the G1. Its OK but it doesn’t have the same feel. People thought it was going to be easy to clone the iPhone but none of the attempts succeeded so far.

Tish: How much does it matter for AR not being able to runs things persistently in the background on the iphone?

Ori: Actually they have add a such a capability in OS 3.  You can now make use of a background service.

Tish: OS 3 will open up new possibilities for AR?

Ori: The access to the video API is still not public.  But there is a new Microsoft application – Microsoft Tag that makes use of that API which means it is probably OK to use it.

Tish: (I ask Ori for his card and he shows me how to read it with my iphone.) Oh nice you have an AR card, of course!

In Search of Pong for Augmented Reality

Tish: So how will AR begin to, as Blair’s friend put’s it, “facilitate a killer existence,” particularly as we are probably looking at some new and perhaps pricey hardware?

Ori: You could take the Better Place approach. We’re going to give you a great experience and we’ll include the devices as part of that experience for the same price. Let’s say you subscribe to an AR experience  which offers access to multiuser, support, and all the information you need wherever you go – exactly according to the vision. You pay for a subscription on a monthly basis and included in that cost we give you a better device that offers a  better AR experience. It’s following the phone carrier approach, but in a good way.

But first of all we do need our Pong! I was sitting with a couple of AR game enthusiasts at the GDC and we were asking ourselves, “how do we create the first pong for AR?”

Was Pong a multiplayer game? Not necessarily! Did it connect to the network? No! We have to create the first dot in a long line of dots that will bring us to our destination.

Tish: You haven’t seen a Pong yet have you?

Ori: Not yet. I mean there’s maybe a handful of games and apps out there, but I don’t think any of them is a Pong yet. Still, it’s getting closer.

Tish: Kati London is doing some very interesting work on bringing games into reality, isn’t she?

Ori: Yes, she works with Frank Lanz at Area/Code. He teaches at NYU and has designed games for the “Come Out and Play” festival here in Manhattan. And a lot of these games are actually low tech.

Tish: Yes I have a big alternate reality game blog brewing that I haven’t had time to write yet!

Ori: The city is the gameboard is their slogan. It’s going to be a great playground for AR games. The city becomes a theme park. The city could become an even bigger touristic attraction. People will come to the city to be part of these games. So you’re having thousands of people running around the city playing all sorts of games from laser-tag style to history adventures, to treasure hunts.

Composing Reality

Tish: So why haven’t you focused on one of these kinds of games with your company?

Ori: We have a couple of scenarios along these lines that we’re planning for 2010-11. But first focus on what’s possible today.

Tish: And what’s stopping you from doing those kind of games today?

Ori: Many things. The devices are not there yet, location services are not accurate enough, ubiquitous sensors are not  there yet.

Tish: You think alternate reality gaming needs more “ubiquity” than is currently available?

Ori: Not necessarily. People are doing alternate reality games with no “ubiquity” at all. But my interest is to add the visual aspect. I believe humans are mostly driven visually.

Jane McGonigal said in a talk at GDC, that AR would allow us to program reality, which is exactly how I look at it. Once you can recognize things, some of it with WiFi and RFID and all sorts of sensors. But visual sensors is always going to be the ultimate way to recognize things. And once you recognize things and know what they are, and can pull information about those things (or people and places) from the internet, you can program it (visually). You could program it to be fictional, like in a video game, or it could be programmed as non-fictional, like a documentary. And that allows you to do things that before were unimaginable.

Tish: But you can’t forget the visual, it is primary the connection to peoples’ primary sensory relationships.

Ori: Yes, it’s like you go to a grocery store and you pick your vegetables, a lot of it is by sight and by touch. And what if you could also see just by looking at it that it’s from a local store, and that it’s organic?

Tish: It goes beyond overlays really?

Ori: By the way, I don’t like the term ‘overlay’. I know that’s how it looks: you either overlay or superimpose, but I’m still searching for a better term. A term I prefer to use is “composing reality”. Just like painters, they use brushstrokes and colors and compose a painting. We need to take the real element and the virtual element and compose them into something new. It’s not just about slapping one on top of the other.

Tish: yes I think the idea of dashboards is not so appealing.

Pookatak Games

Tish: Do you want to explain the evolution of your company? You have an interesting history of success with high end enterprise applications.

Ori: Since I was a kid I wanted to invent and create things. When I discovered software, that was a really cool way of actually creating things from nothing. From thin air; and you can do it very quickly. That’s what brought me into software. But I was always looking for the intersection between technology and art. Looking for ways to bring these things together. In the early nineties virtual reality was doing it. It had the appeal of cutting edge technology that can be combined with art. But then, as we all know, it crashed. So I joined Shai Agassi’s startup (who is now doing Better Place) back in the early nineties. I was one of the first employees in his startup which was developing multimedia products. I was leading the development of one of its flagship product. At some point we realized the technology could be great for an enterprise environment.

It was a really great experience. First going through this cycle from a very small startup and growing into this multi billion dollar business. I was responsible for defining and marketing SAP’s platform, which was called Netweaver. It was just an idea when we joined SAP and by the time I left it was a major, major business for SAP. I learned about the challenges of building a platform. No matter what purpose you’re building it for, it typically has similar rules. It’s definitely not just about the technology; the content that comes with it is really key to making a platform successful.

The third part of this platform trifecta is the community. If you don’t build a community, you won’t get the critical mass required for adoption. It may be your own platform but it’s not necessarily the people’s platform. That experience is very key to what we’re doing today. Now, a new industry is being born on the basis of a remarkable technology. But to drive adoption, first we’ll need good content. The content will be created using today’s technology with internal tools developed to simplify the process. Next step would be to make the tools used internally – available to other developers. Help scale the industry, enable innovation on a larger scale. That way we have a chance to create a platform. So it isn’t really just about my company. I’m so passionate about augmented reality, I want to it to become a healthy and successful industry for the next 5, 10, 15 years.

Tish: Yes I am so ready to be liberated from the sitting behind a computing screen! And I know that all this hardware is murdering the environment.

Ori: There’s ‘s the book by Rolf Hainich which is called “The End Of Hardware. ” It’s about hardware for augmented-reality. Once you use goggles or other AR interfaces you eliminate the need for screens, laptops, etc. It’s going to be great for the environment. You have read Rainbow’s End, right? According to the book in few years there will barely be any (visible) hardware. At least it’ll have a much smaller footprint for the environment. And it’ll touch every aspect of life, everything you do. It’ll change the way you interact with the world.

The Illusive Eyewear for Immersive AR.

Friend of Ori’s in San Francisco wearing retro AR goggles (from Games Alfresco, Ori’s roundup of GDC 2009)

Tish:OK lets talk about goggles.

Ori: Goggles are going to happen, we want to be hands free.

It’s going to happen because it’s just a more intuitive way to use this technology. But above all it has to look cool. Because if it’s not, if it’s a big headset, then maybe a small percent of the population might use it, but most people won’t. It has to look like an accessory, like new cool eyeglasses that you just must wear.

I recently talked to a friend, who runs an industrial design firm, and has experience in designing such glasses for companies like Microvision and Lumux. He says that when you try to bring the images so close to our eyes – there are some really hard problems to solve. Otherwise it can become really annoying and cause dizzyness.

But I’m optimistic. I believe it’s going to happen 3 to 5 years from now. It’s already starting now: Vuzix announced goggles that will be available this year. Some AR apps that are going to take advantage of next year. Initially only a fraction of the population will use it. And that’s going to help advance it and make it better and better. But it’s going to take time until it reaches the mass market.

Tish: In virtual worlds we have seen, I think, a lot of mistakes in terms of reinventing the wheel and producing too many proprietary versions of the same thing and not enough concerted effort on standards and open platforms that could create a vibrant ecosystem.  How can augmented reality not make the same mistakes?

Ori: There are some early AR open source efforts ARTookit, ARtag but it is not a movement yet.  One of the things we’re trying to do at ISMAR this year is to put together  discussions around key industry issues, such as standards. Some people say it’s too early, you have to have a defacto standard to start from. But pretty soon it’s going to be too late. Just like with virtual worlds, all of a sudden you have all these islands that don’t talk to each other. Why get to that point if we can plan to avoid it? Let’s start thinking about it right now. On the other front there are devices. There are pockets of people working on adapting devices for AR, second guessing the hardware companies. Why not get them together with the Intels and Nvidias of the world, and discuss what this device should be able to do. And then compete to make it happen.

Tish: How much luck are you having with this discussion part?

Ori: People are very interested in doing this. We proposed these panels for ISMAR. And I’ve got some key people already on board. They have tons of input, they want to get involved. We’ll see how much we can actually get out of it.

Tish: In virtual worlds it was a while before vibrant opensource communities developed.  OpenSim has I think been the breakthrough community in this regard.

Ori: You have to think about the elements up front. The dream job is to architect the industry. Say we agree on the required pieces. Then we could help the right companies succeed in delivering the pieces. Next, we have to collaborate so that these pieces talk to each other. And eventually these communication methods will become defacto standards and most developers will adopt it.

Tish: So I’m going to put you in the role. You’ve got your dream job. You’re going to architect this community. So what are the key pieces and where would you like to see the open source communities take hold first?

Ori: Open source will not be exclusive. It’s going to live side by side with proprietary technology.

The key pieces? You have the user at the center. And the user interacts with a lens. The lens includes both the hardware and the software. And then the lens senses and interacts with the world, which includes people, things and places. And these people-things-places emit information – about who they are, where they are, what they’re doing, etc  – which is then stored in the cloud.

And then you have the content providers, the people and companies, composers who weave AR experiences through the pieces we mentioned before. These composers need a platform that glues these pieces together. Pieces of the platform will be on the lens, and in the world, and in the cloud. If you manage to remove the frictions, and connect these pieces into an experience that people like – then you have a platform. What the platform does it reduces the overhead and accelerates innovation.

Tish: Another problem virtual worlds faced in their development was their isolation from the world wide web.  Will augmented reality avoid this plight?

Ori:  Yes, I believe the key, like you said before, is not to reinvent the wheel. The cloud is already there.  Take Wikitude for example, all Mobilizy had to do is build  a relatively simple client app, connected to wikipedia, and all of a sudden it offered a wealth of information in your field of view.

I think we can learn a lot from web 2.0. For example, in order to have a ubiquitous experience like Robert Rice and others are striving for, you’ll need to 3d map the world. Google earth like apps are going to help but it is not going to be sufficient. So let’s leverage people. Google became successful in part by making people work with them.  Each time you create a link from your blog to my blog their search engines learn from it.  So let’s find ways to make people create information that can be used for AR.

Ori Inbar directed Wiki Mouse – a WIKI Film co-created by a swarm of movie makers around the world.